This week my excuse isn’t forgetfullness, but rather being out of town with a super slow internet connection. I wrote most of it out on Monday, but there wasn’t a chance I would be able to upload the pictures on a 33.3 k connection.
“Car Wheels on a Gravel Road” – Lucinda Williams
From Car Wheels on a Gravel Road
Lucinda has a voice that is country, earthy, sad, and beautiful all at the same time. She writes lonely songs about country roads, failed love and all the pain and hurt that makes up a life. Car Wheels on a Gravel Road, the album, is about as perfect as an album can be. There simply isn’t a bad song on it.
The song is just exactly the kind of song I love. It has jangly guitars, a nice little rhythm section to it, it is country without being too country, it rocks without really being rock and has a great sing-along little chorus.
If it was socially acceptable, if my wife wouldn’t kill me, and my God wouldn’t damn me, I’d ask Lucinda Williams to be my mistress and ask her to sing this song to me.
“Real Live Bleeding Fingers and Broken Guitar Strings” Lucinda Williams
Originally this is off of Lucinda’s World Without Tears album, and album I have never found myself getting into all that much. There are some good songs there for sure, but overall it never really catches me, not like Car Wheels anyways.
Upon listening to this live version I may have to reconsider the whole album again. The bootleg itself is exceptionally good, which is tremendous considering the other Lucinda boots I own sound like crap. A terrible thing, in my opinion, to get a bootleg of an awesome live artist only to be let down by the sound quality.
This is the show closer of that boot, and I get a couple of minutes worth of crowd noise before, presumably, she comes out for the encore. An interesting thing that comes from listening to a bootleg that is still on the computer in a random order. You get every note and every pause.
“May This Be Love” – Emmylou Harris
From Wrecking Ball.
Emmylou Harris has a gorgeous, moving voice, but to be honest many of her songs leave me with little impression. Which is doubly strange when I consider that she does convey a great deal of emotion in her songs. They just don’t tend to stick with me.
This is from her second album, I believe, with producer Daniel Lanois. There are lots of his trade mark ethereal sounds throughout, but to be honest once again, most of the album doesn’t leave a mark.
Take this song for instance, it is four minutes of guitar fuzz and Emmylou singing what must surely be a great, tragic song, but while listening I keep wondering when it will end. It is moving in its own little way, and perhaps if I had the head phones plugged in and a starry sky to look upon, I would be moved. But as is, it seems nice, but it is nothing I’ll remember.
“Single Girl” – Pat Carrell
Songcatcher, the movie always seemed like a way to cash in on the whole O Brother, Where Art Thou? buzz. The soundtrack carries a number of lovely songs, and a number of irritatingly country songs.
“Single Girl” is a funny, very country little ditty that reminds me of both my grandma and a lady who tells stories on the local radio station on Saturday mornings. At just over a minute it isn’t much more than a snippet, but one that sticks with me.
“Rainy Night in Georgia” – Sam Moore and Conway Twitty
From Rhythm, Country and Blues
This is a great old, sad, soul song made famous by Book Benton. Here it is covered by Sam Moore of Sam and Dave fame and country legend Conway Twitty. It is from an album that coupled country singers with their soul singing counterparts. Mostly, it stinks but this and a version of “Aint It Funny How Time Slips Away” by Lyle Lovett and Al Green make the album worth any money you might spend.
Sam and Conway are obviously having a lot of fun singing this old song, and they even throw a little banter midway through that sounds natural and fun.