Garcia & Saunders
The Ash Grove
Santa Monica, CA
5/23/73 Late Show
This is flac encoded & tagged version of shnid: 9587
MAR (Taped by Night Crew, Sony ECM-22Ps > Sony 770) > 2R > playback on Akai GX-4000D > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > HHb 800 master CD > one or two CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
Single Disc (6) 69:12
1. //It Takes a Lot to Laugh It Takes a Train to Cry [7:30#] [1:07]
2. Expressway [11:33] [1:45]
3. Money Honey [6:21] [2:18]
4. Little Bit of //Righteousness [18:39#] [1:52]
5. Like a Road [10:33] [0:15]
6. That’s Alright Mama [6:53] [0:23]
d1t01 Train to Cry cuts in, not much missing
d1t04 Little Bit of Righteousness brief cut/splice @ 17:29
Note added 8/16/2008 (jj):
– The d2t04 instrumental is “Little Bit of Righteousness”, from the Merl Saunders release Keepers. It had previously been listed as “I Can’t Keep From Cryin’ Sometimes”.
Los Angeles, CA
Links are dead. Eventually I’ll get my CDRs out and reupload.
Lover Of The Bayou
You Ain’t Going Nowhere
Well Come Back Home
My Back Pages
Baby What You Want Me To Do
He Was A Friend Of Mine
Truck Stop Girl
Break My Mind (with Gram Parsons & Linda Ronstadt)
I’m Movin’ On (lead vocals by John Hammond)
Take A City Bride (lead vocals Gib Guilbeau)
Wheel’s On Fire
It’s All Right Ma (I’m Only Bleeding)
Ballad of Easy Rider
Jesus Is Just Alright
Turn Turn Turn
Mr. Tamborine Man
Eight Miles High
I’m honestly not much for the Byrds. I absolutely adore their country rock phase that comes from Gram Parsons and the album Sweetheart of the Rodeo and I dig some of the Dylan covers, but most of the rest leaves me flat. I really like Roger McGuinn’s guitar playing on that crazy 12-string Rickenbacker, which makes me not liking them kind of weird. I can’t really pinpoint the why, and I’ve tried a bunch of times to like the rest of their music, but something about the sound just doesn’t do it for me.
This bootleg, honestly doesn’t help much in those matters. The sound quality is less than to be desired. It purports to be a soundboard cut, which is believable enough, but the tapes must have been mistreated, for it sounds battered and beaten. The band also sounds a bit ragged. Definitely worth it for fans, but otherwise you’re better off leaving it alone.