
Two estranged sisters, Bree (Nora-Jane Noone) and Jonna (Alexandra Park) go swimming at an indoor public pool. Before the official closing time the crotchety pool manager (Tobin Bell) yes to everyone to leave. They are closing for the holiday weekend and he wants to have an early start on it.
As they are leaving Bree realizes she’s lost her engagement ring. Jonna finds it at the bottom of the pool, stuck in a grate at the bottom of the pool. They both dive in to retrieve it. At the same time, the manager engages the pool cover and locks it up. The girls are stuck inside the pool for the long weekend.
That’s a pretty interesting premise for a film. The trouble is there is only so much tension you can ring out of two girls in a pool. The cover keeps them trapped but there is plenty of air and while a few days stuck there would be difficult it likely isn’t deadly. So it has to find new or different things to keep the viewer interested.
The film initially tries to do that by upping the emotional conflict between the two girls. Jonna is a drug addict, three months clean, who has just returned from rehab. Bree has a burn scar on her arm from a childhood trauma that slowly gets revealed as the film goes on.
But that really isn’t enough to keep an audience interested, especially when you want to bill your film as a thriller/horror. It also isn’t that well done. The writing for these scenes just isn’t strong enough.
The film seems to understand this, having the girls at one point joke that all they need to make it a perfect night would be for sharks to enter the pool. Honestly, I think I would have preferred some sharks.
Eventually, we learn that Bree is diabetic and she needs an insulin shot or she’s going to go into a coma. That creates a little tension, but it still isn’t enough.
Enter Clara (Diane Farr) an ex-con who was working for the pool, but just before the girls got trapped we were treated to a scene where she was caught stealing from the lost and found and got fired for it. She sees the situation as something that could be advantageous for her.
She steals Bree’s phone and what little cash she had in her purse. Then demands the PIN for her bank card. Then this, then that. She’s just awful and becomes the film’s Big Bad.
But the film keeps going back to the sisters talking. Bearing their souls. Getting down to the bottom of their dark past. Then when that gets boring Clara will come back to do something terrible.
The movie isn’t bad enough to be outright awful. It is adequately directed – Matt Eskandari gets good use out of the pool’s geography and the two leads are good enough for the material. But it also isn’t very good. It is a film that is trying just a little too hard to be deep and emotional but it never quite connects in that fashion. Then it undercuts itself by having Clara do something completely over-the-top or allowing Bree to slip into unconsciousness.
It also isn’t very scary or horrific. It is labeled as horror which is why I watched it and why I’m writing this piece, but it just barely skates into that territory.
I’ll be avoiding this one!
Obviously, I don’t recommend it.
Thanks Mat, you’ve saved me a potentially wasted 90 minutes! I hate when that’s how you feel after a really bad film.