Lossless Bootleg Bonanza: Van Morrison – Los Angeles, CA (07/26/86)

Van Morrison (born George Ivan Morrison) performs onstage at the Auditorium Theater in Chicago, Illinois, July 16, 1986

VAN MORRISON
Universal Amphitheatre
Los Angeles, California
July 26th 1986

Download: FLAC/MP3

Very Good Audience Recording

This Transfer has not been previously circulated

The tape had serious Balance, Level and Destructive Cut problems throughout. These have been
fixed as well as possible. Normally I wouldn’t bother with this kind of mess but it is a very
good show and recording.

SOURCE: Low Generation Cassette Maxell XL11 90 > Akai GX95 11 >
Soundforge PRO 10c > FLAC Level 8

Mastered from Low Generation Tape by JTT, June 2014

Disc One
01. DANNY BOY (instrumental) >
02. GOT TO GO BACK >
03. MOONDANCE
04. VANLOSE STAIRWAY
05. IVORY TOWER
06. THANKS FOR THE INFORMATION
07. TORE DOWN A LA RIMBAUD
08. IT’S ALL IN THE GAME > MAKE IT REAL ONE MORE TIME (edit at 00.27)
09. NORTHERN MUSE (SOLID GROUND)
10. LARK ASCENDING >
11. HAUNTS OF ANCIENT PEACE (edit at 04.38)
12. SHE GIVES ME RELIGION

Disc Two
01. CRY FOR HOME
02. A SENSE OF WONDER
03. AND THE HEALING HAS BEGUN (edit at 01.56)
04. CLEANING WINDOWS
05. IN THE GARDEN
06. SUMMERTIME IN ENGLAND (edit at 05.06)
07. A TOWN CALLED PARADISE
08. RAVE ON JOHN DONNE (incomplete, 01.19 only)

Lossless Bootleg Bonanza: Joni Mitchell – Los Angeles, CA (01/26/95)

Joni Mitchell - los ángeles - 1995

JONI MITCHELL
WELLS FARGO THEATER
GENE AUTRY WESTERN HERITAGE MUSEUM
Los Angeles, CA.
26 January 1995

Download: FLAC/MP3

tracklist:

01 refuge of the roads
02 being roy
03 sex kills
04 moon at the window
05 night ride home
06 loves cries
07 yvette in english
08 cherokee louise
09 sunny sunday
10 hejira
11 just like this train
12 happiness is the best face-lift

From the original uploader:
This version did not come form Dime
I believe it came from the Joni Mitchell
Dowload hub a long time go.
It is just about excellent.

Lossless Bootleg Bonanza: Bob Dylan – Los Angeles, CA (06/07/78)

bob Dylan - Los Angeles - 1978 millard_june_7_1978_nak_reel

Bob Dylan
Universal Amphitheater
Los Angeles, CA
June 7, 1978

Download: FLAC/MP3

A Hard Rain’s A-Gonna Fall *
Love Her With A Feeling *
Baby Stop Crying *
Mr. Tambourine Man
Shelter From The Storm
Love Minus Zero/No Limit
Tangled Up In Blue
Ballad Of A Thin Man
Maggie’s Farm
I Don’t Believe You (She Acts Like We Never Have Met)
Like A Rolling Stone
I Shall Be Released
Going, Going, Gone
Rainy Day Women # 12 & 35
One Of Us Must Know (Sooner Or Later)
You’re A Big Girl Now
One More Cup Of Coffee (Valley Below)
Blowin’ In The Wind
I Want You
Senor (Tales Of Yankee Power)
Masters Of War
Just Like A Woman
Don’t Think Twice, It’s All Right
Simple Twist Of Fate
Oh, Sister (Bob Dylan‚ Jacques Levy/Bob Dylan)
All Along The Watchtower
All I Really Want To Do
Band Introduction
It’s Alright, Ma (I’m Only Bleeding)
Forever Young
The Times They Are A-Changin’**

*Missing from Source 1
** Missing from Source 2

Source 1:

LB- 11702
Mike Millard first gen via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. Three

Recording A Info: AKG 451E mics (CK-1 capsules) > Nakamichi 550

JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX3 > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (Edit / Index) > xACT 2.21 > FLAC

JEMS is pleased to release the third in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. For further details on how these tapes came to be lost and found again, as well as JEMS’ history with Mike Millard, please refer to the notes in Vol. One http://www.dimeadozen.org/torrents-details.php?id=500680

Our third installment is from the final performance of Dylan’s seven-night residency at the Universal Amphitheater in June 1978 (imagine playing a 27-30 song set for seven consecutive nights without a day off). Once again, the recording is not quite complete. Millard’s notes state, “Missed first song and most of second song.” In truth he missed the first three songs (the show-opening “A Hard Rain’s A-Gonna Fall,” “Love Her With a Feeling” and “Baby Stop Crying”) before he gets his trusty Nakamichi 550 up and running during “Mr Tambourine Man.”

Lossless Bob has no fewer than five entries for this show, though only identifies two distinct recordings, both of which are complete from the start, so, like its predecessors, it is likely this Millard master is uncirculated. And like nights one and three, what Millard did record is impressive. Samples provided.

We’ve marked this Recording A as, remarkably, Millard sent SG two different recordings of the show, done with two different tape decks and two different sets of microphones. The notes on each clearly state that Mike himself made both recordings, so while there is no other known case where Millard ran two rigs, we can only assume that on this night he did or perhaps he did so with an uncredited partner, as we know he frequently had helpers. Recording B will be Vol. Four in our series.

Bobtalk is particularly rich this night, including a highly entertaining moment towards the end of the show where Dylan says hello to some celebrities in the crowd, among them Joni Mitchell, Raquel Welch and Tom Petty. The transcription on Olof’s invaluable Still On The Road website also notes that Dylan offers that his favorite band is “a band I saw play with Bobby Blue Bland, 1968 I recall in New York. And this band comes as close to that band as I can find.” OK, now we know.

The June 7 set also includes three songs not featured in the sets on the other two Millard recordings from this run, “Don’t Think Twice, It’s All Right,” “Simple Twist of Fate” and “Oh Sister.”

If you’d like to learn more about Mike the MICrophone, the links below offer a glimpse of his story.

Millard’s Wikipedia page
http://en.wikipedia.org/wiki/Mike_Millard

The best article written about Millard has been deleted from the original website but is reprinted here:
http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html

Thanks again to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history. Also, JEMS is greatly appreciative of the work of mjk5510 for his continued assistance in getting these recordings into your hands. He is a vital part of the process at this point.

Here’s to the late, great Mike the MICrophone and to finding more lost tapes.

BK for JEMS

Source 2

LB-11720

Mike Millard first gen via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. Four

Recording B Info: Nakamichi CM-50 microphones > Uher CR-240 cassette recorder

JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC

Seamless transfer, suggested break for CD burning above…

JEMS is pleased to release the fourth in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. For further details on how these tapes came to be lost and found again, as well as JEMS’ history with Mike Millard, please refer to the notes in Vol. One http://www.dimeadozen.org/torrents-details.php?id=500680

Incredibly, our fourth installment is an alternative SECOND Millard recording from the final performance of Dylan’s seven-night residency at the Universal Amphitheater in June 1978. That’s right, the same performance as Volume 3 of our series, but a different recording made by Millard with a completely different rig. In addition to his familiar AKG 451E mics (CK-1 capsules) > Nakamichi 550 set up, Millard ran a pair of Nakamichi CM-50 microphones into a Uher CR-240 cassette recorder. We believe this is the first verified example of Millard recording on different gear and he uses the same set up for future shows in our series.

Nakamichi CM-50 photos http://www.nakmics.com/nak-cm50.htm
Uher CR-240 photo http://commons.wikimedia.org/wiki/File:Uher-cr240_hg.jpg

This recording also marks the first time in the run that Mike was able to capture the show from the very start, the instrumental version of “A Hard Rain’s A-Gonna Fall.” So we get the beginning of the show, but not the full encore, as the last song of the night, “The Times They Are A-Changin’,” is omitted. (Note: It can be found on the Vol. Three recording of the same performance.)

The question you are probably asking yourself right about now is: OK, that’s all interesting minutiae, but which recording is better? I would give the nod to this one, which sounds just a tad sharper, clearer and fuller. Samples provided.

Lossless Bob has no fewer than five entries for this show, though only identifies two distinct recordings, both of which are complete, so, like its predecessors, it is likely this Millard master is uncirculated.

We’ve marked this Recording B to distinguish it from Mike’s other tape from the night. The notes on each reel (see image in the comments) clearly state that Mike himself made both recordings, so while there is no other known case where Millard ran two rigs, we can only assume that on this night he did or perhaps he did so with an uncredited partner, as we know he frequently had helpers.

Speaking of those helpers, JEMS’ Millard series has sparked a lot of comments and dialogue. A fellow taper we’ve gotten in touch with was one of those helpers who attended many shows with Mike. He wanted to let folks know that despite what you may have read, Mike was no loner. He had several close friends, many of whom shared his passion for music. Whoever drew that conclusion and perpetuated the loner profile was mistaken.

If you’d like to learn more about Mike the MICrophone, the links below offer a glimpse of his story.

Millard’s Wikipedia page
http://en.wikipedia.org/wiki/Mike_Millard

The best article written about Millard has been deleted from the original website but is reprinted here:
http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html

Thanks again to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history. Also, JEMS is deeply appreciative of the work of mjk5510 for his continued assistance in getting these recordings into your hands. He is a vital part of the process at this point.

Here’s to the late, great Mike the MICrophone and to finding more lost tapes.

BK for JEMS

Lossless Bootleg Bonanza: Bob Dylan – Los Angeles, CA (06/05/78)

Bob Dylan - Los Angeles - 1978 - DylanJune5LA78 F

Bob Dylan
Universal Amphitheater
Los Angeles, California
05 June 1978

Download: FLAC/MP3

LB-0227

Reportedly from master

01.A Hard Rain’s A-Gonna Fall
02.Love Her With A Feeling (Tampa Red)
03.Baby Stop Crying
04.Mr. Tambourine Man
05.Shelter From The Storm
06.Love Minus Zero/No Limit
07.Tangled Up In Blue
08.Ballad Of A Thin Man
09.Maggie’s Farm
10.I Donít Believe You (She Acts Like We Never Have Met)
11.Like A Rolling Stone
12.I Shall Be Released
13.Going, Going, Gone
14.Rainy Day Women # 12 & 35
15.One Of Us Must Know (Sooner Or Later)
16.You’re A Big Girl Now
17.One More Cup Of Coffee (Valley Below)
18.Blowin’ In The Wind
19.I Want You
20.SeÒor (Tales Of Yankee Power)
21.Masters Of War
22.Just Like A Woman
23.Don’t Think Twice, It’s All Right
24.All Along The Watchtower
25.All I Really Want To Do
26.It’s Alright, Ma (I’m Only Bleeding)
27.It Ain’t Me, Babe
28.Forever Young
29.The Times They Are A-Changin’

Lossless Bootleg Bonanza: Bob Dylan – Los Angeles, CA (06/03/78)

Bob Dylan - Los Angeles millard_june_3_1978

Bob Dylan
Universal Amphitheatre
Los Angeles, CA
June 3, 1978
Mike Millard first gen via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. Two

Download: FLAC/MP3

Recording Info: AKG 451E mics (CK-1 capsules) > Nakamichi 550

LB-11634

JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX3 > Peak 6.0 with iZotope Ozone 5 (pitch correction) > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (Indexed) >
xACT 2.21 > FLAC (Seamless transfer, disc break is only a suggestion)

missing: A Hard Rain’s A-Gonna Fall, Love Her With a Feeling

101 Baby Stop Crying (joined in progress)
102 Mr. Tambourine Man
103 Shelter From The Storm
104 Love Minus Zero/No Limit
105 Tangled Up In Blue
106 Ballad Of A Thin Man
107 Maggie’s Farm
108 I Don’t Believe You (She Acts Like We Never Have Met)
109 Like A Rolling Stone
110 I Shall Be Released
111 Going, Going, Gone
112 Rainy Day Women # 12 & 35
113 One Of Us Must Know (Sooner Or Later)
114 You’re A Big Girl Now
201 One More Cup Of Coffee (Valley Below)
202 Blowin’ In The Wind
203 I Want You
204 Senor (Tales Of Yankee Power)
205 Masters Of War
206 Just Like A Woman
207 To Ramona
208 All Along The Watchtower
209 All I Really Want To Do
210 Band Introduction
211 It’s Alright, Ma (I’m Only Bleeding)
212 Forever Young
213 The Times They Are A-Changin’

JEMS is pleased to release the second of a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. For further details on how these tapes came to be lost and found again, as well as JEMS’ history with Mike Millard, please refer to the notes in Vol. One http://www.dimeadozen.org/torrents-details.php?id=500680

Our second installment is from night three of Dylan’s residency at the Universal Amphitheatre in June 1978. This recording is more complete than the first night, but was again joined in progress. Millard’s notes state, “Missed first five minut[e]s of concert,” so his recording omits the show-opening “A Hard Rain’s A-Gonna Fall” and “Love Her With a Feeling,” before he gets his Nakamichi 550 up and running during “Baby Stop Crying.”

Like night one, what Millard did record is, to my ears, mighty fine. Lossless Bob has two entries for this show, both of which appear to be the same recording based on the LB notations that they cut in the same song (“Forever Young”). Millard’s recording has no cuts in “Forever Young,” and while we haven’t done an A-B comparison, that detail suggests it is indeed a new and previously uncirculated source as night one was. Samples provided.

Olof’s essential and detail-rich Still On The Road website notes: “There are (sic) some confusion regarding these shows, the set lists are identical, but some sources claim that Joni Mitchell was present on this show [June 3] rather than the nigh[t] before.” I can confirm that the BobTalk transcription on Olof’s site for June 3 matches Millard’s tape, so it is safe to say Mitchell’s appearance, cited in the June 2 BobTalk, is properly attributed to the correct show.

A few additional notes:

In 1978, the Universal Amphitheatre was an open-air venue

Lossless Bootleg Bonanza: Jerry Garcia Band – Los Angeles, CA (11/26/88)

jerry garcia - los angeles - 1988-11-26\

Jerry Garcia Band
11/26/88
Wiltern Theater
Los Angeles, CA

Download: FLAC/MP3

Set 1
Cats Under The Stars
Forever Young
Someday Baby
Mississippi Moon
Dear Prudence
And It Stoned Me
How Sweet It Is (To Be Loved By You)

Set 2
Harder They Come
Waiting For A Miracle
Evangeline
Don’t Let Go
My Sisters And Brothers
That Lucky Old Sun (Just Rolls Around Heaven All Day)
Tangled Up In Blue

Jerry Garcia (Guitar, Vocals)
John Kahn (Bass)
Melvin Seals (Keyboards)
Gloria Jones (Vocals)
Jaclyn LaBranch (Vocals)
David Kemper (Drums)

Source 1:
This is a tagged version of shnid: 88955

Ambient Recordings by tdarian and John Corso
Tapers From Hell – A Journey to the Impact Zone

Sennheiser MKE2002 (mfrench mics) as AB omni’s on bill of cap
Sony WM-D6C
From the Floor – Row A – Jerry Side
(tape notes say center – maybe Jerry side of center section??)

This is the original transfer file-set, from the Master cassettes played back on Sony TC-D5M cassette deck (with Dolby B) > Tascam DA-20mkII DAT deck at 48k
Then DAT marked with programs that were transferred as track marks on the fly, by the Tas. CDRW700
So, program-marked DAT’s played back via DA20mkII -> Tascam CDRW700, with dither to 44.1, on-the-fly, by the tas.700

This original file-set was not touched in any way during the importing and flac’ing process.
All transfers done by Mike French – TFH
compiled for flac 2007-10-30

Source 2:

This is a flac encoded & tagged version of shnid: 012023

Source: SBD > Cassette Master > DAT > CDR > WAV > SHNv3

Comments from the original uploader:
my 3rd JGB show in attendance – at the time i still knew i was lucky as hell to catch this show !!MISSISSIPPI MOON!!!.
Strong vocal performance throughout the show – especially powerful Forever Young…

Outstanding recording with one major and a few minor glitches –
d1t01 – static @ 07:05 – left as is.
d1t02 – static @ 00:42, 03:49 repaired.
d1t07 – static pop @01:46 repaired.
d2t01 – Lt channel static @ 00:04 repaired.
d2t04 – CUTS OFF at the end…
Clapping (in time) by either Gloria or Jaclyn can be heard throughout.

Thanks to Harry A. for the seeds.
DAE (EAC 0.9 beta 4, high/secure, offset corrected) > soundforge 5 > cdwav (tracking) > shorten 3.4 via neo_levo/candyman FTP.

Thanks to thejerrysite.com for being so cool.

Lossless Bootleg Bonanza: Jerry Garcia Band – Los Angeles, CA (12/05/87)

jerry garcia - los angeles - wiltern 1987 flier

Jerry Garcia Band
Acoustic and Electric
December 05, 1987
Wiltern Theatre,
Los Angeles, CA

Download: FLAC/MP3

Acoustic Set

Deep Elem Blues
Blue Yodel No. 9 (Standing On The Corner)
Ballad Of Casey Jones
Turtle Dove
Oh The Wind And Rain
The Girl At The Crossroads Bar
Drifting Too Far From The Shore
Rosalie McFall
Goodnight Irene

Electric Set

How Sweet It Is (To Be Loved By You)
I’ll Take A Melody
Mississippi Moon
Run For The Roses
Gomorrah
My Sisters And Brothers
Deal

Encore
And It Stoned Me

Source 1:

This is a tagged version of shnid: 89285

Ambient recording by tdarian
Sennheiser MKE2002 HRTF -> Sony WM-D6C “B” n.r.
Balcony Row CC, center (balcony, 3rd row, center)

High Resolution Digital Transfer Lineage:
TD Master Cassettes // MF Sony WM-D6C w/ Dolby “B” n.r azimuth adjusted playback -> Belden 1804a spc -> Sound Devices 722 @ 24.48
Transfered on 2007-03-09 by Mike French

Source 2:

This is a flac encoded & tagged version of shnid: 13983

MAC (Senn MKE2002 [HRTF] from the orchestra pit >
Sony WM-D6C [Dolby B]) > playback on master Sony
WM-D6C “B” nr > Canare custom (shielded) cable >
Tascam DA-20mkII DAT 48khz master DAT > playback
on Tascam DA-20mkII DAT > Marigo Audio Lab
Apparition Reference Coaxial/ RCA cable > Tascam
700 CDRW master CD > Marantz CDR 550 Dual Well
Recorder CD clone (DAO,1x) > CD > HP 9350i
extraction using EAC (v0.9 beta 4) > minor editing
using Sound Forge Studio 6.0 > tracking using
CD Wave (v1.6) > sector boundary verification
using shntool (v1.01) > .shn encoding using mkwACT
(v0.97 beta 1). JGAB taped by Mike French, JGB taped
by Tom D. A > D by Mike French, EAC > SHN by Joe
Jupille.

Notes:
This is a listenable aud of what appears to have been a tough
show to tape. There were lots of drops and splices here and
there, most of which were basically unfixable, but which
were made less harsh with Sound Forge Studio 6.0.

A Mission in the Rain Installment of the Music Never Stopped Project

Lossless Bootleg Bonanza: Joni Mitchell – Los Angeles, CA (11/17/72)

joni mitchell

Joni Mitchell
Troubador
Los Angeles, CA
11/17/72

Download: FLAC/MP3

(opinion: very good audience recording)

d1
1 This Flight Tonight
2 Cactus Tree
3 Big Yellow Taxi
4 Barangrill
5 You Turn Me On (I’m A Radio)
6 Judgement Of The Moon And Stars (Ludwig’s Tune) (volume fluctuates)
7 For Free
8 Let The Wind Carry Me (tape distortion at opening)
9 All I Want
10 A Case Of You
11 Carey
12 Woman Of Heart And Mind
13 Both Sides Now

d2
1 Cold Blue Steel And Sweet Fire
2 For The Roses
(end of this torrent)

lineage: trade cds>eac>flacs>split into 2 torrents>upload

Lossless Bootleg Bonanza: Eric Clapton – Los Angeles, CA (05/01/90)

eric clapton - 1990 los angeles - george harrison - crossroads-in-la-front

ERIC CLAPTON
Featuring GEORGE HARRISON
1990-05-01
Forum, Los Angeles, Ca.
From silvers “Crossroads in L.A.” Blackie 06
AUD/REC
A-

Download: FLAC/MP3

Bad Love
Before You Accuse Me
Old Love
Tearing Us Apart
Cocaine
A Remark You Made
Layla
Instrumental Jam (with George Harrison)
Crossroads (with George Harrison)

TT 67.30

Lossless Bootleg Bonanza: Grateful Dead – Los Angeles, CA (01/10/78)

grateful dead - los angeles - 1978-01-10-Shrine-Aud

Grateful Dead
1-10-78
Shrine Auditorium,
Los Angeles CA
gd78-01-10.sbd.cotsman.14523.sbeok.flac16

Download: FLAC/MP3

This is a flac encoded & tagged version of shnid: 14523
SBD>MC>?>CD>EAC>SHN
(see lineage info below)

–Set 1–
101-d1t01 – tuning (2:09)
102-d1t02 – Bertha -> (6:56)
103-d1t03 – Good Lovin’ (5:55)
104-d1t04 – dead air/tuning (4:18)
105-d1t05 – Brown Eyed Women (5:31)
106-d1t06 – tuning (2:08)
107-d1t07 – Mexicali Blues -> (3:37)
108-d1t08 – Me & My Uncle (3:08)
109-d1t09 – tuning (2:40)
110-d1t10 – Friend of the Devil (9:17)
111-d1t11 – Cassidy (7:09)
112-d1t12 – Candyman (8:52)
113-d1t13 – Passenger (6:24)
114-d1t14 – Sunrise (5:56)
115-d2t01 – Deal -> (5:50)
116-d2t02 – The Music Never Stopped (7:23)

–Set 2–
201-d2t03 – tuning/dead air (4:13)
202-d2t04 – Jack Straw (5:52)
203-d2t05 – tuning (2:27)
204-d2t06 – It Must Have Been the Roses (6:54)
205-d2t07 – tuning (4:39)
206-d3t01 – Estimated Prophet -> (13:09)
207-d3t02 – He’s Gone % -> (12:17)
208-d3t03 – Drums -> (6:27)
209-d3t04 – The Other One -> (9:18)
210-d3t05 – Wharf Rat–> (10:30)
211-d3t06 – Franklin’s Tower -> (10:11)
212-d3t07 – Around & Around// (7:13)

–Encore–
213-d3t08 – U.S. Blues (5:38)

–disc 1 total time–74:06–
–disc 2 total time–37:21–
–disc 3 total time–74:45–

Lineage info:
–The lineage for this recording remains uncertain. Many copies,
including the source for these shns, are listed as SBD>MR>PCM>D>CD.
However, Eaton lists this show as SBD>MC>C>D>CD. Therefore, this
show was likely mastered on cassette, and this recording sounds as
if it has one analog generation, plus or minus a possible PCM generation.

Notes:
–splice at 9:57 in He’s Gone
–dropout at 1:27 in Around & Around
–U.S. Blues is from an unknown sbd source
–Sound Forge was used for normalization and minor edits

part of The Music Never Stopped Project 2003

Thanks to Raoul Duke and Hanno Bunjes
edits/encoding by JCotsman