The Final Word on Substack (For Now)

I have decided that my Substack is going to be used for my music posts only. I will post show reviews, Dicks Picks, and other officially released reviews, My Life in Music, and other music-related posts over there.

Initially, I thought it best to make those posts exclusively on Substack. The thinking was that this blog would be for movie and other miscellaneous posts. Then I thought maybe I’d do some kind of linking posts from here to Substack, kind of like I link over to my Cinema Sentries reviews.

After more consideration, I think I will cross-post those music articles on these pages. As much as I complain about not getting a lot of visitors to this site, I do get some, and they do often come from search engines and outside links. I don’t think that happens over at Substack.

For example, a recent show review for Bob Dylan got linked over at Expecting Rain, which brought in some traffic. That seems like a good thing. Plus, I figure some of you are interested in my musical writings but don’t want to deal with figuring out Substack. So you will be able to read them here.

If you have no interest in my ramblings on movies and other such things, but are interested in the music thoughts, then my Substack is the place to go.

I have actually posted a few music-related things to my Substack and not to these pages. I will post those articles to this blog soon.

One last thing: with my show reviews, I have started posting links to the show over at Substack. They are only available to subscribers. I will not be posting them on this site at all.

Let me know if you have any questions about any of this.

Bimbo Agitpop by Raquelle Jaq

Bimbo Agitprop

I had a hard time with this book. It is angry and sad, and so full of cruelty and abuse (given to the author, not the other way around) that it was difficult to read. It is also very, very Millennial, so it felt like it wasn’t for me. Which isn’t to say there isn’t a lot to recommend. Jaq has a strong voice and a distinctive artistic style, which definitely makes it stand out.

You can read all of my thoughts over at Cinema Sentries.

Substack, Part II

Please read to the end, or just skip to the last paragraph. I have a little experiment.

Ever since I wrote my first post about Substack, I have been co-posting all the things I’ve written here over there. It feels a little silly doing so, but I’ve been trying to figure out how Substack works. Or to be more frank, I’ve been trying to see if I can generate more readers over there. So far, that has been a spectacular failure. I still can’t figure out if Substack posts are detected by search engines or not. It definitely feels like mine is not getting any Google juice. I think to make Substack work, you probably have to pimp yourself out like mad on social media and other places. I’m terrible at that.

All of this is okay; I was just checking it out. I do thank those who subscribed to my Substack. I appreciate it.

I recently had this thought, though. What if I just post my music stuff on Substack and my movie stuff here on WordPress? I’ve been trying to write more music posts, but they feel a little at odds with the movie writings. Several of you have told me you have no interest in my movie writings – no offence, you say; you just don’t watch movies. Again, that is okay. Maybe some of you will come around if I write more about music, but maybe all this extra movie stuff will be obnoxious.

I like the idea of having a music Substack. I like the idea of doing more show reviews and digging into Dick’s Picks and similar things. I’ll still do movie reviews for Cinema Sentries, and I’ll still do things like the Friday Night Horror Movie, but I could make a bigger attempt at more music writing and less random movie writing. Separating the into this blog and a Substack might help.

AND, and here’s the thing many of you will be interested in. I might be able to do more ROIO sharing. Substack has some tools where I can make a post but make part of it only readable to folks who subscribe. That might keep out the bots who could bring in lawyers looking for a payout.

I’ve not dug deeply into how private Substack really is. I need to research that a little better before taking actual steps to share the music.

My idea would be to include the text file information about a show, maybe even link to posters, artwork, and reviews, etc., blah blah blah, and then at the bottom add a link to download. That part I’d make visible only to subscribers.

This is all very early days in my thinking about this. I can’t promise I’ll ever share like that, but it is an interesting idea (also, if you don’t already know, I have been sharing some stuff via email; if you are not receiving those, leave me a message and I can hook you up.)

Here’s the experiment. I just wrote a post on Substack (you can view it here). I have written two “hidden” sentences. The first is for free subscribers, the second is for paid ones. I’m trying to see how well that works. If you have already subscribed, please check it out and let me know what you can read. But more importantly, if you have not subscribed or do not even have an account, will you let me know what you can read?

ImgBox is Down

I’ve been using ImgBox to host my photos for years now. They have been down all week. There is no official word (at least that I’ve seen) on what’s going on. I’ve seen a lot of talk online, and none of it seems good. Maybe it will come back, but my guess is they are just gone. Or if they do come back, I’m betting my photos are lost.

I didn’t store any personal photos on the site, so it isn’t a loss in that sense, but now I have to figure out what to use for the blog. I’ve started using ImgBB and that seems okay, but I’m not sure how much storage they give you. One of the things I loved about ImgBox was that you got unlimited storage and there were no ads or anything you had to deal with.

For now, I’m just gonna move forward. New posts will get images, but I’m not going to mess with the old ones. Eventually, if ImgBox definitely proves to be gone, I’ll try and go back and add in new image links. But that will be a massive project, as there are thousands of photos I’ll have to reupload.

Consider this an FYI.

Should I Get A Substack?

I spent last week in Kentucky visiting my wife’s family. We had a very nice time, but whenever we go away for a few days, my mind keeps thinking about what I could be doing and how I might do it better. Inevitably, I ponder the blog. I’ve complained numerous times about not getting any visitors anymore. There are lots of reasons for this, but a big one is that WordPress and blogs in general just don’t get the traction they once did. When I started this site, blogs were popular; they were the cool thing. But that time has long since passed. People still run blogs, of course, and I suppose some of them are still popular, but the format has seen its day.

As far as I can tell, the cool new thing is newsletters. The kind of thing you get in your email inbox and read at your leisure. The most popular platform for this sort of thing seems to be Substack. Honestly, I don’t know a ton about it. I subscribe to several, and sometimes I read them. But mostly they just land in my inbox, where they sit for a while until I get tired of looking at them, and then I delete.

I do know that your posts also exist online in what really seems like a blog format. You can probably play around with those pages, but I haven’t messed with them. I know some of you receive an email whenever I post on this blog. All of which makes Substack sound not all that different than what I’m doing now. I actually started a Substack a while back just to kind of see how it worked a little. All I did was import this blog into it. It works very much like a blog.

I think the big difference is that you have better control over who sees what. Whereas WordPress allowed me to make the blog private or public, but that was for the entire site, not individual posts. With Substack, you can make one post public and another only available to subscribers. A lot of the ones I subscribe to have paid tiers. They offer certain posts for free, and others only give you a preview; then you have to be a paid subscriber to read. I don’t think I’d ever be popular enough to make anyone pay for what I’m doing, but I like that you can make certain posts private.

I’m, of course, thinking about the music. There is a possibility here that I could still write about movies and things in the free section and then share the music like I did in the old days in private mode. You might have to pay some kind of minimum subscriber fee, but I’d make that super small. But that’s a thought for much further down the road.

The reason I’m thinking about Substack now is that they do seem to be more popular now. And that could lead to more visitors. They also make it really easy to share posts. You can forward the emails to others or share them on social media, and the subscribe buttons are easy to find. In this day and age, that seems very important.

At the same time, I’ve had my old posts up on my Substack for a few months now, and I’ve gotten basically zero views. I don’t know if Substack can be found via Google searches or whatever. So this whole idea of mine may be trash.

So, here’s the thing. If I start posting to Substack, will you come? Will you subscribe? Would you prefer I move to that format, or would you rather I stay here? Do any of you have any thoughts on Substack in general?

The Brewsters Are Not Going To China

We live in Shanghai back in 2007-2008. I wrote a separate blog called The Shanghai Cafe. It still exists as you can see. I want to import it to this blog just so that I won’t ever lose the posts I made back then (or forget about them.)

For one reason or another I can’t figure out how to import them to this blog, so I’m going to have to manually copy/past them here. I am able to set the date of the posts to match the dates of when I originally posted them. WordPress will accept that so they will exist in the correct timeline. But if you subscribe to my emails you will still get a new one.

I just posted one as a trial and it seems to have worked. But I then realized if you are getting my emails then you may be really confused. So we are not going to China again, but you are going to get a bunch of emails about those adventures many years ago.

Midnight (1934)

midnight movie poster

I’m thinking about doing a Top Five noir films starring Humphrey Bogart, so I did a little searching. The trouble with film noir is there are no real clear definitions. Unlike westerns or action films, the dividing lines between, say, a crime thriller and a film noir are pretty nebulous. So I wanted to make a list of all the noirs Bogart had starred in. One of the sites I found mentioned this film, so I gave it a watch.

I definitely would not call it a noir, so I’m not counting it for Noirvember, but I thought I’d talk about it a little bit anyway. Bogart was originally credited in eighth place, but the film was rereleased in 1949 as Call It Murder, after he’d become a star, and he then received top billing. 

It is more of a morality play than a film noir or even a good movie. A woman kills her husband and is caught and convicted for it. There is speculation she’ll get off as she’s a woman and it was a crime of passion, but the foreman of the jury, Edward Weldon (OP Heggie), pushes for a guilty verdict and gets it. She’s sentenced to die. 

There is some publicity and public support for the convicted woman, including from Weldon’s daughter, Stella (Sidney Fox.) She met Gar Boni (Bogart) at the trial, and in the ensuing weeks she’s fallen in love. I think he had some connection to the convicted girl, but I’m honestly not sure. He definitely is supportive of her not dying and convinces Stella to feel the same.

Anyway, the bulk of the film takes place on the day of the execution. Friends and family have gathered at Weldon’s house, and they spend a lot of time talking about the trial. He is unmoved. He stands by his decision to convict and notes that it was not his decision that she get the death penalty, but that is the law. 

Before the film ends, something will happen to challenge that idea. I won’t spoil it, but you’ll probably figure it out before it actually happens. I know I did. There isn’t much to the filmmaking. It very much feels like a filmed play, which is pretty much what it is. There is no style to it. Nothing opens it up cinematically. They don’t even use a musical score, which is really weird. Music really does add so much to a film like this. 

Bogart’s role is small but pivotal. He’s fine in it, but not particularly memorable. At this point in his career, he was playing a lot of heavies who were a long way from getting top billing. He’s really the only reason to watch this. Otherwise it would have been completely forgotten (and it’s hardly remembered despite his presence).

It’s funny because I have this idea of doing what I call “Now Watching” articles. The idea of those being that sometimes I watch a film but don’t really want to do a full review of it, but I would like to at least mention the watching. So I post the title of the film, the director and stars, and then a little synopsis. My review is typically just a couple of paragraphs, and then I’m done. It is a fun, fast way of keeping track of my movie watching while also reminding me of what I thought.

I had intended this to be one of those, and then I just kept writing. So I guess I’m calling this a full review 🙂

Jeff Tweedy – Montreal, Canada (10/11/25)

Jeff Tweedy
Théâtre Beanfield
Montreal, QC, Canada

Twilight Override Tour

Western Clear Skies
Betrayed
One Tiny Flower
Caught Up in the Past
Cry Baby Cry
Forever Never Ends
This Is How It Ends
Low Key
Evergreen
Mirror
Stray Cats in Spain
Out in the Dark
Flowering
New Orleans
Guess Again
Feel Free
Lou Reed Was My Babysitter
Amar Bharati
World Away
Half‐Asleep

Encore:
Twilight Override
Diamond Light, Pt. 1
Houses(Elyse Weinberg cover)
Suzanne (Leonard Cohen cover)
Enough

Liam Kazar opened

Images:
Poster

Video:
Instagram recording of “Suzanne

I have no intention of posting download links to shows in these spaces ever again, but that doesn’t mean I want to give up entirely on the music.

I’ve been slowly integrating the old music site back into this space. It seems pointless to have two sites for what I do. It is a slow process because I’m removing all the download links first, and I have to import them one artist at a time.

I have this idea that it might be fun to go back and include all the known source information, plus posters, ticket stubs, artwork, etc. And then maybe add in YouTube videos, reviews, etc. Basically everything I can find except the actual recordings.

At the same time I think it would be fun to follow certain tours as they happen. I won’t be doing all the artists I collect, just my favorite ones.

My idea is to put up the setlist a day or two after the show happens, plus maybe posters or other information that will be available that quick. I’ll try to add some thoughts to the show if the setlist looks interesting or something like that. And then I’ll keep tabs on when recordings do become available and add that source info whenever I find it. Plus I’ll keep looking for videos uploaded to YouTube, etc.

Does that sound interesting to anyone?

Wilco is one of my all-time favorite bands. I’ve seen them live more than anyone else. For whatever reason, they seem to love Tulsa and specifically the Cain’s Ballroom. I’ve seen them there multiple times.

Jeff Tweedy just released a triple-album and he’s coming to Tulsa next month. I got my tickets already, so it seemed natural to start following his tour.

Looking at this setlist, I have to say I’m just slightly disappointed. It covers a lot of that triple album plus some of his other solo work, but not a single song from Wilco. I get that since this is a solo tour, he’d cover his solo work, but if I’m being honest, I’ve never really loved his solo albums.

There are always good songs in them, but there are also quite a few that just don’t do it for me. The triple album called Twilight Override is the same. I actually like it a bit more than his other solo albums; most of the songs are more energetic than a lot of his solo work has been. A triple album feels like a bit much. It is hard to sit for that long and listen to it all; thus, I’ve only given it two full spins.

So, yeah, I kind of wish he was doing more Wilco material, but I get it. I do dig him covering Leonard Cohen. And I am absolutely sure that when I see him next month I’ll have a blast even if the setlist isn’t one of my dreams.

Dogtooth (2009) 4K UHD Review

dogtooth

Yorgos Lanthimos is one of the most creative, strange, and incredible directors working today. Dogtooth was his second feature film, and it might be his strangest.

It is about a man and a woman with three adult children. The children have never been let out of the house/garden. They are regularly taught false meanings to everyday words. They believe they have a fourth sibling, whom was bad and thus was sent to live outside of the yard and to whom they regularly talk to and throw gifts (but who doesn’t actually exist.) Etc. Basically the parents had children to experiment on them.

It gets even weirder but that would spoil the film. It is utterly bizarre but like all Lanthimos films there is something deeper going on behind the strangeness. I loved it, but I don’t know that I’ll ever want to watch it again.

You can read my full review here.

Now Watching: One Battle After Another (2025)

image host

One Battle After Another (2025)
Director: Paul Thomas Anderson
Starring: Leonardo DiCaprio, Sean Penn, Benicio Del Toro, and Chase Infiniti

When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunite to rescue one of their own’s daughter.

Rating: 8/10

I’ve been hearing raves about this film, and I really wanted to see it in a theater, so when I got off work a little early today, I went to a matinee. The show started at 3, and I arrived about 7 minutes till. I bought my ticket and my snacks (Junior Mints and a Dr. Pepper – a rarity for me, as my wife always makes me get popcorn).

The guy behind the counter told me the theater number, but I didn’t pay him much mind, as they have posters up in front of each entrance. I wandered down the hall one way, then the other, and finally found my theater.

It was completely empty. Surprisingly, they didn’t have any commercials or trailers playing on the screen. It was completely dark. I figured since I was the only one there and I had just bought my ticket, they weren’t bothering with the usual pre-movie nonsense.

Time passed, and soon it was five minutes past three. Then ten. Still no movie. And it was hot. I was literally starting to sweat. I got up and went back to the guy who sold me the ticket. I politely explained the movie wasn’t running and asked if he could turn down the air. He said he’d tell his manager, and I went back and sat down.

Another five minutes rolled by, and now I’m getting annoyed. The movie is a long one, and I don’t want to be here all night.

Then the guy comes in. He sheepishly says he’s figured out the problem. I’m in the wrong theater. Those posters in front of the entrance are digital displays, and they’ve got them all wrong. It is now fifteen minutes past the hour, and I’m afraid I’ve missed the start of the movie. I curse, then rush to the correct theater. Luckily, they are still showing previews, and I’m good to go.

Paul Thomas Anderson is a director I really like, but I find his films difficult at first watch. They are usually long and dense, and their points of view are off-kilter, which can make them difficult to grasp.

I usually have to sit with them for a while and then maybe watch again before I decide to really love them.

And so it was with One Battle After Another. I liked it a lot, but I’m not ready to love it. I need to think about it for a bit.

Leonardo DiCaprio is very good as a former revolutionary who seems to have really gotten into it for a girl and who isn’t all that bright. Years after a big dustup between his group and a racist Army dude (played to perfection by Sean Penn) pass, and he’s now a slack-jawed stoner trying to raise a teenage girl. The Sean Penn character comes back into the picture, and things get wild.

Really wild. The name is apt because this is a film that very rarely lets up. The performances are all top-notch, and there is plenty of black humor, crazy absurdities, and more. I really did like it, but like I said, I need to sit with it a bit.

As the title of this post implies, I’m back with the idea of writing little mini-reviews of all the movies I watch. Let’s see how long I keep up with it this time.