Bootleg Bonanza: Van Morrison – New York, NY (04/27/92)

van morrison - new york 1992

Van Morrison
The Paramount, NYC
New York, NY
April 27, 1992

Download MP3@320

Source: Aud DAT Master > CDR
Recording: Sonic Studios DSM-3 > Sony TCD-D3 DAT
Transfer: Sony R500 > HHB CDR-850
25th row, dead center

Some Peace of Mind
Ordinary Life
Tore Down a la Rimbaud
Haunts Of Ancient Peace >
Hymms To The Silence
All Saints Day
Green Mansions
Sweet Thing >
My Raglan Love
Star of the County Down
Northern Muse
Here Comes The Knight >
I Can’t Stop Loving You
Cleaning Windows >
Be Bop a Lula
So Quiet In Here >
That’s Where It’s At
A Town Called Paradise
Did Ye Get Healed?
It’s All In The Game
Why Must I Always Explain?
Not Feeling It Anymore
See Me Through / Soldier of Fortune
Youth of a 1000 Summers
Vanlose Stairway/Trans-Euro Train
Enlightenment
Whenever God Shines His Light
In The Garden/Daring Night
Send In The Clowns

Grateful Dead – New York, NY (10/30/80)

grateful dead - radio city music hall - 1980 poster

Grateful Dead
October 30, 1980
Radio City Music Hall
New York, NY

Download: FLAC/MP3

Set 1 (acoustic)
John Scher Introduction
banter & tuning
Deep Elum Blues
banter & tuning
Dark Hollow
banter & tuning
I’ve Been All Around This World
banter & tuning
On The Road Again
banter & tuning
To Lay Me Down
banter & tuning
Heaven Help The Fool – Officially Released on Dead Ahead
banter & tuning
Ripple

Set 2 (electric)
banter & tuning
Alabama Getaway ->
Promised Land
banter & tuning
Peggy-O
banter & tuning
Mama Tried ->
Mexicali Blues
banter & tuning
Loser
banter & tuning
New New Minglewood Blues
banter & tuning
Althea ->
Lost Sailor ->
Saint Of Circumstance
break announcement

Set 3 (electric)
banter & tuning
Shakedown Street – Officially Released on Dead Ahead
Samson And Delilah – Officially Released on Dead Ahead
banter & tuning
He’s Gone -> jam -> – Officially Released on Dead Ahead
Truckin’ -> – Officially Released on Dead Ahead
drums (with Billy Cobham) ->
space ->
The Other One ->
Wharf Rat ->
Good Lovin’
encore applause & tuning
Johnny B. Goode
applause & PA music

I removed the officially released tracks from the soundboard recording, but left them in the audience. That ones available for download on the Archive so I figure I can post it here, too.

Source 1:
This is a tagged version of shnid: 101427

gd80-10-30.fob-sonyecm280.wise-miller.sbeok.flac16

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 16, 2009

Notes:
— All disc changes are seamless
— Drums with Billy Cobham
— Recorded By Jim Wise (mics laid on shelf under rail @ center lodge)
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

Source 2:
This is a tagged version of shnid: 139599

Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips
(Total Running Time: 03:36:03)

Lineage: 10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac

Transfer (November 2009) and mastering (October 2017) by Alan Bershaw

Notes:
This is a previously uncirculated soundboard direct recording of this show. It was recorded in mono onto two 10″ 1/4 track reels at 7.5ips. It is 100% complete, from John Scher’s introduction prior to the acoustic set right through to the P.A. music following the 3rd set encore. All three sets run seamlessly with nothing missing.

This was recorded surreptitiously from a monitoring feed in one of the executive offices at RCMH. This entire recording is a single source, with the lone exception of a 29 second sequence (during Althea 4:28 -> 4:57), where the reels were changed. My old friend Kieth Gatto’s audience recording (id 120537) was used to patch that song to completion.

The only other downside is that Garcia’s vocal could be brighter and louder at times. It is otherwise a very clear recording that captures everything relatively well, including a lot of stage banter between songs. You can even hear the hilarious off-mic banter between band members. I usually don’t bother tracking out the downtime, but since its not just crowd noise and at times lengthy, I did in this case.

I’ve wanted to share this recording for a long time, but a track or two was officially released and the bonus tracks on the Dead Ahead DVD are also sourced from this show, so it prevented me from sharing this at the usual places. My nephew Stu, who often shares my recordings for me, tried making a case for it being an alternate source and different mix than anything that was officially issued, but it was a no go.

I’d like nothing better than to get this to anyone who’d enjoy it, especially since only audience recordings seem to circulate, but maybe sharing it now will at least get that ball rolling. Alan – October 2007

Lossless Bootleg Bonanza: New Riders of the Purple Sage – Syracuse, NY (10/27/71)

grateul dead - new riders of the purple sage - syracuse - 1971

NEW RIDERS OF THE PURPLE SAGE
Wednesday, October 27, 1971
Onondaga County War Memorial
Syracuse, NY

Download: FLAC/MP3

This is a flac encoded & tagged version of shnid: 18357

FMMR(C?)(WAER-FM Broadcast) > ? > R > DAT > WAV > SHN

A>D transfer by Noah Weiner – June, 2003
from Jimmy Warburton’s 7″ Reel.

The recording is mono, and the left channel had a
great deal more hiss and noise than the right. Thus,
the right channel was copied over the left in Sound
Forge to produce a more clean and strong signal for
the final digital project. Also, throughout the reel
there are occasional static pops, fuzz, and crackles.

Reel playback on Pioneer RT-701 > Teac AN-180 Dolby
decoder > Fostex D5 DAT (A>D only) > Turtle Beach
Montego II Digital I/O > Soundforge (wav edits and
track IDs) > SHNTOOL (SBE fix) > MKW (shn)

01 [03:40] //Six Days On The Road
02 [04:34] I Don’t Know You
03 [03:30] Down In The Boondocks
04 [13:58] Dirty Business
05 [04:04] Rainbow
06 [07:34] Garden Of Eden
07 [03:27] Hello, Mary Lou
08 [03:58] Henry
09 [03:10] S//ailin’
10 [03:57] Sweet Lovin’ One
11 [06:00] Willie And The Hand Jive
12 [04:28] Louisiana Lady
tt [62:20]

Lossless Bootleg Bonanza: Grateful Dead – New York, NY (10/29/80)

grateful dead - new york - radio city music hall - 1980

Grateful Dead
October 29, 1980
Radio City Music Hall
New York, NY

Download: FLAC/MP3

–Set 1–
Dire Wolf
On the Road Again
It Must Have Been The Roses
The Race Is On
Bird Song
Heaven Help the Fool
Oh Babe It Ain’t No Lie ->
Ripple

–Set 2–
Tuning
Feel Like a Stranger ->
Franklin’s Tower
Me & My Uncle ->
Big River
Candyman ->
Little Red Rooster
Tennessee Jed
Looks Like Rain ->
Althea ->
The Music Never Stopped

–Set 3–
Tuning
China Cat Sunflower ->
I Know You Rider
Estimated Prophet ->
Terrapin Station ->
Drums ->
Space ->
The Wheel ->
Saint of Circumstance ->
Black Peter ->
Sugar Magnolia

–Encore–
U.S. Blues

Source 1:

Loge
Dead front center

Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac
Recorded by Keith Gatto & Pete Jaeger

Extracted & flac encoded by Michael Turi

Patched and Edited in Sound Forge Pro. 10.0
Tracked in Audacity 2.0 by dusborne
05-22-2012

—Thank You Keith Gatto and Pete Jaeger for recording the show.
—Thank You Michael Turi For extracting the files from your personal cd’s.
—Thanks to germain for everything;seeding,encouragement,advice and tutelage.

Notes

—This source ran fast, I pitch corrected by -0.3%
—There are no patches, the entire show was recorded, just a few seconds of drums is missing
due to a tape flip.
—Smoothed cuts with fades
—many mic bumps smoothed out as best as could be done without hurting music

Source 2:

AUD: 2x Beyer M160’s > Sony TC-D5, Fifth row center orchestra.

Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496.

Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.

Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014

Notes: Patches from ID-101306; Heaven Help 0:00 > 0:12, OBIANL and Ripple
complete tracks, Rooster 9:35 > 9:47, Ten Jed 2:00 & 2:30 > 2:39, China Cat
5:31, Space 0:17 > 0:38. Up-close stealth recording with the usual intrusive
crowd noises. Light crackle MAMU thru Candyman, sounds like a blown speaker.

CDR: D1= Dire Wolf > Franklin’s, D2= MAMU > IKYR, D3= Estimated > U.S. Blues.

Source 3:
This is a tagged version of shnid: 101306

gd80-10-29.fob-sonyecm280.wise-miller.101306.flac16

Recording Info:
(FOB) Sony ECM-280 ->Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 11, 2009

Notes:
— All disc changes are seamless
— Recorded By Jim Wise (mics laid on shelf under rail @ center lodge)
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

Source 4:
This is a tagged version of shnid: 140496
source: sbd 2nd gen cassette
Jerry Moore’s copy

nakamichi dragon/c > benchmark adc1 @ 24/96 >
adobe audition cc > fission > xACT
transferred & seeded by Rob Berger 12/2017

Notes:
— This file set is 16 bit
Only contains: The Race Is On, Bird Song, Heaven Help The Fool, Babe It Ain’t No Lie, Ripple

Lossless Bootleg Bonanza: Grateful Dead – New York, NY (10/27/80)

grateful dead - radio city music hall - 1980 poster

Grateful Dead
October 27, 1980
Radio City Music Hall
New York, NY
gd80-10-27.aud-senn441.wise-miller.101293.flac16

Download: FLAC/MP3

This is a tagged version of shnid: 101293
Recording Info:
Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 10, 2009

Notes:
— Recorded By Jim Wise (center lodge)
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

–Set 1–
101-d1t01 – Tuning
102-d1t02 – The Race Is On
103-d1t03 – I’ve Been All Around This World
104-d1t04 – Monkey & the Engineer
105-d1t05 – To Lay Me Down
106-d1t06 – Heaven Help the Fool
107-d1t07 – Rosalie McFall
108-d1t08 – On the Road Again
109-d1t09 – Bird Song
110-d1t10 – Ripple

–Set 2–
201-d2t01 – Tuning
202-d2t02 – Alabama Getaway ->
203-d2t03 – Greatest Story Ever Told
204-d2t04 – Friend of the Devil
205-d2t05 – New Minglewood Blues
206-d2t06 – Peggy-O
207-d2t07 – Passenger
208-d2t08 – Row Jimmy
209-d2t09 – Lost Sailor ->
210-d2t10 – Saint of Circumstance ->
211-d2t11 – Deal

–Set 3–
301-d3t01 – Tuning
302-d3t02 – Truckin’ ->
303-d3t03 – Scarlet Begonias ->
304-d3t04 – Fire on the Mountain ->
305-d3t05 – Drums ->
306-d3t06 – Space ->
307-d3t07 – Wharf Rat ->
308-d3t08 – I Need a Miracle ->
309-d3t09 – Bertha ->
310-d3t10 – Johnny B. Goode

–Encore–
312-d3t11 – Casey Jones

Lossless Bootleg Bonanza: Grateful Dead – Port Chester, NY (02/18/71)

grateful dead - port chester - 1971

Grateful Dead
02/18/1971
Capitol Theater
Port Chester, NY

Download: FLAC/MP3

I posted the New Riders opening set here.

gd71-02-18.sbd.cantor-crouch-diebert-gmb.sbeok.flac16
This is a tagged version of shnid: 85478

Source:
7″ two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES
analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES
analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1).
Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and
Tim Deibert.
Thanks to trailmix for providing the lineaged master DAT for transfer.

Transfer and mastering:
Jace’s DAT (48 KHz) playback on Sony PCM-R500, AES digital output >
Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at
96 KHz, AES digiout) > AES digital input, professional mode/sync – LynxTwo
soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV
> Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking)
> FLAC (level 8). Recording, editing and mastering with Wavelab 5.0.
All cables were Mogami Gold 0.3m pro-audio XLR cables. All components
in the transfer/mastering chain were powered from a Cyberpower 1285AVR
noise-attenuated uninterruptible AC power supply.
Transfer and mastering by Chris L.
Seeded by the Green Mountain Bros. at bt.etree.org, May 2007.

—Set 1–
101-d1t01 – Bertha*
102-d1t02 – Truckin’
103-d1t03 – It Hurts Me Too
104-d1t04 – Loser*
105-d1t05 – Greatest Story Ever Told* ->
106-d1t06 – Johnny B. Goode
107-d1t07 – Mama Tried
108-d1t08 – Hard To Handle
109-d1t09 – Dark Star ->
110-d1t10 – Wharf Rat* ->
111-d1t11 – “Beautiful Jam” -> Officially Released on the So Many Roads Boxed Set
112-d1t12 – Dark Star ->
113-d1t13 – Me & My Uncle

–Set 2–
201-d2t01 – Chandelier incident
202-d2t02 – Casey Jones
203-d2t03 – Playing tn the Band*
204-d2t04 – Me & Bobby McGee
205-d2t05 – Candyman
206-d2t06 – Big Boss Man
207-d2t07 – Sugar Magnolia
208-d2t08 – Saint Stephen ->
209-d2t09 – Not Fade Away ->
210-d2t10 – Going Down the Road Feeling Bad ->
211-d2t11 – Not Fade Away ->
212-d2t12 – Uncle John’s Band

Comments:
*First public performance.
– d2t08: Reel flip at 04:48 of “Saint Stephen” crossfaded.
– Approximately 1:39 were removed from the lengthy dead space/tuning
preceding “Loser” allowing the entire first set to fit on a single
80 minute disc, while keeping in Bob’s “Second oldest ritual” comment
..that’s a fact….
– Intermittent faint audible artifacts/pops were attenuated using manual
pencil redraw under high magnification. These were retrospectively
found on all other circulating recordings from this performance.
They were most abundant at the beginning of “Dark Star” and also at the
start of “Wharf Rat”. There are a few spots still remaining in
“Wharf Rat” that are just too embedded to get out – sounds like minor
transient peak distortion.
– The notorious broad-peaked high pitched whine centered 8000-8100 KHz
range was removed using a digital paragraphic equalizer (Waves Q6)
with 2 narrow/notch bands (Q set maximal @ 100, -12 dB) set at just
under and over 8000K for the first reel and just under and over
8100KHz for the last 3 reels. Previously circulating sources either
used a wider band filter or a noise reduction approach performed on
low bit/sample rate files which yields suboptimal results. All
processing on this transcription was performed at 24/96 resulting in a
much smoother transparent sound.

Lossless Bootleg Bonanza: Grateful Dead – New York, NY (10/26/80)

grateful dead - New York - 1980-10-26-Radio-City

Grateful Dead
10-26-80 (Sun)
Radio City Music Hall
New York, NY

Download: FLAC/MP3

This is a flac encoded & tagged version of shnid: 18896
PLEASE NOTE:
This is a Remaster of the original SBD SHN Seed released by Darryl Hinko.

Main Source:
SBD>MR>DAT>CD>EAC>SHN

Patch Source:
AUD(Wise Sony ECM 280ís)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>
Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable)
Aud Taper: Jim Wise
Aud Recording Location: Lower Balcony, Front Rail

Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable)

–Set 1 Acoustic–
101-d1t01 – Iko Iko
102-d1t02 – Dark Hollow
103-d1t03 – It Must Have Been the Roses
104-d1t04 – On The Road Again
105-d1t05 – Jack-A-Roe
106-d1t06 – Cassidy
107-d1t07 – China Doll ->
108-d1t08 – Ripple

–Set 2 Electric–
201-d1t09 – Jack Straw ->
202-d1t10 – Sugaree – Officially Released on Beyond Description
203-d1t03 – Little Red Rooster
204-d1t12 – Brown Eyed Women
205-d2t01`- Let It Grow -> – Officially Released on Beyond Description
206-d2t02 – Don’t Ease Me In

–Set 3 Electric–
301-d2t03 – /Jam ->
302-d2t04 – Samson & Delilah
303-d2t05 – Althea
304-d2t06 – Estimated Prophet ->
305-d2t07 – He’s Gone ->
306-d2t08 – Jam ->
307-d2t09 – Drums ->
308-d3t01 – Space ->
309-d3t02 – Not Fade Away ->
310-d3t03 – Stella Blue->
311-d3t04 – Good Lovin

–Encore–
312-d3t05 – Brokedown Palace

false start for Estimated Prophet

–disc 1 total time–77:15.14–
–disc 2 total time–67:48.00–
–disc 3 total time–37:52.42–

Original SBD Notes:
EAC/SHN by Darryl Hinko (flyerfanatic)
EAC in secure mode with proper offsets used to extract
SHNtool to join and confirm sector boundries
CDwav used to split tracks
Cool Edit used for all editing

Remastering Notes:
The SBD I got in SHN format. All patches are redone with mixpaste and
cross fades. I used a stereo expander and multiband compressor in
remastering of the entire show. The original SBD bands were to narrow.
D1t01 Patch preformed from 1:20-1:27.
No other edits far as pops, static, etc. were preformed.

Remastering by T. Wiley 08/15/2003.

Another Installment Of The Music Never Stopped Project!

Thanks to Torbjorn for the download of the SBD Shns,
Darryl Hinko for the SBD release!!

Lossless Bootleg Bonanza: Grateful Dead – New York, NY (10/25/80)

grateful dead - radio city music hall - 1980 poster

Grateful Dead
October 25, 1980
Radio City Music Hall
New York, NY

Download: FLAC/MP3

–Set 1-
Tuning
Deep Elem Blues
The Race Is On
I’ve Been All Around This World
Monkey & the Engineer
To Lay Me Down ->
El Paso
Bird Song
Heaven Help the Fool
Dire Wolf ->
Ripple

–Set 2–
Tuning
Mississippi Half-Step Uptown Toodeloo ->
Franklin’s Tower
Me & My Uncle ->
Big River
High Time
New Minglewood Blues
Ramble on Rose ->
Looks Like Rain
Deal

–Set 3–
Tuning
Cold Rain & Snow ->
Lost Sailor ->
Saint of Circumstance
Uncle John’s Band ->
Playing in the Band ->
Drums ->
Space ->
The Other One ->
Black Peter ->
Around & Around ->
One More Saturday Night

–Encore–
U.S. Blues

Source 1
This is a tagged version of shnid: 93804

gd80-10-25.aud-nak700.rolfe-miller.93804.sbeok.flac16

Recording Info:
Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B)

Transfer Info:
Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k)
->Samplitude Professional v10.1 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 1, 2008

Patch Info:
Audience Recording (shnid=8726) supplies:
Very short patch at end of Black Peter (forgot to note the times)

Notes:
— All disc changes are seamless
— Recorded front row balcony
— Thanks to Steve Rolfe for lending me his masters

Source 2:

Nak 700’s > Sony D-5 > AMC
Recorded Dead front center loge
by Keith Gatto & Pete Jaeger

AMC > DAT > CDR > EAC > FLac
(EAC > Flac by Michael Turi)

Equalization:
Used a multifilter with the following order:
20-band EQ with linear increases from 0-500 Hz.
One subharmonic synthesizer set at 125 Hz.
Two expanders (dynamic noise in expander mode) to increase the dynamic range.
May, 2012-Dan McDonald

notes:
This recording, like the other Gatto-Jaeger recordings of this run, has excellent high-end energy, but was
lacking a bit in the lower frequencies. The recorder was paused between most non-sequential songs creating
abrupt tansitions, most noticable in the first set. The second set contained several sonic anomalies scattered
throughout. Several songs were not ideally tracked with a couple of songs in the third set combined into
one track. I asked Dan if he could boost the base without affecting the mid-range and high-end and clean up
the transitions and anomalies.

Dan’s Change Log:
101- OK
102- Cross-faded about 2 seconds
103- Cross-faded about 3 seconds
104- Cross faded about 2 seconds; Quasi-fadeout (-12.42dB) for track 4
105- cross-fade to track 6
106- Trimmed about 1/4 sec. of silence from end
107- Trimmed 1/4 sec. of silence from end 107; crossfaded 3 secs
108- faded out 107 and let 108 start as it was because music was already cut for beginning of track 108
109- clapping at first note of Dire Wolf so faded out HHTH applause for about 3 sec then a fast fade in to DW.
110- Did a slightly faster fadeout

201- faded in; anomaly at 5:28 Interpolated so it’s not noticeable now.
202- anomalies at 8:02 & 8:10 (8:02 has a funny sound; fixed the tape start, but not the odd sound;
fixed by cutting out about 1/4 second and interpolating the two pieces; 8:10 fixed the same way)
203- OK
204- anomalies at 5:54, 6:16, 6:29, & 6:52 Interpolated
205- anomalies at 8:55 & 9:04 (crossfaded the first, cut the second out)
206- anomalies at 7:55, 8:51 & 9:03 interpolated
207- OK
208- OK
209- abrupt ending faded out

301- There were two level changes, and a gradual increase in level, so I added 2dB to the second change,
4 dB to the first change, and then added a linear increase from 3 to 0dB for the first few seconds.
Still starts abruptly, but the music sounds about right after it starts.
302/303- blank space cut out; cut to two tracks
304- Crossfade
305- OK
306- anomaly or cut at 8:39 looks like digi-mess from the transfer. Blocky spots and blank spaces.
Only option was to cut it out or paste over from another spot. About 1 second removed.
307/308- Split into 2 tracks
309- Ok
310- OK
311- Redid fade
312- faded in; cut a small section of blank space at the end of song.

Lossless Bootleg Bonanza: Grateful Dead – New York, NY (10/23/80)

grateful dead - radio city music hall - 1980 poster

Grateful Dead
October 23, 1980
Radio City Music Hall
New York, NY

Download: FLAC/MP3

–Set 1–
101-d1t01 – Tuning
102-d1t02 – On the Road Again
103-d1t03 – It Must Have Been The Roses
104-d1t04 – Dark Hollow
105-d1t05 – Jack-A-Roe
106-d1t06 – Cassidy
107-d1t07 – China Doll
108-d1t08 – Monkey & the Engineer ->
109-d1t09 – Oh Babe It Ain’t No Lie ->
110-d1t10 – Ripple

–Set 2–
201-d2t01 – Tuning
202-d2t02 – Feel Like a Stranger
203-d2t03 – Tennessee Jed
204-d2t04 – Mama Tried ->
205-d2t05 – Mexicali Blues
206-d2t06 – Althea
207-d2t07 – Little Red Rooster
208-d2t08 – Big Railroad Blues
209-d2t09 – The Music Never Stopped

–Set 3–
301-d2t10 – Tuning
302-d2t11 – Samson & Delilah
303-d2t12 – Ship of Fools
304-d3t01 – Estimated Prophet ->
305-d3t02 – Terrapin Station ->
306-d3t03 – Drums ->
307-d3t04 – Space ->
308-d3t05 – The Wheel ->
309-d3t06 – Truckin’ ->
310-d3t07 – Wharf Rat ->
311-d3t08 – Sugar Magnolia

–Encore–
312-d3t09 – Casey Jones

 

Source 1:
This is a tagged version of shnid: 101256

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master
(Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) ->
Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 ->
Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 9, 2009

Notes:
— Discs 2 and 3 are seamless
— Recorded By Jim Wise
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

Source 2:
shnid 120072

Loge
Dead front center

Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac

Recorded by Keith Gatto & Pete Jaeger

Extracted & flac encoded by Michael Turi

Patched and Edited in Sound Forge Pro. 10.0
Tracked in Audacity 2.0 by dusborne

05-06-2012

Patched With:

gd80-10-23.fob-sonyECM280.wise-miller.101256.flac16

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master
(Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) ->
Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 ->
Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
September 9, 2009

Notes:
— Discs 2 and 3 are seamless
— Recorded By Jim Wise
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

—Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show.
—Thank You Michael Turi For extracting the files from your personal cd’s.
—Thank you Charlie Miller for your work on Jim’s recording.
—Thanks to germain for everything;seeding,encouragement,advice and tutelage.

Patch Notes:

Acoustic set 1

Lead into On the Road Again – 47 seconds
On the Road Again-It Must Have Been The Roses transition – 24 seconds
It Must Have Been The Roses-Dark Hollow transition – 56 seconds
Dark Hollow-Jack-A-Roe transition – 34 seconds
Jack-A-Roe-Cassidy transition – 47 seconds
Cassidy-China Doll transition – 59 seconds
China Doll-Monkey & the Engineer transition – 2 seconds

Smoothed cuts with fades
many mic bumps smoothed out as best as could be done without hurting music

Lossless Bootleg Bonanza: Grateful Dead – New York, NY (10/22/80)

grateful dead - new york city - radio city music hall 1980 1022

Grateful Dead
October 22, 1980
Radio City Music Hall
New York, NY

Download: FLAC/MP3

–Set 1–
101-d1t01 – Tuning
102-d1t02 – Dire Wolf
103-d1t03 – On the Road Again
104-d1t04 – I’ve Been All Around This World
105-d1t05 – Monkey & the Engineer
106-d1t06 – To Lay Me Down
107-d1t07 – Heaven Help the Fool
108-d1t08 – Bird Song ->
109-d1t09 – Ripple

–Set 2–
201-d2t01 – Tuning
202-d2t02 – Alabama Getaway ->
203-d2t03 – Greatest Story Ever Told
204-d2t04 – Friend Of The Devil
205-d2t05 – Me & My Uncle ->
206-d2t06 – Big River
207-d2t07 – Peggy-O
208-d2t08 – New Minglewood Blues
209-d2t09 – China Cat Sunflower ->
210-d2t10 – I Know You Rider

–Set 3–
301-d3t01 – Tuning
302-d3t02 – Scarlet Begonias ->
303-d3t03 – Fire on the Mountain ->
304-d3t04 – Lost Sailor ->
305-d3t05 – Saint of Circumstance ->
306-d3t06 – Drums ->
307-d3t07 – Space ->
308-d3t08 – Not Fade Away ->
309-d3t09 – Goin’ Down the Road Feeling Bad ->
310-d3t10 – Good Lovin’

–Encore–
311-d3t11 – U.S. Blues

Source 1:
This is a tagged bersion of shnid: 100416
gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master
(Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) ->
Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 ->
Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 1, 2009

Notes:
— Recorded By Jim Wise
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

Source 2:

Lodge
Dead front center

Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac

Recorded by Keith Gatto & Pete Jaeger
Extracted & flac encoded by Michael Turi

Patched and Edited in Sound Forge Pro. 10.0
Tracked in Audacity 2.0 by dusborne

05-05-2012

Patched With:

gd80-10-22.fob-sonyECM280.wise-miller.100416.sbeok.flac16

Recording Info:
(FOB) Sony ECM-280 -> Cassette Master
(Sony TC-D5M/Maxell UDXLII-C90/Dolby B)

Transfer Info:
Cassette Master (Nakamichi DR-1/Dolby B) ->
Sound Devices 744T (24bit/96k) ->Adobe Audition v1.5 ->
Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 1, 2009

Notes:
— Recorded By Jim Wise
— Thanks to Jim Wise for lending me his master cassettes
— Thanks to Joe B. Jones for his help with the pitch correction

—Thank You Keith Gatto, Pete Jaeger and Jim Wise for recording the show.
—Thank You Michael Turi For extracting the files from your personal cd’s.
—Thank you Charlie Miller for your work on Jim’s recording.
—Thanks to germain for everything;seeding,encouragement,advice and tutelage.

Patch Notes:

Acoustic set:

Dire Wolf – 1:39
Dire Wolf-On the Road Again transition – 26 seconds
On the Road Again – beginning cut patched
On the Road Again-I’ve Been All Around This World transition – 18 seconds
I’ve Been All Around This World-Monkey & the Engineer transition – 30 seconds
To Lay Me Down-Heaven Help the Fool transition cut on both sources
Heaven Help the Fool-Bird Song transition cut on both sources
Ripple – 1:38

Electric set 2:

New Minglewood Blues-China Cat Sunflower transition – 24 seconds

Electric set 3:

Drums – 18 seconds
Crowd noise and the beginning of U.S. Blues – 45 seconds