Jackson Browne – New York, NY (02/28/74)

Jackson Browne
Carnegie Hall
NYC Feb 28 1974
early and late shows

Cassette masters>dat to me>
file cloned in Microtrack
using a Tascam Dat deck>
Goldwave tracking>TLH8flac

Produced by Dolphinsmile
for the Dolphinsmile Archive

sound surprisingly good for 1974

Early

Take it Easy
Our Lady of the Well
Song for Adam
Jamaica Say You Will
Ready or Not
Your Bright Baby Blues
For Everyman
Rock Me on the Water
The Road and the Sky
Doctor My Eyes
Red Neck Friend
One More Song w Linda Rondstadt

Late

Take it Easy
Our Lady of the Well
Song for Adam
Jamaica Say You Will
Ready or Not
Your Bright Baby Blues
For Everyman
The Road and the Sky
Doctor My Eyes
These Days
One More Song w Linda Rondstadt

Grateful Dead – Providence, RI (06/26/74)

Grateful Dead
Providence Civic Center
Providence, RI
June 26, 1974

Jerry Garcia – Lead Guitar, Vocals
Donna Jean Godchaux – Vocals
Keith Godchaux – Keyboards
Bill Kreutzmann – Drums
Phil Lesh – Electric Bass, Vocals
Bob Weir – Rhythm Guitar, Vocals

Matrix

SBD (shnid=140081):

Recording Info:
SBD > Master Reel > Dat (Panasonic SV-3800/44.1k)

Transfer Info:
Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
(3 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering by Charlie Miller
charliemiller87@earthlink.net
December 3, 2017

Patch Info:
Sony ECM-99 > Cassette Master > FLAC (shnid=16037) supplies:
Seastones (complete track)
Tuning (complete track)
U.S. Blues (0:00 – 0:21)
Truckin’ (12:17 – 12:43)

Notes:
— U.S. Blues has some crazy mix issues
— Reel flip in Truckin’ smoothed with crossfade
— Thanks to David Gans and Dick Latvala for their help with this project

[35 second cut during Eyes of the World]

AUD (shnid=105919):

new fresh 24 bit transfer

source: aud cassette master
taped by Jerry Moore

lineage: aud>akg d1000e’s>sony tc-152sd [16037 source indicates Sony ECM99, same as 6/28]
(3)maxell ud-120’s, dolby b

cassettes re-shelled

nak dragon>hd-p2 24/96>cd wave>flac
transferred & seeded by Rob Berger 2/9/10

Thank you to Charlie Miller for the SBD transfer,
to Jerry Moore for recording the show,
to Rob Berger for the AUD transfer,
and to David Beckwith for the heads up on these sources.

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
May 22, 2020, from the badlands of New Mexico

Set I

d1t01 – Big River
d1t02 – Brown-Eyed Women
d1t03 – Beat It On Down The Line
d1t04 – Scarlet Begonias
d1t05 – Black-Throated Wind
d1t06 – Row Jimmy
d1t07 – Mexicali Blues
d1t08 – Deal
d1t09 – The Race Is On
d2t01 – Mississippi Half-Step Uptown Toodeloo
d2t02 – El Paso
d2t03 – Ship Of Fools
d2t04 – Weather Report Suite >
d2t05 – It Must Have Been The Roses

Set II

d3t01 – Seastones

Set III

d3t02 – U.S. Blues
d3t03 – Me And My Uncle
d3t04 – Jam >
d3t05 – China Cat Sunflower >
d3t06 – I Know You Rider
d4t01 – Beer Barrel Polka >
d4t02 – Truckin’ >
d4t03 – Other One Jam >
d4t04 – Spanish Jam >
d4t05 – Wharf Rat >
d4t06 – Sugar Magnolia

Encore

d4t07 – Eyes Of The World

Notes:

The Wall of Sound setup had a tendency to produce a slight metallic reverb in the vocals at times. This effect appears most prominent here during Black-Throated Wind, after a speaker had blown during Scarlet Begonias. The issue gets better during Row Jimmy and more thereafter. The third set vocals are pretty clean.

Big River and U.S. Blues have some soundboard mix fluctuations, typical for set openers in ’74. Given U.S. Blues was particularly bad initially, only the AUD plays up to the first chorus.

A couple clicks were removed in Half-Step and Eyes.

The first 7 seconds of Eyes strangely did not match, indicating one of the sources was subtly patched or there was an unusual cut. Only the SBD plays for this brief moment.

The sound on this and the 6/28 matrix is very similar. Jerry Moore’s tapes were ideal for these and blended well. A great pair of shows from the middle of the year, also featured on Dick’s Picks 12. Thank you to all involved!

Grateful Dead – Miami, FL (06/22/74)

Grateful Dead
Jai-Alai Fronton
Miami, FL
June 22, 1974

Jerry Garcia – Lead Guitar, Vocals
Donna Jean Godchaux – VocalsKeith Godchaux – Keyboards
Bill Kreutzmann – Drums
Phil Lesh – Electric Bass, Vocals
Bob Weir – Rhythm Guitar, Vocals

Matrix

SBD (shnid=90200):

Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD

Transfer Info:
CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 25, 2008

[Cuts]:
Playing In The Band (8:35 – 9:26)
Wharf Rat (8:56 – 9:14)
Johnny B. Goode (complete track)

Notes:
— Ramble On Rose tease after El Paso
— Thanks to Joe B. Jones for his help with the pitch correction

AUD (shnid=105825):

new fresh 24 bit transfer

source: aud cassette master
taped by Jerry Moore

lineage: aud>akg d1000e’s>sony tc-152sd
(3)maxell ud-120’s, dolby b

cassettes re-shelled

nak dragon>hd-p2 24/96>cd wave>flac
transferred & seeded by Rob Berger 2/3/10

Thank you to Charlie Miller for the SBD transfer,
to Jerry Moore for recording the show,
and to Rob Berger for the AUD transfer.

Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
February 20, 2010

Set I

d1t01 – Tuning
d1t02 – Promised Land ->
d1t03 – Bertha ->
d1t04 – Greatest Story Ever Told
d1t05 – Deal
d1t06 – Me And Bobby McGee
d1t07 – Scarlet Begonias
d1t08 – Jack Straw
d1t09 – Loose Lucy
d1t10 – Mexicali Blues
d1t11 – Sugaree
d1t12 – The Race Is On
d1t13 – It Must Have Been The Roses
d2t01 – Playing In The Band

Set II

d2t02 – Tuning
d2t03 – China Cat Sunflower ->
d2t04 – I Know You Rider
d2t05 – Me And My Uncle
d2t06 – Ship Of Fools
d2t07 – El Paso
d3t01 – Eyes Of The World ->
d3t02 – Wharf Rat ->
d3t03 – Sugar Magnolia

Encore

d3t04 – Johnny B. Goode

Jerry Garcia & Merl Saunders – New York, NY (11/06/74)

Garcia & Saunders
Bottom Line
New York, NY
11/6/74 Early Show

This is flac encoded & tagged version of shnid: 16807

MAC (Taped by Jerry Moore, AKG D1000Es > Sony TC-152) >
Tascam 122 MK III playback > Tascam DA-40 master DAT >
Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool
Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i
extraction (EAC v0.9 beta 4) > sector boundary
verification (shntool v1.01) > .shn encoding (mkwACT v0.97
beta 1). A > D by Mark Cohen, D > CD by David Minches,
EAC > SHN by Joe Jupille (jjoops AT attbi DOT com).

Disc One (5) 61:32

Crowd & Tuning [2:05]
Think [8:55] [2:30]
Bossa Martin 12:44 [2:42]
Second That Emotion [16:30] [3:08]
You Can Leave Your Hat On [12:56] [0:10]

Disc Two (4) 33:45

Crowd & Tuning [1:39]
Someday Baby [9:22] [1:01]
Mystery Train [12:48] [1:27]
The Night They Drove Old Dixie Down [6:48] [0:39]

Notes/Flaws:

A terrific recording of a fun show.
(1) Audience member: “Jerry, is it really ovah?” Jerry:
“It’s always been over, man.”
d1t02 Think R channel scratch @ 1:28.864-1:29.078 patched
over from L channel using Sound Forge Studio 6.0.

A Moore’s Masters Production, April 2003.

Jerry Garcia & Merl Saunders – New York, NY (11/05/74)

Garcia & Saunders
1974-11-05 early
The Bottom Line, NYC

disc one:
01 – tuning
02 – That’s The Touch I Like
03 – Favela
04 – He Ain’t Give You None
05 – You Can Leave Your Hat On

disc two:
01 – Second That Emotion
02 – La-La
03 – Mystery Train
04 – Money Honey

Jerry Garcia Band – Berkeley, CA (11/02/74)

Jerry Garcia Band
1974-11-02 (Wednesday)
Keystone
Berkley, CA

MOTB Release: 0158 16/44.1
Release Date: 2010-11-03

Analog Audience Source: FOB Master Cassettes (MAC)
Medium Stock Brands: MAC = 2 x Maxell UD C-90
Analog Lineage: 1 x Sony ECM 270 >> Sony TC 110†>> MAC
Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped By: Robert Castelli
Transfer By: Bob Menke
Mastering By: Derek McCabe

Set 1:
Disc One
d1t01: Neighbor, Neighbor
d1t02: Valdez In The Country
d1t03: Freedom Jazz Dance
d1t04: Tough Mama
d1t05: You Can Leave Your Hat On
d1t06: That’s The Touch I Like

Set 2:
Disc Two
d2t01: Wondering Why
d2t02: People Make The World Go ‘Round
d2t03: Mystery Train
d2t04: It’s Too Late
d2t05: Favela
d2t06: Boogie On Reggae Woman

Notes: There are many areas were the mics get overloaded and the sound gets distorted.

Jerry Garcia & Merl Saunders – Huntington Beach, CA (10/27/74)

Jerry Garcia and Merle Saunders
10-27-1974
Golden Bear
Huntington Beach, CA

This is flac encoded & tagged version of shnid: 23676

Source: MAC>C>C>DAT>WAV>SHN.
Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II.
DAT>WAV>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV(Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact).

Late Show – see note below about tracking and burning
01 That’s The Touch I Like [08:31]
02 deadspace [01:37]
03 Favela [14:21]
04 deadspace [02:15]
05 Expressway (To Your Heart) [12:22]
06 deadspace [01:13]
07 It’s Too Late [10:03]
08 deadspace [02:03]
09 Mystery Train [11:18]
10 deadspace [01:38]
11 Ain’t I Good (1) [05:18]
12 crowd [01:05]
13 (I’m A) Road Runner [11:29]
Total time: 83:15

Comments from thejerrysite.com:
(1) Ringo on drums
(2) Unknown female (vocals)

Tracking note: I tracked this recording with multiple “deadspace/tuning” tracks which by in large contain chatter/crowd/tuning. If you would like to avoid listening to the chatter and fit this otherwise 83 minute recording onto 80 minute CDR of music, eliminate a few of these deadspaces and you are set.