Lossless Bootleg Bonanza: Talking Heads – San Francisco, CA (12/03/77)

Talking Heads - San Francisco 1977 - Sharp Objects

Talking Heads
boot: “Sharp Objects”
December 3, 1977
Old Waldorf Theatre,
San Francisco, CA.
SBD/Pre-FM > DAT > CDR>EAC>WAV>flac

Download: FLAC/MP3

01. Uh-Oh, Love Comes to Town
02. … With Our Love
03. The Book I Read
04. Artists Only
05. Stay Hungry
06. The Big Country
07. New Feeling
08. Thank You For Sending Me an Angel
09. Who Is It
10. Psycho Killer
11. No Compassion
12. No compassion (reprise)
13. 1, 2, 3, stoplight

Lossless Bootleg Bonanza: Grateful Dead – San Francisco, CA (12/31/70)

grateful dead - san francisco 1970-12-31a-Winterland

The Grateful Dead
12-31-70
Winterland Arena
San Francisco, Ca.

Download: FLAC/MP3

–Setlist–
101-d1t01 – Truckin’
102-d1t02 – The Monkey// & The Engineer – Officially Released on A Night at the Family Dog
103-d1t03 – Cold Rain & Snow
104-d1t04 – Easy Wind >// Big Railroad Blues – Officially Released on The Closing of Winterland
105-d1t05 – Cumberland Blues
106-d1t06 – Dire Wolf
107-d1t07 – Cryptical Envelopment -> Drums -> The Other One//
108-d1t08 – Black Peter
109-d1t09 – //Taper Bust% Sugar Magnolia**
110-d2t01 – //Taper Bust -> China Cat Sunflower ->
111-d2t02 – I Know You Rider
112-d2t03 – Good Lovin’ -> Officially Released on The Closing of Winterland
113-d2t04 – Uncle John’s Band

Aftershow Jam

101-d1t01 – //Johnny B Goode
102-d1t02 – Around & Around
103-d1t03 – Rock Me Baby
104-d1t04 – Not Fade Away
105-d1t05 – I Know You Rider

Filler Promos
106-d1t06 – “Carousel promo – Showbill Chant”
107-d1t07 – “Carousel promo – Letter To Mother”
108-d1t08 – “We’re Sorry We’re Not Playing Portchester Jam”
109-d1t09 – “Aoxomoxoa promo – featuring Dupries Diamond Blues ”
110-d1t10 – “Aoxomoxoa promo – Rate The Record – featurnig what’s Become of the Baby ”
111-d1t11 – “Aoxomoxoa promo – featuring Doin’ That Rag ”

Source 1:
Show Only
This is a flac encoded & tagged version of shnid:7283

Disc 1 Tracks 1-6: FMS (KSAN)>??>Cass>DAT>CDR
Disc 1 Tracks 7-9: SBD MR>Cass>DAT>CDR (Pre-FM GDH)
Disc 2 Tracks 1-2: FMS (KSAN)>??>Cass>DAT>CDR
Disc 2 Tracks 3-4: SBD MR>??>Cass>DAT>CDR

*Source for the KSAN stuff is questionable. It might be the audience taper
that is heard being busted for at least the first part of disc 1. There
is little audience noise throughout, so, it is likely that the KSAN source
is correct, although the degradation of the sound is enough to make one
think that it could be an audience.

** Taper being busted by band was moved by Gans to before Sugar Magnolia,
but, it belongs before China Cat (both are present).

Portions of the show noted as FMS are most likely from an audience recoding.
Deadkists notes the following:

Two separate tapes make up the circulating recordings from this show.
Video of the concert was broadcast by KQED-TV San Francisco with the first
4 songs simulcast on KSAN-FM San Francisco. The circulating tape of these
tunes is the AUD tape; on the circulating tape there is a cut in Monkey
And The Engineer at around 1:00 and Easy Wind breaks off about 3 minutes
before its conclusion. According to DeadBase IX a Me And My Uncle followed
Easy Wind; but if so there is no trace of it on circulating tape. This
tape is actually from the audience tape whose tapers are apprehended
between Sugar Mag and China Cat; it is quite an excellent AUD tape. It
was recorded on Sony ECM-22P mics into a Sony 770 1/4-track reel recorder
at 7.5 ips by the same night crew that did the El Monte ’70 tapes, the
Hollywood Palladium 8/71 AUDs, 7/1/73 — who was that Masked Man?

The other tape in circulation is a pre-broadcast SBD from KQED-TV; it picks
up with Big Railroad Blues. In the pause before Dire Wolf they Tease
Cryptical repeatedly. The Other One goes directly into Black Peter,
entirely eliding the Cryptical Envelopment Reprise and Jam. In the
interval between Sugar Mag and China Cat a taper in the audience is busted,
with Phil directing a spotlight upon him. In the background of the China
Cat > Rider that follows, but definitely on mic, there is a lady screaming
out of control — she sounds very dosed, spun out hard, and at the moment
not really having that much fun. She screws up the recording of China Cat
> Rider pretty good and continues some in the pause that follows, where
there’s also a woman on mic looking for her cape — plainly things were a
little out of control backstage; perhaps there was a mic live that shouldn’
t have been somewhere backstage or in the wings.

The show-concluding Good Lovin’ > Uncle John’s Band that follows is an
alltime classic…..

I’d take issue with the statement that the audience tape is quite excellent

Source 2:
Aftershow and Promos Only
This is flac encoded & tagged version of shnid: 6171
Source: sbd>?reel?>dat>cd
Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3

Conversion & Seed: Brian Cole (cole7007@yahoo.com) 11/24/01
(Another show kindly contributed by Jim Oade at http://www.oade.com)

SEED NOTES:
This seed comes from the generousity of Jim Oade at http://www.oade.com. The
show waslabeled as 12-31-70aftershow. Unfortunately there is little to no
information regarding this performance since I can’t find any evidence of it
circulatingprior to this. Please contact me at cole7007@yahoo.com if you
have any additional information relating to this performance.

d1t03 ?Rock Me Baby? – Not sure if this is the correct title or not.

d1t05 I Know You Rider – A very interesting early version of this song. This
version has a different tempo at times and some strange lyrics.

d1t06-d1t11 – These were patched at the end of the performance so I kept them
on the seed. They are some pretty interesting promos. The names are in
quotes because this was the best description that I could come up with.

d1t08 “We’re Sorry We’re Not Playing Portchester Jam” – Jerry and Mickey in a
bluegrass jam apologizing for not playing Portchester.

Enjoy this rare treat!

-Brian

per Deadlisits:
After the end of the Dead’s set, Weir and Hot Tuna came out and played a
short Jam session. Will Scarlet is said to be the harmonica player. Tunes
played are Johnny B. Goode, Around And Around, Rock Me Baby, Not Fade Away,
and I Know You Rider (in Jorma’s arrangement)……

note:
-I altered the titles of the promos by adding what is being promoted & the
song featured during the promo.
-The Carousel promos are for the June 7,8,9 1968 performances billed with the
Jefferson Airplane, Grateful Dead & Fleetwood Mac.
-For reasons unknown, the Dead cancelled December 1970 performaces at the Capitol
Theate in Port Cheste, NY. These shows were resheduled for Feruary 1971.
-The Aoxomoxoa promos coincide with it release in June 1969.

**These promos are priceless!**

Lossless Bootleg Bonanza: Grateful Dead – El Monte, Ca (12/28/70)

grateful dead - el monte - 1970-12-28-Legion-Stad

Grateful Dead
12/28/70
Legion Stadium
El Monte, CA
gd70-12-28.sbd.miller.22313.sbeok.flac16

Download: FLAC/MP3

I have previously posted the New Riders of the Purple Sage opening set here.

This is a flac encoded & tagged version of shnid: 22313
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> SHN

Patched with:
Sony ECM-22>Rm>Dat>CD (BIODTL, Sugar Magnolia and Cumberland Blues)
(2 Discs Audio / 2 Discs SHN)

All Editing Done By Charlie Miller
charliemiller87@earthlink.net
2/18/04

Notes:
The previous seed for this show was not patched very well, so I re-patched it.
This new copy also more tuning, stage banter, etc and is about 11 minutes longer.

–Set 1–
101-d1t01 – Cold Rain & Snow
102-d1t02 – Truckin’
103-d1t03 – It Hurts Me Too
104-d1t04 – Me & My Uncle
105-d1t05 – Beat It On Down The Line
106-d1t06 – China Cat Sunflower ->
107-d1t07 – I Know You Rider
108-d1t08 – Cryptical Envelopment ->
109-d1t09 – Drums ->
110-d1t10 – The Other One ->
111-d1t11 – Cryptical Envelopment >
112-d1t12 – Sugar Magnolia
113-d2t01 – Casey Jones

–Set 2–
201-d2t02 – Smokestack Lightning
202-d2t03 – Big Railroad Blues
203-d2t04 – Me & Bobby McGee
204-d2t05 – Deep Elem Blues
205-d2t06 – Cumberland Blues
206-d2t07 – Morning Dew
207-d2t08 – Good Lovin’
208-d2t09 – Uncle John’s Band

Lossless Bootleg Bonanza: Grateful Dead – El Monte, CA (12/27/70)

grateful dead - el monte - 1970-12-27-Legion-Stad

Grateful Dead
12/27/70
Legion Stadium
El Monte, CA
gd70-12-27.sbd.miller.23530.sbeok.flac16

Download: FLAC/MP3

This is a flac encoded & tagged version of shnid: 23530

Recording Info:
SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette ->
Dat ->CD -> EAC -> Samplitude v7.02 Professional -> SHN
(2 Discs Audio / 2 Discs SHN)

Edited By Charlie Miller
charliemiller87@earthlink.net
4/15/04

Notes:
— I cleaned up the cuts, fixed the errors, removed several pops and
re-tracked the discs.
— It sounds like they are going into Eyes Of The World towrads end
of NFA.

–Set 1–
101-d1t01 – Truckin’
102-d1t02 – Mama Tried
103-d1t03 – Hard to Handle
104-d1t04 – Deep Elem Blues
105-d1t05 – Sugar Magnolia
106-d1t06 – Brokedown Palace
107-d1t07 – Cumberland Blues
108-d1t08 – It Hurts Me Too//
109-d1t09 – Me & My Uncle
110-d1t10 – Turn On Your Lovelight Tease
111-d1t11 – China Cat Sunflower ->
112-d1t12 – I Know You Rider
113-d1t13 – Casey Jones

–Set 2–
201-d2t01 – //Good Lovin’
202-d2t02 – In the Midnight Hour
203-d2t03 – Attics of My Life
204-d2t04 – Me & Bobby McGee
205-d2t05 – Around & Around
206-d2t06 – Saint Stephen ->
207-d2t07 – Not Fade//Away ->
208-d2t08 – Goin’ Down the Road Feeling Bad ->
209-d2t09 – Turn on Your Lovelight
210-d2t10 – Uncle John’s Band Tease

Lossless Bootleg Bonanza: Joni Mitchell – Los Angeles, CA (01/26/95)

Joni Mitchell - los ángeles - 1995

JONI MITCHELL
WELLS FARGO THEATER
GENE AUTRY WESTERN HERITAGE MUSEUM
Los Angeles, CA.
26 January 1995

Download: FLAC/MP3

tracklist:

01 refuge of the roads
02 being roy
03 sex kills
04 moon at the window
05 night ride home
06 loves cries
07 yvette in english
08 cherokee louise
09 sunny sunday
10 hejira
11 just like this train
12 happiness is the best face-lift

From the original uploader:
This version did not come form Dime
I believe it came from the Joni Mitchell
Dowload hub a long time go.
It is just about excellent.

Lossless Bootleg Bonanza: Joni Mitchell & Herbie Hancock – Berkeley, Ca (09/03/78)

joni mitchell - herbie hancock - bread and roses festival 1978

Joni Mitchell and Herbie Hancock
Bread and Roses Festival
Greek Theater
Berkeley, Ca. U.S.A.
September 3, 1978

Download: FLAC/MP3

FM broadcast on “Folk Festival USA” program
runtime: 30:45 (minutes/seconds)

setlist:
1: furry sings the blues 5:07
2: the dry cleaner from Des Moines 3:40
3: introduction of Herbie Hancock :52
4: a chair in the sky 6:53
5: the wolf that lives in Lindsey 7:46
6: the circle game 5:12
7: radio credits 1:15

(last song with
Tom Paxton
Odetta
the Persuasions
Todd Gibson
and Hamilton Camp)

lineage:
probably WBUR 90.9 FM (or maybe WGBH 89.7) radio (NPR) >
Sansui 8 reciever with wire FM antenna >
unknown average quality cassette deck (dolby off) >
TDK-SA 90 min. master cassette >
played on tascam 112 into soundforge (wav) >
flac (sb’s aligned) > torrentially yours.
a this and that, bread and butter production.
it’s earthy. nothing fancy.
no band. no big Marshall amps.
no eq or noise reduction or fidelity abusing.
this recording has a few brief flaws,
either in the broadcast or probably in this master recording
and a little light static here and there, but not too much.
(and 35 years earth time.) this tape has only been
played a couple of times so it is not very worn from use.
do not sell this recording.
share freely, losslessly and gaplessly.

Lossless Bootleg Bonanza: Joni Mitchell – Anaheim, CA (03/05/74)

Joni Mitchell in 1974 - Anaheim

Joni Mitchell featuring Tom Scott and The L.A. Express
Anaheim Convention Center
Anaheim, CA
March 5, 1974
JF Archive Series Vol. 13 via JEMS

Download: FLAC/MP3

Taper: JF

Source: unknown recorder > unknown microphone (mono)

JEMS 2015 Transfer: first-gen reel > Otari MX-5050 > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX4 > iZotope Ozone 5 > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (edit / index) > xACT 2.21 > FLAC

01 This Flight Tonight
02 You Turn Me On, I’m a Radio
03 Free Man In Paris
04 The Same Situation
05 Just Like This Train
06 Rainy Night House
07 Woodstock
08 Cactus Tree
09 Big Yellow Taxi
10 People’s Parties
11 All I Want
12 A Case Of You
13 Dialogue
14 For The Roses
15 Cold Blue Steel
16 Blue
17 For Free
18 Trouble Child
19 Help Me
20 Car On A Hill
21 Both Sides, Now
22 Raised on Robbery
23 The Last Time I Saw Richard
24 Twisted

THE JF BACKSTORY

JEMS loves a vintage taper series and we’re pleased to offer another one, this time from the archive of our friend JF, who taped in and around Southern California in the ’70s and Boston in the ’80s. He frequented smaller venues, like the Troubadour and the Roxy, leaving arenas to others and leaning more towards the folksier, jazzier and eclectic sides of rock.

Most of his ’70s tapes were made on what I would describe as the kind of large, rectangular, portable, C-cel powered cassette recorder that my family and surely many others had in the ’70s, either a Panasonic or a Sony. While I used ours to record myself, my friends and my sister around the house, the teenage JF figured: Why not try taking it into concerts?

I only learned what recorder JF used after I had heard some of his tapes and I have to say I was mildly shocked. Given the gear, his tapes are remarkably clear for the era. And make no mistake, this was an early era for audience recording, part of the first wave spurred on by of the vinyl bootleg revolution.

For further details and backstory on JF, his tapes and the extraordinary lost Van performances from 1975 that started the series, please refer to the notes in Vol. Three:

http://www.dimeadozen.org/torrents-details.php?id=524853

JONI IN ANAHEIM

The JF Archive series resumes with what we believe to be a previously uncirculated Joni Mitchell performance on her well regarded 1974 tour backed by Tom Scott and the L.A. Express. The tour was notable as her first to explore more of a jazz direction compared to her folk-rock beginnings.

You can find the poster for the show, the ticket, photos and a nice contemporary review here:
http://jonimitchell.com/chronology/detail.cfm?id=1365

Itís a lively set featuring a very talkative Joni. The sound quality isn’t up to the level of the best audience tapes of the tour (among them JEMS’ Seattle 3/13/74 master found here http://www.dimeadozen.org/torrents-details.php?id=318981), but in all, this a lovely performance and another one of those ìyou are thereî recordings, despite the lo-fi gear. Samples provided.

JF did an excellent job capturing the complete performance with no noticeable cuts in the music, Joni’s between song dialogue and stories come through loud and clear.

Though originally recorded on cassette, JF’s Joni recording was transferred from reel-to-reel. That’s because JF, due to tight budgets at the time (he was barely out of high school), routinely transferred his master tapes to reels in order to save tape/money. Because he recorded his masters in mono, he would dub the finished recording onto a single track of a reel, allowing him to fit four or more shows on one 7″ tape and reuse the cassette for the next show. That wasn’t true in all instances, but it is for most. And yes, in hindsight, he is still kicking himself about it. And yet, based on the tapes we’ve transferred so far, JF did a fine job dubbing off his masters, and the Joni reel doesn’t sound any worse for wear despite the one-generation loss.

Once again, we must express our gratitude to JF, who reached out on DIME (you could be next!) and offered us his archive, which had been sitting in boxes, 6000 miles away from where he lives today, for 20+ years. Like so many early tapers, he had great stories to tell and the memories flooded back as we sorted through tapes. We are pleased to be able to bring his work to all of you. Please let him know through your comments that you are, too.

Lastly, as always, special thanks to mjk5510, who continues his critical duty as JEMS’ post-production and quality-control supervisor. His contributions are essential in getting the music to you.

BK for JEMS

Lossless Bootleg Bonanza: Van Morrison – San Diego, CA (12/01/73)

Van Morrison 1973 San Diego FRONT

Van Morrison featuring the Caledonia Soul Orchestra
Sports Arena
San Diego, CA
December 1, 1973
JF Archive Series Vol. 22 via JEMS

Download: FLAC/MP3

Taper: JF

Source: unknown recorder > unknown microphones (mono)

JEMS 2016 Transfer: master cassette > Nakamichi CR-7A (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > Audacity > TLH > FLAC

01 Instrumental
02 Instrumental
03 Moondance prelude (instrumental) > Van Intro
04 Come Running
05 Ainít Nothiní You Can Do
06 Warm Love
07 Into The Mystic
08 Iíve Been Working
09 I Just Want To Make Love To You
10 Here Comes The Night
11 Hard Times
12 I Believe To My Soul
13 Help Me
14 Boogie Chillení
15 Domino
16 Caravan
17 Gloria
18 Brown Eyed Girl

Known Faults:
– Hard Times: end cut
-I Believe To My Soul: start cut
-Gloria: start slightly cut

Sid Page – violin
Jack Schroer – saxophone
Bill Atwood – trumpet
Bill Bridges – guitar
David Hayes – bass
David Shaw – drums
James Trumbo – piano, organ

JEMS is thrilled to return to the JF Archive series, presenting another one of the nine Van Morrison performances recorded in and around Southern California circa 1973-74. For further details and backstory on JF, his tapes and the extraordinary lost Van performances from 1975 that started the series, please refer to the notes in Vol. Three:

http://www.dimeadozen.org/torrents-details.php?id=524853

Unlike the initial Lost California tapes, JFís 1973-74 recordings have long been in circulation among collectors. However, this series marks the first-ever digitization and dissemination directly from JFís cassette masters. The recordings were made with low-end equipment but yielded surprisingly listenable results.

The San Diego show is yet another significant performance and recording and happens to be one of JFís favorites as youíre about to read.

JF writes:
The next night after San Bernardino, Van traveled down to San Diego and we followed him. This was a period when he was really playing a lot in California. He said it perfectly in “I’ve Been Working” (recorded well before these shows, of course):

I been up the thruway,
Down the thruway
Up the thruway, down the thruway
Up the thruway, down, up down, back
Up again

There may never have been a greater time or place for Van fans. In particular, this San Diego show has always been one of my favorite memories. Likely still smarting over the horrible sound system and PA issues the night before in San Bernardino, at one point this night Van seemed to lose interest. He just up and walked off the stage, leaving the band to jam in his absence. In real time, it seemed like he left for 20 minutes, although of course it was shorter than that. But still, Iím pretty sure I remember one of the musicians leaving the stage, too, after awhile, presumably in an effort to get Van to come back out. Which he did eventually and carried on in great form.

The San Diego incident, along with another I witnessed at a concert in Anaheim nearly a year later (11/16/74, coming up later in our series), give me license to have my say about a lot of nonsense that has been written over the years about Vanís temperament and the so-called ìunevenî quality of his performances. Van may not do what you expect him to do. He may not do what anybody else does. He may do exactly what young performers are taught NOT to do in schools and conservatories. But he always engages his muse, no matter how rough or how unorthodox his method may be. That is what I love Van Morrison for.

***

San Diego repeats the same set list as San Bernardino save for one major change, the last known performance of Ray Charlesí “Hard Times” until its momentary resurrection for two appearances in Leipzig in 2002. The song debuted at the Shrine shows earlier in the month. This is also the second to last performance ever of John Lee Hookerís ìBoogie Chilleníî (or as some call it, ìHarmonica Boogie Chilleníî). Van would play it in Montreux the following year then never again.

Despite taking place in a large sports arena, the sound quality is much improved. In fact, given JFís gear and the venue, it is a pretty impressive capture for 1973. A bit distant, but rich and clear with little-to-no audience interference. Samples provided.

Like the preceding shows, Van is mixing recent material, covers and classics. The show begins with two unknown instrumental numbers (if you can identify the tunes, please do let us know) which lead to an instrumental ìMoondanceî intro before someones say, ìAnd now ladies and gentleman, here is Van Morrison,î at which point ìMoondanceî stops and the band immediately launches into ìCome Running.î

ìCome Runningî sets the pace for a lively and largely up-tempo set. As at all the late í73 shows, Van again dips heavily into blues and R&B covers, including ìAinít Nothiní You Can Do,î made famous by Bobby ìBlueî Bland and penned by Don Robey and Joe Scott; the aforementioned ìBoogie Chilleníî and ìHard Timesî; along with Willie Dixonís ìI Just Want To Make Love To You.î The rest of the show is loaded with crowd-pleasing material, including ìInto the Mystic,î ìDomino,î ìCaravan,î ìCypress Avenue,î ìHere Comes The Nightî and ìGloria.î

Once again, our gratitude goes to JF, who reached out on DIME (you should be next!) and offered us his archive, which had been sitting in boxes for over 20 years, 6000 miles away from where he lives today. Like so many early tapers, he had great stories to tell and the memories flooded back as we sorted through tapes. We are pleased to be able to bring his work to all of you. Please let him know through your comments that you are, too. We also appreciate the unnamed Van collectors who helped get JFís masters back in his control. JF was also kind enough to include scans of his ticket stubs for this show which are included in the artwork.

We want to acknowledge the value and work of http://ivan.vanomatic.de, the definitive Van Morrison setlist archive on the web. It has been a constant reference tool for this entire series. Of course kudos as well to mjk5510, who continues his essential role as JEMSí post-production and quality-control supervisor. He is as much a part of JEMS at this point as I am.

BK for JEMS

Lossless Bootleg Bonanza: Grateful Dead – San Francisco, CA (12/23/70)

grateful dead - san francisco - 1970-12-23-Winterland

Grateful Dead
December 23, 1970
Winterland Arena
San Francisco, CA

Download: FLAC/MP3

This is a tagged version of shnid: 132343

Recording Info:
(d1t01 – d1t06) SBD -> Master Reel -> CD -> FLAC
(d1t07 – d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC

Transfer Info:
FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC
(1 Disc Audio / 1 Disc FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 27, 2012

Notes:
— Cumberland Blues is cut during last verse
— Thanks to Joe B. Jones for his help with the pitch correction

–Setlist–
101-d1t01 – Tuning/Stage Banter
102-d1t02 – Deep Elem Blues
103-d1t03 – Beat It On Down The Line
104-d1t04 – I’m A King Bee
105-d1t05 – Me And My Uncle
106-d1t06 – Cumberland Blues//
107-d1t07 – Me And Bobby McGee
108-d1t08 – Dire Wolf
109-d1t09 – Good Lovin’
110-d1t10 – Casey Jones ->
111-d1t11 – Uncle John’s Band

Lossless Bootleg Bonanza: Van Morrison – Berkeley CA (09/12/06)

Van Morrison - 2006_09_12 Berkeley front_alt

Van Morrison
Greek Theatre
Berkeley,California
September 12, 2006

Download: FLAC/MP3

Source: Unknown audience recording.
FLAC > TLH (fix SBEs) > you

Disc One
01 Boogie Woogie Country Girl
02 Back On Top
03 Pay The Devil
04 All Work And No Play
05 Enlightenment
06 Fame
07 What Makes The Irish Heart Beat
08 In The Midnight
09 Iím Not Feeling It Anymore
10 Sometimes We Cry*
11 Playhouse
12 Saint James Infirmary
13 Moondance

Disc Two
01 Jackie Wilson Said
02 I Canít Stop Loving You
03 Precious Time
04 Wild Night
05 Brown Eyed Girl
06 Gloria

Van Morrison, Ned Edwards, David Hayes, John Allair, Neal Wilkinson, Cindy Cashdollar,
Tony Fitzpatrick, Crawford Bell Singers, John Platania, *Shana Morrison