Neil Young & The Santa Monica Flyers – Newcastle, England (11/09/73)

NEIL YOUNG & THE SANTA MONICA FLYERS
Cheaper Than It Looks
City Hall, Newcastle, England
November 9, 1973

Disc One:

  1. Tonight’s The Night
  2. Mellow My Mind
  3. World On A String
  4. Speakin’ Out
  5. Albuquerque
  6. New Mama
  7. Roll Another Number
  8. Tired Eyes
  9. Tonight’s The Night

Disc Two:

  1. Flying On The Ground Is Wrong
  2. Human Highway
  3. Helpless
  4. Cinnamon Girl
  5. Southern Man
  6. The Losing End
  7. Band Intros
  8. Don’t Be Denied

Neil Young – vocals, guitar, piano, harmonica
Ben Keith – pedal steel guitar, piano, vocals
Nils Lofgren – guitar, piano, accordion, vocals
Billy Talbot – bass, vocals
Ralph Molina – drums, vocals

Neil Young & The Santa Monica Flyers – Glasgow, Scotland (11/08/73)

Neil Young and The Santa Monica Flyers
08 November 1973
Apollo Theatre, Glasgow, Scotland

Audience Master Recording > ? > CDR > EAC Secure > FLAC Frontend (8)

43:04 minutes – Sound: Good (+)
Incomplete show – missing those tunes noted below…modest hiss and
occasional sonic fluctuation. Quite listenable though, and you can hear
all of Neil’s conversation.

  1. Tonight’s The Night
  2. Mellow My Mind
    World On A String (missing)
    Speakin’ Out (missing)
  3. Albuquerque
  4. New Mama > Roll Another Number
    Tired Eyes (missing)
    Tonight’s The Night (missing)
    Flying On The Ground Is Wrong (missing)
  5. Human Highway
  6. Helpless
  7. The Losing End
  8. Don’t Be Denied
  9. Cowgirl In The Sand (cuts at 4:35 minutes)

Grateful Dead – Universal City, CA (07/01/73)

Grateful Dead
Universal Amphitheatre
Universal City, CA
July 1, 1973

Jerry Garcia – Lead Guitar, Vocals
Donna Jean Godchaux – Vocals
Keith Godchaux – Keyboards
Bill Kreutzmann – Drums
Phil Lesh – Electric Bass, Vocals
Bob Weir – Rhythm Guitar, Vocals

Matrix

SBD (shnid=127028):

Recording Info:
SBD -> Master Reel -> Sound Devices 744T (24bit/96k)

Transfer Info:
WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16
(3 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 10, 2014

[Cuts]:
Playing In The Band (19:01 – 19:18)
The Other One (3:18 – 3:42)

Notes:
— Set 2 is seamless
[– About 20 seconds between Row Jimmy and El Paso were repeated. This was removed.]

MOTB Release: 0055 16/44.1
Release Date: 2007-11-16
Band: Grateful Dead
Date: 1973-07-01
Venue: Universal Amphitheatre
Location: Universal City, CA
Source: FOB Audience Recording
Media: MAR = Unknown, R1 = Maxell UD 35-90
Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1
Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96]
Taped by: Harv Kaslow and Craig Todd
MAR > R1 Copy by: Rob Bertrando
R1 Provided by: Barry Glassberg
Transfer by: A. Egert
Mastering by: J. Waddell

Mastering Notes:
— Edited, mastered and downsampled to 16/44.1 on the GEMS Edit Station.

Notes:
— d2t02 – Cut in Row Jimmy at about 1:15; missing most of second verse and part of the subsequent chorus. No known patch source currently circulates.
— d3t02 – Only the first verse of The Other One was performed, but preceded by an extended instrumental prologue. [35 second cut]

Thank you to Charlie Miller for the SBD transfer,
to Harv Kaslow and Craig Todd for recording the show,
to Rob Bertrando, Barry Glassberg, A. Egert and J. Waddell for the AUD transfer,
to Rob Bertrando for pitch correction assistance,
and to John Bartlang for quality assurance.

Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
March 1, 2014

Set I

d1t01 – Mississippi Half-Step Uptown Toodeloo
d1t02 – Me And My Uncle
d1t03 – Sugaree
d1t04 – The Race Is On
d1t05 – Brown Eyed Women
d1t06 – Looks Like Rain
d1t07 – Don’t Ease Me In
d1t08 – Big River
d1t09 – China Cat Sunflower ->
d1t10 – I Know You Rider
d1t11 – Around And Around

Set II

d2t01 – “Have a safe and sane 4th, folks”
d2t02 – Playing In The Band
d2t03 – Row Jimmy
d2t04 – El Paso
d2t05 – Loose Lucy
d3t01 – Truckin’ ->
d3t02 – Drums ->
d3t03 – The Other One ->
d3t04 – Wharf Rat ->
d3t05 – Me And Bobby McGee
d3t06 – Casey Jones

Neil Young & Stray Gators – Don’t Be Denied, 1973

NEIL YOUNG & STRAY GATORS
Don’t Be Denied
Time Fades Away Tour 1973
Liberated Zuma bootleg

  1. On The Way Home
  2. Here We Are In The Years
  3. Harvest
  4. After The Gold Rush
  5. Out On The Weekend
  6. Old Man
  7. Heart Of Gold
  8. Time Fades Away
  9. Lookout Joe
  10. Sugar Mountain
  11. Sweet Joni
  12. Don’t Be Denied
  13. New Mama – with Crosby & Nash
  14. Southern Man – with Crosby & Nash
  15. Last Dance – with Crosby & Nash
  16. Are You Ready For The Country? – with Crosby & Nash

Tom Waits – KPFK Sessions (1973-1975)

Tom Waits ìKPFK Sessionsì
KPFK broadcasts, Studio City CA
1973-08-12, 1974-07-23 & 1975-01-12

— 1973-08-12 (August 12, 1973)
01 Virginia Ave
02 San Diego Serenade
03 Ol’ 55
04 Semi Suite
05 Fumblin¥ With The Blues
06 Rosie
07 Depot Depot
08 I Hope That I Don¥t Fall In Love With You
09 Heart Of Saturday Night
10 Better Off Without A Wife
11 On A Foggy Night
12 Heart Of Saturday Night

— 1974-07-23 (July 23, 1974)
13 Intro
14 Semi Suite
15 Drunk On The Moon
16 San Diego Serenade
17 Rosie
18 Fumblin’ With The Blues
19 New Coat Of Paint

— 1975-01-12 (January 12, 1975)
20 Intro
21 Nobody
22 On A Foggy Night
23 The Heart Of Saturday Night
24 Fumblin’ With The Blues
25 Better Off Without a Wife
26 Intro
27 Drunk On The Moon
28 Big Joe And Phantom 309

—
This is a truly fabulous and interesting collection of early Tom Waitsí radio shows that includes music and interviews during a period of about a year and half; around the time of his first couple of album releases. Fascinating because you can actually hear audibly the metamorphosis of Tom from a struggling musician into a star. His singing style change is remarkable and his growing confidence is obvious. The earliest stuff doesnít sound at all like the Tom we know and love. The change in his voice is amazing (smoking and drinking does take its toll, lol). Tomís interviews are very interesting as he tells the background stories of the songs, kind of a pre-Storytellers thing. Donít miss this one if you donít have it. Enjoy.

Grateful Dead – San Francisco, CA (11/10/73)

Grateful Dead 11/10/73
Winterland Arena, San Francisco, CA

Disc 1, Set 1

  1. Bertha
  2. Jack Straw
  3. Loser
  4. Looks Like Rain
  5. Deal
  6. Mexicali Blues
  7. Tennessee Jed
  8. El Paso
  9. Brokedown Palace
  10. Beat It On Down The Line
  11. WRS Prelude > WRS Part 1 >
    Let It Grow

Disc 2, Set 2

  1. Playing In The Band >
  2. Uncle John’s Band >
  3. Morning Dew >
  4. Uncle John’s Band Reprise >
  5. Playing Reprise

Disc 3, Set 2, cont.

  1. Big River
  2. Stella Blue
  3. Truckin’ >
  4. Wharf Rat
  5. Sugar Magnolia \
    (missing encores)

Led Zeppelin – Southampton, England (01/22/73)

Led Zeppelin
1973.01.22
Southampton, U.K.
The Old Refectory, Student Union Building

Lineage: Cosimic Energy Tracker Download > Adobe Audition 3.0 (Remastered) > TLH > FLAC-8

Setlist:
01 – Crowd Intro
02 – Rock & Roll
03 – Over the Hills & Far Away
04 – Black Dog
05 – Misty Mountain Hop
06 – Since I’ve Been Loving You
07 – Dancing Days
08 – The Song Remains the Same
09 – Rain Song
10 – Dazed & Confused (incl. San Francisco)
11 – Stairway to Heaven
12 – Whole Lotta Love (medley incl. Everybody Needs Someone To Love, Let That Boy Boogie, (You’re So Square) Baby I Don’t Care, Let’s Have a Party, I Can’t Quit You Baby),
13 – Heartbreaker
14 – Mellotron solo
15 – Thank You
16 – How Many More Times
17 – Communication Breakdown

Liriodendron’s Notes:
I tried to balance the instruments, because there was so much fluctuation at times with instruments dropping out or the volume being moved around, I assumed during an on-the-fly mix and recording? That’s what seemed to be occurring during this recording. So those parts where the guitar was dropped down, the drums, cymbals, etc. I tried to bring the volume back up and even it all out. I raised the top-end and cleaned it up a bit. I also tried to give it a bit of a punch and overall boost in sound. I repaired cuts, clicks and pops and also seamed in the crowd’s applause where it was broken or cut. The only piece I never really completely completed was Whole Lotta Love. I’ve been sitting on this for a long time, because I wanted to do more on that song to fix some of the volume fluctuations, but I just never quite finished it to the level that I’d planned on. I edited it to play it loud, like I always do!! I hope some folks will enjoy it! Play it and Share it!! ñ Lirio.

Press Review: (Wessex Scene)

For two days, Southampton was blessed with the presence of the world’s top rock band.

On the first, it was the turn of the town, with Led Zeppelin blowing the minds of 2 1/2 thousand fans at the Gaumont. But the next day, our heroes came to the Union, and played to us in the Black Hole of Calcutta, or Old Ref. as it is sometimes known. The Gaumont concert had been pretty tight, but not as good as 1 would have expected from a band that had been on the road for t. past two months. But all my doubts were dispelled the next day. I don’t know if it was the atmosphere, or just being right at the front of the audience, but the Old Ref. concert was just fantastic. There’s no other word for it. They enjoyed it. and we enjoyed it, and that’s what matters. As usual, they were a bit slow to warm up – in fact “Rock and Roll”. their opening number, was very rough, and the next, “The Lady”, a track from LZ 5, wasn’t much better either.

“Black Dog” followed, and the audience joined in instantly on the ah-ah, aaah chorus, whereas it took the Gaumont audience a couple of goes to get it right. LZ were beginning to cook.

“Misty Mountain Hop” and “Since I’ve Been Loving You” came next, giving John Paul Jones a chance to show us his dexterity on the keyboards. Until “Loving You” Jimmy Page had been churning out the riffs to make the numbers boogie, but on this one he gave us his first solo, very fast one second, and slow the next, getting everything out of each note. Just to watch him moving his fingers up and down the fretboard made very me very envious – he must have some natural gift. “Dancing Days” and “The Song Remains the Same”, two new numbers were the next, the first, a straight rocker very much in the LZ style, and the second. a longish complex number, starting and finishing with some low tempo-melodic guitar playing, and connected with a heavy rocking bit and a superb organ solo from John Paul Jones. The next number Robert Plant dedicated to the manager of the Gaumont ó “Dazed and Confused”. This, a track from their first album, was used as a showpiece for Page’s long guitar solo. For part of this he used a big bow, and the highlight was when he hit the strings and got the note to echo back to him. When he’d been playing for about 10 minutes, the rest of the band joined in and stretched the number out to about 25 minutes.

Next was a beam of clear, white light, as Plant called ìStairway to Heaven”. Plantís vocals, which had been a bit hidden by Page’s guitar before, came through beautifully, the song gradually rising to the peak of that superb rocking ending. That got everybody on their feet, and shouting for every LZ number under the sun. But Plant asked everybody to shut up for a moment, while he told them about his visit to the toilet. On the bog wall, he saw this name ó Alan Whitehead and this next number was dedicated to him. It was “Whole Lotta Loveî. The band went into a number of old rock and roll tunes, then ìI Can’t Quit You Babe”, and back to “Whole Lotta Love- for a tremendous climax to the show. A few minutes clapping, and they were back to give us “Heartbreaker”, and then “Thank You”, featuring John Paul Jones with a long organ intro, and back for a third time.

Plant said how much they’d enjoyed the gig, and then they proceeded play “How Many More Times”, the first time they’d done it for 2 1/2 years. But you’d never have known it, it was so tight. Straight into “Communication Breakdown”, and then it was all over. See you again, they said, and a very nackered goodnight. This was the only gig they recorded on the whole tour because they reckon the acoustics of the old Ref are good óand after the show Jimmy Page said there would probably be a live album later this year. Let’s hope so ó it’d be a great souvenir of a great show. -JOHN CLARK. (University of Southampton / Wessex Scene)

Neil Young & The Stray Gators – San Francisco, CA (03/20/73)

Neil Young & The Stray Gators
March 20, 1973
Winterland
San Francisco, CA

Master audience analog recording and original CD-R mastering by “Rick the Recorder” >
wav remastering (correcting drops, EQ’ing, amplifying, re-indexing) by Fountainebleau >
SBE correction, flac encoding (via xACT) and seeding by Moe the Sleaze

Disc 1 (51:05)

01 – Sugar Mountain (8:53)
02 – Tell Me Why false start (2:24)
03 – Tell Me Why (6:07)
04 – Old Man (4:18)
05 – Heart of Gold (5:28)
06 – Time Fades Away (6:52)
07 – L.A.(5:15)
08 – Lookout Joe (6:15)
09 – Don’t Be Denied (5:34)

Disc 2 (56:58)

01 – David Crosby & Graham Nash introduction (1:58)
02 – Alabama (5:38)
03 – New Mama (7:21)
04 – Last Dance (11:08)
05 – Yonder Stands the Sinner (3:30)
06 – Are You Ready for the Country (4:31)
07 – Southern Man (11:55)
08 – Cinnamon Girl (3:45)
09 – Last Dance reprise (7:11)

Artwork by Fountainebleau included.

Thank you “Rick the Recorder” and Fountainebleau!

The Faces – London, England (xx/xx/73)

The Faces
London Paris Theatre 1973
“That’s All You Need”

EX Stereo (sounds like it’s from a transcription disc)

Download from blog > TLH > WAV (for de-clicking) > Click Repair (low setting – 20 due to treble frequencies in this recording) > TLH > FLAC

Track Listing

01 Miss Judy’s Farm
02 Too Bad
03 That’s All You Need
04 Stay With Me
05 Memphis
06 True Blue
07 Twistin’ The Night Away
08 You’re My Girl (I Don’t Want to Discuss It)
09 Cut Across Shorty
10 Bad & Ruin
11 It’s All Over Now
12 Had Me A Real Good Time
13 I’m Losing You

Band Personnel

Rod Stewart – Vocals
Kenny Jones – Drums
Ron Wood – Guitar
Ian McLagan – Organ, Piano
Ronnie Lane – Bass

I found this was the same as a Live at Paris Theatre London 1973 CD I have. However that
seemed to run too slow compared to this…this version (from a blog) sounds like it’s from a transcription disc so I’ve plumped for this one and it seems reasonable to assume the speed is
correct. The balance was off (biased to the right) on the CD so this seemed the logical choice
overall.

Minor de-clicking was carried out…just sometimes Click Repair has the odd adverse effect
on some recordings – I believe this is where there are several frequencies at the similar
level to a vinyl click – so a low setting was selected here and careful vetting of the results which were fine, and where there was any doubt, I did not use de-click.

On googling for the date of this concert, I saw two concerts from 1973 with similar tracklistings
to each other (but not to this one) listed as April and August 1973. However all sources I
have seen – my CD cover, online CD listings – suggest this is also a Paris Theatre concert,
and the acoustics suggest it is to me too.

Any help on confirming the date would be welcome

Aerosmith – Boston, MA (03/20/73)

Aerosmith
1973-03-20
Boston, MA
Paul’s Mall

Source: Soundboard
Lineage: Reel(m) > DAT > DAT > Prodiff 96 digital > WAV > FLAC
Quality: 10
Comments:
Notes:

Set 1:

  1. One Way Street > 07:07
  2. Somebody 03:41
  3. Write Me A Letter 04:12
  4. I Ain’t Got You > 03:59
  5. Mother Popcorn 08:16
  6. Movin’ Out 05:11
  7. Walkin’ The Dog 03:12
  8. Train Kept A-Rollin’ > 05:45
  9. Mama Kin 04:26
    __
    00:45:48