Lossless Bootleg Bonanza: Tom Waits – Tulsa, OK (06/25/08)

Waits - 6-25-2008 Tulsa

Tom Waits
Brady Theater
Tulsa, Oklahoma
June 25th, 2008

Download: FLAC/MP3

A plea from the taper: Please support the artist by purchasing official music. These tapes are not intended to replace official product. The artists and their teams rely on purchases of official releases. It is easy to download music for free, but there is a cost to produce it. Please support the artist!

Sonic Studios DSM 6S/L Microphones > Sonic Studios PA-6LC2 Microphone Pre-Amplifier > Zoom H2 Recorder 16-bit/44.1-KHz wav files > Sound Forge > CD Wav > Wav
Recorded and Mastered by K2

101 Lucinda
102 Down In The Hole
103 Falling Down
104 All The World Is Green
105 November
106 Raindogs
107 Fannin Street
108 Trampled Rose
109 Black Market Baby
110 Anywhere I Lay My Head
111 Lie To Me
112 Chatting
113 Invitation To The Blues
114 Lucky Day
115 Chatting
116 Innocent When You Dream

201 Hoist That Rag
202 Get Behind The Mule
203 Jesus Gonna Be Here
204 Goin’ Out West
205 Shore Leave
206 Cemetery Polka
207 Come On Up To The House

Encores:
208 Make It Rain
209 Eyeball Kid
210 Time

Personnel:
Tom Waits – vocals, guitar, piano, percussion, bullhorn
Seth Ford-Young – bass
Vincent Henry – woodwinds
Omar Torrez – guitar/banjo
Casey Waits – drums
Sullivan Waits – clarinet/conga
Patrick Warren – keyboard

Waits has dubbed his summer 2008 tour “Glitter and Doom,” a trek through the lower half of the U.S. he described as “PEHDTSCKJMBA” (pronounced “pess-kuh-JUM-buh), an acronym for each of the tour’s stops: Phoenix, El Paso, Houston, Dallas, Tulsa, St. Louis, Columbus, Knoxville, Jacksonville, Mobile, Birmingham and Atlanta.

REVIEW: Tom Waits
tulsaworld.com
6/27/2008 11:59:09 AM

By Jennifer Chancellor
World Scene Writer

It was a carnival-like revival of the surreal on the historic Brady Theater stage on Wednesday night at the Brady Theater, and Tom Waits was its swarthy-voiced ringleader.

The storied singer and spoken-word performer maneuvered between piano, guitar and maracas, and his band belted out tunes on clarinet, bass clarinet, doghouse bass, drums, keyboards, hand drums and more.

For this show, however, Waits’ trademark granulated voice was the ultimate instrument, from rumbling growls to falsettos and even beatboxing.

During Rain Dogs, he pulled his leg up and arms out, into a crane position and clapped his hands.

As he raven-cawed out the lyrics, We sail tonight for Singapore, the vivid blue, white, red and yellow spotlights blinked and burned against the crushed red velvet curtains behind him.

The near-capacity audience was set adrift into Waits intricate aural hallucination.

In between songs, he’d croak out salty monologues about the sound of corn growing to how sensitive eels are to alcohol.

Several times, he even gently shushed the amorous crowd, which often erupted into yells and chants for their favorite songs while he segued through his set after all, it was Waits first time to perform in Tulsa. Ever.

It was also his first performance in the Sooner state since 1974, when he opened for Frank Zappa in Oklahoma City.
As if drunkenly running from a hell hound on his heels, he staggered into Goin’ Out West, claiming he had a devil on a leash.

Throughout the set, fog roiled forth in bursts as he stomped his feet on the stage. Sweat streaked his cheeks like tears and saturated his three-piece gray suit.He never faltered.

The two-plus hour set was as eclectic as his decades-long career, as he barked out poetry to tunes like Lucinda, November, Black Market Baby, Innocent When You Dream, Cemetery Polka, Come on Up to the House, Rain Dogs and Lie to Me.

During the encore, he donned a mirrored bowler hat and spun like a disco ball.

So put a candle in the window and a kiss upon his lips,î he sang along to his encore tune Time.

I made a golden promise, that we would never part. I gave my love a locket, and then I broke her heart.

As the dish outside the window fills with rain / Just like a stranger with the weeds in your heart / And pay the fiddler off till I come back again.

Repost Bonanza: Joni Mitchell – Forest Hills, NY (08/25/79)

joni mitchell - forest hills - 1979KRR-008

Joni Mitchell
08/25/79
Forest Hills Tennis Stadium
Forest Hills, NY

Download: FLAC/MP3

SBD (unknown lineage) > Reel > M-Audio Transit > Cool Edit > Cd Wave Editor > Flac16

Big Yellow Taxi
Just Like This Train
In France They Kiss On Main Street
Coyote
Edith And The Kingpin
Free Man In Paris
Goodbye Pork Pie Hat
Dry Cleaner From Des Moines
Amelia
Hejira
Dreamland
Black Crow
Furry Sings The Blues
God Must Be A Boogie Man
Raised On Robbery
Shadows And Light
The Last Time I Saw Richard
Why Do Fools Fall In Love?
Woodstock

New Source Bonanza: Jerry Garcia & Merl Saunders – Passaic, NJ (09/06/73)

Jerry Garcia and Merl Saunders
Capitol Theater
Passaic, NJ
09/06/1973

Download: FLAC/MP3

Jerry Garcia – guitar, vocals
Merl Saunders – keyboards, vocals
John Kahn – bass
Bill Kreutzmann – drums

Set I

//It Takes A Lot To Laugh, It Takes A Train To Cry
Expressway (To Your Heart)
It’s Too Late
One Kind Favor
After Midnight
The Night They Drove Old Dixie Down

Set 2

I Second That Emotion
It’s No Use
Like A Road
//That’s All Right, Mama
My Funny Valentine
Finders Keepers
The Harder They Come//
Positively 4th Street*
How Sweet It Is (To Be Loved By You)*

Source 1:
Source: sbd > master-reel > dat(48k)

* songs missing from this source

– this version has been provided by an anonymous source
– this show has never circulated in soundboard quality before
– level adjustments have been made
– several pops and clicks have been removed
– 60Hz hum has been reduced between all songs
– ‘train to cry’ and ‘all right mama’ fade in, ‘harder they come’ cuts at reel end
– the reel change between ‘after midnight’ and ‘dixie down’ has been crossfaded
– all files are tagged

Source 2:
shnid:016878

MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from
left mezzanine, Row N, Seat 10A for first song, then on ledge
from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) >
Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 >
wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT). A > SHN by John Steinthal,
tracking and minor editing by Joe Jupille.

Notes/Flaws:
– A very nice aud, a little bit of fuzzy oversaturation, but very
nice. It is especially important as the only Garcia/Saunders show
from between July ’73 and January ’74 in digital circulation. There
are some tremendous performances of very rare songs here.
– The only edits undertaken were to smooth the tape flips after After
Midnight and Harder They Come.
– No flaws noted.

A Moore’s Masters Production.

Lossless Bootleg Bonanza: Bob Dylan – South Kingston, RI (10/22/89)

bob dylan - south kingston rhode island - P1989_1022

Bob Dylan
Keaney Auditorium
University Of Rhode Island
South Kingston, Rhode Island
22 October 1989

Download: FLAC/MP3

Trouble
Man In The Long Black Coat
John Brown
You’re A Big Girl Now
Just Like A Woman
Stuck Inside Of Mobile With The Memphis Blues Again
A Hard Rain’s A-Gonna Fall
The Lonesome Death Of Hattie Carroll
It Ain’t Me, Babe
Shelter From The Storm
Everything Is Broken
I Shall Be Released
Like A Rolling Stone

Most Of The Time
Maggie’s Farm

Concert # 153 of The Never-Ending Tour.
Concert # 10 of the 1989 USA Fall Tour.
Concert # 75 with the second Never-Ending Tour Band:
Bob Dylan (vocal & guitar), G. E. Smith (guitar),
Tony Garnier (bass), Christopher Parker (drums).
7-9 Bob Dylan (vocal & guitar), G.E. Smith (guitar).
2, 4, 5, 8-10 Bob Dylan harmonica.
12 new songs (80%) compared to previous concert.
4 new songs for this tour.
Stereo audience recording, 85 minutes.

Source 1:
LB-00507

Source 2:
LB-12272

New Transfer

taper: unknown (possibly “jf”)
lineage: first gen cassette >
Maxell XL II-S 90 > JVC TD-W501 Stereo Double Cassette Deck >
Behringer U-Control UCA202 > iMac Intel Core i5 > Burr Brown USB Audio CODEC > AIFF >
Amadeus Pro 2.3 (1674) (balance,t7-t8 crossfade,tracking,fadeout) >
iZotope RX 2 Advanced Declicker (static fixed) >
Amadeus Pro 2.3 (1674) (tracking) > AIFF 16/44.1 >
xACT 2.38 (7606) >
FLAC 0.5634 (15 files), tags, ffp, md5 >
Transmission/2.92+ (14736) Build#6450 >
2016-06-17 by LTA

Source 3:

LB-2511

taper: unknown (possibly “jf”)
lineage: first gen cassette from Rebecca B. >
Maxell XL II-S 90 > JVC TD-W501 Stereo Double Cassette Deck >
Behringer U-Control UCA202 Ultra-Low Latency 2 In/2 out USB/Audio Interface with Digital Output >
iMac 2.9 GHz Intel Core i5 / OS X El Capitan 10.11.5 >
Burr Brown from Texas Instruments USB Audio CODEC (44.1 KHz/16 bit/stereo/512 samples) >
AIFF 16/44.1 (1 file) >
HairerSoft Amadeus Pro 2.3 (1674) (balance,t7-t8 crossfade,tracking,fadeout) >
iZotope RX 2 Advanced Declicker (static t5 @ 0:40, t6 @ 1:30, t9 @ fixed) >
HairerSoft Amadeus Pro 2.3 (1674) (tracking) > AIFF 16/44.1 >
xACT 2.38 (7606) >
FLAC 0.5634 (15 files), tags, ffp, md5 >
Transmission/2.92+ (14736) Build#6450 >
2016-06-17 by LTA

Source 4:
LB-4339

Taped by Kevin Hall

Sony WM-D6C Professional Walkman recorder
2 Beyer M-700 microphones
Maxell metal cassettes

Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)

Master Cassette ->
Sony K707ES cassette deck ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CD Wave (track breaks) ->
FLAC Front End (FLAC 8)

No EQ’ing.

A 16-bit/44.1-KHz flac16 version of this show is also available.

Upgrade Bonanza: Joy Division – London, England (09/22/79)

joy division - london - 1979

Joy Division
Nashville Ballroom
London, England
09/22/79

Download: FLAC/MP3

Original torrent from Straap (2008).

Here are the original infos:
Vinyl LP > CDR > Wave > Flac
bootleg title : Try to cure yourself

01 Atmosphere
02 Wilderness
03 Shadowplay
04 Leaders of men
05 Insight
06 Colony
07 Transmission
08 Disorder
09 She’s lost control
10 Atrocity exhibition
11 Glass
12 Exercise one

Atmosphere is taken from “Out of the room” vinyl bootleg

The Band :
I.Curtis – vocals , electric guitar
S. Morris – drums , synthezizer
P.Hook – bass, vocals
B.A.Digham – guitar, synthezizer

Upgrade Bonanza: Iron & Wine – Hamburg, Germany (02/07/11)

99330130

IRON & WINE
Hamburg, Germany
2011-February-07

Download: FLAC/MP3

Taped by: RCM
Transferred by: RCM
Schoeps MK41 > Actives > Nbox+ > R-09 (16bit/44.1kHz) >Secure Digital SD-card>>USB2.0Interface>soundforge/audioedit>Wav-Splitter>thl>shn&gt

setlist:
01. Tree By The River [5:28]
02. Wolves (Song Of The Shepherd’s Dog) [10:05]
03. Sea And The Rythm [6:52]
04. House By The Sea/Love And Summer Verses [8:46]
05. Bird Stealing Bread [4:54]
06. Me And Lazarus [3:53]
07. Cinder And Smoke [7:22]
08. Monkey’s Uptown [4:29]
09. Weary Memory [5:59]
10. Boy With A Coin [4:16]
11. Half Moon [4:00]
12. Big Burned Hand [3:41]
13. Fever Dream [5:23]
14. Rabbit Will Run — missing
15. He Lays In The Reins — missing
16. Free Until They Cut Me Down — missing

A very nice sounding audience recording.

Upgrade Bonanza: Henry Rollins – Northampton, MA (03/22/11)

henry rollins - spoken word tour

Henry Rollins
2011-03-22 (Tue)
Iron Horse Music Hall
Northampton, MA

Download: FLAC/MP3

Source: (FOB/LOC, 7′ from stage) SP-CMC-2 cards > SP-SPSB-11 > Sony PCM-M10 (24bit/44.1kHz)
Transfer: HD > Audacity (normalize, tracking, fades) > WAV(16bit) > MacFLAC 1.2.1 > FLAC(6)

One Set [02:01:45]

Disc 1: [51:14]

101. Introduction
102. Fear of Middle Eastern Democracy
103. 50th Birthday & NY Spirit
104. Mind Polluted Street Barkers
105. The Fleshy Man Hindenburgh & The One Eyed Girl
106. Meeting Metallica & How I First Got In Billboard
107. LA Rent Boys
108. Vomit & Ass Beatings
109. Captain Beefheart & Dennis Hopper

Disc 2: [70:31]

201. The Immasculating Demon Trouble
202. Various Misadventures In Costco-Land
203. Awaiting The 24/7 PFunk/Ramones Block Party
204. Furious & Curious, Underslept & Overbudget
205. Kim, Spy Bitch & The N. Korean Crying Room
206. There Are Many Sads In Tibet
207. North Vietnam “John McCain Very Bad Pilot!”
208. A Drop In The Bucket In Uganda
209. Humble Uncle Henry Wrap-up

Note: “Henry Rollins: 50″ Spoken Word Show (fiftieth birthday tour).

New Source Bonanza: Grateful Dead – San Francisco, CA (12/30/77)

grateful dewad - san francisco - 1977-12-30-Winterland

Grateful Dead
Winterland Arena
San Francisco, CA
12/30/1977

Download: FLAC/MP3

–Set 1–
Mississippi Half-Step Uptown Toodeloo
Me & My Uncle
Dire Wolf
Looks Like Rain
Row Jimmy
Big River
Bobby’s “Joke”
Peggy-O
Passenger
Ramble On Rose
Let It Grow

–Set2–
Samson & Delilah
Ship of Fools
Estimated Prophet >> Officially Released on Dicks Picks 10
Eyes of The World >> Jam>> Officially Released on Dicks Picks 10
Saint Stephen >> Officially Released on Dicks Picks 10
Sugar Magnolia Officially Released on Dicks Picks 10

–Encore–
U.S. Blues
Good Lovin’

Jerry Garcia – Guitar
Bob Weir – Guitar
Keith Godchaux – Keyboards
Donna Jean Godchaux – Vocals
Phil Lesh – Bass
Bill Kreutzmann – Drums
Mickey Hart – Drums

Source 1:
This is a flac encoded & tagged version of shnid: 30624

gd77-12-30.pre-fm.cribbs.30624.sbeok.flac16
DP 10 material removed

SBDMR>DAT>Sonic Solutions>CD>EAC>SHN

This one is the real deal. I’m not sure what is up with the other
versions that are circulating, but I agree with comments that
shnid 20009 sounds like it’s from an FM broadcast. This seed is
pre-FM and is superior–at least to 20009. BTW, I just LOVE this
show!- Sean Cribbs 8/2005

Source 2:
This is a tagged version of shnid: 139533

Tandberg 10X reel to reel @ 7.5 ips Master.
The reel is from Sandy Troy’s collection and was provided by Charlie Miller

Transfer:
Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96
– transferred by Matt Smith

Lineage:
Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24

Notes:
– Tape pauses have been cleaned up with crossfades.
– Quite a number of small droputs have been repaired.
– All tracks have been pitch corrected.
– The soundboard that circulates and DP10 both have a splice in “Eyes Of The World”,
around 47 seconds is missing. This is the only complete version currently in circulation.

Thanks to everyone involved in getting this out there.

edited and mastered
SIRMick
October 2017

Source 3:
This is a tagged version of shnid: 132379

Recording Info:
SBD -> Master Reel -> Dat -> FLAC

Transfer Info:
FLAC -> Samplitude Pro X2 Suite -> FLAC
(3 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 6, 2015

Notes:
— All disc changes are seamless
— This is a fixed version of shnid=132379
— Levels were increased approximately 14db

Source 4:
This is a tagged version of shnid: 139536
Recording Info:
SBD > Master Reel > Dat > FLAC

Transfer Info:
FLAC > Samplitude Professional Pro X3 Suite > FLAC
(3 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 11, 2017

Patch Info:
AKG’s > Master Reel > FLAC/24 (shnid=139533) supplies:
Eyes Of The World (13:25 – 14:18)

Notes:
— This is a patched version of shnid=132379
— Thanks to SIRMick for his help with this project

Source 5:
This is a tagged version of shnid: 142696
SBD + AUD Matrix 2 Source Mix (44/16)

Audio Source Information:

Original SBD (shnid = 139536)
Recording Info:
SBD > Master Reel > Dat > FLAC

Transfer Info:
FLAC > Samplitude Professional Pro X3 Suite > FLAC
(3 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 11, 2017

Patch Info:
AKG’s > Master Reel > FLAC/24 (shnid=139533) supplies:
Eyes Of The World (13:25 – 14:18)

Notes:
— This is a patched version of shnid=132379
— Thanks to SIRMick for his help with this project

Original AUD (shnid=139533)
Source: Tandberg 10X reel to reel @ 7.5 ips Master.
The reel is from Sandy Troy’s collection and was provided by Charlie Miller.

Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 – transferred by Matt Smith
Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24

Lossless Bootleg Bonanza: Van Morrison – Copenhagen, Denmark (12/05/85)

van morrison - copenhagen 1985 _Vanlose_Blackbird_front-ins

Van Morrison & The Danish Radio Big Band
S¯pavillonen
Copenhagen, Denmark
December 5th 1985

Download: FLAC/MP3

Broadcast by Danish Radio.
Lineage: Cable FM => Master cassette tape (DENON HD8/90) => Sony TC-WE475 => SoundBlaster Z => Adobe Audition CC => Traders Little Helper (Flac level 6 – Align on sector boundaries)

01. Haunts of Ancient Peace
02. Listen to the Lion
03. Vanlose Stairway

Total time: 0:20:11

Incomplete concert – complete broadcast

Upgrade Bonanza: Jerry Garcia Band – New York, NY (10/28/87)

jerry garcia - on broadway

Jerry Garcia Band
10/28/87
Lunt-Fontanne Theatre
New York, NY

Download: FLAC/MP3

Both acoustic sets and the evening electric set have been officially released.

Early Show:

Acoustic:
Deep Elem Blues
I’m Troubled
Spike Driver Blues
Blue Yodel No. 9 (Standing On The Corner)
Short Life Of Trouble
If I Lose
I’m Here To Get My Baby Out Of Jail
Oh Babe It Ain’t No Lie
Drifting Too Far
Ragged But Right

Electric:
Jerry Garcia Band

Get Out Of My Life
They Love Each Other
Mission In The Rain
Like A Road
Love In The Afternoon
My Sisters And Brothers
That Lucky Old Sun
Deal
E: Crazy Love

Late Show:

Acoustic:

I’ve Been All Around This World
Ballad Of Casey Jones
Blue Yodel No. 9 (Standing On The Corner)
I’m Troubled
Rosalie McFall
Diamond Joe
I Ain’t Never Seen Nobody Like You
Long Long Way
Bright Morning Stars
Ripple

Elecric:
Jerry Garcia Band

How Sweet It Is To Be Loved By You
Forever Young
Stop That Train
Evangeline
Knockin’ On Heaven’s Door
Gomorrah
Tangled Up In Blue; E: My Sisters And Brothers

Acoustic Band
Jerry Garcia, John Kahn, David Kemper, David Nelson, Sandy Rothman

This is a tagged version of shnid: 80044
Early Show, electric set only
Source: Orchestra Nakamichi 300s > D5 (MAC) > D5 (C1) > C1 playback on Nakamichi DR2 > Presonus Firebox >
firewire/PC XP Pro > Wavelab 5.0, recorded as 24 bit/96 KHz PCM WAV > Waves L3 Multimaxmizer (threshold -3.5,
ceiling -0.1, type I dither, ultra shaping) > 16 bit/44.1 KHz PCM WAV > CDWAV 1.9 > FLAC (level 8).
Recording via B.Koucky. Transfer/mastering by C.Ladner.
Seeded at bt.etree.org, November 2006.

Comments:
Beginning of “My Sisters And Brothers” is clipped.