Gillian Welch – Nederland, CO (08/21/96)

Gillian Welch & David Rawlings
Acoustic Coffee House
Nederland, Colorado

August 21, 1996

Source: SBD > DAT
Transfer: ACH DAT/M > Tascam DA-20 MKII > MacMini(Audacity)
Processing: 1648wav > Audacity > xACT(FLAC/TAG)
W&A Transfer: Matthew Hernandez 5/26/15

EARLY SHOW

  1. Tear My Stillhouse Down
  2. Wichita
  3. Pass You By
  4. Barroom Girls
  5. If I Had a Hammer
  6. One More Dollar
  7. Paper Wings
  8. I Dreamed I Saw St. Augustine (Bob Dylan)
  9. Annabelle
  10. By the Mark
  11. Only One and Only
  12. Blue Ridge Mountain Blues (traditional)
  13. Caleb Meyer
  14. Acony Bell*
  • probably more music after Acony Bell, w/o mics??

LATE SHOW

  1. Intro
  2. Caleb Meyer
  3. One More Dollar
  4. Pass You By
  5. Barroom Girls
  6. Wabash Cannonball (traditional)
  7. Annabelle
  8. Tear My Stillhouse Down
  9. Sing to the River
  10. By the Mark
  11. Dry Town
  12. I’ll Go On Downtown (Robert Earl Keen)
  13. Pretty Polly (traditional)
  14. Acony Bell
  15. If I Had a Hammer
  16. Orphan Girl
  17. Dusty Boxcar Wall (Eric Andersen)
  18. Long Black Veil (Danny Dill)

John Prine – Santa Cruz, CA (03/10/96)

John Prine
03/10/96
The Catalyst
Santa Cruz, CA

Nyquist Omnis >Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO,
Tayio-Uden CD Masters >FLAC (Level 8) Via xACT 2.37
FLAC Tags Via xACT 2.53

(Recorded, Transferred, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr)

Disc I:
xx Spanish Pipedream*

  1. Six O’Clock News**
  2. Fish And Whistle
  3. Picture Show
  4. You Got Gold
  5. All The Best
  6. New Train
  7. Ain’t Hurtin’ Nobody
  8. This Love Is Real
  9. Angel From Montgomery
  10. Bruised Orange (Chain Of Sorrows)
  11. Dear Abby
  12. Donald And Lydia
  13. Souvenirs
  14. Big Old Goofy World
  15. Space Monkey
  16. That’s The Way The World Goes ‘Round

Disc II:

  1. Sam Stone
  2. Everything Is Cool
  3. Leave The Lights On
  4. Quit Hollerin’ At Me
  5. Band Intros
  6. Sins Of Memphisto
  7. Humidity Built The Snowman
  8. Lake Marie
  9. Hello In There
  10. Speed Of The Sound Of Loneliness
  11. Please Don’t Bury Me
  12. Daddy’s Little Pumpkin
  13. Illegal Smile
  14. Paradise

John Prine – Guitars And Vocals
Jason Wilbur – Mandolin, Electric Guitar, And Slide Guitar
Dave Jacques – Electric And Stand Up Acoustic Bass
Ed Goss – Drums, Percussion, Piano, And Organ
Phil Parlapiano – Piano, Organ, Mandolin, And Accordion
Larry Crane – Guitar

*Missing
** Beginning Cuts

OldNeumanntapr Notes-
This was my first John Prine recording. I got a ride to the show with my friends Dave and Brian, and for some reason (probably because of Dave) we got there late and the show had already started. Santa Cruz is about two and a half hours north of San Luis Obispo County, so we had a bit of a drive. I made my way onto the floor as best as I could but Prine had already played ‘Spanish Pipedream’ and was part of the way into ‘Six O:Clock News’ before I was able to start recording. There is some crowd noise on this recording but overall it’s not too bad. I just wish I would have been able to get the complete show recorded. I had never seen John Prine before and loved his music. He is such a gifted storyteller. I still remember thinking it was funny during ‘The Speed Of The Sound Of Loneliness’ when John sang, ‘You come home late and you come home curly..’, the guy near me exclaimed ‘Curly!’. It’s on the tape. Too funny. I recorded John’s show about six months later at Cuesta College and got a little better recording. The Catalyst was a fun venue. It’s an old bowling alley that was converted to a club and the stage is very high. There is a balcony on each side which is where I would have rather been, but they fill up fast. This, I think, was my second Catalyst show, with the first being Dick Dale in January of ’95.

DO NOT Convert To MP3!
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Bruce Hornsby & Bela Fleck – Kalamazoo, MI (04/24/96)

Bruce Hornsby & Bela Fleck
4-24-96
Miller Auditorium
Kalamazoo, MI

source: sbd/aud matrix > dat *
Transfer: da-20mkII > audiophile 24/96 > wavelab 5.01b > cd wave > flac level 6

taped by ?
transferred by Gordon Wilson

disc one:

  1. New South Africa
  2. Western Skyline >
  3. It Takes a Lot to Laugh, It Takes a Train to Cry >
  4. On the Western Skyline
  5. Rainbow’s Cadillac
  6. Sunset Road
  7. The Way It Is
  8. All the Things You Are
  9. Mandolin Rain >
  10. Brokedown Palace
  11. Instrumental (Bela Solo) ?
  12. Beverly Hillbillys

disc two:

  1. Instrumental ?
  2. White Wheeled Limousine
  3. End of the Innocence
  4. Fields of Gray
  5. Lady with a Fan >
  6. Across the River
  7. Happy Birthday > Entertainer
  8. Cheeseballs in Cowtown
  9. Spider Fingers

Encore:

  1. Valley Road
  • exact lineage unknown. transfer from dat clone
    fades added at beginning and end of disc with WaveLab 5.01b
    gain raised + 5db with WaveLab 5.01b
    Sector Boundaries verified with shntool v2.0.3

Townes Van Zandt – Memphis, TN (12/xx/96)

Townes van Zandt
Studio sessions, Memphis, TN
late 1996

01 Old Satan
02 Old Satan
03 Old Satan
04 Sweet The Time (spoken)
05 Harm’s Swift Way
06 RM Too
07 Townes’ Blues
08 Snow Flake (spoken)

These tracks are probably from studio sessions Townes did with Steve Shelley’s (Sonic Youth) band Two Dollar Guitar. In the spring of 1996 Townes was contacted by Steve Shelley, who informed Van Zandt that he was interested in recording and releasing an album for him on the band’s Ecstatic Peace label, funded by Geffen.

On December 19 or 20, Townes fell down the concrete stairs outside his home, badly injuring his hip. Townes refused medical treatment but showed up to the Memphis studio being pushed in a wheelchair. Shelley canceled the sessions due to Townes’ erratic behavior and drunkenness.

Harm’s Swift Way is likely the last song Townes wrote.

Lineage unknown

Townes Van Zandt – London, England (12/03/96)

Townes Van Zandt
The Borderline, London, UK
December 3, 1996

This was Townes last public performance

01 My Starter Won’t Start
02 Intro
03 Loretta
04 Pancho and Lefty
05 Intro
06 Dollar Bill Blues
07 Buckskin Stallion
08 Don’t Get Laid Much Joke
09 Katie Belle Blue
10 Intro
11 Marie – Waiting Around To Die – A Song For
12 Three Gins Joke
13 Short Hair Woman Blues
14 Intro
15 Ballad Of The Three Shrimps
16 Intro
17 Sanitarium Blues
18 Tecumseh Valley – Dead Flowers
— Encore
19 Three Penguins Joke – Doctor Jokes
20 Colorado Girl

Lineage : Sony ECM 907 microphone > Sony D7 DAT machine transferred via a
Tascam DA-20 Mk 2 DAT machine onto an HHb burnit CDr recorder…some level adjustment to eliminate ear-destruction when the applause kicks in.
CDr > EAC > Traders Little Helper > Flac8 sector aligned

Furthur Festival – Ventura, CA (08/01/96)

Furthur Festival
August 1 1996
Ventura Fairgrounds
Ventura, CA

FOB: Nyquist Omnis >Sony TCD-D7 (16bit/48khz)
DAT Master Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO (16bit/44.1khz)*

CD Masters >FLAC (Level 8) Via xACT 2.41**

*HHb CDR 800 Changed Sampling Rate Automatically During Digital Transfer.

**WAV >Audacity (Final Track Of Disc I [Happy Birthday To Jerry] Was Extended With A Patch From Disc II Track I To Make One Complete Track. Track I Disc II Was Deleted And Subsequent Tracks Renumbered.)

Recorded, Transferred, FLAC’d, Tagged, & Amended Front Cover Artwork By OldNeumanntapr
Recorded 40ft In Front Of Left PA Stack.

Missing: Opening Hot Tuna Electric Set, Last Few Songs Of Bruce Hornsby’s Set, And Mickey Hart’s Mystery Box Set

Disc I:

(Los Lobos)

  1. Peace
  2. Shakin’ Shakin’ Shakes
  3. Will The Wolf Survive?
  4. Revolution
  5. Cinnamon Girl
  6. Maricela
  7. Ay Te Dejo En San Antonio
  8. Let’s Say Goodnight*
  9. Mas Y Mas
  10. Bertha^
  • – w/ Harvey Sorgen On Rubboard
    ^ – w/ Pete Sears On Keyboards

(Alvin Youngblood Hart)

  1. Pony Blues
  2. Them Fair Weather Friends
  3. Joe Friday
  4. Gallows Pole
  5. Big Mama’s Door
  6. Flying Karamazov Brothers wish Jerry Happy Birthday

Disc II:

(Bruce Hornsby)

  1. Black Muddy River
  2. Spider Fingers >
    xx. Tighten Up >
    (Tempus Fugit)
  3. Night On The Town
  4. Western Skyline >
  5. Iko Iko
  6. What A Time >
    –. Jacob’s Ladder
  7. Mandolin Rain//
    xx. That Would Be Something > (missing)
    xx. Another Day (missing)

(Mickey Hart’s Mystery Box)
xx. Missing

(Hot Tuna Acoustic)

  1. I Am The Light Of This World
  2. Keep Your Lamps Trimmed And Burning
  3. How Long Blues*
  4. Let Us Get Together Right Down Here*
  5. That’ll Never Happen No More*
  • – w/ Hornsby’s Horn Section: Bobby Reed – Saxophone, Steve Berlin – Saxophone

Disc III:

(Ratdog)

  1. Walking Blues
  2. Wang Dang Doodle *
  3. Eternity
  4. Blackbird
  5. Looks Like Rain +
  6. Juke
  7. It’s All Over Now
  8. I Need A Miracle
  9. The Winners >
  10. Bass / Jam >
  11. Turn On Your Lovelight

Disc IV

(Encores)

  1. Playin’ In The Band *** >
  2. Proud Mary *** >
  3. One Way Out *** >
  4. Knockin’ On Heavens Door ***

*-with Cindy Wasserman (Vocals); +-with Bruce Hornsby (Keys)
**-with Hornsby, Los Lobos, Hot Tuna, Mickey Hart, etc….

OldNeumanntapr Notes-
I was hoping for a board patch for the Furthur Festival, because I had heard from other tapers that they were allowing limited board access. (The bands would only allow board patches from Hot Tuna and Los Lobos, and occasionally by Bruce Hornsby, so the other bands were audience or nothing.) Unfortunately I got there late because of traffic and missed my opportunity to plug in because they were only giving access to a certain number of tapers. So, I had no choice but to record the festival up front and hope for a copy of the board tape later. (I had already missed the opening Hot Tuna set.) As it was, I met Jeff Lester at this show, who was fortunate enough to have plugged in with his TCD-D3, and he sent me a copy later of the Hot Tuna and Los Lobos sets. I had brought two 60 meter DAT blanks with me but ran out of tape on the 1st DAT and missed the end of the Hornsby set, and I didn’t notice this until just after the set. I also missed all of Mickey Hart’s Mystery Box because I wanted to conserve my second DAT blank. I like the Ventura Fairgrounds. I taped the Dead there in ’87 and actually had tickets for the ’86 show and drove all the way down before I found out that they were cancelled because of Jerry’s coma. I was there for Jerry in ’92 and ’94. I forgot a cable at the ’92 show and wasn’t able to record with my deck and I met some other tapers there and got a copy later, but I pulled a good one in ’94.

One think I always thought was cool about the beach right next to the fairgrounds is that when the waves would wash in, they would roll the cannon-ball sized rocks around and make a really surreal noise. (It was even better sounding if you were…partaking in party favors.) 🙂

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

John Prine – San Luis Obispo, CA (09/15/96)

John Prine
9/15/96
Cuesta College Auditorium
San Luis Obispo, CA

4th Row Center: Nakamichi CM-300 CP-1’s (On T-Bar) >Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 Via Analog i/o
Master CDs >FLAC (Level 8) Via xACT 2.37.

[AUG 2024 Remaster]

FLAC >WAV >Audacity (Combine Tracks To A One-Track File, De-Amplify Close-Proximity Hand Claps By 3 To 6 db, Amplify By 2.7db, Re-Track On Original Index Points, Minor Edits [Mic Bumps]) Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

Recorded / Transferred, Audacity, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr

Disc I:

  1. //Spanish Pipedream
  2. Six O’Clock News
  3. Fish And Whistle
  4. Picture Show
  5. You Got Gold
  6. The Late John Garfield Blues
  7. New Train
  8. Ain’t Hurtin’ Nobody
  9. Angel From Montgomery
  10. Let’s Talk Dirty In Hawaiian
  11. The Bottomless Lake
  12. One Red Rose
  13. All The Best
  14. Grandpa Was A Carpenter

Disc II:

  1. It’s A Big Old Goofy World
  2. Donald And Lydia
  3. Space Monkey
  4. Sam Stone
  5. Please Don’t Bury Me
  6. That’s The Way The World Goes ‘Round
  7. Quit Hollerin’ At Me
  8. Band Intros
  9. The Sins Of Memphisto
  10. Humidity Built The Snowman
  11. Lake Marie
  12. Hello In There

Encore:

  1. Sabu Visits The Twin Cities Alone
  2. Storm Windows
  3. Daddy’s Little Pumpkin
  4. Paradise
  5. Taper Outro

OldNeumanntapr Notes:
This was the second time that I had the pleasure of recording John Prine in concert, after catching his show at the Catalyst in Santa Cruz six months previously. That show had some problems, as we got there late and had to stand on the floor among the loud rowdy crowd.
The Cuesta College show was nice because it was in the old Cuesta Auditorium and we had reserved seats. The theater, built back during WWII, is located on the old Cuesta campus and was previously part of the Camp San Luis National Guard army base. The theater, now condemned and slowly falling into ruin, had great acoustics though it looked like hell with pealing paint and a leaky roof. It was deemed not worthy to be retrofitted for earthquake safety. It’s been vacant since the mid 2000s, but I was fortunate to have seen and recorded many great shows there over the years.

I always seem to miss the opening of ‘Spanish Pipedream’, as Prine runs on stage and starts the song when the lights drop. It took a minute to load the DAT in the machine and start recording. (The Sony D7 and D8 recorders did not have a power switch, but would go into a sleep mode after a period of inactivity once the tape was loaded. I had problems on more than one occasion of the recorder mis-loading a tape when I tried to start recording from sleep mode, so I always started the recording directly after loading. Knowing when to start was always the biggest question.)

This show had a great set list. I really enjoyed hearing ‘The Late John Garfield Blues’, ‘Let’s Talk Dirty In Hawaiian’, ‘The Bottomless Lake’, and ‘Sabu Visits The Twin Cities Alone’. I don’t know if I’ve heard ‘Sabu’ since. It’s a great song. I like the story that John tells on the ‘John Prine Live’ CD from the mid 80s.

John still had his voice back in the 90s. It would get worse as time went on, a victim of cigarettes I imagine, until he would have to have throat surgery. I wish I would have been able to record him earlier, back in the 80s.

The last track is a taper outro. I liked to let the recorder run when I left the venue. Sometimes the stories from friends were funny. There is a one or two second break between the last encore song and the outro. Feel free to omit the last track if you so desire. This one is kind of funny because directly after the show As we were about to leave the auditorium my I turned to my friend Dave’s friend Wayne and asked if he wanted one. He said, “Want What? You’ve got a TAPE? I’d Love it! You are getting very very proficient!”

Do NOT encode to MP3!
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Peter Rowan – Pozo, CA (06/29/96)


Peter Rowan & The Free Mexican Airforce
6/29/96
Pozo Saloon
Pozo, CA

FOB: Nyquist Omnis >Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o.
CD Master >FLAC (Level 8)
FLAC Tags Via xACT 2.53
Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr

Pozo Summer Festival
Opened For Richie Havens. (The Chambers Brothers Preceded Peter Rowan).

  1. Panama Red (w/extended instrumental)
  2. Faith, Love & Devotion/I’ll Be There
  3. Wild Horses
  4. Intro/Rainmaker
  5. Tumbleweed
  6. Wings Of Horses
  7. Ruby Ridge
  8. The Free Mexican Airforce (including Intro)
  9. Land Of The Navajo
  10. Midnight Moonlight

Peter Rowan Lead Vocals & Acoustic Guitar
Lorin Rowan, Vocals (6 String Electric)
Chester Smith (Percussion)
Special Guest on Fiddle from Ruby Ridge onwards – Louis Mantaleone?

OldNeumanntapr Notes-
This show was billed as the ‘Pozo Summer Festival’, and included The Chambers Brothers, Peter Rowan And The Free Mexican Airforce, and Richie Havens who headlined. The Pozo Saloon is a 100+ year old stage stop out in the middle of nowhere. The concerts are always held in the back of the saloon, in the field. This was back when the ‘stage’ was the back porch of the saloon, and you had to deal with trees that interrupted the sight lines. Since then there has been a larger stage built further back from the saloon in the pasture where the concerts are currently held. I’d never seen Peter Rowan or Richie Havens before. This was the show that where I found out that John Kahn, Jerry Garcia’s bass player in the Garcia Band, had passed away. Peter Rowan mentioned it between songs and it came as a shock to me, because I hadn’t realized that he’d died. I also recorded Richie Havens, along with the song ‘The Time Has Come’ from the Chambers Brothers. The Havens set is good, but I never could find the snippet of the Chambers Brothers, as it got lost long ago.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Allman Brothers Band – Paso Robles, CA (08/05/96)

Allman Brothers Band
8/5/96
Grandstands
California Mid-State Fair
Paso Robles, CA

SEC. 5, Row B, Seat #4 (2nd Row, Left)
Nakamichi CM-300 CP-2 Omnis >Sony TCD-D7 (Stealth)
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.53

(Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork By OldNeumanntapr)

Disc I

  1. Statesboro Blues (fades in)
  2. Midnight Rider
  3. Blue Sky
  4. You Don’t Love Me (fades in)
  5. What’s Done Is Done
  6. Worried Down With The Blues
  7. True Gravity >

Disc II

  1. Drums >
  2. Bass Solo >True Gravity
  3. The Same Thing
  4. Dreams
  5. End Of The Line
  6. One Way Out

OldNeumanntapr Notes:
This was a stealth recording because the fairgrounds would NOT allow a recording to be made, even though the band allowed it. I purchased tickets that were directly under the left PA stack, as the crowds at the fair shows are usually drunk and unruly. This was the night that Dickey went to the hospital midway through the set so the band had to improvise with lots of long drawn out jams. You got the feeling the band was really flying by the seat of their pants after Dickey was taken away. It was like, ‘OK guys, NOW what do we do?’ The show must go on! I believe that my recording was the only one made that night. I’ve never seen another source for this show, and most of the tapers were still in Colorado for the ABB Red Rocks shows that had just taken place the previous weekend. As usual, the Mid State Fair crowds were drunk and obnoxious. (I wanted to be as close to the PA stacks as possible!) I used the omni capsules because I had the microphones hidden in a Levi jacket with just the capsules protruding from the front pockets, and they were pointing straight up. (There was really no way to ‘aim’ them’ so proximity to the PA was key.) This was my standard stealth set up at the time. The jacket had holes sewn into the bottom of the front pockets and I used hollowed out 35mm film can lids that went around the microphone bodies to keep the weight of the microphones from falling through the pockets. Custom shortened XLR >RCA cables were used to link with a standard RCA >Mini Y cable that ran into the mic input on my D7.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉