Van Morrison
Palace Theater
Manchester, England
June 14, 1982
Queen
Palace Theatre
Providence, RI
27 April 1974
Master audience recording taped by Dan Lampinski
01 Procession
02 Father To Son
03 Ogre Battle
04 Son And Daughter
05 Great King Rat
06 Liar (spliced)
07 Keep Yourself Alive
08 Modern Times Rock’n’Roll
09 E: Hey Big Spender
10 Bama Lama Bama Loo
Opening for Mott The Hoople
unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes
Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ’ing.
A 24-bit/96-KHz flac24 version of this recording is also available.
Warning/Disclaimer: This recording should not be confused with the series labelled “The Dan Lampinski Tapes Volume XX”. This recording represents part of Dan’s earliest efforts to capture the live concert experience for posterity, hence the series name “Dan Lampinski – The Early Years Volume XX”. Given the very consistent high quality of Dan’s later work, it would have been easy to blow off these recordings and consign them to the dustbin of history, but there are quite a few captures in the series that are well worth circulating, if not for their rarity, but for the obsessive collector types (we know who we are) that want every single second of any recordings of their favourite musicians. So please, just accept these recordings for what they are, another part of the tapestry we weave when we collect and share such things.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.
The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.
Always remember – the more generous you are with your music, the more it comes back to you.
Kev & Carl
November 2010
Bob Dylan
Palace Theatre
Columbus, OH
November 6, 2021
BOB DYLAN & HIS BAND
PALACE THEATRE
ALBANY, NEW YORK
USA
NOVEMBER 17, 2017
Guitar Riffs ( ? )
Things Have Changed
It Ain’t Me, Babe
Highway 61 Revisited
Why Try To Change Me Now (Coleman/McCarthy)
Summer Days
Melancholy Mood (?)
Honest With Me
Trying To Get To Heaven (Before They Close The Door)
Once Upon A Time (Charles Strouse/Lee Adams)
Pay In Blood
Tangled Up In Blue
Soon After Midnight
Early Roman Kings
Scarlet Town
Desolation Row
Thunder On The Mountain
Autumn Leaves (Kosma/Mercer/Prevert)
Love Sick
*
Blowin’ In The Wind
Ballad Of A Thin Man
The Band
Bob Dylan – piano
Tony Garnier – bass
George Recile – drums
Stu Kimball – rhythm guitar
Charlie Sexton – lead guitar
Donnie Herron – violin, banjo, electric mandolin, pedal steel, lap steel
Pink Floyd
Palace Theatre
Manchester, England
9 December 1974
Disc 2 (66:12)
Neil Young
Palace Theatre
Albany, NY
May 18, 2010
Disc 1:
Disc 2:
Van Morrison
Palace Theatre
Providence, RI
26 October 1974
CD1
01 Naked In The Jungle
02 Street Choir
03 Warm Love
04 Bulbs
05 Into The Mystic
06 Help Me
07 I Believe To My Soul
08 Listen To The Lion (spliced)
09 Wild Night
10 You Don’t Pull No Punches, But You Don’t Push The River
CD2
01 I’ve Been Working
02 Take Your Hand Out Of My Pocket
03 Twilight Zone
04 E1: Moondance > Fever
05 E2: Brown Eyed Girl
06 E3: Gloria
Source 1:
Master audience recording taped by Dan Lampinski
unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes
Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)
Master Cassette ->
Nakamichi CR-3A cassette deck with azimuth correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ’ing.
A 24-bit/96-KHz flac24 version of this recording is also available.
Warning/Disclaimer: This recording should not be confused with the series labelled “The Dan Lampinski Tapes Volume XX”. This recording represents part of Dan’s earliest efforts to capture the live concert experience for posterity, hence the series name “Dan Lampinski – The Early Years Volume XX”. Given the very consistent high quality of Dan’s later work, it would have been easy to blow off these recordings and consign them to the dustbin of history, but there are quite a few captures in the series that are well worth circulating, if not for their rarity, but for the obsessive collector types (we know who we are) that want every single second of any recordings of their favourite musicians. So please, just accept these recordings for what they are, another part of the tapestry we weave when we collect and share such things.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.
The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.
Always remember – the more generous you are with your music, the more it comes back to you.
Kev & Carl
November 2010
Source 2:
Unknown audience source
Source 3:
NOTE: FIRSTLY MANY THANKS FOR THE RECORDING AND UPLOAD, ALWAYS A TREAT WHEN AN UNCIRCULATED RECORDING SURFACES, AND IN GOOD QUALITY. THIS RECORDING WAS MADE ON A MONO MACHINE WITH MONO MIKE SO ONLY ONE CHANNEL. TO MATCH MODERN TWO CHANNEL EQUIPMENT THE SINGLE CHANNEL NEEDS TO BE SPLIT EQUALLY INTO TWO. THIS IS WHERE THE PROBLEM ARISES WITH THIS TRANSFER TO DIGITAL AND ON FIRST LISTENING I STRAIGHTAWAY NOTICED THAT THE LEFT CHANNEL LEVEL WAS TOO HIGH AND TOUCHING ON DISTORTION BUT THE RIGHT CHANNEL WAS PERFECT. THREE OTHER
MORRISON COLLECTORS CONTACTED ME AND ASKED IF THE PROBLEM COULD BE CORRECTED, AS THIS IS AN IMPORTANT RECORDING. THIS I HAVE DONE, VERY SIMPLE, AND NOW THE RECORDING IS BALANCED AND CAN BE HEARD AS RECORDED. I CAN ONLY ASSUME THAT ONE OF THE MACHINES USED TO DO THE FIRST TRANSFER TO DIGITAL EITHER HAD A VERY WORN HEAD OR THE AZIMUTH WAS INCORRECT.
FURTHER MASTERING by JTT, DECEMBER 2010:
AS THIS IS A MONO RECORDING I HAVE USED ONLY THE RIGHT CHANNEL COPIED TO LEFT WITH NO CHANGE WAS MADE TO LEVEL.
ALSO CLEANED A POOR EDIT AT 08.01 IN DISC ONE, TRACK 08, MOVED SEVERAL TRACK MARKS (SOME MISSED THE START OF THE NUMBER) AND FADED THE DISCS OUT AND IN.
ALL ALTERATIONS WERE MADE TO THE DOWNLOADED FLAC FILES SO NO DECODING/ENCODING INVOLVED. WORK WAS CARRIED OUT WITH SOUNDFORGE PRO 10b AND FLACS ALIGNED WITH TRADERS LITTLE HELPER.
unknown model dictation style Tape Recorder
External Mono Microphone
Scotch cassettes
Mastered and FLAC’ed by Carl Morstadt (dantalion8@yahoo.com)
FURTHER MASTERING by JTT, DECEMBER 2010:
(Soundforge PRO 10b (Edit & Save FLACS) > Traders Little Helper (Align & Check)
Master Cassette ->
Nakamichi CR-3A cassette deck with correction ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) ->
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ’ing.
A 24-bit/96-KHz flac24 version of this recording is also available.
Warning/Disclaimer: This recording should not be confused with the series labelled “The Dan Lampinski Tapes Volume XX”. This recording represents part of Dan’s earliest efforts to capture the live concert experience for posterity, hence the series name “Dan Lampinski – The Early Years Volume XX”. Given the very consistent high quality of Dan’s later work, it would have been easy to blow off these recordings and consign them to the dustbin of history, but there are quite a few captures in the series that are well worth circulating, if not for their rarity, but for the obsessive collector types (we know who we are) that want every single second of any recordings of their favourite musicians. So please, just accept these recordings for what they are, another part of the tapestry we weave when we collect and share such things. Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies weremade for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ’ing has been done to any of the transfers. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan credit for the original recording.
Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will
now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.
The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac
files for those who prefer the higher resolution.
Always remember – the more generous you are with your music, the more it comes back to you.
Kev & Carl
November 2010
Neil Young with the Santa Monica Flyers
Palace Theatre, Manchester, England
November 3rd 1973
(Complete and lossless)
Tonight’s The Night
Mellow My Mind
World On A String
band intro
Speakin’ Out
Albuquerque
piano fun / talk
New Mama
Roll Another # (For The Road)
Tired Eyes
Tonight’s The Night
Flying On The Ground Is Wrong (20 sec dropout)
talk
Human Highway
talk
Helpless
talk
Don’t Be Denied
Cowgirl In The Sand
Neil Young – vocals, guitar, piano, harmonica
Ben Keith – pedal steel guitar, piano, vocals
Nils Lofgren – guitar, piano, accordion, vocals
Billy Talbot – bass, vocals
Ralph Molina – drums, vocals
Source 1:
Speaking Out
?>CDR>EAC(Secure no C2)>Flac(Flacfrontend, level 6)
Backed by The Santa Monica Flyers, in the fall of 1973 Neil kicked of the Tonight’s The Night tour, confounding the audience
and critcs alike. Dressed like a sleazy barkeeper, he’greeted the audience withe a rousin “Welcome to Miama Beach,
ladies ande gentlemen”
As represented by his Manchester gig from November, the shows were strange, incoherent affairs, with weird stage patter filling
the gaps between songs. The songs, let us put it this way, they were un-fucking believable. The first eight songs were new
and the ninth song the audience had heard only once before, at the beginning of the set. They performed also CITS that night
But that version was to long to fit on this 69 min. boot. Also a lot of talking has been cut
Source 2:
4th gen aud tape => SB-Live => CoolEdit => flac
I can assure you this version has never seen mp3 or Minidisk as these things weren’t invented when I got this cassette.
Compared to the “Tonight’s Your Night”-boot this tape has a much darker sound (no equalizer used, I guess),
some tape hiss, but not much. When I got it I rated it quality B+, by today’s standards it’s more likely B (on a scale D to A+).
Anyway, now you’ve got your warning, feel free to download and share.
No artwork this time – sorry.
“The Velvet Taper”
By request — Gustav was asked to post this show, but I offered to do it and he said OK — he was busy anyway.
This has been widely bootlegged over the years under a variety of titles due to its high quality,
but check your copy — does it have the last song, “Cowgirl in the Sand”?
A version with all the songs didn’t emerge until about 10 years ago, under the title “Tonight’s Your Night.”
However, on that version, some of Neil’s between-song talk was cut to make it fit on a single disc.
About three years ago, this complete version emerged. “Tonight’s Your Night” runs 78:32,
while this one totals about 97 minutes. Neil was very talkative during this tour!
This version was treed on the Rust List around 2002. If anyone involved in that has taper info, please add it.
This is a nice, clear recording — the best one of the “Tonight’s the Night” tour in terms of sound quality,
in my opinion. Of course the limiting factor is that the recording equipment of 1973 doesn’t compare to current stuff.
This probably has been available here before, but if you’re new or missed it, here’s another chance.
Artwork is included. It’s low-resolution but readable.
CDR > EAC > WAV > FLAC Level 8
Enjoy,
Clyde the Camel
Source 3:
Rock ‘N’ Roll Can Never Die
Featuring Nils Lofgren
Rare italian label. WINGED WHEEL 9421
A very nice Audience for this bootleg of the first Neil Young’s age.
EAC Read mode : Secure with NO C2, accurate stream, disable cache
Full artwork
Lineage: My silver cd-EAC-FLAC Level 8
LOU REED
Palace Theatre
Dayton
27 October 1974
with some tracks from the Felt Forum, New York, 09 October 1974
soundboard recording
disc 1
D101 Tuning* 1.26
D102 Intro* 2.38
D103 Sweet Jane* 5.21
D104 Vicious* 6.26
D105 Ride Sally Ride 4.24
D106 Heroin 11.13
D107 Kill Your Sons 7.35
D108 NY Stars 5.00
disc 2
D201 Animal Language 3.08
D202 Waiting For The Man/Sally Can’t Dance 9.38
D203 Bass Solo 3.46
D204 Walk On The Wild Side* 4.26
D205 White Light White Heat 5.40
D206 NY Telephone Conversation/Goodnight Ladies 1.44
D207 Rock And Roll 12.38
*Tracks D101, D102, D103, D104 and D204 are MONO soundboard recordings from the Felt Forum, New York, 09 October 1974
The remaining tracks are STEREO soundboard recordings from the Palace Theatre, Dayton, 27 October 1974
Lou Reed: vocals. amphetamines, foul language
Danny Weiss: guitar
Prakash John: bass (definitely tracks D101, D102, D103, D104, D204 and possibly all the others)
Peter Hodgeson (?): bass (possibly the tracks recorded at Dayton)
Michael Fonfara: keyboards
Peter “Mouse” Johnson: drums
Notes from the original uploader:
The late 1974 US tour to promote “Sally Can’t Dance” was Lou’s amphetamine and alcohol – fuelled assault on the unsuspecting youth of North America. The RCA publicity machine had moved into top gear, but Lou was speeding way, way ahead of them. While they were pushing him as a user-friendly glam-rock/white soul superstar, he was dying iron crosses in his hair, living with a half-Mexican transsexual called Rachel and (simulating) shooting up on stage. The new LP and 45 were being being heavily promoted via nationwide TV ads featuring our man in trademark leather jacket, blonde hair and shades (…follow the bouncing ball and sing along with Lou…..). Whatever RCA were doing, it worked, and “Sally” was in the US top 10 LP chart. Lou was later quoted as saying “….I slept through that LP – whatever they suggested I said yes….”. It seemed that the further Lou descended into self-parody, the more records he sold, and the more pressure RCA put on him to produce even more “product”. This would ultimately backfire in mid 1975, when he vomited up “Metal Machine Music” and then had a very public breakdown during the Australian leg of the ’75 world tour. Lou wouldn’t perform in public again until late 1976.
I think this is a simply outstanding show. Lou may be out of it, but the band most certainly are not. I love the way you can hear Lou slapping the mic stand at the end of “Vicious”. The vocals alternate between detached and manic throughout this set, but are particularly expressive during “Kill Your Sons” (surely the best EVER live version of this song). It’s as if he’s standing on the edge of a cliff and he’s just about to jump off because he KNOWS he can fly. This tour was the only outing for “NY Stars” and “Animal Language” – these live renditions sound better than the studio versions to me. You can hear him sneering as he spits out the words to “NY Stars”. It sounds as if someone broke a string during “Animal Language”: the band start a loose jam while it’s being replaced. Lou starts vamping the words to “Waiting” during the jam, and just continues singing it when the band move on to the “Sally Can’t Dance” riff. The end result is a unique medley of “Waiting” and “Sally” (you have to wonder how long it took Lou to realise he was singing the wrong song – he did pretty much the same at the Chalmette show in November, singing “Vicious” while the band played “Sweet Jane”). “White Light White Heat” is a heavy metal prototype for every late 1970s punk band. “Goodnight Ladies” is a gas, with the whole band gathering round the microphone – you can (just) hear someone in the background asking where the “Jacks” (Jack Daniels) is…..they were having a good time. “Rock And Roll” is simply sublime.
The stereo recording made at Dayton was missing “Intro/Sweet Jane” and part of “Vicious” and there was a tape break during “Wild Side”: mono soundboard recordings from the New York concert have been used to replace those songs.