Tag: 2017

Bob Dylan – Dover, DE (06/17/17)

Bob Dylan
Firefly Music Festival
Dover, Delaware
June 17, 2017

1-1 Intro: Stu Kimball
1-2 Things Have Changed
1-3 It’s All Over Now, Baby Blue
1-4 Highway 61 Revisited
1-5 Simple Twist Of Fate
1-6 Beyond Here Lies Nothin’
1-7 Make You Feel My Love
1-8 Lonesome Day Blues
1-9 Don’t Think Twice, It’s All Right
1-10 Summer Days
2-1 Blind Willie McTell
2-2 Duquesne Whistle
2-3 A Hard Rain’s A-Gonna Fall
2-4 Pay In Blood
2-5 Love Sick
2-6 Ballad Of A Thin Man
2-7 Masters Of War
2-8 Rainy Day Women # 12 & 35
2-9 Like A Rolling Stone

Bass – Tony Garnier
Drums – George Recile
Guitar – Charlie Sexton, Stuart Kimball
Pedal Steel Guitar, Violin – Donnie Herron
Performer, Songwriter – Bob Dylan

Downloaded this from somewhere. It came with no source information. The folders are labeled “Firefly ’17” and the track listing matches so presumably it is a rip of the Crystal Cat release from this date.

U2 – Santiago, Chile (10/14/17)

U2
Estadio Nacional
Santiago de Chile, Chile
October 14, 2017

SETLIST

01- Intro (The whole of the moon)
02-Sunday Bloody Sunday
03-New Year’s Day
04-Bad/Heroes
05-Pride (In The Name Of Love)
06-Where The Streets Have No Name
07-I Still Haven’t Found What I’m Looking For
08-With Or Without You
09-Bullet The Blue Sky
10-Running To Stand Still
11-Red Hill Mining Town
12-In God’s Country
13-Trip Through Your Wires
14-One Tree Hill
15-Exit
16-Mothers Of The Disappeared
17-Beautiful Day
18-Elevation
19-Vertigo
20-You’re The Best Thing About Me
21-Ultra Violet (Light My Way)
22-One

u2 – Sao Paulo, Brazil (10/25/17)

U2
Sao Paulo, Brazil
Morumbi Stadium
October 25, 2017

Source 1:
4x Wireless Sources > Multitrack Recorder
Taper: Sharebear

Source 2
CA-11 Cards > Battery Box > Tascam 2D
Taper: DJ Soulless

Mixed, Produced, and Mastered by Sharebear/Hoserama
Aligned in Adobe Audition
Mixed in Nuendo 4, using extra waves, Ozone, Slate plug-ins
Dithered using Izotope MBIT+
Flac’ed using Trader’s Little Helper

—

Mix version 12 – Volume 1 – “Wet” Mix

Setlist:
01 Intro
02 Sunday Bloody Sunday
03 New Year’s Day
04 Bad
05 Pride (In The Name Of Love)
06 Where The Streets Have No Name
07 I Still Haven’t Found What I’m Looking For
08 With Or Without You
09 Bullet The Blue Sky
10 Running To Stand Still
11 Red Hill Mining Town
12 In God’s Country
13 Trip Through Your Wires
14 One Tree Hill
15 Exit
16 Mothers Of The Disappeared (w/ Daniel Lanios)
17 Beautiful Day
18 Elevation
19 Vertigo
20 Encore
21 The Best Thing
22 Ultraviolet
23 One
24 I Will Follow
25 Outro
26 Bad*

*From 10/21/2017 Sao Paulo Night #2

—

There are 2 different downloads for this show.

Download #1:

  1. “Wet Mix” – Full mix done by Sharebear

Download #2:

  1. “Dry Mix” – Mastered Wireless Only Mix, no AUD + Crowd
  2. “Unmastered Mix” – Unmastered wireless Only Mix. All post-mix effects have been disabled.
  3. “Audience” – Unmastered CA-11 Cardoid Audience source. Recorded from front row, lower level, 5-6 sections away from stage. No work applied other than time alignment. Note that some wind causes minor phasing.

—

Show Comments:
Closing Night of the Tour. Tour has come a long way since the opener in Vancouver. While it won’t be remembered as U2’s greatest tour, going to Sao Paulo for four nights was a lot of fun. Good show overall and enthusiastic (yet respectful at key points) crowd.

I included the performance of Bad from the second show as a bonus. Mostly just because I was very fond of that version.

—

Recording Notes:
Nothing too crazy. My usual rig and setup. There were some technical issues beyond my control, which led to a bit of distortion on the high end of Bono’s vocals. Audience recording is generally pretty solid.

—

Mixing Notes:
Biggest blemish in my opinion is the minor distortion on Bono’s vocals. I’ve done the usual array of tricks with metronome and count removal, but you can still hear some remnants if you listen closely.

Usually when I release something, a bunch of folks tell me “Oh I wish it had more audience” or “I wish it had less audience”. Of course, most of these folks don’t mix so it’s gut feeling. For the Vancouver 2015 multicam, I released three different mixes with varying level of audience…and still had people wanting different levels of audience (“Could you make a mix that’s between the Wet mix and Goldilocks mix?”). As I did with Vancouver 2017, I’m presenting this show in a few different formats.

For those wanting a recording that seeks to sound like an officially mixed live recording, check out the “Wet” mix. I have uploaded this as a separate package for ease of downloading.

For those looking to “Build-A-Mix Kit”, I’ve included in a separate package the Dry Mix + Unmastered Mix + CA11 AUD. Dry mix is a mastered IEM-only mix with my usual bells and whistles, Unmastered is without a lot of the sweetener (although still plenty on individual tracks), and then the Raw AUD. Everything is time aligned.

So with the Dry (or unmastered) and AUD, all the aspiring mixers can create their individual mix to their own tastes. For anybody wanting a full mix, check out my Wet mix. For anybody wanting more of straight soundboard type sound, check out the Dry mix. If you want only an audience, check out the straight audience recording.

I do ask that the aspiring mixers refrain from torrenting their outstanding mixes. I think it would be a bad thing to have a ton of different mixes popping around the internet–better that everybody just tries their own hand at it. But feel free to post clips of your mix in torrent comments.

—

As always, encouraging people to get into taping and mixing. Just take the craft seriously and it will reward you many times over. There’s no point in complaining about missing recordings or subpar quality if you’re not contributing–pushing 1’s and 0’s around on the internet is no comparison for taping.

—

IEM recordings are not for everyone. If not they’re not your thing, either sonically or ethically, there’s excellent alternative recordings out there.

Similarly, I’m mixing primarily for my ears. This is what sounds best to me. This may not sound best to you. That’s a fair statement. I’m open to honest criticism (although you should have caught me when I was working on the mix!), but pointless complaining is unappreciated (naturally). Let’s play nice.

—

Please don’t sell this recording in any way – no cash for blanks, 2:1s, or any other form of “getting paid for your time”. Just share it freely.

Please don’t convert to mp3, then back to wave, and then trade it around. This stuff is too easy to find on torrents now.

Feel free to remaster/remix this recording. Just keep it to your own computer and iPod.

Also, please don’t torrent or share on other sites without at least dropping me a line and asking. I may want to just torrent/share it there myself.

Please ask (and wait for permission!) before putting it into any matrix + video production. If you ask nicely for a quality high-res video project, I will likely say ìyesî. If you put it on YouTube or cell phone video production without asking, I will send my cats from hell to chew your computer cables.

—

Enjoy y’all!

  • Hoserama/Sharebear

Roger McGuinn – Arroyo Grande, CA (10/27/17)

Roger McGuinn
October 27, 2017
“Songs & Stories”
The Clark Center
Arroyo Grande, CA

solo acoustic

Source;
6th Row; Slightly ROC:
Neumann AK 40s (ORTF) >LC3 >KM 100s >Beyer MV-100 >Tascam DR 100mkII (24bit/48khz)

Recorded, & tagged via xACT 2.53, By OldNeumanntapr
Front Cover Artwork Pic By Dave S.

Post production by Flying -M-
iZotope RX6 advanced & Har-Bal 3.0 (prep) >CD Wave >iZotope RX6 (16-44.1) >TLH (flac)

Set I:

  1. My Back Pages
  2. Story – getting started in music w/ Heartbreak Hotel tease
  3. Well, Well, Well
  4. Story – learning various musical styles
  5. Rock Island Line
  6. Story – the correct pronunciation of Rhymney
  7. The Bells Of Rhymney
  8. Story – Pete Seeger
  9. Turn Turn Turn
  10. Story – becoming a professional musician
  11. Silver Dagger
  12. Story – who will keep folk alive?
  13. Ballad Of Easy Rider
  14. 5D (Fifth Dimension)
  15. Mr. Spaceman (include joke)
  16. The Preacher And The Bear
  17. Story – the seven string guitar
  18. NPR interlude music (actual title unknown)
    [43:56]

Set II:

  1. I’ll Feel A Whole Lot Better
  2. Chimes Of Freedom
  3. Pretty Boy Floyd
  4. You Ain’t Going Nowhere
  5. Story – You Ain’t Going Nowhere (Bob’s version)
  6. Chestnut Mare
  7. Russian Hill
  8. Story – blending Folk and Rock music
  9. The Water Is Wide
  10. Story – forming the Byrds
  11. Mr. Tambourine Man (Dylan Version)
  12. Mr. Tambourine Man (Byrds Version)
  13. Story – going to London and the plane trip back
  14. Eight Miles High

Encore:

  1. So You Want To Be A Rock And Roll Star
  2. American Girl
  3. Story – Tom Petty
  4. Knocking On Heaven’s Door
    [49:15]

Roger McGuinn – Guitars; Seven-String Acoustic, 12-String Acoustic, Rickenbacker Electric, five-string banjo, Vocals

OldNeumanntapr Notes-
I hadn’t seen / recorded Roger McGuinn since the Lobero Theatre gig in Santa Barbara in 1999. He is a great musician and a great storyteller. My friend Rick sold me his ticket at the last minute because he couldn’t attend due to his recent back surgery. I went with my friend Dave and his friend Wayne. We were in the 6th row and I was about one or maybe two seats to the right of DEAD center. I also brought my newly-acquired iPhone with me but, not knowing the camera well, I was only able to get a photo of the stage at intermission; (Which was used for the back cover for the artwork.) The photos of Roger that I shot were horribly overexposed. Fortunately, Dave brought his little point and shoot digital camera and got a good one at the encore to use for the front cover. Thanks Dave! And thanks so much to Flying M for his expert post production, and also for the great looking CD cover artwork. I couldn’t do it without you!

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Leo Kottke – Santa Barbara, CA (09/17/17)

Leo Kottke
9/17/17
Lobero Theatre
Santa Barbara, CA

11th Row DEAD Center:
Neumann AK 40s (ORTF) >LC3 >KM100s >Beyer MV-100 >Tascam DR-100mkII (24bit/48khz)

WAV >iZotope RX6 Advanced & Har-Bal 3.0 >

WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) Plus Tags Via xACT 2.41

Recorded, Audacity, FLAC, & Tags By OldNeumanntapr
iZotope / Har-Bal Post Production By Flying M

Disc I:

  1. Intro
  2. From Pizza Towers To Defeat
  3. Pamela Brown
  4. Ojo
  5. Homer & Jethro Story
  6. Last Steam Engine Train
  7. Four Cents
  8. Julie’s House
  9. Disko (Island) / Callus Story
  10. Disco
  11. Staging Story
  12. Living In The Country
  13. Diner / Stink Story

Disc II:

  1. Then
  2. The Brain Of The Purple Mountain
  3. Tuning / Carnival Story
  4. Unknown
  5. Oddball
  6. Wonderland By Night
  7. Unknown (New Song, Aborted)

Encore:

  1. Intro To Rings / Snakes Story
  2. Rings

Leo Kottke Solo Acoustic – Six & 12 String Guitars, Vocals

OldNeumanntapr Notes-
I’m still kicking myself that it took so many years for me to discover Leo Kottke. I’d heard of him for a long time but never took the time to seek out his music. I even had the chance to see / record him not too far from home in 2011 or 2012. When I finally did listen to one of his recordings I was instantly hooked. I’d never heard anything quite like his playing before. I noticed right away that in addition to being a virtuoso guitar player he was a superb story teller. Another taper / collector summed it up really well. “Leo is a very funny comedian who just happens to be a virtuoso guitarist!” I couldn’t have said it better myself. This is the second time that I have seen him, the first being also at the Lobero Theatre in November of 2014. I think one of the reasons I collect so many of his live shows is to hear the meandering, nonsensical, funny stories that he tells! Leo tried a new instrumental at the end of the set but abandoned it partway through when he couldn’t get it to work. He said, “I used to say that I play everything that I can remember, but I guess I can’t say that anymore.” He said that what made it worse was that it was a new song, and he couldn’t remember how it went. There was another song in the set that I couldn’t place. Leo usually plays instrumentals, which can be hard to identify, but this track had lyrics and I still couldn’t uncover anything on it when I Googled the words. Hopefully someone else can give it a name. This was a quiet acoustic show. It was so quiet that the microphones picked up the sounds of my breathing, even though I was conscious that it might happen. There’s really no way to get around that, and still be alive to record the show! Thanks, as always, for Flying M’s awesome work in post production!

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

David Lindley – Santa Barbara, CA (08/26/17)

David Lindley
8/26/17
Lobero Theatre
Santa Barbara, CA

11th Row DEAD Center:
Neumann AK 40s (ORTF) >LC3 >KM100s >Beyer MV-100 >Tascam DR-100mkII (24bit/48khz)

WAV >iZotope RX6 Advanced & Har-Bal 3.0 >

WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) Plus Tags Via xACT 2.39

Recorded, Audacity, FLAC, & Tags By OldNeumanntapr
iZotope / Har-Bal Post Production By Flying M

Set I:

  1. Announcements / Intro
  2. Poor Poor Pitiful Me
  3. More Than Eva Braun*
  4. Mr. Snake Head
  5. Revenge Will Come
  6. Ain’t No Way

Set II:

  1. Guitar Auction Talk / Tuning
  2. Tiki Torches At Twilight
  3. Pretty Polly
  4. The Cuckoo Bird
  5. Mercury Blues

Encore:

  1. Well, Well, Well

*Dedicated To Donald Trump

Solo Acoustic
David Lindley – Vocals, Weissenborn Lap Steel Guitars, Turkish Oud, Syrian Oud, Irish Bouzouki (No Saz) 🙁

OldNeumanntapr Notes:
This was a show I’d waited about five months for, as I am a ‘UUGE’ David Lindley fan. I’m sure that Donald Trump would be too, after Mr. Dave dedicated two songs to him! (The second song that Lindley dedicated to Trump was ‘Mr Snake Head’, played with his solid-body Turkish Oud, which he remarked was a Middle Eastern ‘Illegal Alien’, that was imported.)
I was fortunate enough to score an 11th row DEAD Center ticket, and equally fortunate to get a nice polite, quiet crowd around me.

Lindley opened with a Warren Zevon tune that I have not heard him do before, so that was a treat. I love his Zevon covers, especially ‘The Vast Indifference Of Heaven’, and ‘Seminole Bingo’, not to mention the classic ‘Werewolves Of London’. I’d love to hear him cover ‘Roland The Headless Thompson Gunner’. After hearing his new song, ‘Mr Snake Head’, that might not be too much of a stretch of the imagination!

Actually, I was thinking, by the sound, that he was going to open with ‘Revenge Will Come’, but he played ‘Poor Poor Pitiful Me’ instead, with ‘Revenge Will Come’ being played later in the set.

The sound in the Lobero Theatre is always very good, and this time was no exception. I have been recording there for years, with a variety of microphones. (In 1998 I recorded David Lindley & Wally Ingram there with two Neumann KM-184s on a T-Bar into a DAT recorder, and hid the relatively large microphones with my long hair let down in front of me.) In retrospect the KM-140s, with active cables, are MUCH easier to hide!

Lindley confessed to the crowd that it was actually his blue Ostrich shoes that requested ‘Eva Braun’ be dedicated to Trump. Those shoes were quite a sight to see, along with his loud polyester shirt.

A roadie brought another guitar out on stage and placed it in a separate stand while we waited during the break for the second set to start. Lindley explained that this guitar, which had a sound hole in the upper left corner of the body, was to be auctioned off and he might very well bid on it. I remember seeing Arlo Guthrie play the same type of guitar the last time I went to an Arlo show. He picked up the guitar and tried to plug his cable into it but for some reason the pickup was not compatible with his gear and he couldn’t get it to play with a decent amplified sound.

I’m sorry that Mr. Dave doesn’t seem to take his Saz guitars on the road anymore, as I haven’t seem him play them since 2011 or so. I wonder why. I really liked to hear him play that instrument.

‘Tiki Torches’ is always a crowd pleaser, but I think it can get kind of disgusting. Maybe I just have a weak stomach. I liked ‘Pretty Polly’, and also ‘The Cuckoo Bird’. I would have loved to have seen Lindley with Kaleidoscope in the late 60s.

I thought it was funny that there was some guy up from on the right side that kept interjecting bits of nonsense, at at one point someone yelled ’Shut Up!’ Glad he was not near me, which is usually what happens!

It was nice to hear Lindley’s Jimmy Stewart voice between tunes. I always love it when he does his Stewart impressions.

Lindley spoke about the flooding in Houston and urged people to help. He then went into ‘Well, Well, Well’ for the encore.

After the show got out I made my way to In & Out Burger in Santa Barbara and had a late dinner at almost 11 pm. I got home at midnight and was already thinking about the Los Lobos concert the next day, which nearly turned into a full scale fiasco. That story is detailed elsewhere, but suffice to say everything turned out OK in the end and there was much rejoicing!

Thanks so much to Flying M for his amazing post production skills. The raw files sounded really good when I listened to the first set in my truck on the way home from the show, but the finished recording sounds incredible.

Flying M Notes:
A quiet acoustic show so the enthusiastic applause was a bit over the top.
Harmonic Balancing and light compression brought out more detail and raising the side channel gave additional depth.
Amplitude increased by 10dB reducing stray peaks as required to prevent clipping.
Cleaned away the loudest clapping and handling noises and reduced the applause by 7dB.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

The Brothers Comatose – San Luis Obispo, CA (02/02/17)

The Brothers Comatose
2/2/17
Fremont Theater
San Luis Obispo, CA

Soundboard / Audience Matrix; Approx. 70/30 % Split
Behringer X32 Digital Soundboard >Canare Star Quad XLR + Neumann KM-140s (ORTF) >XLR >Lunatec V2 (+30db) >Mackie 402-VLZ4 >XLR Tascam DR100mkII (24bit/48khz)

WAV >Audacity (Amplify, Track Splits, Minor Edits, Down Sample / Dither To 16bit/44.1khz)
Fix SBEs >FLAC (Level 8) + Tags Via xACT 2.53

Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwork OldNeumanntapr

  1. Intro (Korie Newman From Good Medicine Presents)
  2. Brothers
  3. Angeline
  4. Modern Day Sinners
  5. Pie For Breakfast
  6. 120 East
  7. The Ballad Of Tommy Decker
  8. Dead Flowers
  9. City Painted Gold
  10. The Van Jam
  11. Tops Of The Trees
  12. Stick Shifts And Safety Belts
  13. Get Me Home*
  14. Hurricane
  15. Yohio**
  16. To Be Young (Is To Be Sad, Is To Be High)
  17. Trippin’ On Down (w/Bass Jam Intro) > ***
  18. Pennies Are Money Too
  19. Morning Time****
  20. Knoxville Foxhole
  21. Strings
  22. Feels Like The Devil
  23. The Way The West Was Won
  24. Y’all Come

Encore:

  1. The Scout
  2. Blister In The Sun

Ben Morrison – Guitar, Vocals
Alex Morrison – Banjo, Vocals
Gio Benedetti – Bass
Philip Brezina – Fiddle
Ryan Avellone – Mandolin, Guitar

http://www.thebrotherscomatose.com

*New Song
**Bass, Banjo, & Guitar only
***Big Black Bra thrown onstage
***w/Laura Lewis on vocals

The Historic Fremont (Movie) Theater Was Built In 1942

Support Acts:
Bear Market Riot
The Shawn Clark Band

OldNeumanntapr Notes-
This was a fun show, but I was crushed to have to deal with an equipment failure that almost cost me the recording. The Fremont is an old Art-Deco-styled movie theater dating back to WWII. It has a capacity of just under 1000 and is very ornate, with lots of neon and a high marquee outside. Inside it has a Huge old-fashion lobby and tapestries on the walls. The ceiling of the theater is festooned with an inset of what looks to me like a bird’s head and beak. The inside of the theater has curved walls and the room has great acoustics. I’ve been seeing movies in that theater now for almost 40 years and it’s a favorite.

The doors opened at 7 pm and I arrived at 5:30 pm and went in through the back door, having already been pre-approved for recording privileges from the band through Todd Newman, of Good Medicine Presents. Kip, the house soundman who I have known since 1992 when he was at Loco Ranchero, knew I was coming and helped me out with power and a board patch from his Behringer X32 digital soundboard. I was able to run my Canare 25ft XLR cables from the board across the right aisle (taped down) and I set up in the last row of the theater. I set the stand up next to me and stacked all my gear on the inside chair. I had to also tape down the power cables from the Mackie mixer and the AC power supply for the Tascam, and patch everything together.

I ran a SBD/AUD matrix with the Neumann KM-140s >Lunatec V2 (30db gain), and monitored with my Sennheiser 770 headphones.

I ran an approx. 70/30 % split, with the ambient mics turned up just enough to catch some crowd and the sound of the room. The audience mics gave a nice reverb and made the recording a bit more three dimensional, because you can hear the interaction between the band and the crowd, and also hear a little of the room acoustics.

I normally do not record openers, but the two opening bands sounded really good in sound check. The first was two guys on acoustic guitars, and the second band was a five piece with guitar, banjo, stand up double bass, fiddle, and drums. Really good sound. I was impressed being that they were two local bands. I decided to record them, if for nothing else but to dial in the mix so everything would be set for the headliners. I also thought it would be nice to maybe add two other bands to the Live Music Archive on Archive.org.

When I went to switch CF flash cards to get ready for the start of the Brothers Comatose set, my Tascam flashed a message that said my 4 gig card was corrupted. I tried it several times, and even turned the power off and on but no luck. It kept saying ‘Change Card’.

So, I had no choice but to reformat the first card and erase the two opening sets I’d just recorded. I was so bummed, as I had told both bands that I could get them a copy of their sets later. As it was, I had JUST enough room for the headliner, because the first card was only 2 gigs. I think I had four minutes to spare at the end of the set!

A real bummer that a $10 card almost prevented me from recording the show. It had worked perfectly on the last recording that I had done. Luckily I had brought two cards with me!

This was my third Brothers Comatose show and they never fail to put on a good performance. I love recording them, and I love recording in the Fremont. I’ve been waiting for a while to get to do a SBD/AUD matrix in that room and this was a great chance to do so. A HUGE thanks to The Brothers Comatose for allowing live recording. Thanks also to Todd and Korie Newmann from Good Medicine Presents, and thanks to Kip Stork for his help with the board patch.
(Someone threw a big black bra onstage during ‘Trippin’ On Down’. I saw something fly through the air and Ben picked it up in the middle of the song and put it on his head. The other band members took turns clowning around with it for a while. Too funny!) This was a late night for me. I wasn’t expecting two opening bands but it was a really fun show and I was glad I was there. I had a pizza at Woodstocks at midnight and was home by almost 1 am. Yawn. I was dead at work on Friday, but it was worth it.

Billy Strings – Denver, CO (02/25/17)

Billy Strings
02-25-2017
Bluebird Theater
Denver, CO

Source: Matrix – SBD + DPA 4021(DIN) > Sound Devices 744T(24/96)
Location: FOB, DFC, 8′ high, 3rd drink rail, 30′ from stage
Info: CF>PC>Wave Lab 6.1 (levels, fades, conversion)>CD Wave 1.98 (tracks)>Traders Little Helper (level 8)
Recorded by: Rob O’Brien (robotaper)

  1. Tuning
  2. Little Maggie
  3. Pyramid Country
  4. While I’m Waiting Here
  5. Dust In The Baggie
  6. Turmoil And Tinfoil
  7. Slow Train
  8. Band Introduction
  9. Thirst Mutilator
  10. Black Clouds
  11. Come On Down The Mountain Katie Daly
  12. I Only Exist
  13. How Mountain Girls Can Love
  14. Freeborn Man*
  15. Senor(Tales of Yankee Power)*
  16. Atlantic City*
  17. Meet Me At The Creek*>
  18. Riders On The Storm*>
  19. Meet Me At The Creek*

Encore:

  1. Shout Little Lulie / Liza Jane

Notes:

  • * w/Anders Beck on dobro and Paul Hoffman on mandolin and vocals – Greensky Bluegrass
  • Shout Little Lulie featured Billy Strings on banjo / Liza Jane featured Billy Strings solo on banjo
  • Flacs tagged w/Mp3tag

The Band:
William Apostol – Guitar, Banjo, Vocals
Brad Tucker – Bass
Billy Failing – Banjo
Drew Matulich – Mando