Now Watching: Captain Blood (1935)

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As I just mentioned, I’m gonna try to do a better job of posting around here. Again, I’ll have more to say about that in a day or two, but as part of that plan, I’m starting a new series I’m calling Now Watching.

Quite a lot of folks do that on social media. They will mention what they are currently watching, or reading, or listening to, and maybe say just a few words about it. So, I thought I’d turn that into a full-on blog post.

The idea won’t be to do full reviews, but to just mention what I’m currently watching (and maybe listening to or reading) and to say a few words about it. Later on, I might do full reviews of some of these things, but maybe not.

Tonight I watched:

Captain Blood (1935)
Directed by Michael Curtis
Starring: Errol Flynn, Olivia De Havilland, Lionel Atwill, and Basil Rathbone

Synopsis: After treating a Monmouth rebel against King James II in 1680s England, a young Irish doctor is exiled as a slave to Jamaica, where he captures a Spanish galleon and becomes the most feared pirate of the Caribbean.

Rating: 7/10

Thoughts: Me and the wife wanted something fun to watch tonight, and she suggested a pirate movie (she was aiming for the Muppet pirate movie, but we landed on this).

It takes an awfully long time to get to the piracy. Captain Blood starts out as an ordinary citizen, minding his own business. But when he applies his physician’s trade to a rebel fighter, he’s arrested and sold into slavery. Yada, yada, yada, an hour later, he finally becomes a pirate. There is a romance subplot with Olivia De Havilland and Basil Rathbone shows up for a couple of scenes as a rival pirate.

All of that is okay, not great, but watchable. It is the last half hour where things pick up, and the final battle is pretty terrific.

Noirvember #9: The Dark Mirror (1946)

the dark mirror

I’ve been slacking in my film noir reviews. I’d apologize, but I can’t imagine any of you actually care.

The first fifteen minutes or so of The Dark Mirror are terrific. A man is stabbed to death in his apartment. Several witnesses put the man’s girlfriend Terry Collins (Olivia De Havilland) at the scene. But when Lt. Stevenson (Thomas Mitchell) questions her, she provides several witnesses that can prove she was nowhere near the murdered man at the time of his death.

What the…? How can that be? Twins, that’s how. Terry has an identical twin sister named Ruth (also De Havilland). So, one of them did kill the man but the other has an airtight alibi. Trouble is no one can tell which one did what except the two sisters, and they aren’t saying.

The film has a lot of fun playing with that situation, befuddling the lieutenant at every turn. But then it introduces a psychologist, Dr. Scott (Lew Ayres) who has made a career out of studying twins. He begins seeing the girls individually, running them through a series of tests. Naturally, he also falls in love with one of them.

One of the twins is insane and has been gaslighting the other their entire lives. Naturally, there is a bit of a switcheroo with the twins, because you can’t have a movie about twins without having them pretend to be each other at some point. Once the doctor is introduced I started losing interest. He all but pushes the lieutenant out of the way and the story becomes less about a cop trying to solve a murder and more about a doctor analyzing patients. Boring is the word.

De Haviland is great. She creates two distinct characters out of the sisters while still making them fully believable as twins. Michell is very enjoyable as the lieutenant as well. I wish the film had stuck with him instead of getting all psychobabble with the doctor.