The Friday Night Horror Movie: Trap (2024)

poster

I watched The Sixth Sense in the theatre when it first came out. I managed to see it before the surprise ending was ruined for me. I remember liking it that first viewing quite a lot. But then some friends of mine wanted to see it and I was visiting them in Arkansas so I felt like I couldn’t say no. Even though I was pretty sure that the film would disappoint since I now knew the surprise. It did disappoint. I was bored during that second viewing.

That whole day was weird. I was good friends with her in high school. But since going away for college I hadn’t talked to her in over a year. Her husband I didn’t know at all. So the day was full of awkward conversations and then this movie I didn’t want to see. I also randomly remember her listening to The Eagle’s greatest hits on cassette and I hate the freaking Eagles.

Anyway, The Sixth Sense was of course an enormous hit and made M. Night Shyamalan an instant celebrity director. He followed it up with the underrated Unbreakable and then the quite fun but rather ridiculous Signs, and then the very creepy but completely dumb after the trick ending is revealed The Village.

By this point, he was starting to feel like a one-trick pony where every movie had a surprise ending. Everybody hated Lady in the Water and The Happening became an instant joke.

Shyamalan was on the outs. But then a funny thing happened on the way to career suicide. People started liking him again. It was as if after all the hype died down, and expectations became low, people realized he was actually a pretty good stylist and while his scripts were often ridiculous, his films were rather fun.

Or maybe that’s just me. I like most of his movies. They are dumb, but he’s a skilled enough director to keep me interested.

Trap is an absolutely stupid movie. There are so many instances in the film where I kept shouting at the screen that whatever was happening wasn’t the way things work. People don’t behave like that. Concerts don’t have multiple random intermissions. Police don’t let serial killers hug their daughters and play with their son’s bicycles.

And yet, I still quite enjoyed myself.

The plot involves a serial killer named Cooper Adams (Josh Hartnett), known as “The Butcher,” (and this isn’t a spoiler as it was revealed in all the trailers, reviews, and the first ten minutes of the film). He’s kidnapped at least a dozen people, then killed them, then chopped them up into pieces and displayed their parts in public. But he’s also a decent family guy.

He’s taken his daughter Riley (Ariel Donoghue) to see pop star Lady Raven (Saleka Night Shyamalan – the director’s real-life daughter who is in fact a real singer – you gotta love a dad who basically makes a movie to show off his daughter’s talents). But the cops and the feds have been clued into the fact that The Butcher is gonna be there so the entire concert is one big trap for him.

Cooper must find a way to escape so he can continue killing. And being a family guy. It is a testament to Hartnett’s skill as an actor and Shyamalan as a director that I found myself rooting for a serial killer for most of the film’s runtime.

Truly this is one of the most ridiculous films I’ve seen in a long time. Ridiculous decision after ridiculous decision is made by Cooper, the police, Lady Raven, and everyone really. My eyes rolled into the back of my head and then fell right out.

And yet, again, I quite enjoyed myself. Shyamalan never takes anything too seriously. He’s quite aware his film is dumb. But he’s having fun. And so was I.