The Friday Night Horror Movie: Taste of Fear (1961)

taste of fear

On Friday nights me and the family usually go upstairs to my room and watch Doctor Who. Afterward, the wife and daughter remain in our room to watch Youtube videos, while I go downstairs and watch a horror movie. Tonight, the daughter is staying over at a friend’s house. Which leaves me and the wife here alone.

Friends, I have to admit I didn’t know what to do with myself. We were too tired and poor to really go out for a date night. It is too hot outside to go to the park or anything. So, we had a little dinner and watched a movie. Two movies, actually.

Because I am a creature of habit I could only watch a horror movie tonight. That’s just what I do on Friday nights. Also, I write this article and I couldn’t let you all down, could I? I know every single one of my readers waits for me to tell them what horror movie I watch on Friday nights. 🙂

But my wife doesn’t like horror movies. So, I had to find something she could enjoy as well. Enter Hammer Studios. They made a whole lot of horror movies in the 1960s and 1970s that are not too scary, or gore-filled but are also a lot of fun. My wife can enjoy that sort of thing, and actually quite likes Hammer Horror as a genre.

The first film we watched was Dracula: Prince of Darkness (1966) which is the third film in Hammer’s Dracula series and the second to star Christopher Lee as the vampire (the second film The Brides of Dracula (1960) doesn’t actually have Dracula in it at all). It wasn’t great and since we decided to watch another film after that one, and it is actually quite good, I’ve decided to talk about it instead.

Taste of Fear (sometimes called Scream of Fear) is a wonderful bit of gothic psychological horror. It stars Susan Strasberg as Penny Appleby a wheelchair-bound heiress who has been away from home for ten years. When her father summons her she returns to his estate on the French Riviera. Strangely, when she arrives she finds that her father has just left on business. Stranger still, that night she sees a light on in the no longer used summer cottage attached to the estate. Upon investigating she finds the corpse of her father sitting in a chair.

Fleeing, she accidentally falls into the pool and knocks herself unconscious. When she awakes she is assured by everyone that it was all just a hallucination caused by fatigue and too much wine. As an avid moviegoer, I know at this point she’s being gaslit, but the reasons why are unclear.

The film has a lot of fun (very slowly) unveiling those reasons. Penny continues to see and hear things that make her believe her father is at the house, but no one will believe her. Well, almost no one. The chauffeur (Ronald Lewis) eventually does and becomes the love interest. The film gives us so many twists and turns that it is hard to know what is real and what isn’t. Just when I thought I knew what was happening the film mixed things up and I was completely surprised.

It is a bit of a slow burn, it takes its time to get interesting, but it is beautifully shot in black and white and is filled to the brim with atmosphere and mood. Once things do take off it becomes really quite wonderful.

Noirvember #4: The Black Glove (1954)

the black glove

A popular jazz musician named James Bradley (Alex Nicol) arrives in London for a series of performances. One late night, on his way to his hotel, he hears a beautiful voice singing along to a nice jazz band. He stops his cab, slips inside the club, takes out his trumpet, and plays along. The girl is pretty. The girl is nice. He takes her home. In the morning the girl is dead. The cops think he did it. He spends the rest of the film trying to clear his name.

This British production was produced by Hammer Studios which is usually associated with horror films and directed by Terence Fisher who helmed some of their best horror flicks. But this is all crime drama with lots of noir trappings. It is yet another film I’ve watched of late that’s just pretty good. There is some nice jazz music, some good images, but the story never quite succeeds.