lee marvin

death hunt

Whenever I watch a movie I inevitably go to Letterboxd to see what other people think of it. Letterboxd is like social media for movie nerds. You can log movies, see how many movies by an actor you’ve previously watched, check out stats (it is what I use to write all my movie journal posts), write reviews, and much more. You can also follow other users and when you do it will automatically show you their reviews.

I follow a lot of movie critics and various other users whose reviews I like to read, or who tend to have similar tastes as me. It is always interesting to see what others think of a movie I’ve just watched. It is especially interesting when their opinions differ from mine. It is fascinating to me to see when people hate a movie I loved for love a movie I hated.

I thought Death Hunt was dumb. It is the kind of movie they made a lot of in the early 1980s – silly action films with a couple of big stars, a little sexy, some comedy, and a lot of gunplay and explosions. I’m not necessarily opposed to that sort of thing as you can see from my reviews of various Burt Reynolds movies, but I have to be in the right mood.

I guess I wasn’t in the right mood yesterday when I watched Death Hunt because looking at Letterboxd most of the reviews I saw seemed to think it was a pretty fun movie. You can read between the lines that no one thinks it’s an actual good movie, but entertaining isn’t always good.

Anyway, the film is set in the Yukon Territory way up North in Canada in the 1930s. Albert Johnson (Charles Bronson), on his way home from a long stint in America, comes across an organized dogfight. The losing dog is badly injured and its owner, Hazel (Ed Lauter) is ready to do it in. Albert stops forcibly stops him then pays him $200 and takes the dog home.

With Albert gone Hazel finds his courage and reports the incident as a dog theft to Edgar Millen (Lee Marvin) of the local Canadian Mounties. Edgar is of the old and grizzled but fair and kind variety (in the Lee Marvin type).

Edgar knows Hazel and figures his story is bupkis, and tells him to go away. Hazel doesn’t like that and takes a group of his buddies up to Albert’s cabin to give him what for. Albert, being played by Charles Bronson, takes their what for and gives it back, leaving one guy dead on the ground.

Now that a man’s dead Edgar has to investigate, but instead of going to Albert alone and having a chat he takes an entire posse with him, including Hazel and his friend – all armed to the teeth with shotguns and rifles. His cabin surrounded Edgar walks up to Albert’s place to ask him to come alone peacefully. When he refuses Edgar lets the men shoot the cabin to bits. When that doesn’t work he throws dynamite at it, blowing the thing sky high.

It was probably at this point that I gave up on the film. Blowing a man’s house (and presumably him) to pieces isn’t good police work. Especially when you know that the killing you want to arrest him was probably self-defense. But the film wants them to have a chase and so that’s what it gives them.

Amazingly Albert survives the explosion and hits the road (or rather the icy mountain paths) with Edgar hot on his tail. The rest of the film becomes one long chase.

Made just a couple of years after Death Wish, Death Hunt is clearly trying to cash in on that film’s success. But Death Wish had a specific point of view. In those films, Charles Bronson is a good guy driven to revenge by evil criminals (don’t get me wrong that film’s morality is wonky as hell, but it does have a point of view). Here Albert is a rather dubious character and as noted Marvin isn’t exactly clean cut so there isn’t an obvious person to root for. Except the film clearly wants us rooting for someone, it just doesn’t seem sure as to who. This brings it all to a finale that just kind of whimpers where it ought to bang.

I’m putting way too much thought into all of this, more than the creators of the film seem to have done. It is all meant as a good time at the movies with a little comedy and some big action and good stars and nothing more. This is too many words already, but I should mention Carl Weathers plays Lee Marvin’s good time buddy. Oh, and Angie Dickinson plays Marvin’s love interest, who has so little to do I almost forgot about her.

I suspect if I had poured myself a couple of drinks and invited some friends over I would have had fun with it. But sitting alone on my couch while my wife is upstairs with Covid and my daughter is hiding out in her room I found it all kind of vapid and annoying.

the big red one poster

I’ve talked a little in this series about memory and the movies. Or rather, how this series continually brings up memories of both me watching certain movies or just knowing about their existence in various ways. That probably isn’t interesting to anyone but me, but I find it fascinating, and this is my blog so I’m gonna keep talking about it 🙂

My first memory of The Big Red One, Samuel Fuller’s movie loosely based on his experiences in World War II, is of the DVD cover. I was in Walmart many years ago looking through their movie selection and came across a copy of The Big Red One. It was an evocative cover that was mostly black with a big white outline of a rifle and the title was all in white except for the word “red.” Well, you can see what I mean up above.

I immediately wanted it. I read the back cover and it promised to be a full restoration of Fuller’s lost film. It had lots of extra footage. It was a masterpiece. That sounded great.

I put the film back. I’ve been burned before. The film sounded interesting but I wasn’t ready for another blind buy.

I haven’t really thought about the film since. Oh, every now and again it would pop up on a streaming service or whatever and I’d think about watching it. Then I’d find something else. And now, I’ve finally seen it.

It is pretty good. Unfortunately, I wasn’t paying attention and I watched the original, non-director’s cut which is missing something like 45 minutes of footage. I might go back and watch that version someday. But not anytime soon.

The film follows a man only known as Sergeant (Lee Marvin) as he leads a squad of infantrymen from the 1st Infantry Division (who were known as The Big Red One due to the patch on their shirts.)

It reminded me quite a bit of the HBO series Band of Brothers as it follows this squad From North Africa to D-Day, the liberation of France to a concentration camp. They deal with battles and injuries, death, and replacements. In its own way, it is just as episodic as that series.

It was made on a low budget and unfortunately, it shows. The battle sequences aren’t particularly exciting. There are quite a few characters, but none of them are all that memorable. Mark Hamill is second billed but he gets very few lines of dialogue. His performance is mostly reaction shots. Most of the other characters are indistinguishable. I’d be hard-pressed to tell you any of their names or what they did. Marvin is great and he gets almost all of the screen time. He’s a hard-worn war veteran (in an early scene we see him as a private in World War I), but he’s kind to his men.

There are some really wonderful scenes. One inside a mental institution stands out. And the D-Day landing involves the Sergeant sending his men, one by one, across the beach to try and blow up a barbed wire fence keeping everyone from advancing. One guy goes, gets shot and he sends another. Then another. And another. He calls them out by number, not by name. It is harrowing to watch. These men are literal cannon fodder. More meat for the grinder.

It very much feels like an incomplete film. I’d like to see the longer cut (which was put together from surviving footage based on Fuller’s notes, he was dead when it was done). Forty minutes is a lot of time for these characters to be better filled out and their lives explored.

This version isn’t enough for me to be begging to see even more of this film, and the reviews of the extended cut don’t call it a masterpiece, so I expect it will be a few years before I decide to go back. But it is an interesting film, and I’d be interested to see if any of my readers have seen the longer version.