nicole kidman

the invasion As I noted yesterday, there have been four adaptations of the Body Snatchers story – in 1956, 1978, 1993, and 2007, that’s roughly about once every twenty years. We are just about due for a new one, though the 2007 version did so poorly I expect we won’t get one. It is interesting to think about what new spins they could put on the story.

With smartphones and social media, one could easily make a connection between staring blankly into your phone and being an alien pod person.

The 2007 version entitled The Invasion is the worst adaptation of the four. Body Snatchers wasn’t great but at least it had a point of view. It was trying to say something interesting. The Invasion does nothing new and feels rather generic. It runs like a standard 2000s thriller.

Ok, it does do a few things slightly different from the other adaptations but none of them are particularly interesting. The alien spores are attached to a space shuttle that explodes high in the atmosphere scattering its parts (and with it the aliens) across the globe. In this version, the spores do not turn into pods that transform into clones of individual humans, but when ingested it changes each person in some fundamental biological way.

Nicole Kidman is Carol a psychologist whose patients are some of the first to recognize something strange is going on. People who have been infected by the aliens (and in this version, the invasion is very much like a viral infection) get a sticky substance on their skin when they are first infected but it doesn’t completely take control until they fall into R.E.M sleep.

Carol gets infected and so much of the drama comes from her trying to stay awake. She also has to find her boy because they got separated before she realized what was going on.

For that part, it isn’t a bad little thriller. There are some exciting action-oriented scenes but as a Body Snatcher adaptation, it doesn’t work at all.

The strength of this story comes from the paranoia of finding out the people surrounding you, sometimes the people you love have become aliens. The two most modern adaptations don’t seem to understand that. They substitute cheap thrills for something deeper and more threatening.

With three other adaptations to choose from, this sone is completely skippable.

dead calm movie poster

When I was a young teen, probably sometime in the late 1980s my mother’s friend Beverly had a satellite dish and all of the premium cable channels like HBO and Showtime. We only had basic cable at the time so I was in awe of all the movies she had access to. She was kind enough to allow me to send her requests of films I was interested in watching and she’d record them for me onto VHS tapes. I used to scour the TV Guide looking for movies for her to record.

When I got older and was living on my own I used to set the VCR to record old movies off of TCM and other cable channels. I had quite a collection of films dubbed off onto VHS tapes.

One film in that collection was Dead Calm. Unlike Firestarter this was a film I didn’t really know much about. Nicole Kidman was not yet a star and I didn’t know who Sam Neill or Billy Zane was. It is an Australian film and I don’t remember how much publicity it received in the USA. But at some point, I must have seen a trailer or read a synopsis and decided it sounded interesting. Thus I recorded it onto VHS tape.

But I never did watch it. It sat in that collection of tapes for years and years. When I’d go looking for something to watch I would see it, think to myself “I should watch that sometime” and then skip right past it. Many years later I got a digital copy of the film and yet I continued to put off watching it. One of the things I’m loving about this Awesome ’80s series is that I’m finally getting around to watching those sorts of films.

I should have watched this one much sooner as it is pretty terrific.

Kidman and Neill play Rae and John Ingram, a married couple who recently lost their only son in a terrible accident. They have taken off in their sailboat to sail the Pacific Ocean and forget about their troubles.

One day they spy a schooner that seems to be in some distress. They hail it to no accord. Before they can make their way over to see what the trouble is they see a man, Hughie (Zane) furiously rowing toward them in a dinghy.

He says that his boat is slowly sinking and that all the other crew is dead of food poisoning. But something seems off about him. When John indicates he’d like to sail over and check out the boat, Hughie becomes very agitated. He generally seems over-excited and behaves somewhat erratically.

When he finally crashes and falls asleep, John takes the dinghy over to the boat to investigate. What he finds is disturbing. But before he can come back to his boat, Hughie has knocked Rae unconscious and taken control of the boat.

The film becomes a tight thriller with Rae trying to escape from Hughie and John trying to survive the sinking boat long enough to be rescued. I loved the gender reversal of that. Typically in movies like this, the woman would be trapped helplessly by the villain and the male hero would rush in to rescue her. But here John must be saved by his wife after she subdues the villain.

Director Phillip Noyce keeps things moving briskly and the tension held tightly. The two boats, thousands of miles from anything but the ocean create a wonderful setting where the characters must survive on their own cunning and wits.

This was Kidman’s breakthrough role and she’s terrific. She gives her character confidence rarely seen from female characters in this type of movie, but she never loses her femininity. Sam Neill is great as well. He spends a great deal of the film alone on that sinking ship and he allows his character the fear that comes from such a situation but also a determination to survive. I’m not a huge Billy Zane fan and he doesn’t quite have enough crazy menace here, but he’s still effective.

I’m surprised this film hasn’t received more love. I’m really glad I finally decided to watch it.