Bob Dylan
2000.10.01
Munster, Germany
Halle Munsterland (Capacity: 6,500)
Announcement
Duncan And Brady (acoustic)
John Brown (acoustic) (Larry on Bouzouki)
Visions Of Johanna (acoustic)
One Too Many Mornings (acoustic) (Bob on harp)
Tangled Up In Blue (acoustic)
Searching For A Soldier’s Grave (acoustic) (Larry on mandolin) (song by Johnnie Wright, Jim Anglin and Jack Anglin)
Country Pie
Standing In The Doorway
All Along The Watchtower
Dignity
Just Like A Woman
Drifter’s Escape (Bob on harp)
Leopard-Skin Pill-Box Hat
(encore)
Love Sick
Like A Rolling Stone
If Dogs Run Free (acoustic) (Larry on electric guitar)
Things Have Changed
I Shall Be Released (acoustic)
Highway 61 Revisited
Blowin’ In The Wind (acoustic)
Musicians:
Bob Dylan (electric & acoustic guitar; voc; harp)
David Kemper (drums)
Larry Campbell (electric & acoustic guitar; pedal steel guitar; electric slide guitar; fiddle; bouzouki, mandolin, voc)
Tony Garnier (electric & acoustic bass, standup bass)
Charly Sexton (electric & acoustic guitar, voc)
Source 1:
LB-1553
Graphics By Charlie
A Schubert recording
with additional SoundMastering
Soundquality: 13
Technical Info: Neumann SKM140 / Neumann BS48i-2 / Sony TDC-D100
Source 2:
Manufacturer / Catalog No.
Crystal Cat / 569-70
Bonus:
Señor (Larry on pedal steel) (1)
When I Paint My Masterpiece (2)
Every Grain Of Sand (3)
Cold Irons Bound (3)
Stone Walls And Steel Bars (acoustic)(4)
Queen Jane Approximately (4)
(1)Pocatello, Idaho March 19 2000 State University Holt Arena
(2) Salina, Kansas April 5, 2000 Bicentennial Center Arena
(3) Cologne (Köln), Germany May 11, 2000 Kölnarena
(4) George, Washington June 18, 2000 Amphitheater
* Larry on mandolin. Written by: J. Wright ,J&J Anglin
themidnightcafe.org 
Oooh! Love this one!
Hope ever’body has a listen!
‘Schubert’ is my absolute favourite of the regular tapers. I really love the work that ;Spot’ and ;Soomlos’ and some others do. I really appreciate their efforts to record and to share their truly excellent work. All the tapers have a signature sound (leaving aside the obvious considerations of venue acoustics, seating position etc) which obviously depends on the equipment they use. It;s just that to my ears Schubert’s recordings have a particulrly ‘lush’ sound that really appeals to me. This is obviously a PURELY subjective thing. Spot’s recordings are very clean with great separation of the instruments etc, Soomlos produces recordings with great dynamics and a terrific stereo sound stage. For me however Schubert’s work has the edge (just)
You might think therefore that i will be rushing to d/l this. But actually i will not be rushing as this show was included in the awesome Crystal Cat set of recs for 2000 – in fact this particular show has EVEN BETTER sound than the average for that set of recs which is set at an extremely high level.
This is not to put down Schubert’s efforts. Crystal Cat use their own multiple AUD captures with professional mics and then mix down these recs in a studio to produce a stereo master with much professional post prodn and mastering. Therefore it is simply impossible for any taper (no matter how good!) to compete with their releases. It also explains why their releases are so often mistaken for soundboard recs. Truth is they are usually far better than most SBDs
Might still poll it down and have a listen though, it is a great show
I agree DylanDave – Schubert is one of the very best!! All of these legendary tapers – including the others you named, and other kind souls who tape and share so freely – are pretty amazing, what they can capture on a good night…
Thanks for these additional two “Dylan 2000” shows, Mat!
Thank you very much for sharing. What a great show.
Comments from deleted reposts:
Robert Cook says:
July 6, 2017 at 12:53 am Edit
Thanks very much for posting – however, I don’t think this is LB-2579.
Reply
Mat Brewster says:
July 6, 2017 at 12:59 am
Why not?
Reply
Robert Cook says:
July 27, 2017 at 8:55 pm Edit
Thuy says:
July 27, 2017 at 8:37 pm Edit
Thank you for another excellent recording. I agree with the other comment that this is not LB-2579 (or any LB for this show) as neither md5 nor ffp checksums match. But to me it sounds very convincingly like a CC recording, clear and bright.
Reply
Mat Brewster says:
July 29, 2017 at 9:51 pm Edit
Thanks Robert and Thuy I’ve been trying to match up my shows with LB numbers. I’m terrible at matching checksums but try to do my best with matching up the notes and source info. I’m pretty sure this was labeled in the original notes as Crystal Cat and I erroneously thought that meant it was the LB number I included. I have now deleted the LB number and we’ll let it go without one.
Robert Cook says:
July 30, 2017 at 12:18 am Edit
No problem, matching checksums can be difficult, there is software to do it but it can be hard to install. Crystal Cat recordings (particularly older ones) are prone to this problem – there can be multiple CDR rips all with different checksums.
La Piazza Gancio says:
November 21, 2014 at 1:59 pm
Oooh! Love this one!
Hope ever’body has a listen!
Reply
Other comments:
La Piazza Gancio says:
April 26, 2015 at 9:42 am Edit
Der Big Kahuna!
Reply
Gerbrand says:
January 30, 2017 at 1:31 pm Edit
If you can repost this sometime, Mat, that would be great. I’d like to have all the 2000 Crystal Cats, but these 2015 zippyshare files have been expired.
Reply