
Obviously, I love a good Western. For the last two years, I’ve dedicated the month of March to the genre. A great Western is transcendent. Even a bad one can be a lot of fun. But there is no getting past the casual racism that is found in a great many Western. This is especially true in Westerns from the 1930s into the 1940s. Hollywood thought nothing of making Native Americans nameless, blood-thirsty savages who wanted nothing more than to rape the women, kidnap the children, and murder the men.
Slowly, Hollywood changed. By the 1950s they sometimes (but not always, not even all that often) made films that depicted Native Americans with an ounce of empathy. Devil’s Doorway is a film that points to the realities of how Native Americans were treated by white folk. Even ones who fought valiantly in the Civil War.
Unfortunately, the lead Native American is played by a decidedly white fella.
Were the film really good, I might be able to forgive that lapse in judgment. But as it is, the film isn’t great and so that bit of indiscretion stands out like a racist thumb.
You can read my full review here.