The Hot Topic: Foreign Language Films

From the ardent minds of loudish gawks comes the suddenly fairly often meanderings on the current topics of the day.

Sharpen your pencils, and sprinkle your thoughts with lighter fluid, for this is the Hot Topic.

From: Mat Brewster
To: The Hot Topic Team
Re: Foreign Language Films

“I don’t want to read a movie,” said my mother.

“But it’s a Kurosawa marathon,” I replied. “They’re showing the Seven Samurai, The Hidden Fortress, and Throne of Blood. That’s like the greatest movie ever made, the movie that inspired Star Wars, and a bloody Shakespeare adaptation!”

“I don’t care if it is Jesus nailed up on the cross, I don’t want to read a movie.”

“Jesus nailed on a cross? No, Mom that was The Passion of the Christ which by the way was in a foreign language with subtitles, and you saw it.”

“Oh, whatever,” she replies, “that movie was all blood and guts and birds pulling out eyes. There was hardly any talking in it, just a lot of screaming. And it doesn’t matter what language you’re screaming in, it’s all the same.”

“Fine, what do you want to see?” I ask.

“How about that Pink Panther movie? That looks funny, and you like Steve Martin.”

“Fine, we’ll see the Pink Panther.”

I have had this same argument with my mother countless times. She refuses to watch any foreign language movie because of the subtitles. She says she doesn’t want to read a movie and all the writing keeps her from watching the action on the screen.

Repeat this conversation with literally dozens of coworkers, friends, and acquaintances.

I continually ask myself why this is, and I cannot come up with a reasonable answer. Sure, it’s true that by reading subtitles you do miss some of the visual imagery of a film; you might miss an important bit of action. But that’s why god invented the rewind button.

Sometimes I want to mention that most foreign language films are dubbed into English. But that’s just sacrilege. Dubbed movies are crap. The voice actors are about as good as porno actors.

This argument is senseless to me anyway. By not watching the film you miss all of the imagery, you do not see any of the action. You are missing some of the greatest films ever made.

By not watching foreign language films, you’d never see The Seven Samurai, my all-time favorite movie. What with the stunning action, the comedy, the romance, the Toshiro Mifune, it’s really freaking brilliant.

No foreign language films = no 400 Blows, no Wild Strawberries, no Seventh Seal, no 8 ½, no Band of Outsiders, no…

Is this an American thing? An English language thing? Is this just something with the people I know? Why are so many afraid of subtitles?

What do you guys think? Do you watch foreign language flicks? What about you fellas across the pond think about this? Is the UK more enlightened when it comes to foreign language flickery, being so close to foreign languages and all?

From: Bennett Dawson
To: The Hot Topic Team
Subject: Foreign Language Films

I’m really with Mat on this one. If you refuse to do subtitles, you miss a lot of great films. It works for me because I’m a speedy reader, and quickly fall into a mode where reading the text is just part of the experience. It stops bothering me about two minutes in.

That said, my wife is French Canadian, and English is her second language. She would love it if the films with heavy English accents or Irish accents (Snatch) were subtitled in English so she could figure out what the hell everybody is yacking about.

I vote ‘Yes’ on English subtitles for anything from Scotland, Boston, or New Jersey…

From: DJRadiohead
To: The Hot Topic Team
Subject: Foreign Language Films

Books are work, movies are easy and I am a lazy cunt.

I don’t want to work hard when I watch a movie. Two hours and I am done- that is the appeal. Movies are, in that sense, like poetry. Condensed. Tell the story of a man’s life in two hours. Tell the story of 12 hours in two. Great films stick around with you longer than that but still only take two hours to revisit.

That movie-watching is so easy makes me even less willing to put any kind of effort into watching one. If the movie is two hours and the first 30 minutes blow, I am probably out of there. I have little invested and the chance for redemption drops with each passing minute. Fuck a lot of that noise. I will go do something else.

It might sound to you like I don’t like movies. Not true. I did, during the dark days of college, work at a video store. For a few years, I got to see everything. I guess I got burned out on it all. I still watch more than a few each year but I generally get less and less excited about them. You will probably be able to guess what I think of foreign film viewing.

Movies are moving pictures. Every picture tells a story. I don’t really want to try and read and watch the movie at the same time. I admit it. I have been told by people all my life I am terrible at concentrating. I can’t focus. Ever. I mean, let me tell you about this time when I was in a play in college and- see what I mean? Do remind me to tell you that story sometime. Anyway, I do find it disconcerting to watch a film I also have to read. I have done it. I have seen some Kurosawa and a few others in my life. I just do not enjoy the experience.

Movies are also sound. They are aural experiences and I apologize in advance to the denizens of hypersensitive PC fucks everywhere: foreign tongues sound foreign. Sometimes they even sound funny to my ears. It can be really hard to let myself get sucked into an intense scene when I hear those sounds. The dramatic use of facial expressions, other visual scenery, and the score in the background cannot always overcome the fact those sounds can sometimes make me laugh. Even when they don’t, there is something lost in translation.

Harkening back to my college days, I learned in my nonverbal communication class 93 percent of meaning is transferred by nonverbal means. I guess the 7 percent I have to read rather than hear is the difference between loving foreign films and waiting for Hollywood to take them and fuck them up in English.

From: Mark Saleski
To: The Hot Topic Team
Subject: Foreign Language Films

The whole foreign film/subtitles thing seems to be a love it/hate it phenomenon.

Personally, I’ve always loved foreign movies. And while I don’t love subtitles, I’ll put up with them because the films themselves resonate with my inner-directed self.

Kurosawa being one exception, most of the foreign language movies I love are full of dialogue and not much else. Subtitles? Ah, I don’t care. There are just too many great films out there to allow some text on the screen to make the decision (to watch or not) for me.

Interestingly enough, my favorite foreign movie—indeed, my favorite movie of all time—combines moments of highly nuanced character development with segments of heart-stopping action. It’s a French film called Diva. A Parisian courier’s love of a particular opera singer gets him wrapped up in a white slavery and drug ring, plus some other creepy underworld types. The characters are so interesting, the plot so engrossing, and the music so beautiful, that I completely forget about the subtitles.

Oh…as for the sometimes proposed “solution” to subtitling: dubbing? That’s more distracting than subtitles. That I hate.

From: Aaron Fleming
To: The Hot Topic Team
Subject: Foreign Language Films

Ah the old `foreign films with those word things on screen’ topic, an
area close to my sensitive parts for sure. A subject worthy of many
fucks flung, as they often are, but perhaps this time with a
fuck-catapult built out of the flaming phalluses of a group of
Mahavishnu Orchestra-obsessed Pharisees.

But with a slight restraint in the flinging, maybe some put aside for
the time when the new Paul W. Anderson flick slides out his back
colon. This is due to our good fellow DJRadiohead’s comments regarding this here discussion, which are quite antithetical to my own views, albeit at the same time being very honest and pleasant.

Of course, it doesn’t matter where the film’s from, what the hell
language it is in, or whether the characters are speaking in the finest
and most expressive of the queen’s English, or in something more akin to Microsoft Word’s Wingdings font. It doesn’t matter. Plenty of crud-encrusted French movies out there. And best remember, not all foreign language movies are the high-end of culture, where’s the art-house praise for Banlieue 13? All that Parkour and elbows to groins not
titillating the pretensions of bereted and bearded critics? I guess
not, I thought it was fun though.

But to restrict yourself to only English language films is to miss out
on so much brilliance, not just the aesthetically glorified cinema of
a Tarkovsky or a Bergman, but great entertainment pieces like Ong Bak. I’ll admit to emitting a plethora of sneers towards the “subtitles? Fuck that, I’m going to watch rugby and get drunk” crowd, it’s a shame.

My occasional moonlighting as a video store clerk has brought me
many painful moments related to this very topic. Like that time
someone brought back Ong Bak complaining it was in “Chinese or some ol’ gibberish” and demanding nothing short of a refund. I of course corrected his erroneousness by blasting back with a negating stare and mouth movement forming “it’s actually Thai, cunt.” Then I told him to fuck off and how my day would have been better if he had been born still.

What can you do? Only attempt to spread the good word of Chan Wook Park by recommending his flicks at every opportunity; maybe, someday, one person might say, “by Mike Patton’s very beard thing! This is actually quite brilliant, now I must track down every Godard I missed while I was watching the latest mass-produced offering featuring The Rock, what a fool I have been.”

From: Mary K Williams
To: The Hot Topic Team
Subject: Foreign Language Films

You know, there is SO much good art out there – be it music, graphic (oils, watercolors), literary, or film – that what I’ve experienced could fit in a wee thimble. Sure, now I blame my lack of art exposure on trying to raise a family and all, and well that’s as good an excuse as any I guess. But lately, I’ve felt so deprived – so lacking. I know my life is continually being enriched through my home life experiences, and as much we can all cram in as a family. Yet, I hear tell of these interesting quirky films or offbeat but breathtaking musicians – and I think – ‘Wait, stop, the world is going much too fast, I’m going to miss it all!’

I do know that in the imaginary perfect world of not having to earn a living, not having anyone depending on you, a person would still be hard-pressed to go out and manage to ‘do it all’.

A thought occurred to me today – that I consider foreign films complete with subtitles like delicious fancy food. A little intimidating at first, but then quite delicious if prepared well, and if you have the right attitude.

But you have to be in the proper frame of mind for the likes of Crouching Tiger, Hero, or The Passion of the Christ (These being the few I’ve seen and enjoyed). If not. you may not be able to really appreciate the subtleties of flavoring or the magic of lighting and direction.

Sometimes, when you feel like I did today, exhausted after a very busy week, and with a cold on top of all that – sometimes you just want comfort food. And sometimes too, you just want comfort flicks. A movie that you don’t have to have all eight cylinders cranking for – like my picks of the day, Lethal Weapon 2, Scary Movie 2, Sixteen Candles, and Two Weeks Notice.

From: Duke de Mondo
To: The Hot Topic Team
Subject: Foreign Language Films

Ah, the old “Balls! It’s subtitled!” hollering.

How many times have I heard this? Far too many to be bothered thinking about.

…The lass in the video-store who, with rather lovely yap all twisted up the jaw, handed me Amelie with the cautionary aside; “This is subtitled, y’know. Is that alright?”

…The copy of Irreversible tossed back at my mug, fella tutting, “Watched five minutes. Fuckin’ all that writin’ an stuff, the hell kinda shite’s that?”

…The ex-girlfriend lamenting my choice of viewing material for the evening. “The Seventh Seal!” I cheerily announce. “For God’s sakes!” comes the anguished reply. “Can’t we watch somethin’ normal? Somethin’ without subtitles!”

…The mate all high on the beery-brew, eyes all uncertainty couple minutes into Funny Games. “Is it like that all the way through? With the subtitles?” (He did watch it mind, and quite enjoyed it. I thought it was shite and threw a shoe at the telly.)

Aye. Who knows why, or for what reason, but plenty folks who wanna be sat front the screen for a couple hours, most likely they wanna see something doesn’t piss all o’er their ears wi’ some gabble they can’t understand and a buncha text they can’t be arsed reading. This isn’t to say that folks who don’t like subtitles don’t like film, that right there is a horrendous misconception. I know people got the damn house comin’ down with 1940s comedies, for example, but it’s rare they’ll bother with anything ain’t got English as the primary language.

It’s easy to get all sortsa snobbish regarding viewing types who’d puke their faces raw if’n they had to sit front a Bergman for any length of time. But it’s also incredibly easy to get ones own perspective fucked just as bad.

There is, whether or not we care to admit it, a consensus among certain flickology types that runs along the lines of; A foreign film is inherently superior to a Hollywood number.

This is bullshit, of course.

I remember a conversation with a lady way back when, was asking her if she’d seen Pale Rider.

“No” she said. “I don’t watch those kindsa films. I only watch World Cinema.”

There are, of course, a number of reasons for why a fella might wanna claw his own ears off after hearing such a statement. For one thing, it’s fuckin’ Pale Rider. For another, fuckin’ Pale Rider was made in America, which, last time I looked, was part of the World. Also, World Cinema? What horrible ghettoised mindset has done gone soured your very arse, m’dear, for to have you using terms like World Cinema. Like “World Music”, World Cinema ain’t nothin more than a wretched, patronising, elitist-yet-incredibly-ignorant half-arsed nonsense.

Bein’ the kind of fella who cums himself in five at the thought of a couple extra minutes of Manhattan might be hidden away in a vault someplace, i.e, a Flick Geek, I’ll watch anything, and if it’s good, it’s good. Subtitled or otherwise, horror or romantic-comedy or documentary about some goof made a record one time and some folks liked it, whatever, if a fella wants to find the gold, he can’t go lingerin’ round a handful o’ rocks.

Wonderful flicks are a universal phenomenon, as is guffy ol’ shite.

Also, it ain’t necessarily the fault of the audiences that they don’t watch these flicks. Time and again, it’s been proven that a subtitled flick can be incredibly successful provided the studio flinging it screen-wards puts the effort in. The Passion Of The Christ, Crouching Tiger Hidden Dragon, Life Is Beautiful. Three flicks right there that proved enormously popular theatrically and on video / DVD. If folks could see, say, Paradise Now as easily as they could see Munich, I’d wager they would. They have done.

Studios tossing brilliant films into horrible ghettos like World Cinema, marketing them to select audiences and ignoring everyone else, well, they’re as much to blame as the fella sat front the telly choosing Lock, Stock And Two Smoking Barrels over Ikiru, or Anchorman over La Cage Aux Folles. More so, in fact, because most likely the fella would go with Ikiru, had he ever heard of it.

A flick they’ve heard about, they’re more likely to watch. Stands to reason. How many flicks do we ignore, us enlightened cinema-fiends, on account of we don’t know shit about them? Plenty manys, is how many.

Market these things right, and it’s more likely folks’ll take the chance.

Folks take the chance with that one, there’s more chance they’ll opt for La Cage Aux Folles next time.

They’ll probably still enjoy Anchorman more, though. And they’d be absolutely right to do so. Anchorman fuckin’ rocks.

The Hot Topic: Kleenex or Adrenaline – A Look at Chick Flicks

After a long hiatus, the Hot Topic is back…and this time we’ve invited a girl to kick things off.

Within the Sinister Cabal that is Blogcritics.org, there exists a Double Secret Society of Men. Manly Men, who wear plaid, spit, swear, and scratch private parts. These are the Manly Men of Mondo. Their existence has been whispered about and speculated upon and soon, a major motion picture starring Tom Hanks will be released to show the world the truth behind the Mondo Myth. To get to the kernel of that truth took cunning, bravery, and a decidedly feminine touch. I took on the task to infiltrate this conclave, this cabal within a cabal. I brought coasters, doilies, chamomile tea, and a case of beer. Ingratiatingly charming but ready to fling the fucks with the best of them, I am – The Gurl.

From: Mary
To: The Hot Topic Team
Re: Chick Flicks

So, here I am, yakking about movies. A gurl at that, in the midst of the Boys of Mondo, talking about movie preferences based on gender. Well, do I go to see a movie based on the stud appeal of the leading men? No, that’s not the driving force. There are a lot of hot leading men out there that I like to look at, but it takes more than that to earn my crumpled, sweaty dollars. So, assuming I’m not seeing a movie for my kids, assuming I’m seeing something just for me, what turns me on? Ah, I dunno. I have been thinking of my favorite movies, and why they remain my favorite movies.

Some I like purely for the talking. Tons of dialogue, doesn’t have to be witty (though, I love witty too), just deep. Dialogue that provokes conflict, which speaks to some dark part inside me. Take The Anniversary Party. Although some of the more interesting dialogue occurs after the characters have taken ecstasy, I enjoy this kind of slow-moving film. Maybe part of the allure is the fine cast, Jennifer Jason Leigh, Alan Cumming (both also wrote and directed the flick) Jennifer Beals, John C. Reilly, Jane Adams, and Kevin Kline. Or maybe I just like talky movies with Kevin Kline. The Big Chill hit me in a big way when that came out. Tons of talking! That’s all they did! Oh, they had a little sex, did some drugs, and played football. Or maybe I just like the movies where they take drugs. Who knows?

But hey, I like action movies too. I don’t know if they are just fun to watch, or because it’s what you do when you’re in a house full of men. Technology has advanced in filmmaking for me anyway, watching today’s Batman Begins or Mr. and Mrs. Smith can be so jaw-dropping. Of course, not to discredit some older action flicks, 1981’s Raiders of the Lost Ark was incredible. I remember seeing it with a girlfriend, and the momentum of the movie stayed with me as we left the theater. I wanted to drive very fast afterwards.

A recurrent theme that flows throughout my favorite films is music. I wonder if The Big Chill would have been as great if there were no Motown beats running through it. Would the church scene have been as good without the Stones’ “You Can’t Always Get What You Want”? A little film that made it big at Sundance 2004 and across America – Napoleon Dynamite – was a success not only for its writing, acting, and directing but also for its musical scoring. The instrumental “Music for a Found Harmonium” is a piece I have fallen in love with. “Harmonium” is good music on its own, but now, when I hear it, it’s forever colored by the sweet last few scenes of Dynamite. And then a decidedly more masculine view is how much I love “Down With the Sickness” by Disturbed in Jet Li’s movie, The One.

And that brings me to another point. It seems as if my yang (masculine) is more predominant than my yin (feminine). Or maybe they are equal, but I’m maybe more in touch with my masculine side than other women? Would that explain my martial arts interests? My propensity for vulgar comedies? My desire to cuss?

Yet there are plenty of typically girly things that I like, movies included. Filmsite.org lists a bunch of ‘chick-flick’ movies. I read through them and to me, it could just be a list of any movies with no special gender connection. My reactions ranged from, “Eh” to “Yes – LOVED it”, to “Since when is Lara Croft just for chicks?”

Ultimately, I have movies I like, and movies I don’t. A favorite film, You’ve Got Mail, has some lines that eloquently express the combination of hope and vulnerability of the lead character, Kathleen.

What will NY152 say today, I wonder? I turn on my computer. I wait impatiently as it connects. I go online, and my breath catches in my chest until I hear three little words: You’ve got mail. I hear nothing. Not even a sound on the streets of New York, just the beating of my own heart. I have mail. From you.

Girly stuff? Yes. Good stuff? Definitely. And I’ll beat up any boy who disagrees!

From: Mark Saleski
To: The Hot Topic Team
Re: Chick Flicks

I love “chick flicks”. Honest. I really do. They…are…awesome!

OK. OK. That was just a transparent attempt to not get my ass beaten by Sir Mary, resident black belt of the House of Mondo.

Still, the movies that I like tend to share some of your basic chick flick tendencies: emphasis on relationships and character development, lots of dialog, and not so much action.

Some of this, to be sure, comes from my contrarian nature. Working in the software industry, I’m just supposed to be into things like Star Wars, Star Trek, and Lord of the Rings. Nope. Nothing there for me.

Similarly, the “guy movie” is often full of action and violence. Don’t get me wrong. I’m not anti any of this stuff. It’s just that it’s kind of, well, boring. Seriously. When I see a movie trailer and somebody pulls out a large gun, or maybe a building explodes into a ball of flames…I’m just not interested. Why that is, I’m not sure. I guess it’s just that none of it feels like it’s got anything to do with my life.

Of course, there are counter-examples. What? You want internal consistency? Dirty Harry. Apocalypse Now. Blue Velvet. Terminator II. Pulp Fiction. A Clockwork Orange. Is there a line to be drawn through all of those films? Maybe “purposeful violence.” Dunno. It seems to me that you can lose yourself inside the characters in those movies, no matter what kind of ugliness they’re experiencing.

Relationships and dialogue: The Big Chill is a good starting point. Add to that Ruby In Paradise, Babette’s Feast, Manhattan, Fandango, High Fidelity, and Paris, Texas. The one thing that links all of these completely different movies together is their memoir-ish nature. I love this stuff. Some folks enjoy flinging the label “navel-gazing”. To me, observing how others make a way through their lives is endlessly fascinating.

So why do most guys not care about this kind of thing? Or is that a stereotype?

From: Mat Brewster
To: The Hot Topic Team
Re: Chick Flicks

Chick flicks? Quotes from You’ve Got Mail? Man, who let the girl in here? What kind of Gentlemen’s Club lets girls in? Wait, don’t answer that question.

So Sir Mary wants to hang with the men of Mondo, and we let her right in the front door. I guess that’s okay. I mean we’re all enlightened men here. This is the twenty-first century. And it’s not like this club is full of big burly men anyways. I mean we’re all aspiring writers (and ain’t a one of us look like Hemmingway) who sit around debating the merits of organic food, Ryan Adams, and Asian cinema.

At least Sir Mary curses like a boy, unlike that girlish Aaron Fleming chap who cries when he chips a nail.

Okay then, so movies are the subject at hand. I can’t really say I like flicks that get labeled for chicks or dicks. I’m not really hip to the Norah Ephron romancers or the gun-toting, action-packed testosterone packages from the Governor of California.

I want to say that I’m an indie film kind of guy, but truth be told, all too many indie flicks are just rotten. The budgets are minuscule, the production quality is shoddy at best, the acting is about as good as you’d get in community theatre, and the stories are bloated, convoluted messes.

The heart of my film life lies in directors. Where many people follow actors around, I pant over directors. Let’s face it the controlling factor of a film lies in the director’s hands. A great cast, and script, and special effects team will still go limp without a good director behind the camera.

Kurosawa, Welles, Truffaut, Scorsese, Bergman, these are the words that tell me a film has potential. Not over-boiled marketing terms like “romantic” or “heartwarming” or “action-packed” or “thrill ride.”

But I’m digressing from my digression. What I’d really like to say is that labels and generalizations don’t mean anything. Are there women who love the collected works of Steven Segal? Surely. Are there men who love to sit in a dark theatre with Meg Ryan, Audrey Hepburn and a box of hankies? Most definitely.

I like good movies, whatever that means. I want something interesting and well-made. If that takes a story about a group of commandos fighting an alien in the jungle, then fine by me. Or if it means a three-hour drama about a homosexual AIDS patient dealing with the loss of her cocker spaniel, then so be it. In the end, I don’t care how they market a film, or what labels they throw on the DVD box, as long as the cinema moves, excites, and changes me.

From: Bennett Dawson
To: The Hot Topic Team
Re: Chick Flicks

I’m not much of a “guy flick” kinda guy. I enjoyed the hell out of the Terminator series, but have never had much interest in Rambo or anything starring Jean-Claude Van Damme. I need more than blood an’ guts an’ fast action to keep my attention, I need PLOT, and intelligent DIALOG, and crafty camera angles that add to the overall feel of the scene.

That said, some flicks are SO girly that I won’t even give ’em a chance. My lovely wife has no chance at all of getting me to watch such sappy crap like Bridges Of Madison County or Little Women or An Officer And A Gentleman (gag). Ya gotta draw the line somewhere!

But there is a middle ground in film land, and it’s filled with gems that appeal to the inner me, my unique mix of mach-emo, the yin-yang of my center. Borderline stuff like Fried Green Tomatoes, Ghost, Chicken Run, Forest Gump, Little Big Man, True Lies, American Beauty, The Shawshank Redemption… Okay, not all of those were borderline examples, but I do love ’em all.

I believe that truly Great films have scenes that lodge somewhere in your brain forever and ever.

It’s funny, but one of the best chick-flick/macho-flick comparison scenes comes to you courtesy of Sleepless In Seattle. One of the ladies is weepingly describing how romantically tragic An Affair To Remember is, and the guys in the room use the same weepy, sobby descriptions to tell the story of The Dirty Dozen.

“…An’ then (sob) OJ gets shot (weep weep) an’ before he (choke) dies, he (sob sob) drops the (weep weep) hand grenade down the (gasp sob) chimney.” It’s a scene worth watching, even if it comes from an admittedly classic chick flick. Guys, bring a hanky.

But what I really need is more flicks like Fight Club. A masterpiece that grabbed me by the sack with the hottest 15-second sex scene ever printed to celluloid, great acting, amazing screenplay, and masterful cinematography.

Is that too much to ask?

From: Aaron Fleming
To: The Hot Topic Team
Re: Chick Flicks

Hmm, is film taste connected to gender? Stereotypically it is of course, ya know, guys (that is, real men with their hairy chins and…vests and stuff) like the kind of movie that features males with heaving musculature brawling with other males of similar dimensions, and the ladies like it when a mother and daughter have a soul-bonding trip across middle America involving massive increments in Kleenex’s profits. Is that indeed the case?

I don’t know. Generally, I’d sneer off a floating projectile of `meh’ in the direction of each of those subgenres. True, if it were a toss-up between an explosion-laden action flick and a weepy true story, I wouldn’t waste any time announcing the declaration of “Bring on the Lundgren!” At least there’d undoubtedly be a collection of moments where one inept actor is forced to express emotion but fails miserably due to that inextricable lack of talent, or we find ourselves embroiled in some sort of drunken dancing shimmy, where our very essences have been refracted onto the screen in a flash of hand canons
and Gatling guns.

I don’t envision any such happenings in the weepy, or in the relationship film. When was the last time Meg Ryan decided she would break up with her man (Peter Gallagher or someone) by spouting an assortment of biting one-liners? Or Sandra Bullock went into training under some mystic in order to woo her male conquest? I don’t think it happened I’ll tell you that much!

As for my own tastes, I’ll have to align myself with Mr. Mathew Brewster’s inclinations to give more credence to a film’s director than any cluster of genre buzzwords. Stick a wonderfully embolden Cronenberg on that flick and I’ll be sycophantically wandering around telling all the infidels about how it’ll be the film of the year and how it’ll blow the metaphors out your very analogies. Look at the symmetry on the `v’ in Tarkovsky, or the wonderful shadow below the `i’s in Miike, it’s a veritable orgasm of class.

So whether Jean-Pierre Jeunet makes a film about nasty cannibals hanging around a butcher, or a film about how some lovely lady touches the lives of her neighbors, it’s all good to me.

From: DJ Radiohead
To: The Hot Topic Team
Re: Chick Flicks

I have all the stereotypical aversions to chick flicks most guys would likely have. Of course, I think most of the action films aimed at men are rubbish as well. A movie whose main ingredients are former wrestlers and giant fucking explosions is about as likely to be shit as a Julia Roberts movie.

Johnny Cash summed up what is wrong with most love songs and love stories whether written or filmed in the liner notes of his Love, God, Murder box set:

What has happened to our love language? We have brought it down to three-minute sound bites – sandwiches in cute words that rhyme. And it’s a shame that those love songs are played everywhere with no follow-up kisses to seal the words.

So many of these movies have cheapened the experience and feelings of love. Hollywood makes movies about immature love. I am all for escapism in films. I am all for seeing love and humanity portrayed as it should be or as it could be. However, real love and the love Hollywood depicts are about as different as a wank or dry hump is from making love: the entire time you are going through the motions you find yourself wishing and yearning for the real thing. Your loins will settle for a dry hump but your heart, mind, and soul are not so easily fooled.

Titanic tells the story all wrong and it won thirteen fucking Oscars! Kate Winslet meets Leonardo DiCaprio on a fucking boat and mistakes those intense feelings of infatuation and lust for undying love. The love story of Titanic is not the three hours we spend watching Kate and Leo run around on a sinking-ass boat. The love story is the lifetime Kate Winslet’s character spends with the man she later marries and the family they raise together.

Even on the rare occasion when the stories being told are less insipid than the characters telling them, they do not seem real or even believable. I do not know the people in these movies. I love Al Pacino and Michelle Pfeiffer as actors and have enjoyed many of their films. Al Pacino looks only slightly more like an ex-con turned fry cook than Michelle Pfeiffer looks like a waitress trying to escape the pain of an abusive relationship in Frankie and Johnny. Should that matter? Probably not, but it does to me. In what parallel universe is Janeane Garofalo so repulsive she would need Uma Thurman to fill in as her body double to get her a man (The Truth About Cats and Dogs)? Granted, Uma Thurman ain’t too bad ugly, but you get the idea.

I guess I sound bitter and I suppose I am. I can attribute this bitterness to a lifetime spent developing well-honed neuroses. I never fancied myself much an object of desire in the eyes of the fairer sex and this was one area where most of the fairer sex seemed to agree with me. Watching a load of beautiful people decry their lack of sex or how they could never meet anyone interesting went up my ass sideways.

I used to feel bad when I watched chick flicks during my single years because they fanned the flames of those well-honed neuroses. I did not feel inspired or touched or moved. I felt cheap and bad and lonely. I do not know why I continued to watch them. I guess I was just bored or I really was that lonely. Caricatures would profess undying love in dramatic language and I was just positive no one would ever feel that way about me.

I was wrong about that. I met the Wife to Whom I Am Married while in college and I experienced love “Hollywood style.” Then we grew up and our love grew up and we grew together. That is what Hollywood leaves out and that is what Johnny Cash meant. Love gets so much better than the acrobatic sex acts (not knocking those, by the way) or the roller coaster ride where each and every moment feels 1,000 times bigger and more intense than it actually is. The flames die down but the heat never does.

Maybe that does not make for such a good film but then someone in Hollywood approved the script for Can’t Hardly Wait.

From: The Duke
To: The Hot Topic Team
Re: Chick Flicks

It might be that I’m a big ol’ poof and a ponce and a nancy-boy girly-girl, but the fact of the case is as follows:

I adore the very sodden guts out “chick flicks”.

Or at least the good ones. Because here’s the thing, like everyone has said, pretty much, a good film is a good film, whatever genre it fancies itself a part of.

But if we are to assume, as Sir Fleming did, that two flicks are being presented to yours truly, and that I know nothing about them save for the fact that one’s called some shit like Zero Degree X and the other’s called Two Folks Love For A Time, I’m gonna go with the fella meets the lady and the lady likes the fella but woe! He’s married to some filthy whore treats him like a bag o’ busted bladders. Dump that ho, I’ll say, and get with that woman writes you songs and then sings them to you but pretends they’re covers of Sheryl Crow b-sides cause she knows you got a ring on yonder finger.

Also, such a motion picture is more likely to feature Kirsten Dunst and be written and directed by Woody Allen.

I don’t think it’s a gender thing; it’s just a taste issue. It’s a damn filthy lie that folks are more likely to wanna see Steven Seagal (with Vinnie Jones as “Henry”) blowing shit out a freight-train if’n they’ve got a willy twixt their pegs. You either dig the smush or you don’t, I dunno if a hoo-hah makes any difference.

As Sirs Saleski and Dawson pretty much said, guns and explosions just bore the shit out my belly-pipes. But a shot of two folks holdin’ hands side the river, well, most likely that’ll have the tears carvin’ trenches ‘long my jowls and a smile size o’ Kansas on my yap.

But if the rest of the flick sucks, well, don’t matter how many montages it’s got all about he misses her, she misses him, maybe they should put their differences aside and get filthin’ again, it ain’t gonna save it

The Hot Topic: Writing Ambitions

From a half-mad ragbag collective of high-minded but low-paid bloggers referred to in hushed tones in speakeasies across the land as the Mondo Gentleman’s Club comes the Hot Topic. Watch slack-jawed as the panel dissects the critical and cultural issues of the day! Wince as it sinks in a frenzy of angsty whining and barefaced self-promotion.

Mind your heads as you enter, readers, and stick to the path…

This issue: What are your writing ambitions?

From: Mat Brewster
To: The Hot Topic Collective
Re: Writing Ambitions

I got a BA in English not because I love grammar and such, but because I love to read and figured talking about literature for a living wouldn’t be such a bad thing. Plus English degrees have minimal math requirements. I got sidetracked in graduate school and now my degree is little more than a $15,000 wall hanging, but I digress. Along with the grammar and the literature I took some writing classes. Loved ’em.

Writing was (and is) tiresome, frustrating, and difficult, but extremely rewarding. I remember sitting in a poetry class getting a big ovation for one of my readings and feeling completely elated. Thus began the whispers of hope that maybe someday I could be a writer.

I’m much too practical to take that whispering too seriously though. Go to your local Barnes and Noble and count the books on the shelves. A very small minority of these books are best sellers. And these are the ones that actually make the shelves of a big giant book chain. How many books never see the light of a bookseller’s shelves? How many writers never get published? That’s a lot to fight against.

The blogging phenomenon has suddenly made writers out of all of us. Instantly I can publish my latest sublimely written piece to the world. Millions can read my work with the click of a mouse. I remember publishing those first few pieces thinking about the hordes of fans that would be entranced with my every word. Fan sites would pop up, and groupies would be knocking on the door. Then I got a site meter and realized that there were exactly two people reading my blog. Me and my mom. And even she doesn’t stop by that often.

There might be millions of potential readers out there, but there are also millions of writers vying for attention. Even with a site like Blogcritics, bringing thousands of people to my words on a regular basis, there still isn’t enough to make anything like a living out of it.

So, no I have no plans of becoming a professional writer. As for goals, I don’t have anything really specific in mind either. I enjoy the process of writing. I dig that Blogcritics comes with a plethora of eyes to read my writing. I hope I’m entertaining and once in a while thoughtful, or at least halfway intelligent. If I make a couple of fans along the way, then all the better.

And hey, if the perfect writing gig comes up, then I can split my day job like *that*.

From: Eric Berlin
To: The Hot Topic Collective
Re: Writing Ambitions

I was a writer long before I ever thought of myself as a “writer.” That label has all kinds of wonderful and grandiose and even pompous connotations, smoking jackets and rubbing elbows with the intelligentsia and jumping in the Seine with a bottle of wine strapped to your abdomen, a platter of cheese plastered to your trousers, and so on.

Writers tend to not be like everyone else. We’re weird, we see things differently. Looking back, it all kind of makes sense. I was a kid who was lucky enough to be part of a much-smarter-than-me crowd, but other than that I never fit easily into any “scene.” I liked sports but wasn’t much of an athlete. I adored music but turned out to be merely competent on the double bass. As I stated, I had friends but was by no means Tall Man on Campus.

I was shy among those I didn’t know well. I observed, sucking in the world and often making up detailed lives about strangers that I saw (often some combination of bizarre and comedic) without consciously realizing I was writing in my head. I concocted fantastical scenarios where I would swoop in to save the damsel in distress (always the pretty popular girl sitting across the classroom) from grave peril.

Moving on, I have clear memories of realizing, sometime in my early 20s, “Dead God, I’m a writer!” and had all the rushing feelings of power and creative destruction and terrible ego that comes along with that at such an age. However, I was also cursed with a terrible laziness that went along with that ego and clearly decided that traveling and partying and getting kicks and avoiding responsibilities were far more the way to go.

You see, it was just all so hard! I had decided that to be a writer absolutely meant that you wrote novels — and not just a novel, it had to be huge teeming piled stacks of tomes, dust billowing off the thousands of pages that you whipped off in a month’s Benzedrine and instant coffee pan-dimensional muse-lock, pages that would clear the world’s concerns off the map in the built-up ecclesiastical mania to read my work, yes My Work, the Novelist’s Grand Vision Made Real.

But how do you do that? Where do you start? I wrote short stories, a few that were pretty good, and made awkward forays into all different kinds of styles and modes of thought. Eventually, I realized that I must delve into the novel game or die trying. I made it a bit further each time: 10,000 words about saving the world before time ended, inspired by Stephen King’s The Langoliers; 40,000 words about a bizarre and updated ode to Charles Dickens’ A Christmas Carol.

Then, in 2004, I was close, by golly. Strengthened by the wisdom of Stephen King’s On Writing, I was writing every bloody day. Didn’t care how hard it was, how painful, how awkward the words or stilted the plot ties. 600 words, 1,100, 588.

And I finished a first draft, all 85,000 reeking words of it! And yes, there’s a story in there too, a surreal (yet) comedic thriller based upon my experiences playing rugby and my Animal House-esque final year of college. Upon completing, I realized that the very best parts of the story were the real parts, the actual anecdotes and scenarios and pitfalls and mania of that wonderfully debaucherous year spanning 1995 and 1996.

Sometime in late 2004, as a lark and to rest my brain while thinking about the next phase of the novel, I started blogging. It was so… easy. Easy and fun. And the instant feedback. My God, I said to myself again (not to say I am my own God, that’s an entirely philosophic brain-shaker that I won’t deem to get into right now), there are people who read my stuff. My shit. My gold, and all in between!

And I was hooked. After a brief spout of soul doubt, I realized I had come to where I always was meant to be, cheerfully spouting off into the electronic heavens about politics and music and television and life-things, all with the Big Picture perspective I’ve come to see things with and, one hopes, enough comedy and interesting bit-ends to keep people along for the ride.

So I take myself less seriously these days, or at least I try to! I sure do have a lot of fun though. It turned out that blogging was the place for me where “working” wasn’t work at all, that my need for a creative outlet and instant feedback and the occasional e-pat on the head saying, “Well my, aren’t you so clever then!” could be met anytime I wanted, rain or shine, daytime or the darkest reaches of the vast electronic night.

From: Greg Smyth
To: The Hot Topic Collective
Re: Writing Ambitions

Okay, so I lied. I’m a great big faker. Sorry.

You see, the original post to the Mondo Group stated quite assuredly that, yes, I, Greg Smyth, had really quite obvious writing ambitions that were easily spelled out and that left me feeling quite good about myself. “I’m a do-er”, I thought to myself, “and all the multitude of plans and schemes I have are currently paying off.”

What a fool I am, because, as soon as the teeth of the Mondo Chattering Classes began chewing over the various novels and poems and the like that the great and good of this collective have in the backs of their minds or sitting, unedited, on their various hard drives, I felt somewhat foolish. All I wanted to do was write music reviews.

Sure, I’d love to write a novel but there are two things that either put me off or prevent me from churning out the Great Masterwork. The first is that, really, I’m not sure I have the patience or concentration span to stick with one thing for so long. Second, at what point do you realize you’ve got sufficient inspiration or ideas to begin such a huge undertaking? That’s the beauty of music writing, and I’m sure I’ve said this before, you’re espousing on one of a thousand objects that will pass over your desk in that year, each one for both a limited amount of words and always with some ready-made frame of reference or backstory. Never, really, are you as a critic faced with the purely blank page and the very specific Fear that instills in the writer. And particularly in one who doubts his own dubious level of talent.

Both Eric and Mat mention the liberation that blogging brought them. That, to me, is a whole hornet’s nest that could be saved for a future Hot Topic – is blogging proper writing/journalism? But let’s give it a spin here in the meantime. Blogging has meant that, when I’m sufficiently on the ball to do it regularly, I have an outlet for the finished product regardless of whether the commissioning editor of the magazine I’m pitching the samples to likes them. Prior to my introduction to blogging (and, perhaps more crucially, prior to getting a laptop and associated internet connection), I had a box file with old printed samples into which would go the latest attempt at getting a writing gig. I’d send out samples much less frequently and, so, a real lack of momentum developed and I wrote less and less. Since blogging properly, I’ve produced much more, and crucially, better content. Coupled with the ease of approaching editors via the likes of the internet (and, to my surprise, MySpace) I’ve begun to foster links with a range of publications. Hopefully one day I’ll meet one who’ll start to pay me!

So yes, initially, my goal is to write for (and, crucially, earn money from) mainstream music publications. Ideally, I’d like to write fiction in one form or another but the question of just how inspired you need to be before you can sit down with a novel on your mind is one that vexes me. Is a germ of an idea enough, with everything coming out in the wash eventually? Will the twists and turns that your imagination will invariably take you on be reliably frequent so that you can do the high-wire without the safety net of some sort of roadmap (mixing metaphors there, but you get the drift)? Hopefully, one day I’ll have to balls to find out.

From: DJ Radiohead
To: The Hot Topic Collective
Re: Writing Ambitions

This is, quite seriously, the 11th or 12th draft of this. I beg forgiveness from whoever has to edit it. Just know it’s late and the caffeine stopped working hours ago. I must go sleep now. Feel free to replace my scribblings with an excerpt from the Latvian translation of The Book of Mormon. I won’t be offended.

I have written, re-written, and re-re-written my contribution to this edition of the Hot Topic. In the process of trying to describe my ambitions and goals for my writing and podcasting I came to a surprising conclusion: fuck all if I know.

What the fuck do I do all day and why do I do it? I can’t explain it. I can’t make it make a whole lot of sense.

In some ways, my ambitions and goals have already been achieved and exceeded. I write pieces for Blogcritics and record a podcast. My work has been read and downloaded and listened to by people in Red states and Blue states. I have an audience. That blows my mind. “I’m bad, I’m nationwide.” The real mind fuck is knowing people in Canada and the UK have downloaded and listened to my humble podcast. I am international! Holy shit.

Here’s the kicker: some of them liked it. The hell you say! I’ve written and recorded works and other people have liked them. The praise of strangers has meant more to me than encouragement from family and friends. My mom is supposed to laugh at my jokes. When someone else does, my feet don’t touch the ground for days.

Want to hear something more amazing than that? I have actually liked some of my own work, too. I have been annoyingly and sometimes intolerably insecure about the quality of my own work. I am often my harshest critic. I don’t like everything I do but even I have taken some satisfaction in what I have been producing as of late despite a predisposition not to see any of my own growth or improvement.

Could I hope for anything more than that?

Finding someone to pay me to do this would be great. Maybe some day that will happen. Maybe some day I will chase that dream and find that opportunity. There was a time when I thought anything short of that was a failure and a waste of time. It turns out I was wrong. I do not need the cash or the fame (although I will still take it) to feel fulfilled. I never would have believed I would feel this way. I am having fun doing what I am doing now. I enjoy it. It pleases me.

My goals and ambitions and hopes and dreams have changed a lot just in the five years since I graduated college. Maybe someday this won’t be enough. I might wake up one day and decide it’s not worth it or I want more. Who knows? Hell, someday we’ll all look back on this and plow into the back of a truck.

Has any of this made a damn bit of sense to any of you? Me neither. I guess I am just putting one foot in front of the other, gratefully plugging away for another 24 hours.

From: Mark Saleski
To: The Hot Topic Collective
Re: Writing Ambitions

I see “ambition” as a funny sort of word when it sits in such close proximity to my name. Not that I’m a slacker or anything. It’s just that things like ambition and career and success… they’re sort of foreign to me.

Does that mean I’ve been doing nothing all of these years? Of course not. Twenty-something planet-revolutions of CAD/CAM, pre-press, and various flavors of control system software. Lots and lots of bytes. Still, it never had inertia, if you know what I mean. Or… maybe it used to.

But… this writing thing kind of snuck up on me and, maybe for the first time, ambition isn’t such an odd concept.

A few years ago I started writing music reviews for Blogcritics. Yeah, there’s some inertia there. Plenty of it. The funny thing is that the source for this transformation, the push, the cause… has origins from my teen years. Many nights of scouring issues of Creem magazine cover-to-cover. Hours and hours spent in the University of Maine microfilm lab looking at old copies of Rolling Stone (Did you know they used to give out roach clips to new subscribers?!)

I lived for this stuff. But.. I just could not write. Not at the age of nineteen, anyway.

So what has changed 25 years later? Good question. I don’t really know. Maybe I needed to read a thousand or so more books. Maybe I needed to go to a bunch more concerts. Maybe I needed to discover jazz. And Kerouac. Maybe I just needed to live.

All I know is that this feels right… and I’m determined to make it work. It feels weird saying that. Good, but weird.

From: Duke DeMondo
To: The Hot Topic Collective
Re: Writing Ambitions

Is there a thought more potent with regards stirrin’ the sour waters a’ insomnia than the notion that, at 63, a fella will be as far forward, career-wise, as he is at 23? (It’s nothin’ short a’ shameful, an’ a touch ironic, that I couldn’t grasp a better word than career just now.) Not a day passes that I don’t get myself wound up twenty shades a’ mental with regards When Will Stuff Happen?

When will a fella be paid to write, that he might spend his days thinkin’ a’ new jokes involving “fuck” an’ not have to worry ’bout also, seems I’m starvin’ an ain’t an ounce a’ chow.

When will sympathetic ears light on mine net records an say “Oh, how ’bout we give you the money for to play this nonsense an also survive”?

When!?

The thought that, as far as statistics would suggest, never is the answer, well, that’s a mighty cripplin’ mind-fry right there.

Getting older an’ closer to the age when a fella has to say “Right then. Looks like it’s the Civil Service till I end up dead ‘hind a spreadsheet an’ no one notices till the death-stench starts fuckin’ wi’ the pot-plants.”

The glory of the web-net is that anyone can fling words an’ songs an’ images up yonder an’ have folks read, hear an’ watch. The terror of it all is that, yeah, anyone can.

“Yeah, he’s a writer an’ some sorta song-flinger.”

“Wow, that’s great.”

“Yeah, posts it all on the internet.”

“Oh. I thought maybe he was a proper one.”

It’s surely not enough to produce, cause we all do that, look here, can’t move for screeds an’ melodies an’ prose an’ poetic fuckery. Some blockage up yonder, somethin’ keeping a fella from slinkin’ that bit further ‘long the line, from the Amateur to the Professional.

There’s only so many lovely words a couple eyes can read before they start toyin wi the brain-glands, sayin “But if it is so very pleasant, how come The Real World remains oblivious?”

What the blog tomfoolery provides is the finest tools thus spawned for grabbin’ an audience, if’n a fella puts in the time. When the veil slides off the yap though, an’ the realisation hangs there cross the screen, the fact that however many hits yon page gets a day, it hasn’t made much difference in the ol’ Life, that can be enough to stomp any ambition to globs a’ frazzled shite.

So we keep on keepin’ on, an’ the hope remains. Those bloggers done got book deals, those Arctic Monkeys used the web to kick themselves up top the Record-Breaking Debut Record Sales ladder, these things are possible.

An’ try not to think how tiny, tiny, tiny that percentage is.

Okay people, so that’s what our panel of selected bloggers had to say, now it’s your turn. Do you find yourself locked in turmoil between the job you have and the job you want? Have you learned to find a happy medium that works for you? What are your creative ambitions and how do you express them? Has blogging helped you find a method of creative release or just led to niggling haven’t-posted-in-a-while tension?

Let us know!

Hot Topic: FM is Stereo

Due to time limitations and a general lack of anything to say of late, I did not participate in the most recent edition of the Hot Topic. And as is the way with these things, this week’s edition became the Editor’s Choice for the week.

From the occasionally troubled minds of this disparate flock of bloggers, the question of whether technological advances weaken our senses is tossed about, and I revisit the lost art of installing car stereos.

Plus, The Duke discusses the medical retraction of jewels, Eric admits he knows not what he does, and Mark ponders the value of internet-savvy refrigerators.

From: Bennett Dawson
To: The Hot Topic Team
Re: FM Is Stereo

My lovely wife and I were talking about those “Top-Ten Hit CDs” from the sixties and seventies. You know, the ones that get hustled on those 30-minute late-night infomercials. Me saying that they’re really cool because “…those are all the songs that buzzed out of my candle wax-covered AM clock radio when I was a teenybopper…”

Back in 1970, dig?

My wife looked puzzled, trying to absorb a stone-age concept. AM clock radio?

Before I could explain, a sideways brain connection fizzled through my synapses, and I started wondering about “When did FM start broadcasting?” and “Do I actually remember that historic event?”

Yes, folks, it’s sad but true. In 1970, FM was just like HDTV – meaning I didn’t have it.

This led to a brief discussion about the difference between AM and FM, and to my surprise, my wife couldn’t tell me the profound difference between the two. Now let me say that my wife is brilliant in her field of expertise, and knows many things that I haven’t a clue about. But she had a slightly different upbringing (she’s a girl), and was eight years further down the timeline than me. That being the case, FM radio was all she ever listened to.

“All the music was on FM, and AM was all talk radio and traffic and weather.”

She knew that FM stations “sounded better” in her car, but that’s about it. The “stereo” in the house sounded good because it had two speakers and besides, we paid more money for it than the clock radio, so it had to sound better.

She never truly realized that with stereo, each speaker has slightly different music coming out of it, two distinct tracks. I have no idea what she thought about the sound system in her relatively new Jetta, with speakers every few inches in the doors and body panels. ‘More speakers = better sound’ is what I’d suppose. Understanding that AM is one track and FM is two tracks was not part of her grip on aural reality.

She protests. “That’s not true!” she says. “My CD Walkman has different sounds for each ear, I just never wondered why or how.”

Lemme tell ya, my generation was intensely aware of “stereo” and knew exactly what it was. Dammit, we wanted stereo! Our first used cars (junker cars from the fifties and sixties) had an AM push-button radio with one speaker in the dashboard. NOT cool.

So we installed a new FM radio under the dash (possibly a cassette or eight-track tape player… woo hoo!) and two speakers in the rear window deck. We cut holes and ran wires and hooked up fuses, and then we cruised down the road grooving to ‘stereophonic sound’.

Nowadays, everything is pre-wired with stereo. Teenagers don’t know how to run speaker wires, what channels are, or how a noise suppressor gets rid of the clicking sound coming from the ignition system. Hell, let’s be real – nowadays, kids don’t even know what an ignition system is. Technology has moved on and the inner workings of a car are as mysterious as the inner workings of a nuclear reactor. If your car breaks down, you use your cell phone to call a tow truck!

What other basic knowledge of ‘how things work’ has dropped from our pop culture? The home fuse box? Batteries? Pilot lights?

Have we morphed into an icon-driven world, with no understanding of what lies beneath the shiny plastic logo-embossed surface? Is it really possible to take stereo so much for granted that folks have no understanding of what they’re hearing? Are we being blinded by science?

Or is this just yer standard progression of technology – unfortunately revealing that I’m one old, and somewhat obsolete fella?

By the way, while I was writing this piece, my 21-year-old stepdaughter called, and she has no idea what the word “stereo” means. “A synonym for sound system” was her best guess.

From: Duke De Mondo
To: The Hot Topic Team
Re: FM Is Stereo

This is all the most intriguing in the world. Maybe we ARE those icon-driven hordes ain’t got a clue how the torch works but sod it, it’s sleek an’ white an’ the ladies wanna touch me when I got it in the paw.

I’m a software sort, yes, with nary a clue about hardware. I’m gonna go ahead an’ reveal the age, bein’ 23, an’ i can assure you i ain’t got the faintest a faints regarding how you might wire a plug. They TRIED to teach me, but imma go play a tune or two, if’n it’s all the same. Ain’t got a clue how the amp works, or the guitar, but I don’t especially worry.

Anecdotal aside – way back when I remember my ex-fiancee tellin’ me that her then-ex-boyfriend used to come ’round to help her dad wire electrical stuff. I think most likely my nuts disappeared somewheres midst the liver (still in there, too, fish the fuckers out wi’ a coat-hanger is all a man can do). Felt like I was no kinda MALE if’n I couldn’t fix the telly.

Maybe it’s cause a buncha youngster-types, far more than used to, are headin’ in the direction a university an’ theoretical based stuff, as opposed to learnin’ trades an so on, which is where this kinda knowledge is handed down, I suppose. Maybe that’s not the case at all, maybe I’m just justifyin’ my bum-fluff an no-nuts.

Regarding stereo, it all made sense to me when I played Sgt. Pepper’s in the car stereo back when I was 13 or so, and realized I was only hearin’ half the record. Until that point I probably assumed somethin’ similar, that stereo just meant Better Sound. I suppose there comes a point when a society can forget about stuff like Mono and Analogue. The differences ‘tween these things probably only have any worth to the folks who live through the change-over.

From: Eric Berlin
To: The Hot Topic Team
Re: FM Is Stereo

I think we’ve entered the age of the super-user, where we run every aspect of our lives — from brushing our teeth with an electric toothbrush to laying down with an electric blanket of an evening, and all the server-happy Internet play and work-related electronic tomfoolery in between — via technology of which we haven’t the foggiest notion.

Take the words I’m typing right now that cause letters to magically appear on my computer screen. I have a notion that when I type a “v”, a “v” appears, or that when I want to say “ultra tubular with consecrated cream cheese linings for upshot adornment of life-melted dude-scape” I can get that message across and feel quite certain I’ve made an ass of myself in the process.

However, I have no idea how the inner workings go. I imagine there are ones and zeros and electronic processes involved, but I don’t even have a fundamental understanding of the mechanical function behind an activity I sometimes spend 12-15 hours a day hacking away at.

And don’t even get me started with the mouse!

Sometimes I think about the Roman Empire and the descent into the Dark Ages. About how art and technology devolved from one generation to another because everyone basically forgot how it was done before. Obviously, we’re not in that phase. We’re in a phase of astounding innovation and bedazzling art and sights to behold that would blow the mind (a la Scanners) of an 8th-century hombre right straight.

But what if we lost those folks who know how stuff works? What if they end up on the island in Lost (pushing that damned button every 108 minutes) or get herded to the Manhattan of Escape From…. fame?

It’s an interdependent world with all the good and bad trimmings of it, I suppose is the upshot.

That, and it’s utter gold to know a good mechanic who won’t rip you off.

From: Mark Saleski
To: The Hot Topic Team
Re: FM Is Stereo

Ah yeah, so here we have another discussion where technology is concerned. More specifically the effects of “the march”.

It’s interesting that it’s mostly taken for granted that advances in technology are a “good thing”. For the most part, I suppose that they are. But then I hear about events like the recent Consumer Electronics Show where concepts such as “digital lifestyle” are touted. Sure enough, we get all of these home devices interconnected and talking to each other. But do we really want to?

This reminds me of back when I used to watch The Jetsons, where dinner consisted of a food pill. Gross. Perhaps even sillier than manufactured food is the very real Internet-enabled refrigerator. Oh yes, it’ll keep an inventory for you. It’ll notify you when it’s time to buy more eggs.

You’ve got to be kidding me.

Some of this is an extension of what often happens during software development. Engineers, being the tinkering sort, can’t resist adding features and/or extra layers to things. The result? Bloatware. Sometimes useful, sometimes not. Ever notice how things like “digital lifestyle” are almost always promoted by men? I don’t think this is a coincidence.

Don’t take any of this to mean that I have the fear that these new technologies are going to complicate my life. They won’t, mostly because they’re not comin’ in my front door. No, I don’t need a digital book to take on vacation because the books that I do own work just fine. I can figure out when to refill my refrigerator using the analog method: the notepad attached to the freezer door. Music is still played through tubes and wire because these nice digital files sound like crap.

So what do we lose when nobody knows how any of this newfangled stuff works? I’m not sure. In some cases, particularly when talking about media (books, music, etc.), it puts the consumer at one more remove from the artist. I don’t think that vinyl records are the ‘perfect’ medium, but the expansive liner notes allowed me as a fan to get to know the person at the other end. Sure, this can be done in the digital realm, but is it?

Ah, maybe Bennett’s right. Maybe I’m just old and obsolete.

P.S. In the middle of typing this, the guy in the cube next to me was ‘attacked’ by his Instant Messenger — he floated his mouse over it and it started playing a ringtone-y version of “My Humps”. Now that is an advance.

These bloggers have had their say, now it’s your chance to chip in!

Do you remember an “old way” of getting things done that seemed superior to the “newfangled” way? Do your friends sneer at your approach to fixin’ stuff, amazed that you’ve not a clue? Or are you one of those folks totally comfortable letting “specialists” deal with the inner workings of 90% of your world?

Tell us the truth, are you completely happy being a “user”, with no idea how these damned things actually work?

The Hot Topic: Technology

From the fevered minds of a loose grouping of self-appointed cultural commentators comes a weekly side-swipe at the issues of the day, providing a pithy and often heated debate on pop culture as they see it.

This is The Hot Topic.

Burning it up this week: Technology

From: Mat Brewster
To: The Hot Topic Team
Re: Technology

At my place of employment we have a strict rule about not using the internet for personal use at your desk. We have set up several computers in the break room for personal use. Last week all of these computers had to be taken out for repair. It was as if the second-coming had happened all over again. Employees were furious, literally and physically angry. Like we had intentionally taken the computers away from them as punishment, and not because they needed repair.

The other day I was standing in line at the local eatery. A young man is standing before the cashier, chatting on his cell phone. The girl behind the counter attempts several times to inquire as to what the customer’s order might be. Cell phone guy gives her an impatient – what does this simpleton want – look and continue to phone conversate. The girl persists, and the man angrily tells the person on the other side of the phone line to hold, and then orders.

When I think upon these things, and others like them, I wonder when our lives became that important. It’s not like most of us are kings and queens, presidents of the free world. Lives are not at stake here. Yet more and more we behave as if reading the newest e-mail and answering our cell phones are all important tasks that simply must be done. NOW!

Ever been on the losing end of the battle between you and a friend’s ringing cell phone? There you are chatting about Arabian policies, the meaning of jacket’s in Tolstoy’s poetry, or the fine art of dancing with tuna fish and suddenly you are forced to sit politely – if awkwardly – while your friend laughs it up with his cell phone?

Where did courtesy go?

Now, I don’t want to sound like a technophobe. I’m no hater of the new, the technological, the lights and beeps of today’s age. Cell phones are a marvel. They have helped mankind over and over again. From asking the wife which of the six different types of pesto sauce she wants when sending the husband to the grocery store; to getting on the spot directions while in the car, and even saving lives cell phones can more than justify their existence.

I flippin’ love the internet. I have a broadband connection at home and use it daily. Without it I wouldn’t be writing this piece, wouldn’t have married my wife, and would have lost, and never found many friendships. Cyberspace connects the world.

Anyone, no matter how strange, no matter how different they feel, can find someone just like them via the internet. You’re trans man or a lesbian vampire who loves cottage cheese? Come over here, join our group and meet people with the exact same interests. Yet with all of this connecting of niche’s I wonder how much of the rest of the world is being left out. Could finding sympathetic souls who understand make us less tolerable of those who just don’t get it? Could connecting online keep us disconnected to our neighbors?

From: Bennett Dawson
To: The Hot Topic Team
Re: Technology

Addiction, or passion? How much of our society could be summed up under one of these labels? The normal, everyday passions (great food at a tasteful restaurant, single malt scotch, live theater, a well-directed movie, or a song that demands that you STOP and listen) are fundamentally different from the nervous dedication to a cell phone or internet connection, and should not be lumped together. One group is part of the creativity and enjoyment of life, the other is an addiction to being connected, and is one of the strange paths our world has taken. Is this a lasting phenomenon? Will our culture become ever more focused on immediate communication?

I don’t have a cell phone, and I may never get one. I’m one of those folks that has no problem letting the machine pick up a call, whether I’m busy or not. Real emergencies are rare, and most family conversations can wait a bit. Besides, there’s email now, and (no surprise) I take my time with the reply function. Why give anyone the idea that I respond quickly?

Cell phones are a mixed blessing to be sure. The example you site is outrageous, and I’d have been hard pressed not to fling a comment at the rude bastard. Driving and cell phone use is epidemic, and acts to reinforce the poor driving skills of my neighbors. If I lived in the city, where cell phone related mental lapses added up to serious congestion at an intersection that used to flow smoothly, I think I’d fall prey to road rage and high blood pressure.

Ditto trying to have a meeting or a conversation with a friend that was interrupted by cell phone calls. Who needs that? Perhaps I lack the drive; the need to talk with someone for hours about meaningless details, stuff that doesn’t add anything to the relationship or my understanding of the world. Chatter, got some? It’s like, y’know, like cool? Echhh! My son does this on the phone with his girlfriends and I have to leave the room…

But I love the connectivity of the internet, the opportunity to sell stuff to folks in other countries, to access places like Blogcritics and NASAWatch. Before the net, there was no way to do many of the things we now take for granted. Want to know the answer? It’s a few mouse clicks away. THAT is cool!

So I guess I’m willing to ignore all the rest of the nonsense that has infused our society in this digital information age, as long as I can get at all the knowledge and photographs that are part and parcel of my personal areas of interest.

From: DJ Radiohead
To: The Hot Topic Team
Re: Technology

I have a love-hate relationship with technology. I curse it one minute and hail it the next. I have had a lot of trouble getting my head around this topic because I found myself to-ing and fro-ing up one side and down the other.

I love the high-tech gadgets. I have owned five iPods. I have a home theater system. My wife has my old computer because I am typing this piece on my PowerBook whilst surfing the web wirelessly… you get the idea. I love technology. I wish I had more money for more gadgets. I have been able to keep up with people with whom I would have probably lost touch. I have been able to have conversations with interesting people I have never met. I have access to information and ideas and all kinds of shit I could never have imagined accessing- and it has all become so fucking easy.

Technology has made communicating easier but has it given us any more to say? In last week’s Hot Topic, we discussed why we create. Technology has made it simpler and more efficient to air our creative wares. It has not necessarily improved them. It is so much easier to record an album today but is the music any better than it was 50 years ago? If so, is it because of the technology? In spite of it? Has it had any impact at all?

I think technology has sped the world up more than it has changed it. Technology allows us to better understand how fucked up the world always was. Technology, in the end, is just a tool. The electric guitar does not play itself and ProTools does not write dreadful songs- Jon Bon Jovi and Scott Stapp do. Cell phones are not rude. Assholes who do not know when and where to use them are rude. People have always sucked. Technology and the spread of technology have just given us new, faster, more efficient ways to suck.

I guess I sound a lot like one of the gun nuts. They say, “Guns don’t kill people, people kill people.” I say, “Technology is not bad, people are bad. And you know what? So are cell phones. Fuck them.”

From: Aaron Fleming
To: The Hot Topic Team
Re: Technology

It’s interesting how technology (like so much else) can become ingrained into normal everyday activity, suddenly checking email, or checking the mobile phone for text messages becomes a regular thing.

Distracting maybe? I must confess that I waste (and I do mean waste) too much of my time sitting on the internet, aimlessly wondering around the same websites (“oh sitemeter, any new visitors? nope, aw well”), and I often feel quite dispirited afterwards (especially if it was an extra long session of nothingness). Not to say that there’s always a lack of constructive use of time, many a session on Wikipedia, or posting some new masterwork on the blog, or contributing to some fine discussion such as this here.

I guess it’s like DJ Radiohead says, technology is only a tool, and it’s down to those who use it. A good example of this, and one I’m vocal on often, is the use of CGI in film. I always slag the excessive use of CGI in film, usually with regards to crapfests like War Of The Worlds (the remake), or some other big budget flick where the only thing it has going for it is the effects. And as we know, no story, no film. Doesn’t matter how good the visual effects are, they are only a compliment (and can be a great one used properly).

And maybe we can see the pointless use of technology in cinema too. My main thinking here, and it’s one that’s humoured The Duke and I often, is the CGI deer in The Ring 2. They’re CGI! It’s not even hard to see, more obvious pixelation I’ve rarely seen. This is just laziness on the part of film makers.

Oh, there’s something else, does technology make people lazy?

Instead of travelling to someone’s house you can just call them on the phone. Then again, in this busy world, who has time for those types of shenanigans. Technology does have a rather dehumanizing effect, witness instant messaging. I use it often, and it’s great for keeping in touch with people you can’t see regularly, but I despise it. None of the natural human nuances come through in a box of text set within a computer screen. It’s very hard to be a sarcastic bastard, or to have that added effect that the like of hand gestures brings to communication.

And how are you supposed to do that thing where you look at the person you’re in discussion with and nod your head in affirming expression? Or motion towards an attractive lady and form a favorable countenance at that beheld before you?

From: Mark Saleski
To: The Hot Topic Team
Re: Technology

To avoid coming across like a neo-luddite (which, believe me, may be unavoidable by the end of this bit), let me say that technological advance (or innovation) is not intrinsically good or bad. It just is. Where things go wrong is in the area of application.

On the good side, look at the world of medicine. The modern physician’s diagnostic capability via technology is simply amazing. The software engineer side of me has been involved in the development of some of these machines and, even right up close, the wonder and import is not diminished.

On the bad side, there’s technology for technology’s sake. Let’s face it, just because you can do something doesn’t mean that you should. Refrigerators that keep inventory and automatically email orders to the grocer. Computers in your car that schedule appointments via the internet to the dealer. Heck, even food that’s specially constructed to be ‘conveniently’ cooked via the microwave. Convenient, yes? Tasty…NO. Oh, and here’s one of my big pet peeves: laptops at business meetings. I come across as captain luddite at meetings because I’m the only one there with a notebook and a pen. Everybody else is clacking and clicking away, supposedly taking notes but, let’s be honest here…they’re continuing the work they were doing before the meeting started, sending & receiving email, etc. They’re not mentally present. This doesn’t feel like innovation to me.

And then there’s the Internet and cell phones. Again, there’s no denying that both technologies have provided a positive impact. But there’s also the negative social consequences that Mr. Brewster brought up. As much as these things bring us together (and I am just jazzed as all hell about the fantstic collaborations, The Hot Topic surely being one, that this fascilitates), they also put around us a weird buffer of sorts. Ever see two kids driving in a car, both of ’em talking on the phone? How about a couple at a coffee shop, both staring into their own laptops?

I suppose this is some sorta new social construct that I just don’t ‘get’. So be it.

From: Eric Berlin
To: The Hot Topic Team
Re: Technology

Technology, in the end, means change, doesn’t it? In 2005 what we’re seeing, I think, is change driven into our hearts and homes and minds and spirits and functional utility personal space amplifiers (or what some like to call the “soul”) at an unprecedented rate. Change can be good or change can be bad, it’s all how you roll with it is how I see it.

But let me posit the bright side of the technology onslaught, if I might. Sir Fleming brings up, and very rightly so, some of the downsides of instant messaging a friend whereas, say, as little as 10 years ago one might take the extraordinary step of utilizing human-powered machine-units called “legs” to “walk” to a friend’s house, perhaps, in an act knows in some quarters as “dropping by.”

Be that as it may, technology has recently brought about new universes of communication and community theaters of the mind that were not possible even in the days of cassette tapes and space shuttles and Lee press-on nails.

Let’s take as an example this little band of souls we have right here, bandying and waxing and milking back and forth, straining wit off the muse and considering apocalyptic visions and ideas set forth with worthy visions of producing new understanding and meaning and social synergy.

In other words: we write about shit from disparate parts of the globe and collectively form and argue and forge new understandings about all manner of stuff, without (in most cases) ever having met one another. Which is pretty fucking cool, in my e-book!

So technology allows for people to find one another out there who wish to enter the digital fray for a little sparring and virtual grog swilling. The Duke a good while back said it very well in relating that there’s no longer any shame in meeting a nice young lass online these days. What are the odds of walking into a bar and meeting a chick that liked ska punk records and, importantly, could put up with your idiosyncratic and moody and oftimes megalomaniacal crap?

I got lucky there, as Fate would have it, but pretty damned low, I’d say.

Anyway, technology now allows for an easy and efficient and cheap meeting of the minds from all points of the planet. So for that, if for nothing else, I can put up with the asshole screaming into his cell phone at the head of the line to pay for whatever.

That, and deliciously imagining beating his ass with a metal pole over and over and over again.

Cling to the clang!

The Hot Topic: Creativity

From the composite intellectual consciousness of a mighty entity of social and cultural commentary comes the weekly sneering perusal of the issues of the day.

This is The Hot Topic. This week – Creativity

From: Aaron Fleming
To: The Hot Topic Team
Re: Creativity

The need, the desire, to partake in creative activity is something that is ingrained deep within the human psyche; it is an intrinsic part of human existence, or so it seems. Surely there’s more justification for creativity to be an integral component of the human condition, as opposed to the sorts of capitalistic consumerist banality in which life revolves around the acquisitions that we all desperately ‘need’. Here, express yourself!

Creativity is something that can give a life true meaning and enjoyment that goes beyond a superficial depth. I’m no psychologist so I won’t, and can’t, dive too deeply into that train of thought, I’d be drowning in orgones before I was even partially submerged.

Let’s define creative activity for a moment here: writing, painting, producing music, acting, photography, inventing. There are undoubtedly more, but those are enough to set the stage for discussion.

This whole blogworld thing (the blogosphere as it’s sometimes known; I think The Guardian calls it so) is in many ways a manifestation of the need for a creative outlet. It fulfills that need by providing a showcase for all us personal publishing maniacs (and also the diary need of mass narcissism).

So the question is, in this overt environment for individuals participating in creativity, what motivates you in the creative processes, any set routines or procedures, where do those ideas originate?

For me, I like to write, but why?

Catharsis, a purgation of the mind. Putting down those thoughts and ideas has an odd effect, a relief of pressure in the head, abstract or otherwise. As William S. Burroughs said: “Perhaps all pleasure is only relief.”

These things get all stored up in there, bouncing around, I’d hate to see the mess in there, ya know what those little cogitations are like, bunch of fuckers. One time I caught them in a mescaline frenzy, party poppers were everywhere, and the walls were covered in sticky-back plastic, almost a nightmare vision of Blue Peter, now that I think about it.

I don’t really have a set process for coming up with writing ideas. (I doubt many people have a prescribed course for this sort of thing.) Some ideas are kicked off by certain incidents witnessed, or discussions, or something I’ve read, or heard, or watched.

I tend to endeavor to entertain in my writing, usually trying to be funny, with elements of satire and mass exaggeration. My self-deprecating way of looking at it is that I’ve got nothing profound and ground-breaking to say, so I better attempt to humour the world.

Sometimes I’ll get an idea, often lying in bed at night in a state of petulant insomnia, and from there it will evolve and some bits and pieces will come together. Then it’ll be recalled and released into the ether at a later time. Most writing comes from a stream-of-consciousness method when it comes to that release time. And I don’t like drafting and rough versions and all that, partly to do with laziness, and also fear that I’ll do nothing more than make it worse on revision.

Also, I try and write with a nice expressive and varied vocabulary, I enjoy a good dip into the old lexicon. (What’s with all these swimming references? I can’t even swim.) This could be just pretentiousness, and it partially is, no doubt, but it’s also because I enjoy reading prose that uses more than a limited number of words and forms an interesting syntactical structure.

From: Bennett Dawson
To: The Hot Topic Team
Re: Creativity

I wish it was like that for me Aaron, creation and release, but I’m much more agenda-driven than creative. I’ve reached an age where one starts looking at the ledger of accomplishment, the balance sheet of impact on culture or humanity versus time spent partying, and it occurred to me that there was great potential for having a positive impact through the net, by writing about things.

The genesis for this Hot Topic conversation was Stephen King’s On Writing and his views of the creative process, and that struck a chord with me. I devoured his book, and it really pushed me to try to learn to write – to be able to use the mighty word as a lever on society.

Is it actually possible to reach across time and space to touch someone’s gray matter with the words I type? Can I paint pictures of Great Planetary Journeys in their mind, from my little desk in my little house?

If so, I need to get better at writing. It’s simple actually – just write a lot, and that’s where Blogcritics comes in. If I can develop my questionable talent here at BC, I might be able to inspire someone to take more science classes, to excel in mathematics, to push known physics, to become the best pilot in the military, to put in an extra hour checking blueprints, to become someone who helps realize the vision of getting humanity’s “eggs” into more than “one basket”.

So I write about NASA and the space programs hosted by our world’s sovereign territories. I report the news, post the photos, and try to convey the enormity of the potential. I want to get people to imagine, perchance to dream. I want people to want to see this stuff happen.

And I look forward to the day when I don’t cringe at my own posts, three days later. Juvenile! Rushed! Shallow! Incomplete! Clumsy! Fucking Stupid! Brutal self-critique when all I want to do is write clearly, succinctly, and in a voice that taps into just a little bit of the telepathy and time travel that Mr. King describes so eloquently. I’m not greedy; all I want is to paint one picture in the right head. If I can inspire just one person to start the chain of events that has an impact on the right kid…

That kid could walk on Mars.

The process of learning to write has been great, and I see improvement over the past eight months. It’s not Duke De Mondo by any stretch, but it’s better than it was… I’m actually able to write a sentence that doesn’t end up sounding stupid to my inner ear a few days after publication.

It’s coming easier, sharper at times, and I’m beginning to think that this new path was a good idea. I know my best writing is ahead of me, and some of it might actually have an impact on someone, somewhere. All I have to do, is to keep on writing.

From: Mark Saleski
To: The Hot Topic Team
Re: Creativity

These days, for me creativity equals writing.

Why do I write? The clichéd answer is “Because I have to.” But it’s the truth.

This wasn’t always the case with me, as the writing gig (such as it is) didn’t start happening for me until just a couple of years ago. Before that my creative outlets consisted of playing guitar in a band (instigating much improvisation, and grimacing from bandmates)) and reading.

Reading? Yes, the search for new material is never-ending. You may think of the act of consuming characters on the page as a passive activity and, until the writing thing ‘happened’, so did I. But what I discovered was that my seemingly passing thoughts on this stuff were building…and building and building. The mental backlog was there, ready to break free.

No, I didn’t always want to write. When I was a kid much time was spent reading all manner of rock (and other) yacking: Ben Fong Torres, Dave Marsh (though I can sorta do without him now), Hunter S. Thomson, and Lester Bangs. It was all ‘incoming’. If pressed to write a paper in school I would get all sweaty, invoke the Procrastination Protocol, and at some point scratch out a few pathetic pages. Not good stuff.

Many years after college and a sort of flatness became apparent. Two life situations that can surely foster the desire for that great and intangible “something else” are a fading marriage and a stuck ‘career’. I had both. It all felt very….not sure what the word would be….heavy. An explosion of incredible ugliness solved the former problem. On my own, I was left with more time to ponder things like Natalie Goldberg’s book Long Quiet Highway. Yes, a person can change their life. Yes, a person can pursue a life of writing.

But still, I did nothing.

Then Blogcritics happened.

Well, let’s give this thing a go. Let’s get over the fear of the unknown. What the hell am I going to say about this music? Do I have the words? Hmmm…I just might. Keep trying. Read more books. Stephen King’s On Writing. Anne Lamott’s Bird By Bird. All of it. More. More.

Now, to use another sort of cliché, I feel like I’ve got a freaking river running through me. It appears to be unstoppable.

Let’s just hope that I can swim.

From: Duke de Mondo
To: The Hot Topic Team
Re: Creativity

I think my own approach to the whole writing affair has been altered beyond all sense in the past year or so. Used to be, if I watched something, it got written about, 99% of the time. What occurred was that a lot of the time, I ended up with sorta amusing at best screeds that maybe took an hour to write an then, as Bennett says, I’d spend the next week cringing at the bastards.

Nowadays that doesn’t happen anymore, and it’s the rogue 2% of stuff that gets written about. What I sorta need to be feelin like, is like I’m attackin’ the fuckin’ keyboard. A man needs enough caffeine in the system to be able to batter the thing ruthlessly, ’til at the end there’s fifteen pages of maniacal gibberish that I’ll leave aside for a time, a day maybe, an’ go back to, edit and the like. (If anyone’s actually read my damn stuff, it may seem odd that any such cutting and pasting occurs, but it does, yes.)

As Sir Fleming muses, there’s a need to be entertaining there. I like to assume that even if folks have never heard of the record or flick in question, or, just as likely, have heard of it, but couldn’t give a half-drunk yak’s wank, they still dig the waxing in question regarding it all.

But in terms of the mechanics of the procedure, I think I need to be in some sorta mindset, usually one frazzled to fuck on caffeine an’ lust, and yeah, I need to feel like I’m carvin’ the damn words outta rock. If I find that I’m writin’ an’ every line has me pausing for a while to think of a word or something, I just quit an’ come back later, when the head is suitably lit.

The result of all this is that I, at least, dig the stuff that gets finished, even if the hard-drive creaks an’ groans an’ rattles with the weight of all the stuff on there that never got past the fifth paragraph.

And it tends to mean less output, but personally I think the output is improved, so I’m willin’ to put up with that.

In times of severe writers’ block or whatever, I need to go off with a book I know will send the psyche reelin’, usually some Hunter S Thompson or maybe Naked Lunch, something in which the language flies off the page like rifle fire, ’til half a fella’s head’s on the walls behind him.

You can’t read something like Naked Lunch and not be inspired to fling words ‘cross screen, or notepad, or whatever.

That’s another thing, actually. I find it impossible to write on anything but a computer, and it has to be my computer, also. In this back room wi’ the vibes on, and then off, and then on, ’cause sometimes a great lyric (at the minute, for example, Adam Green talking bout ‘My asshole in my mouth’) smacks a man upside the chops an he can’t concentrate.

That’s as much as I know about the whys and wherefores of the procedure, least with regards my own scrawls.

From: Greg Smyth
To: The Hot Topic Team
Re: Creativity

Okay, here’s my take on the whole thing…

Why do I write? There’s two answers to this I think, or at least two questions hidden in that rather innocuous query.

1. Why do we write?
2. Why does Greg write?

The first kinda informs the second so we’ll start there.

Why do we as a species, people whatever write? Because we always have. It starts pictorially with the cavemen, gets vocal sometime later, and then once a proper written language is available people start recording and so it goes. It’s not a giant leap from Dave Caveman drawing a picture of how he killed the wild boar everyone’s eating on the wall of a cave, to “the one that got away”. Add that embellishment at every level and, eventually, I’m guessing you get fiction as is. Then you eventually progress to folk tales that get (again, eventually) written down.

We write/create because it’s part of our evolution as a species and because it’s a uniquely human thing to do. We’ve got a very large brain, why not make some shit up?

Why does Greg write? The potted history goes thus: As a kid, I used to make up stories for something to do, and because, as a kid, it’s fun to make stuff up. Keeping a slightly childish approach to life helps in that respect. About the same time I got my first part-time job during my sixth year (age 16/17) I got seriously into music. Aided by the fact that a pretty decent indie record store opened up and a newly discovered love for the NME and late-night radio, I started writing some reviews.

This continues, via being the music editor of the student newspaper, throughout university. I narrowly miss out on writing for the NME though washing the car while the editor rings my mobile. Nothing happens. Currently, I’m doing some writing in an unpaid capacity for a couple of small but really rather good magazines.

Anyway, I don’t know where the creative process happens but for me I think it’s a case of letting your subconscious mind make all the connections over a (hopefully very short) period and then you sit down and write. Literally, just write it. There’s very little actual skill involved. The skill is in judicious editing and the post-production.

I’m forever reading other people’s thoughts on being a proper writer and really it boils down to that. It’s discipline, rather than skill in many cases. If you want to be a writer, then write. If you want to write a novel, then write every day. Simple.

You may, after three months, have a big pile of steaming shit and that’s when the hard work and the real art begins. Bring on The Red Pen Of Death. Cut it to bits and then write some more. Repeat until the work is Finished.

I guess it’s much easier being a critic of some description because you’re never really faced with a blank page. You’ve always got The Product to fall back on like a crutch. Being a critic is about stringing together a bunch of facts, opinions and gossip into a small, neat package. The truth is, though, that the general audience would be just as happy, if not more so, with a picture of the thing and a score out of ten.

Most people couldn’t give a shit about your opinion. Your task is to make it enjoyable enough, whether the thing is good or bad, so that for a second they do.

From: DJ Radiohead
To: The Hot Topic Team
Re: Creativity

Why the fuck do I do what I do? Like I haven’t been asked that 1,000 fucking times. I am more than a little intimidated having seen some of the fine attempts by the rest of this criminal element to grapple with the question but I will take my stab at it…

Expression has been a part of my personality from the word go. I have never been one to shut up – at least this is what I have come to understand from my I have always had something to say (or thought I did). I almost never leave a conversation feeling as though I said everything I intended to say. I never thought of myself as much of a writer until my mom or teachers mentioned it – same thing with public speaking/speeches/etc. I guess I was blessed with at least a nominal ability and certainly a keen interest in such things. It’s in the DNA.

Those of you who listened to Episode 6 of mine own podcast you know I have a compulsion to talk about the music that moves me (fucking self-promotion… you bet your ass). I can’t explain it. It’s just… to quote John Lee Hooker, “Let that boy boogie woogie cuz it’s in him and it’s got to come out.”

My college years were some of the best for me in this regard. I got a gig writing and editing for the campus newspaper. I even started a ‘Music’ section while I was there. I was supposed to be the news editor. I was more interested in music than I was in stories about parking spaces and mascots. It was also in college I got my first taste of big-boy, professional radio. I started out as a DJ. I also got a chance to be a cub reporter and news anchor just after college. I even hosted a 30-minute business talk show. That was more an acting job than a radio job because what I knew (know) about business could not fill a thimble.

A few months after college I took the job I have now. It is a great job and it keeps the lights on and food on the table. There is just not a whole lot of creative expression. In fact, there is no creative expression. I took the money. I sold out. I chose a life with the wife to whom I am married over the pursuit of a career in my field. Do I regret that decision? Not for a fucking minute. I did not think of it as a choice between two competing interests when I decided upon my current path. It just sort of worked out that way. I missed being in a situation where my talents and passions were engaged but if I had it to do all over again I would.

Those first few years were filled with some listless days. I had no outlet for my creative juices. The passion in me slowly diminished. I became surly- OK, surlier. I dabbled around with creating my own website. I got discouraged when I realized no one was traveling to it but me. I quit writing because I felt like I already spent enough time each day talking to myself. It was not worth the effort. I do not know if I will ever find a gig paying me to do what I love. That is no longer the most important thing to me. The internet, my website, Blogcritics… they have given me an audience as well as the opportunity to be amused, inspired, and humbled by the talents of some other folks worldwide.

I realize this is bordering on embarrassing sentimentality but allow me a quick aside: Driving home from work the other night I was chuckling about some of the pieces I read here on BC (in this case in particular something by our own beloved The Duke). As I was pulling into my apartment’s parking space I had a vision: The Duke, at age 90, sitting in the corner of some nursing home staring at nothing with an unlit cigarette dangling ‘tween his fingers muttering bitterly about some cunt named Fay-hee or Fah-hee.

Keep this in mind; I have never seen The Duke. I could not pick him out of a lineup (not that The Duke has ever had cause to be in such a thing). I laughed until at least the time it took me to walk to my front door with that image- just one part of what Blogcritics has given me. I am now a part of ‘The Brotherhood of the Bozo.’

As to where I do what I do… I have been a bit of a vagabond in that regard. I had not had a single place for to do my mad science. That changed this week when the seeds of this discussion were sewn. I heard Saleski, Berlin, et all discussing their creative spaces. It occurred to me I had no such place (some who have read my work and heard my podcast would argue I have no creativity, either)- just wherever. If I could find five undistracted minutes I would work anywhere. That is… until Monday.

I talked the ever-patient wife into buying me a small desk and re-arranging our bedroom to accommodate said desk. Last night, I penned part of my contribution to the upcoming Springsteen discussion to be featured in Mark’s Morning Listen column. I now have an actual workspace.

I am tickled shitless.

PS: Don’t worry Monsignor Berlin and Mr. Saleski: I did not tell the wife the desk was your idea.

From: Mat Brewster
To: The Hot Topic Team
Re: Creativity

I am first, and foremost a consumer of artistic endeavors. My home is literally littered with media of the things I love. Books, DVDs, CDs, and tapes are strewn from here to Valhalla, otherwise known as my bathroom. Every free moment that I have, I spend reading, listening, and watching nearly every kind of art form.

I try to be a critical, educated consumer. I am eternally interested in the craft behind the creation. I am fascinated by the way Martin Scorsese creates a coke-addled odyssey at the end of Goodfellas by means of rock music and fast editing. I am in awe at the means by which John Steinbeck can both fill me with utter disgust over the depravity of man, and swell my heart at the eternal spirit of mankind; all within the same page of The Grapes of Wrath. Just why is it that I weep every time I hear Johnny Cash sing “Long Black Veil”?

The ability of the artist to move those who partake in their art, in some fundamental way is nothing short of awesome.

As both a consumer of these endeavors and a student of the craft, I am often desirous to become creator.

Why do I write? In short, because it is the most accessible of the arts for me. I neither have the cash, the crew, or the equipment to make movies. I do not have either the ability or the instruments to play music. I can’t draw for crap. Yet I have a grasp of the language, and the only instruments needed to write are pen and pad.

I take some amount of pride in my ability to tell a tale. I have a small amount of gift in which to take something mundane and ordinary and turn it into a grand tale of action and humor. Though I must admit, I have struggled to transform an oral story into the written page. The gesture of the hand, and the intonation of the voice are difficult to transform into words on the page.

I must confess, I had all but given up on ever writing something worth the time of a bored gnat. The ideas were all there, but the stamina to put them down and -by gawd- edit them, never seemed to happen.

Then there was blog. My wife and I did a ten-month stint in Strasbourg, France this past year. This was at the height of the blog craze. Politicians were set spinning by bloggers worldwide. I decided to journal the experience of my time abroad through blog. At first, it was a diary, then I began inviting friends and family to read and see just what I was up to. In time, the newness of my days wore thin. No longer was the daily trip to the boulangerie for a baguette of any interest to anyone but the breadmaker.

The blog then became a place to tell stories, review movies, and discuss the book I had just read. Unknowingly, I had become a writer. Do I have dreams of becoming the next Hemmingway, Faulkner, or Steinbeck? Do I dare to believe that my little place in the blogosphere will somehow become the mecca for all great artists? No, I do not dare.

Yet, in writing, I share a little piece of myself. I become a member of a community. And in the end, that is all I need.

From: Eric Berlin
To: The Hot Topic Team
Re: Creativity

Looks like I’m riding in on the Hot Topic caboose once again. Great topic!

Drawing back to the good Sir Fleming’s definition of creativity, I’d actually broaden it out substantially. It always pains me to hear people say, “I’m not a creative person.” To me, that’s the same thing as I’m saying, “I’m not a passionate person – there’s nothing in the world I care about.” Sure, writing and painting and acting is “creative,” but I think any act of creating is creative.

Forming new ideas about the world, coming up with an inventive solution to a problem, figuring out the right words to form so that your date, instead of throwing Chablis in your face, laughs ever so slyly and runs her well-maintained Lee press-ons through her hair. You know; you get the picture.

In terms of my own creative process, I really subscribe to many of the ideas put forth in the brilliant On Writing, by Stephen King. (And anyone who tries to tell me that that cat ain’t creative will have one bearded mystic figure in the West to contend with, I dare say.) Ideas come from nowhere, Mr. King states, but you have to constantly and forever more be open to receiving the transmissions from the cosmos and harnessing them, wrassling them to the Junior High foam mat with heroic will and concentration, even though everything smells like old tuna and your one-piece is shifting into areas highly uncomfortable and unsettling. That’s the time to really shine, in my experience.

I also like Sir Fleming’s take on entertainment. I grew up hanging about with a bunch of guys in Long Island, New York who were (and are, I’m honored to still keep in touch with every and one) smart as hell and absolutely hell-bent on making you piss your panties with laughter at a given opportunity. Conversations were zing-fests, cut-ins and cut-overs other shouted commentary and build-upons and rising inflections and chord-shifts like songs, epic songs, kicking into high gear. Led Zeppelin’s “In My Time of Dying”, where death was laughter, if you can dig.

One day, whilst in the throes of my early 20s let’s say, I tentatively and gently placed the label of writer upon my chest, the heaviest and most serious and intensely visionary thing one can do after working all day stuffing envelopes and wishing to The Lords that you were high even though you weren’t into pot. Writers, the thought went, are serious folk. They write about serious shit, blow people’s minds and change the world and are associated with exotic symbology that eventually ends up on vintage tee-shirts that the hipster kids wear while buying far-too-expensive cocktails at the trendy-trashy lounge.

So that was going to be me, Serious Writer, with gravitas pouring out of me as though out of Kiefer Sutherland’s pretentious lips. And a ten-year quest ensued, fraught with peril and mountainous expeditions and anxiety-extra shot sessions at local coffee shops where I sweated profusely in an agony of frustration over: talk to the girl with the glasses and pretty eyes reading the fancy-looking book or write one lousy more page no one’s ever going to read, let alone care about, one or the other, man!

Now, wizened and sun-washed from years of California walks under palm trees with trusty if mischievous dog Chelsea at my side, I’m a little bit more cool with the whole deal. My creative path has taught me that I like to make the other kids laugh, and if I can’t do that at the least I aspire to be clever.

Writing is an intensely egotistic activity. Take seconds from your life to read combinations of letters and symbols and spaces that I have put in front of you. Trust me to keep you interested and things place right order in the, eh? I do it in the neurotic hope that people will trail the word path and come to the conclusion and sigh softly and take that final and best sip of that latte and say: “Wow, that was really clever.”

Pat me on my head – that’s all I can ask of the world.

The Hot Topic: Secret Pop Cult Shames!

From out the head-holes of a buncha self-appointed “cultural commentators” comes a weekly side-swipe at the issues of the day, the issues of the night, the issues of the late-afternoon when the telly’s crap and it’s too early to eat.

This is The Hot Topic.

This week – “Um, I Haven’t Seen It / Heard It / Read It” – Our Secret Pop Cult Shames!

From: The Duke De Mondo
To: The Hot Topic Team
Re: Secret Pop Cult Shames

Couple days past, myself and Sir Fleming sat debating the in’s and out’s of pi to a couple hundred decimal points, sat discussin the elusive wonders of Scorpius Gigantus starring Jeff Fahey, sat discussing the whys and wherefores of Land Of The Dead (Is it shit, is it amazing, who the hell knows? Neither of us two, that’s for sure, since ain’t a single syllable of agreement to be found).

In the course of it all, plenty banter about Jimmy Stewart, crops up least nine or twenty-four times in any given conversation, half a hundred jokes referencing the spin a the wheelchair this way or that in Rear Window.

Rear Window, least 48% of all punchlines uttered by yours truly in the course of a day involve Hitchcock’s flick about the nosey ol’ bastard an the diabolical goings on.

Who knows why, or for what reason, or what ungodly voodoo mania led to it all, but all a sudden I get slapped upside the knackers with the kinda guilt most often results in grown-men fryin neath the desert sun chewin locusts an hollerin bout the prophet Isaiah.

All a sudden I feel the need to fess up.

What it is, I say, what’s got me sweatin out my teeth, what it all relates to, see, is that, well…

I never actually seen Rear Window.

For shame! And you, The Duke, joking about it every day in existence, and you ain’t even laid an eye on the monochrome splendor of it all ever even once!

And worse.

The other day, chat heads in the direction of Quentin Tarantino, how unless Robert Rodriguez is involved, then anything Q.T related that isn’t actually directed by the uber-chinned whelp, best avoid the fucker altogether.

“Like what”, asks Sir Fleming?

Like, I dunno, like Four Rooms, for example.

Four Rooms? It was alright!”

Forced into a corner, forced to make my point about no, it’s not alright, when really, when the truth of it all comes staggering into the bar-room buggered raw at five in the morning, what it coughs out the throat is, to be honest, I haven’t actually seen Four Rooms.

Because this is what we do. We have all the knowledge in the world regarding a certain flick, a certain book, a certain piece a music, we could talk about the fucker all week, we could draw diagrams and pie-charts that illustrate in no uncertain terms just what effect it has had on The Society and The Consciousness and So On. And yet when we get right down to it, when the guts are torn out the poultry and inspected by moonlight, what they reveal is that we ain’t got a right in the world to make these proclamations, we ain’t ever even seen / read / heard the bastard!

No-one’s gonna get upset about a fella never seen The Passion Of Joan Of Arc, it ain’t the easiest slab a celluloid to get hold of. But what about the fella sat in the corner of the bar scared to pipe in with his thoughts on Coppola because he ain’t ever seen Apocalypse Now?

We all have them. These hidden shames. Maybe we never actually seen Goodfellas, or Terminator 2, or we never read On The Road, even though we quote it endlessly, or we never heard any of Neil Young’s 1980’s recordings, yet we still insist they suck.

So what I wanna know, what’ll get me through life even though I still haven’t seen Rear Window, is the facts of the case re the following;

What’s your secret Pop Cult shame?

From: Aaron Fleming
To: The Hot Topic Team
Re: Secret Pop Cult Shames

Popular culture discrepancies then, a topic that can only wield a plethora of embarrassing confessions, no priest or religiose could even begin to take in the admissions of gaps, holes and chasms of knowledge hitherto unseen by the masses. Luckily the Hot Topic Team far surpasses any supposed virtue possessed by the propagating and hypocritical harbingers of organized religion (although that’s for another hot topic debate perhaps), and it is here to grant amnesty to those with guilty concealments.

So let the flood begin.

Movies, then. As I write this a university screening of Toy Story 2 is occurring that I would have been at, had I chosen to depart my warm abode today. The truth is I’ve never seen that one, although from all I hear it seems to be even more praised than the prequel, which I have seen and is great. This leads onto a number of other CGI movies
which I haven’t bothered to see; Monsters Inc, A Bugs Life, Antz, Ice Age etc. I’m not too bothered about these, really. Hey, The Incredibles was great, but the interest just ain’t there.

Another topical one is the Harry Potter flicks. Never seen em, never read the books, never bought the action figures, never swam the waters of synergistic marketing. I’m sure it’s an interesting mythos, but I just don’t care.

I’ve never seen The Godfather Part 2 (or 3, although I think this is less heathenish). Saw the first one, it’s fine, bit overrated, but I couldn’t be bothered watching the sequel. I know I probably should, I’m sure it’s fantastic, but who has the time these days?

Titanic! Never saw the whole film, and I doubt that’ll ever be rectified, I’m not prepared to give over 3 hours of my life to that, especially when I know what happens (love story, historical ship sinking yadda yadda). I certainly won’t be purchasing that mammoth new 4-disc DVD box.

Haven’t seen Gone With The Wind, Lawrence of Arabia, Das Boot, Singin’ In The Rain, Metropolis, Stand By Me, Blood Simple, to name a few big ones I should have seen (some I’d like to see, some less so).

Oh, and Top Gun and Days Of Thunder. Fuck them.

But something to remember here; everyone has gaps, no one has the perfect record. And for every big film missed there’s a Porcile, or a Guinea Pig 3: He Never Dies, or a Punishment Park that has been seen.

From: Mark Saleski
To: The Hot Topic Team
Re: Secret Pop Cult Shames

Oh my….do I really have to divulge this information? OK. Here goes…

Every so often, folks will be yammering on about all things political. The conversation will slide around to particularly brutish social situations. Then somebody will say, “Yes, just like in Lord Of The Flies.” And then I will nod my head in agreement. But of course, I’ve never read that book so I don’t know what the hell they’re talking about. The closest I’ve come is to listen to Aerosmith’s “Lord Of The Thighs” from Live Bootleg. Right. So we all know that a vinyl record is not a book and Thighs are certainly not Flies (and we will not go down the road of disgusting jokes here) so there’s the truth, I’ve never read Lord Of The Flies. There are probably other books I haven’t scanned my eyes over, though none as ‘important’ as this (and I’m not about to count Ulysses here as that seems more like an Olympic intellectual event than just plain old reading).

Then there’s films. Let me just get it right out in the open: E.T. There, I’ve said it. But hey, I’ve seen Citizen Kane about thirty times. Does that make up for it? Probably not, since there are others: Schindler’s List, Lawrence of Arabia (I did try there, but I nodded off and the back of my head whacked into the wall behind the couch), Taxi Driver, The Manchurian Candidate (I own a copy, surely that means something), Titanic. OK, I put that last one there because the snotty side of myself thinks its proximity to The Manchurian Candidate is kinda funny.

Music? Forget it. Everybody knows I own every recording ever made.

From: DJ Radiohead
To: The Hot Topic Team
Re: Secret Pop Cult Shames

OK… there is no way really I can come up with a truly exhaustive list. I will have to settle for naming just a few of my sins in this regard.

Most of them would come in the reading department. I am not as well-read as I should like to be. I have only read Tom Sawyer by Mark Twain. I never read a lot of the ‘great’ literature (even if it was assigned in high school or college… I just faked it).

Movies… I am missing a lot of the so-called classics here. I have never seen Taxi Driver or Citizen Kane or High Noon. I must also admit… I claim to be a Tarantino fan (and I am) but I have never seen either of the Kill Bill films or Jackie Brown.

Musically… hmmm… I don’t feel like I have really missed anything or at least don’t feel bad about what I have missed. Well… let me change that. I have only heard one or two songs by the Ramones or The Clash. I am not real well schooled at all in the 70s punk movement. I am not sure how much I would like that music or not but some of that material is considered classic so I feel out of the loop there.

From: Mat Brewster
To: The Hot Topic Group
Re: Secret Pop Cult Shames

The Duke has never seen Rear Window! Well, pluck my eyes out with a pogo stick! Look over the horizon boys, the Four Horsemen of the Apocalypse should be trotting by any moment.

A fella I know that’s the entertainment editor of one of the newspapers in Dallas sends out an annual list of recommended movies from the first talkies to present day. It’s a big, grand list and also creates plenty of discussion. It is also daunting to look at and see just how many flicks I haven’t seen, nor even heard of. I added it up one time and it would take over 200 back to back to back hours of movie watching to see them all.

Truth of the matter is that unless you are independently wealthy, or it is your job to sit and watch the flickery, there ain’t no way you can watch all the films out there. In college, I went to the movies nearly every weekend, and usually, I got to see every film that I wanted to see. But even then I didn’t see every piece of cinema released. Now I’m lucky if I get to the theater once a month.

So we all make choices as to what we’re actually going to be able to see. A couple of days ago I had to decide between the more critically acclaimed Jarhead, and the completely panned, yet somehow appealing Doom. We take in what we can, lie through our teeth about what we’ve missed, and chastise those who haven’t consumed all the things on our list.

Do I have a secret shame list? Sure. I’ve only made it through half of Gone With the Wind. Though I own copies, I’ve never seen reel one of either Rashomon or Ran, or even Laurence of Arabia. I can’t recall a single John Wayne picture that I’ve seen from top to bottom, including Rio Bravo.

Ah, man there is just too many to list. The sense of shame barrels a man over. I can’t even get into all the literature I’ve never read (including not a novel one of William Faulkner) or the music I’ve never heard (anything by the Sex Pistols, and *cough* the Clash).

From: Eric Berlin
To: The Hot Topic Group
Re: Secret Pop Cult Shames

I’m reminded of the scene in High Fidelity, where the record store troika is forced to admit they’re music snobs. Once they admit it, though, they’re proud of it.

And let’s face it: we all want to be cultural snobs. We all want to know everything there is to know about our “area,” whatever that can be defined as: books, alt rock bands, Charles Bronson films, television programs featuring children and robots, and so on.

And as I wrote the above words I wanted to stop at each mini-moment and write, I own Captain Beefheart’s Safe as Milk! Does that make me a cultural snob? Not at all, it just makes me crazy on many a level, Zig Zag Wanderer that I am.

Since I’m a generalist and tend to soak up tidbits of various pop cultural arcana without ever delving into the dank cauldrons of true alchemic geekery (think There Are Some Who Call Me… Tim circa Monty Python and the Holy Grail for argument’s sake), I’m constantly on the outside looking in upon cultural snobbery in fear and abject awe and, more and more of late, relief!

It’s a relief when you let go of the pretensions, isn’t it? If it’s not in the blood, move on, my brotha, right? So I’ll never read Balzac and I couldn’t get through the first bloody page of any James Joyce novel I tried my mental motors at. Jethro Tull and Rush and The Mr. T Experience and The Alan Parsons Project will never be names I can summon at will in the midst of a snap-cracklin’ music conversation. That’s so early Jerthro Tull, bro! I’ll never get to utter those glorious words. What’s a fella to do?

I tried to soak myself in television for several months this year, which may have been my personal cultural Waterloo (and I can summon Waterloo but Ropespierre or James II? Not so much), but it’s all too much, really.

It turns out that I don’t care if Joan is from Arcadia or Pasadena or Burbank or wherever. I don’t care about William Shatner’s late career run on Boston Legal.

I just want to watch The Real World and Arrested Development and Rome.

And so at long last, I hope, I can rest easy in my own cultural digs.

So there you have it, The Hot Topic Team have coughed their confessions left and right cross cyberspace.

Now, it’s over to you. Don’t be scared, we won’t tell nobody. What’s your Secret Pop Cult Shame?

Thanks folks.

The Hot Topic: What’s Your Vibe, What’s Your Scene?

From the fevered minds of a loose grouping of self-appointed cultural commentators comes a weekly side-swipe at the issues of the day, providing a pithy and often heated debate on pop culture as they see it.

This is The Hot Topic.

Burning it up this week: What’s Your Vibe, What’s Your Scene?

From: Eric Berlin
To: The Hot Topic Team
Re: What’s Your Vibe, What’s Your Scene?

Conversations within the confines of the crack Hot Topic Team’s virtual bunker of a headquarters (underneath the sun farm, just past the cave of the silver-tailed dragon known in some “in circles” as Frederick the Valiant) led to that of place and time, the unique feeling one experiences that may be referred to as a vibe. No, I’m not talking mediums and voices-from-the-far-beyond and creepy dudes with Long Island accents on daytime television telling you that your dead granddaddy had a fetish for grandfather clocks, but more of that specific twinge of fate you feel when you’re at your favorite dive, club, bar, venue, coffee house, book shop, or orangutan party suite. You know, like that.

As a native New Yorker, I’m partial and spoiled by the electric energy that eternally charges the city that never sleeps. There was Desmond’s, for instance, a no name bar on 5th Avenue in the 20s that likely saw its best days in the 1920s. Dollar specials on draft beers and tequila shots brought us in those days, and no name rock bands – the Redbone Hounds, for instance – that were hungry in all meanings of the word glued us to our stools as an eclectic and truly New York-weird crowd (ranging from motorcycle punks to old white guys wearing sweater vests and trucker hats adorned with insurance company logos) came and went.

That’s what I call a vibe: grooving to a scene that no one else on the planet could truly and exceptionally dig unless they experienced it up close and personal. That’s the epitome of hip and experience, isn’t it? What Kerouac sought in his quest for kicks and the road across his “groaning continent”?

There were other New York scenes, of course, a multiplicity of thousands, with every night sprinkling the sparkling hope of grand stories both magical and tragic. There was Jewel, the jazz bar in the East Village, Kelly’s Corner on the Upper East Side, where the rich kids slummed it, and musical adventures aplenty at places like The Wetlands and The Continental and The Lion’s Den.

Of course, now I’m a little bit older and wiser and head out of an evening far more rarely. I also live just outside Los Angeles, and I often wonder if that has to do with it as much as anything else. I’ve been meaning to ask Frederick about it, matter of fact.

What’s your favorite vibe? What’s your favorite scene?

From: Mark Saleski
To: The Hot Topic Team
Re: What’s Your Vibe, What’s Your Scene?

Ah, the favorite “quiet little scene” of an introvert. A guy who doesn’t get out much. A person with mild forms of social shyness that can sometimes swell to nearly agoraphobic proportions. Also, being an inner-directed sort, my love of reading cannot be underestimated. It’s an amazing thing. Just the simple act of scanning my eyes over shapes on a page and I can be transported anywhere in the world, from the viewpoint of any person in the world.

So for me, it’s bookstores. It just feels good to be in the presence of like-minded book people. I grab a copy of some unknown Bukowski release and sit down with the wife and a cuppa coffee and everything is right with the world. If only I could be paid for such sublime loafing. Oh yeah!

But it’s not just one bookstore. No, in my (very limited) travels, I’ve kept a list of worthwhile establishments. There’s Longfellows in Portland, Maine. Village Books way up in Littleton, New Hampshire (bonus points for being one minute away from the fabulous Littleton Diner). For earthy-crunchy-type fare there’s Rue Cottage Books in Southwest Harbor, Maine. An enormous used book selection can be pawed through at Old Number 6 Book Depot in Henniker, New Hampshire. Finally, there’s my sorta local store, Toadstool Books in Peterborough, New Hampshire.

So it’s a quite little “scene,” but it’s all mine.

P.S. I’m currently reading Manhattan When I Was Young, by Mary Cantwell, (I’m almost always in the middle of some memoir or other) and Ascension: John Coltrane and his Quest, by Eric Nisenson (because Coltrane the man was as interesting as his music).

From: Aaron Fleming
To: The Hot Topic Team
Re: What’s Your Vibe, What’s Your Scene?

My scene? The question is do I have a scene? Is a scene in existence for me? Perhaps you could define it as that of the infamous sit, that beacon of intellectual colloquium between The Duke and myself. The topics raised traverse the very fabric of time, from the exactitude of surname pronunciation to the amazingly constant state of Michael Moore’s beard, from the analysis of hack writer Martin Amis, to the precise nature of Dave Mustaine’s sneer. I think this amounts to my scene, for I am but a youthful sort who hasn’t really lived yet, hasn’t had the opportunity to find that cellar bar in Tangiers, but who has plenty of future aspirations of that sort.

As a supplement to that, I’d like to declare a few scenes from the past that I’d loved to have been an active ingredient in (damn fate!):

1) The mighty beat movement. I can fantasize forever about hanging out with Kerouac in some dank New Orleans watering hole, talking politics with Ginsberg, drinking deep from the mugwump sat atop a slightly miffed Burroughs.

2) The French intellectual scene of the ’60s. Cafes, Sartre, Godard, Foucault, Truffaut, was there a cooler scene in history?

3) The thrash metal scene of early-’80s San Francisco. Gigs featuring new upstarts every night, minnows like Death Angel rising the ranks, Exodus and Testament headlining, Metallica, Dark Angel, Possessed, all to bare witness to.

4) The surrealism movement. Although not an artist, and lacking in any notion of artistic flair, I’d have loved to have been ensconced within this -ism, this brilliant hive of intellectualism and fresh thinking about art and the world.

From: Duke De Mondo
To: The Hot Topic Team
Re: What’s Your Vibe, What’s Your Scene?

The truth of it all is that I dunno that I’ve felt part of any particular scene ever. I identify with certain folks from certain branches of certain movements, for sure, like a fella walks past with a Dead Kennedys shirt, or a fella with a fringe obviously influenced by Conor Oberst around the time of Fevers And Mirrors, or a lass with a Libertines badge, but I ain’t ever really existed within the ranks of these tribes, in so far as a buncha folks gathered in one place might be concerned.

I been in and out of a few, granted, the one that probably made the biggest impression being the kinda semi-muted half-burp of Local Bands that cropped up in my hometown a few years ago. A local bar, The Bush Tavern, overnight turned into some kind of breeding ground for folks with aspirations involving the G C F, where any number a local louts high on Cobain ripped the bejeesus outta Lithium three times an hour, and also, occasionally, a few folks from further-afield drafted in, the UK Subs, being one such bunch, and The Dangerfields from Belfast.

And of course me and the fellow drunken rapscallions who made up Julian’s Boyfriend.

Only recently, though, have I felt any sort of pull towards a particular scene of any sort, and a lot of it has to do with The Libertines, that community vibe they went ahead and instilled in everyone who came near them, physically or sonically, that seems to have had a really wide-reaching impact, seems to have brought a lotta folks together in some sorta manner, buncha musicians and writers and gutter-poets and plenty crack-fiends, for sure. A kinda melding of literary concerns (folks fried on de Sade and Blake), with that feisty ol’ Punk Rock spirit, yes.

And what with The Libertines being the best band since The Pogues, it all stands to reason.

(And course now you can’t move for bands who sound like The Libertines, these masses crawlin out the taverns a Camden, and fittingly, they all carry around their own guerrilla mobs, these mini-scenes existing for folks who’ve never saw the light of the Top 40, a truly glorious sight to behold.)

And I only just realized how much is going on in Belfast, how back-breaking the vibe there really is, if you look in the right places, and for sure, like all worthwhile things in life, the realisation arrived in the glimmer of a lass’s eyes.

And surely the whole blog phenomenon is some kinda scene, or at least will be recognized as such when we’re all too old to remember we never met.

From: Bennett Dawson
To: The Hot Topic Team
Re: What’s Your Vibe, What’s Your Scene?

For me, the scenes nowadays are so far removed from the typical that they bear no comparison, but back in the day…

Mabuhay Gardens, Broadway, San Francisco, 19 and 81.

Black walls that disappear under the black lights. T-shirts, teeth, and the rare bra strap glowing almighty in the darkness. Music so loud that the fillings in the teeth loosened, the ears ringing for days a given, the aspiring rock bands bemoaning the ruptured stage monitors, the microphones that shock the lips, and the band member that failed to show. A pack of misfits fitting into one of the most thrashed clubs to grace the down and outs of the Bay scene. Half pints of whatever from the liquor store across the street powering the energy, and smoothing out the rough spots.

Wait a minute, am I high? I’m pretty damn sure I took a hit or two before coming in here, but surrounded by the strange, everything seems calmly normal. I love everyone, it seems, so something must be working on the basic hostility of a 22-year-old garbed in torn jeans and black leather. Wait a minute, am I high? I ask again and receive no answer. Is that a shimmer in the air?

A walk is in order, between bands, to catch a breath of the fog-laden
breeze whipping through the skyscrapers of SF. Ah, now I know what it is, as the street lights waver, and the passing cabbies leave streamers of light in the stench of the Broadway air. Damn straight, buzzing as can be, whacked with the medicine of visions and madness. I grin, happy to be invincible, young, and blasted. Enough of this air I say, back into the depths of black. Back to the teeth of strangers standing out in the darkness of another face I’ll never know. Back to the music that drives my ears into another world. Back to the bizarre that makes me feel sober, but loving.

It was a memorable scene.

From: Mat Brewster
To: The Hot Topic Team
Re: What’s Your Vibe, What’s Your Scene?

The scene. Oh yes, there was a scene. What it was, man, I don’t even know, but what a time we had.

I don’t have the hip cred of Berlin diggin’ on the East Coast and the West. New York and LA! Dig that hep cats! I sure wasn’t in no band, makin’ my own scene like Bennett either. But a scene was had by me. Maybe just a little scene, over in the corner or something. Not bothering anybody.

Back in Montgomery, Alabama, during my college years, there was this little bar right across the street from the school. Cat Daddies they called themselves, like it was some hip blues joint. Most people called it a dive, heck it was a dive, but we still used to go on the weekends and listen to all kinds of local bands.

There was this one band, Dave P and Friends, that we used to catch every time they played. It was there, listening to Dave P that I first heard Dylan’s “I Shall Be Released.” They laid that song down just beautiful. The thick smoke cleared, the bells rang and I saw god, and his name was Bob. I don’t know how I knew that song was from Dylan, I just did. After the show, I dug out a friend’s Dylan tapes and found the song again. It’s been a staple on mix tapes ever since.

There was another band, whose name I forget now, made up of some blues-loving R+B-playing dudes. They used to rock the whole town from that tiny little stage. When they played Mustang Sally, I believe the ghost of Wilson Pickett himself was right there with them. And let me tell you, there is nothing like sitting in a crowd of people simultaneously shouting:

Ride Sally Ride

Thems were times right there.

There was another joint in Joplin, Missouri that we used to perform karaoke at on Thursday nights. They put the DI in dive. It was connected to some pay-by-the-hour roach motel. It was never happening, but they had cheap drinks and free karaoke. Me and a dozen or so buddies would crash the joint and sing cheesy songs until we fell over.

The odd assortment of hookers and drunks sitting around usually had a laugh at our expense, but we never cared. I once even managed to pull off a full rendition of American Pie, which is no small feat in itself, if you ask me.

All of this makes a fella feel so old. Now, I sit at home and watch videos with my wife when she’s not studying for some exam or grading papers. Then I just read a book and go to bed early. But those memories, man, they put a sly grin on a fella’s face, just the same.

Team Hot Topic has had its say – now it’s your turn to hop in!

As you can see, there’re a thousand crooked avenues and twisty turns to take on this little journey into the scenic past and vibe-ic present.

Next stop? Nobody knows!

The Hot Topic: The Death of Cooking

From the fevered minds of a loose grouping of self-appointed cultural commentators comes a weekly side-swipe at the issues of the day, providing a pithy and often heated debate on pop culture as they see it. Welcome, friends, to The Hot Topic…

This week’s burning issue: Do You Buy Into The Demise Of Cooking?

From: Bennett Dawson
To: The Hot Topic Team
Re: Microwave Foodstuff

In an age when it looks like microwavable foods are taking over the gastro tracts of the world, I wonder if I’m part of a vanishing breed that still cooks food the old-fashioned way.

Not owning a microwave, it seems to me that these little radiation ovens have created their own captive market. A market based on reducing questionable concoctions into a sterile and banal fuel for the ever-growing population of lazy lard-asses, and it makes me fear for the future of the classic, home-cooked meal.

My local supermarket is devoting increasing shelf space to brightly colored packages of food designed to be cooked only in a microwave. The cooking instructions assume that you will use a microwave, and there are no directions for using a conventional heat source. In fact, many of them have the words “Oven or stove top – not recommended”.

And I’m not talking about regular frozen vegetables here, ’cause I see nothing wrong with frozen corn or beans as a side dish if fresh veggies are out of season, and admit to being in love with Green Giant frozen Creamed Spinach. I can even go for the frozen oriental meals (just add meat) that come with an icy chunk of mystery sauce. The veggies end up soggy and bland, but sometimes the trade-off (freshness for convenience) works out. I have to admit that the pictures on the boxes are first-class, and make the food look so damn tasty! This is a marketing lie, as it never comes out looking like the picture.

But it’s the new generation of microwavable main courses that gross me out, the pre-cooked foods sitting on the shelves of the supermarket at room temperature. Some of these vacuum-wrapped entrees have chunks of chicken or beef in ’em, am I the only one who finds this disturbing?

Meat – frozen or refrigerated, okay? Room temp for weeks or months in a plastic envelope? C’mon folks, this is a crime against nature! How is this different from a can of soup, you ask? From a purely sterile point of view, it’s probably no different, but my mind rebels, knowing that a CAN is safer, more secure, and physically impenetrable. How DO they sterilize those plastic bags ‘o food?

Whenever I see a box with a plastic envelope containing “Chicken Goulash” or “Jasmine Rice With Raisins” sitting on an unrefrigerated shelf, it gives me the creeps. Check out the shelves, Rice-a-roni has a new line of pre-cooked rice in little plastic envelopes, as if cooking up Rice-a-roni was a big chore in the first place!

The new development to all of this is that the CAN is on the way out too. Yesterday I saw little boxes of soup. The same package that they use for little kids “sippy juices” is now the package for tomato soup, beef soup, and Hungarian goulash… In this room temp packaging revolution, what’s next?

I was raised in a pretty healthy food environment. Microwaves hadn’t been invented yet, and my mom was a health food nut when that sort of thing was just getting started. Raw milk, unstabilized peanut butter, real bread, and collard greens… Wonder Bread never graced the shelves in my childhood home. Instead, we had handfuls of vitamins to choke down, liver and onions, yogurt and granola. Ya know? It’s a long road from that to “just microwave and enjoy!” This said, I have enjoyed my share of microwave burritos, to the ultimate distress of my lower GI tract.

If I owned a microwave, would I feel any different? Would I trust in “the rays” to make everything safe and harmless? Would I get used to bread that felt like shoe leather in my mouth? Sauces that separate and look wrong? Meats that show no evidence of being cooked?

My ultra-healthy brother claims that microwaves remove everything that is good, all sustenance, any shred of valuable nourishment contained in food. I’m not sure if I’d go that far, but I am deeply suspicious of the changes that take place in food that gets “waved”.

How about you? Do you cook from scratch? Do you use your oven to prepare food? Do you buy your meat, vegetables, and sauces separately and put them together yourself? Do you cook for creative satisfaction? Do you cook for the flavors?

Or do you swear by the Microwave? Your culinary requirements satisfied by plastifoil envelopes of pizza pockets, eggrolls, chicken nuggets, and popcorn? Should I think about the time you’re saving, or the rising rates of colon cancer?

From: Greg Smyth
To: The Hot Topic Team
Re: Microwave Foodstuff

You seem to be making two main points:

1. Microwaving food is potentially unsafe

2. Convenience foods probably aren’t terribly healthy.

As for the first, the anti-microwave stance seems, to my scientific eye, to be a load of superstitious radiation bunkum. Sure, the way microwave ovens work isn’t perhaps conventionally ‘natural’ but, to my knowledge, exactly no studies comparing the effects of microwaved food against otherly-heated food in rats, humans whatever. Maybe there have been and I’ve missed them, but I’m sure that if they’d come out in the negative the popular press couldn’t have waited to run another pseudo-scientific health scare-story.

Until someone proves that a problem exists, I’m cynical (although, admittedly, the testing should have been carried out before microwaves were introduced to our daily lives). As to whether they ruin most of the nutrients in food during the cooking process, my recollection is that it does, and more so than other methods too. However, “is it safe?” and “is it healthy?” are two totally separate, though both important, issues.

Point two: are microwave meals, or any other types of convenience food, healthy? Hell, no! Even the so-called healthy options have been processed to within an inch of their lives and, I’d imagine, any nutritional content remaining is negligible. Obviously, what would be preferable is if everyone cooked low-fat, low-salt fresh food every day. But, in today’s increasingly stressed, no-time lifestyle, that’s unlikely.

Personally, I’d love to spend time making proper meals and, hell, I enjoy cooking. But, by the time I get home from the day job, cook a lovely meal from scratch, and then do the washing up, exactly when do I get to have a life outside of work and eating?!

There’s another advantage. of sorts, to ready meals, and one that might be of interest to the tubbier amongst us: portion sizing. Put simply, a ready meal is an easy way of taking in a known amount of calories, fat, salt, whatever, enabling the slower amongst us to make slightly more educated and sensible choices. That, to me, is no bad thing.

From: Mark Saleski
To: The Hot Topic Team
Re: Microwave Foodstuff

Hmmm, well… I’m not sure that the microwave is the culprit.

I say that only because it wasn’t, food historically-speakin’, the first step toward ‘convenience’.

TV dinners were probably the first….followed by all sortsa stuff that you could boil in a plastic pouch.

That said, there are all sorts of modern factors that push hard (maybe ‘relentlessly’ is a better word) against real food. this one is the worst:

The Demise of the Family Dinner

Kids have amazing and maddeningly complex schedules these days. A soccer practice here, a drama club rehearsal there. Couple that with the fact that both parents often hold full-time jobs outside of the home and the whole reason for owning a dining room table goes away. It’s kinda sad, really…though I don’t have any answers there.

So if kids never get into the habit of sitting down to dinner with the family, they’re not likely to value such activities later in life. Why go to the ‘hassle’ of buying flour tortillas, beef, cheese, lettuce, and whatever when you can just pop a frozen burrito into the microwave?

Me, I sure as hell cook from scratch…with as much locally grown food as I can get my hands on. But of course, I feel attached to the whole “slow food” movement in part because the family dinner was a big part of my little kid-dom and the social aspects of hanging around in the kitchen are very important to me.

Then there’s the evil of ‘corporate food’ (Chili’s, TGI Fridays, Applebees, McDonalds, KFC…blah blah blah)…lets not even go there today!

From: Mat Brewster
To: The Hot Topic Team
Re: Microwave Foodstuff

I’ll take my cue from Greg and divide this into two sections covering those points.

Personally, I love my microwave. The convenience far outweighs any negative aspects. Now, I’m not one of those who eats every meal via the microwave guys. In fact, I don’t really do much cooking with it at all. In a pinch, it heats the water for a cup of tea in the morning. It gives a little defrost to the meats coming out of the freezer. I prefer my soups to be cooked on the stove, but during a fast lunch break, the microwave does it just fine. And then there’s leftovers. I’ve never met a leftover that didn’t love a microwave.

I’ve heard the rumors that microwaves kill all the nutrients out of a meal, but I’ve never seen any real documentation on this. Not that I’ve really looked that hard for it. But given the choice between a microwaved bowl of minestrone that’s been zapped of all its healthiness and a Big Mac, I’ll take the minestrone every time.

As far as cooking goes, I’ve got about four good meals. Some people say they really love to cook, but I’m not one of those people. It’s just too much work. Luckily I married a lovely lady who enjoys the art of cooking. She’s got shelves full of cookbooks and enjoys spending an evening reading them and coming up with something new. I’m kind of a finicky eater, so I don’t always love the zucchini sandwiches, but I’ll suffer through a few not-so-tasty meals for the succulent surprises.

We’re slowly trying to get more natural and organic. It helps that the in-laws have a nice-sized garden and often visit with bountiful bundles of fresh vegetables. They also order in bulk from an organic co-op and fill our pantry with the overflow. The local farmer’s market also provides some healthy, tasty treats. Man, we still eat our share of convenience foods, but it’s nice to be able to eat something that isn’t so full of preservatives it will outlast the cock roaches after a nuclear disaster.

All of this reminds me of something my Belgium friend Daniel used to say.

“In America, they eat to live, in France, they live to eat.”

And though it is a broad generalization, it does sum up a large chunk of our cultural concept of eating. We’re so busy with EVERYTHING these days. We work long hours, the kids have soccer, scouts, chess club, fencing, always demanding to be driven to practice, and cheered on, and on and on, and on. Many a day I get home and the last thing I want to do is spend an hour cooking a meal, only having to clean up afterward. It is so much easier to zap a frozen pizza. It even comes in its own little throwaway plate.

Even our restaurants are convenient and fast. And I’m not just talking about Mcdonald’s here. Even your nicer, sit-down restaurants get you in and out quick. The food is pre-prepared, the cook is ready to fix the plate in under 15 minutes, and the waiters move quickly. On your lunch break? Try the Speedy Gonzoles. Catching a movie afterward? You can eat and have the check in half an hour.

Everything is prepackaged, ready to serve. They mixed the jelly with the peanut butter. Heck, they’ve even got premade PB&Js now. Soup in a bowl, frozen pizza, hamburgers, and nachos ready to go. Hit the drive-through, eat while you drive. I’m waiting for new meals in an IV. Inject straight into your stomach. Saves all that chewing and swallowing. I don’t know, it all seems a little crazy. I mean I understand how it happens. We are busy, and the food is convenient. I’m part of it. I’d like to say I cook all of my meals. I’d like to say my pantry is filled with fresh, organic foods straight from the local farmer. But that stuff aint the truth. I’m working towards that goal, but I’m a long way away.

So, do I buy into the demise of cooking? No, there are some lovely, wonderful chefs out there. Good people, cooking marvelous foods for their people. It’s more like a little secret society these days. But they are out there. Like everything else in this world, the meals can get better, but it’s gonna take work.

From: Eric Berlin
To: The Hot Topic Team
Re: Microwave Foodstuff

I’m part of the first generation that took for granted the convenience of the microwave. Whereas my parents grew up in the age of the icebox and stovetop, the “nuker” was an omnipresent fixture of my early years and remains a vital cog in my daily life.

And I fully admit that I’m addicted to the thing. From heating water in the morning for the first of two mugs of instant coffee to late-night heating of whatever happens to be lying around the old refrigerator, it’s hard for me to imagine life without easy access to heating stuff up.

My current addiction is Lean Pockets – as brilliantly over-processed and under-priced a food item as one is likely to find (someone should do a study, I say!) – particularly the Pepperoni Pizza variety. Here’s how I break it down: three minutes for the two luscious pockets (inside their cozy “protective sleeves”), then the frozen mixed vegetables for 1:45 (if I had two microwaves I could double productivity at this stage). Combine the two items and add marinara sauce (note: the sauce comes straight from the fridge, which provides a reaction in which the sauce warms up and the aforementioned and partially completed entrée cools down.

Perfection – a Blue Plate Special of the Gods, served to man for a reasonable fee on the quick.

But seriously, the processed food thing is over-the-top and a serious problem in gluttonous, convenience-addicted America. As you can see, I’m a card-carrying member of the club.

But to address your disgust of room temperature foods, Bennett: are you sure that these are items meant for the hallowed halls of microwavity? There are a bunch of products put out for campers and outdoorsy types nowadays that only require heated water. You boil water, throw it in the bag, mix up and seal, and a few minutes later you have yourself quite a tasty little dish. Seriously, I’ve had curry and stews whilst camping that is far better, dare I say, than my lovely Lean Pockets could ever aspire to.

The bloggers have had their say, now it’s your chance to chip in!

Do you cook your own food, or do you ‘wave’ your tasty morsels? Is what you eat important to you, or would you prefer to take a pill and get on with the party? Do you care? Or perhaps more importantly, could you care less?

The Hot Topic: Coffee and CDs

The Mondo Gentlemen’s Club has started a group discussion (Editors Note: we started it in 2005 and it didn’t last long). It will hopefully run weekly and be on every topic under the sun. It will be hosted each week by a different member of the club, and the topic is to their choosing.

Parental Warning: This week’s topic, and probably future topics, contain some filthy curse words you aren’t used to hearing around these parts. The Mondo Gentlemen’s Club is for adults only, so if you are underage, or offended by the humorous use of four-letter words, tune out now. Brewster’s Millions is usually a family-friendly affair, but we don’t believe in censorship, so The Duke’s beautiful, filthy tongue remains uncut.

From: Greg Smyth
To: The Hot Topic
Re: Coffee and CDs

Dear Gang,

I’ve been hanging out in my local Starbucks way too much lately and I was perusing some flyers for their latest exclusive CD offering (a hideous slight on Herbie Hancock’s genius). That set me wondering about if, were they actually selling anything I might want to purchase, would I be willing to buy my music from a coffee company?

Starbucks’ appeal is that it sells you back the very thing you can get for practically no dollars right in your own living room – a cuppa joe in a homely environment. Setting aside the deep and potentially disturbing personal problems that might make you feel the need to buy into this fake lifestyle in the first place, part and parcel of the patented Starbucks experience is the idea of fitting into this Americanized, homogenized idea of respectable alt-cool. The idea being that, if you’re in Starbucks, you’re Hip and you Belong.

So far, so much bullshit. Now, to me, Starbucks selling music isn’t actually the most devilish thing Corporate America has foisted on the world (a CLOWN, selling HAMBURGERS!? WTF?) and it fits with the whole Middle Of The Road aspirational lifestyle that also brought us GAP. The thing is, while Starbucks keeps plugging a new Alanis Morrissette album, I really couldn’t give a rat’s ass. I wouldn’t buy it if they paid me. Likewise, the whole Dylan pseudo-controversy left me nonplussed, simply because (as good as he is) Bob Dylan is part of that whole Pasteurized American Monoculture.

So, when would it start bothering me? Well, call it cultural snobbery if you like (*hands up in surrender*) but the very second they start trying to flog me something cutting edge or indie or FUCKING GOOD, then I’ll be pissed. If, assuming it ever sees the light of day, I was to walk into one of Newcastle’s multiple Starbucks and find the debut album by Babyshambles going for a tenner when you buy a Venti Decaf Mochalocofrangipanifuckaluckachino with Soya Milk. THEN, I won’t be responsible for my actions.

Good day.

From: Eric Berlin
To: The Hot Topic
Re: Coffee and CDs

I’m thrilled to be taking part in this little (dare I say alt-cool?) experiment. That said, let me hereby dish some chips as per request.

A great topic you’ve hit upon, one that’s strangely and nearly disturbingly universal: Starbucks and monoculture and coffee (ah, an item close to my heart, that) and world dominion. And music! You had my head spinning, what with memories of crisscrossing the American South in the ’90s and seeing the same set of megastores at every stop (Wal-Mart, Old Navy, K-Mart, Waffle House, next!), the first brilliant third of Fight Club, and many an afternoon huddled over a scribble pad (oh, how dark and mysterious he is, they think – writing a novel no one will ever read, let alone pay for – and drinking coffee in public, all at once!) at my local Starbucks. Well, there are technically two local Starbucks in my neighborhood, but I think you get my meaning.

And I hear you, as an avowed Starbucks junk fiend, with regard to purchasing music there. I suspect you’d agree that it would be akin to more securely and precisely positioning one’s soul over the corporate hell pits. Just one Ray Charles & Friends compilation away from eternal damnation, right? We’re all forced to toe the line in this scrambled advertisement-rich modern culture, I suppose.

The weird thing (the temptation, perhaps?) is that some of the music played at Starbucks is good. I’ve heard some great reggae and jazz and African rhythms that I’d likely never get the opportunity to experience otherwise, I’m (very) sorry to say.

So on the one hand, I might boil the Big Picture question to: how much of our souls are we willing to sell?

But then I’m forced to counter myself, Devil’s Advocate-like, with: it’s just coffee and music, so chill out, eh?

From: Aaron Fleming
To: The Hot Topic
Re: Coffee and CDs

It’s hard not to repeat the frequent rhetoric espoused by anti-corporate activists and, well, anyone in the condition of sanity, but let me begin by saying corporate powerhouses (like Starbucks) will commence with any procedure that has the chance of increasing profits, the bottom line is the most, and only, important unit in this equation. You could argue about governmental laws (national and international) but that only goes so far, and it could be easily stated that subliminal methods used in advertising/marketing/etc are much more powerful tools within the intention of profit maximization (to which I’d agree).

With vast departments of employees working in these areas, the corporations are constantly evolving and developing new strategies, no demographic or sub-culture is safe from its roaming tentacles. If I were feeling particularly anarchic right now I’d call for a major uprising to combat the machine, or at least for people to continue to strive for constructing a wall of defense against it. Of course, there is plenty of that evident in society (anti-globalization groups etc), but clearly far from enough to have any substantial effect, and, as corporate power expands, it only increases in difficulty.

So to Starbucks. This company has clearly hit gold with its image, and the proliferation of music retail is just another part of this. Eric says that he has heard decent music in the outlets, consider that another success bestowed on the heads of those advanced marketers. It’s all image construction, as is the entire “Middle Of The Road aspirational lifestyle” that Greg discusses.

Don’t get me wrong, I’m not faining some personal invincibility here, I too have heard commendable music in Starbucks, and have enjoyed sitting within its stylish interiors (planned down to minuscule detail no doubt). I probably wouldn’t buy music CDs in there, that’s simply due to my musical tastes, but to use a hypothetical situation and assume there was a CD of liking seen to me, then I guess if it were a favorable price then I might indeed purchase said item.

Eric asks: how much of our souls are we willing to sell? The writhing consumerist chunk out to attain a bargain is my answer.

From: Mat Brewster
To: The Hot Topic
Re: Coffee and CDs

My initial, gut reaction is, why would anyone buy anything from Starbucks at any time? It’s a giant corporation trying to pretend it is a local, alt.cool place for hip cats. It’s a faux-trendy mega-store selling brown sludge with a 200% mark-up.

Confession #1: I don’t like coffee. I hate the look of it. I hate the smell of it. I hate the whole hipster-trendy feel of it. And I certainly, without a doubt, hate the taste of it. And for all you people out there ready to offer me the new vanilla/caramel mocho-choca-froca latee-achino with a twist, claiming it tastes just like hot chocolate and you can’t even taste the coffee – stop wasting your time. It tastes exactly like coffee, and it is all nasty. Guess what? If I want something that tastes like hot chocolate, I’ll buy some freaking hot chocolate.

The confession comes in because not liking coffee kind of puts a damper on actually wanting to go to a coffee shop. I don’t think I’ve ever actually set foot into a stand-alone Starbucks shop.

Confession #2: I have actually made a purchase at Starbucks. It wasn’t at a stand-alone Starbucks, but one of those coffee bars inside a Barnes and Noble, or Borders, or whatever giant book corporations they set up shop in. And I know, I know, giant book-selling corporations are evil too. I do frequent my fabulous local bookshop, but I still like the big corporations for the lounging, browsing opportunities they provide.

Sitting in those giant leather chairs with my Calvin and Hobbes collection, or the complete works of Raymond Chandler, I often feel the desire to have a warm, chocolaty beverage. When this happens, I have to admit, I pay way too much for a little cocoa, and sometimes that cocoa comes from a Starbucks.

Confession #3: I bought a coffee at a Starbucks just yesterday. I went through the drive-through, thus not falsifying my “never been to a stand-alone Starbucks” schpeel, and the coffee was for a friend, whom I happened to owe a couple of bucks.

Enough ranting and onto the question at hand, would I ever buy music from Starbucks? Not frequenting the franchise that is hard to answer. I honestly, didn’t even know they sold music. So, I think I’ll change it around to something like:

What if the Antichrist herself, Oprah, put one of my favorite author’s books in her book club, would I buy it?

In both cases, I think it comes down to whether or not the product is available from any other market. I’m not buying a rehashed Ray Charles greatest hits package from Starbucks, because I can get his music elsewhere. I don’t need to buy any Steinbeck from Oprah, either. There are plenty of other copies around. But if Lyle Lovett puts out a Starbucks-only disks, then I guess, I’d have to start drinking coffee.

In the end if Starbucks or Oprah are bringing wonderful artists to a broader audience than they’d ever get without them, that’s a good thing.

From: Bennet Dawson
To: The Hot Topic
Re: Coffee and CDs

You gotta look at the birthplace of Starbucks (the rainy Pacific Northwest), and the original market of the super-strong coffee industry to understand a bit about why this phenomenon has taken hold. During my days in Seattle, the chill, the numb, and the gray and cloudy week, after week. It sucks the life outta your day and you need stimulants or you will die. After a year my personal Cobainesque urge to end it all was barely held at bay by the six caffeine-charged bevies that I picked up at whatever chichi outlet happened by, and there’s one on every corner. Double shots of espresso mixed into frothy hot milk, plain dark coffee, or some choco-latte richness that sustains and excites both my body and my weather-dulled synapses.

The strong coffee addiction persists to this day, even though I’ve moved on to sunnier locales. French roast brewed strong enough to melt a plastic spoon, a Krupps Mini-Espresso Machine for those all-night jitters of creative madness, the *click* of my brain turning on (after only half a mug) in the wee hours of the morning, and the unparalleled ability of a strong “cuppa joe” to push the haze of too many late-night beers into the distant past.

All hail Caffeine! And to the purveyors of ultra-strong brews I say Thank-ya! Turkish? Oh yeah.

Living in a rural area, the closest Starbucks is now a distant hours drive. It’s tucked into the streetside corner of a Barnes & Nobles, and I see it only when looking to expand my library. But the allure is gone. The hapless yearning to meet someone interesting no longer drives my life. The biscotti beckon, but the corporate atmosphere pales when compared to the warmth and comfort of my own private place. Alas, I hear no music as I chase the register down and scoot out of the store with something guaranteed to provide hours of pleasure and escape. CD’s? Music? If they’re selling, I’m not buying.

Years ago, perhaps. But only if I was still single, still looking for the One. And only if the gal behind the counter looked like a potential snuggle. “Alternative? Sounds great!” But she’d have to smile real purty, and suggest that the purchase would bring us closer to the love, closer to the end of the numbness that comes with living in Seattle.

From: Duke DeMondo
To: The Hot Topic
Re: Coffee and CDs

What this whole brouhaha has me remembering is the time I was sat in Starbucks back in the day, sippin some gargantuan mug a foam and reading some toss or other about zombies. What happened was that next thing I knew, holy shit, it’s Cold Roses by Ryan Adams And The Cardinals blaring out the speakers!

(Well, whispering out.)

What in fucks name to do?

It felt odd, and this gets back to Greg’s concern. I don’t mind shite or at least Old Stuff That Everyone Knows fillin the airwaves in these places, but hearin the new Ryan Adams record in such a cripplingly bland, safe, pseudo-BoHo hive, it did the arse of my soul a good deal of frazzlement.

In the end, what I did was I made sure everyone could see that I knew every word, and the smugness afforded by this, well, it made it all worthwhile.

But you have to start worrying when Starbucks are endorsing records, because not only does it mean that said records have become incredibly hip amongst the kinda vacant terrors who yack about “World Music” (yeah, I’m with David Byrne on that one), but also, it means they’re probably fairly safe and unthreatening.

But part of me also thinks it’s a good thing that these cats are getting turned on to Dylan and the like whilst huddled round the tables sharing a thimble-fulla yak’s milk on account of they’re all school-kids and broke.

It’s the old Us And Them thing. I fucking hate the thought of Our Stuff being bounded ‘pon by these faceless fucks, but at the same time, I’d rather hear Ryan Adams when I’m sippin an overpriced milk / mint / caffeine abomination than, say, 50 Cent.

It would, however, pain me to find out the next Todd Snider record was only available at Starbucks, for example, because not only does it mean he’s gone back on all that leftist pot-soaked banter and instead focused on making money offa leftist-for-a-day pot-soaked posers, but it also means One Of Us has gone gotten snared by the fuckers.

It’s bad enough that Jack White’s writing songs for fucking Coke.

I mean I exist on nothing BUT Diet Coke, but God Almighty, I don’t want Jack White writing the advert music.

(And yeah, it pains me also that Ryan Adams did the GAP ad, that Dylan did Victoria’s Secret, and the whole Bill Hicks “Off the artistic roll-call forever” thing would apply if not for the fact that fuck my eyes, it’s Dylan and Ryan Adams! They can do whatever the hell they want.)

Still, I never did buy that Starbucks Dylan CD. I woulda done had it been the complete Gaslight tapes, but ten tracks when I already have the 17-track bootleg seems like a whole lotta nothing. Even WITH enhanced sound.

And I must point out that I have yet to see that Morissette record in a Starbucks, but it’s in the HMV in town. Curious…

Alas, I can’t go into the why’s and wherefores of how come I can’t get a fucking “large” anything anymore, on account of the ladies at the door needin a crate of speed for the weekend.

(Being sober has it’s advantages, since the ladies know they can trust a fella to get the job done efficiently and with little or no puke.)