The Midnight Cafe’s Top Five Movies of 2025

I watch a lot of movies. As of this writing, I’ve logged 4,963 films on Letterboxd (and that doesn’t include the hundreds of films I’ve forgotten to log/completely forgotten I watched). I watched 458 this year alone. But while I do watch a lot of movies, I don’t tend to keep up with current movies. I rarely go to the theater anymore, and my tendency is to watch old movies at home. My feeling is that there are so many great older movies that I haven’t seen that there isn’t a lot of reason to try to watch new movies that might not be that good.

With that being said, I did make an effort to watch more new movies this year. I actually made it to the theater on seven different occasions and watched a total of 42 movies made in 2025. For context, I’ve still only watched 34 movies from 2024, and I’ve had an extra year to see them.

That’s not a bad number, but considering there were hundreds of movies that came out this year, it is but a small drop in a very large bucket. So, I can’t really say these are the best movies of 2025, but they are my favorites of the ones I’ve seen.

caught stealing

5. Caught Stealing

This crime thriller from Darren Aronofsky seems to have completely flown under everyone’s radar. That’s too bad because it is a terrific little flick with an incredible cast and some wonderful direction. Austin Butler stars as Hank Thompson, an alcoholic bartender who could have been a contender, but his once promising baseball career ended after a terrible drunk driving accident left him wounded.

When his neighbor (a mohawk-wearing, thickly accented Matt Smith) leaves town and leaves Hank with his cat to take care of, all hell breaks loose. Before the week is up, he’ll be tortured by Russians, threatened by cops, and nearly killed by some Hasidic gangsters. Caught Stealing is light on its feet and gnarly fun.

predator badlands

4. Predator: Badlands

Who would have thought that in the year of our Lord 2025 we’d get yet another Predator movie and that it would be one of the best of the year? Director Dan Trachtenberg, who also helmed the excellent Prey and the pretty good Predator: Killer of Killers knows how to take what was a silly 1980s action flick and turn it into something meaty and good.

All of the other Predator films have basically been Predator vs. human stories. This one turns the Predator into our hero and sets it on the deadliest planet in the universe, where even the plants want to kill you. He’s teamed with Thia (Elle Fanning), a half-broken cyborg created by the Weyland-Yutani Corporation (which is from the Alien franchise, which means we might finally get a good crossover film at some point). They will attempt to not only survive but also kill the universe’s most fearsome creatures.

The world building is terrific, the action is incredible, and Elle Fanning is a blast to watch.

train dreams

3. Train Dreams

If I were doing a longer list and adding in lots of special categories, I’d call Train Dreams my surprise favorite. I had never heard of the film before I watched it. I hadn’t seen a trailer or a poster, even. Nobody in my social media circles was talking about it. But one day I was looking through a list of movies that came out in 2025, hoping to find something interesting that hadn’t been hyped to death, and I landed on this. I’m so glad I did.

Train Dreams stars Joel Edgerton as a logger living in the early part of the twentieth century. He is a quiet, simple man who faces love and loss while the years roll by and the country around him changes all around him. It is a slow film, never flashy or exciting in an action-packed sort of way, but it is beautiful and profound. Filmed in the Pacific Northwest, the camera lingers on the nature all around him. He’ll meet various characters and find friendship and love, and feel great guilt over the violence he observes. Edgerton has never been better. He says so much with so little dialogue.

This is a tone poem, filled with beauty and wonder, sadness and awe.

one battle after another

2. One Battle After Another

This Paul Thomas Anderson epic is his most political film and his most personal. Leonardo DiCaprio stars as Bob, a former revolutionary who settled down once his girlfriend split, leaving him to raise his daughter. Sixteen years pass, and he’s become something of a drug-addled, alcoholic burnout. But when a former nemesis reappears and comes after his daughter, he rejoins the movement and bands together to save her.

There are some current political themes in the films, as migrants are seen being held prisoner inside fenced-in cages, and the villains are racist white nationalists, but mostly it is about this dad trying to connect with his teenaged daughter and keep her safe.

It has a grand scale and a large cast; it is epic, yet personal, tense, and often hilarious. DiCaprio has never been better, Sean Penn is terrific as the hard-nosed military goon going after the girl, but it is Benicio Del Toro that steals the show. He’s a levelheaded sensai who keeps Bob (and the film) grounded. He is the calm in the midst of an insane, chaotic storm.

I watched this one again just a few days ago, and it was even better the second time.

sinners

1. Sinners

I watched this one again last week, and it is still mind-blowingly good. Ryan Coogler has managed to make a vampire movie where the vampires are the least interesting thing about it. Michael B. Jordan stars as twin brothers Smoke and Stack, who grew up in the deep south, fought in World War I, then moved to Chicago, where they worked for Al Capone, and now they’ve come back to their hometown to open up a juke joint.

The film takes its time getting to its horror elements. It follows the brothers as they recruit various people into helping them. They talk a Chinese grocer into supplying the food, a fieldworker into being the bouncer, and an old bluesman into making the music. Smoke’s wife will cook, and their nephew will play guitar. These scenes are given time to naturally develop, and they are a joy to watch. Coogler is giving us a tour of the Deep South from an African American perspective. We are ensconced in this culture.

The film could almost be categorized as a musical, as characters routinely play songs and music is a huge part of what this film is. There is one scene in the middle where the cousin plays a song, and it bends time and space. It is one of the greatest all-time scenes ever put to celluloid.

I could live in this world for a long time. It is almost a shame the vampires show up. It isn’t that the horror elements are bad, but I so thoroughly enjoyed watching the brothers build this community that I hate to leave that aspect to bring in the vampires. He does do some interesting things thematically with the vampires. The main ones are Irish, and there is a long history in the United States of prejudice against the Irish. Part of their welcoming call for our heroes to become vampires is that there is no more racism, for vampires aren’t prejudiced.

The battle with the vampires is appropriately thrilling and bloody, and in any other movie I’d be praising that half of the film. But man, that first half is so good I wind up feeling slightly disappointed when the vamps show up. But nevertheless, Sinners is a fantastic film, the rare film that is both thematically rich and thoroughly entertaining.


And that’s it. I won’t say these are the best movies of the year, but they are my favorite films from 2025 that I watched. What were your favorites?

The Midnight Cafe’s Top Five TV Shows of 2025

I suppose you all know me as a music and movie guy. I don’t write about television very much. That’s mostly because I don’t keep up with TV shows very well. I very rarely watch shows as they come out; I’m always behind. I also find writing about television tricky. But I do watch TV, and I love a lot of shows.

This year I actually made an effort to keep up with new TV and to watch more of it. So, I thought it would be fun to make a Top Five list of my favorites. Four of them are new series that debuted in 2025, and one of them is a little bit older, but it did run a new season this year. That was my one rule – the season that I’m talking about how to have run this year. Technically, show #4 originally aired in 2024, but that was in England; it didn’t air in the US until 2025, so I’m counting it. And here we go.

slow horses

5. Slow Horses: Season 5

Slow Horses is about an inept group of MI5 agents who have severely screwed up in one way or another (but not badly enough to actually get fired), and are now relegated to Slough House – a sort of detention center for screwups. It is run by Jackson Lamb (Gary Oldman), an unkempt, heavy-drinking, chain-smoking elder statesman who was once a great agent but is now sick of it all.

Each season naturally finds this team of goofballs solving a real, major case, almost by accident. Season Five finds them embroiled in a terrorist plot, an assassination attempt, and a group of incels. It is a tad overstuffed, and the characters are starting to drift from their designated personalities, but it more than makes up for those flaws with added comedy. Gary Oldman is a treasure, but the rest of the cast is wonderfully fun as well.

ludwig

4. Ludwig

David Mitchell’s comic persona is that of a well-educated, middle-class, slightly stuffy bloke who’d mostly like to be left alone. Ludwig was custom-made for that persona. He plays John Taylor, a reclusive puzzle maker whose twin brother is an Oxford police detective. When that brother disappears, his wife (Anna Maxwell Martin) calls upon John to help her find out what happened. Being identical twins, John pretends to be his brother initially to grab some notebooks from his desk at police headquarters. But quickly he’s swept up into a murder mystery. And because murder mysteries are like puzzles, he quickly solves it.

Each week brings a new murder, or puzzle, and John is able to solve it. Mitchell is an absolute delight, and the puzzles are great fun. I liked this season so much I almost immediately watched it again.

task

3. Task

I’m a huge fan of crime dramas. I’m obviously not the only one, as there are approximately eight kajillion of them out there. And that’s the thing; the popularity of the genre means there is a blueprint for it. At their most basic, crime dramas involve someone committing a crime and someone else trying to catch them. There are all sorts of variations on that basic outline. And that’s the other thing; because there is a blueprint and because there are so many of them, crime dramas can feel like a comfortable pair of socks. You put them on, and as long as they keep your feet warm, you don’t really think about them again. You only notice them when they’ve got a hole in them or they are exceptionally warm and soft.

To wear out that metaphor, crime dramas are something you can throw on, enjoy, and never think about again. They are only memorable when they are exceptionally bad, or really good. The Task is excellent. Mark Ruffalo stars as Tom Brandis, an FBI agent who has been having a tough time of it lately. His family life is in chaos, and he’s suffered a recent personal tragedy. As such, we find him, at the start of the show, taking kind of a break. He’s off active duty and spends his work hours at job fairs recruiting for the FBI.

But then his boss calls to say she needs him to head up a task force to catch someone who’s been robbing drug houses run by a local biker gang. The show follows Brandis and his task force (made up of state, county, and local police) and the thief (an incredible Tom Pelphrey.) Task doesn’t do anything new with the genre, but everything is working at such a high level I have no complaints.

the pitt

2. The Pitt

It is impossible to talk about The Pitt without comparing it to ER. Both shows are set in emergency rooms and follow the absolute insanity that takes place there. Both are set inside teaching hospitals, so you get a mix of attending physicians, residents, beginners, and students. They were both produced by John Wells and R. Scott Gemmill, and they both star Noah Wylie. Each series also balances big, complicated cases with smaller, simpler ones, as well as their big emotional beats with more light-hearted ones.

The biggest difference between the two is that ER aired on NBC and The Pitt is an HBO show, which allows The Pitt to be more graphic (in its language, its gore, and its explicitness – at one point we get a close-up view of a doctor trying to pull a baby out of its mother’s vagina.) It is also set during one twelve-hour shift, with each episode lasting just under sixty minutes in length.

Much like Task, this show doesn’t necessarily do anything new with its genre, but it is so incredibly well produced, well made, and acted that after one season I’m just about ready to call it the best medical drama TV has ever produced. Even better, they’ve already shot the second season, and it airs early next year.

pluribus

1. Pluribus

Up until just today I was all set to make The Pitt my number one show of 2025. It is so good I haven’t stopped thinking about it since I watched it this past spring. I immediately loved Pluribus when it started airing last month, but I wasn’t ready to have it knock The Pitt off its (presumed) top spot. Then its season finale dropped this morning, and Holy Moly was I blown away.

This is a show that’s actually best watched if you know nothing about it. So I won’t talk about its plot so that you can come to it completely fresh. I will say it was created by Vince Gilligan (who also created Breaking Bad and Better Call Saul), and it stars Rhea Seehorn (who also starred in Better Call Saul). It is nothing like those two shows other than the production values are incredibly high and it never does what you expect it to do.

Every episode is surprising. I had absolutely no idea what it was going to do next, and yet I happily followed along. It is utterly original, unique, and brilliant. Seehorn is magnificent, and I love that her character feels completely real. She’s a hero, but utterly human, good but also selfish and flawed. I cannot wait for the next season to come out.

And that’s it. I won’t say these were the absolute best TV series that aired this past year. I didn’t watch every series that aired in 2025. Not even close. But these are five series I utterly enjoyed. What shows did you enjoy?

The Top Five Film Noirs Starring Humphrey Bogart

I meant to write and post this back during Noirvember, but I got distracted, and then I forgot.

Humphrey Bogart is my favorite actor. He made some incredible films in his storied career (including my all-time favorite, Casablanca), and more than a few of them were film noirs. More than just about any actor of the classic period, his name is (arguably) the one most associated with noir. So I thought it would be fun to do a Top Five favorite noirs starring Bogart.

high sierra movie poster

5.  High Sierra (1941)

Bogart wasn’t always the big star we know him as today. He spent the better part of a decade as a supporting player, often billed as a gangster or heavy. High Sierra changed that. He was lucky to get that role, as both Paul Muni and George Raft had been offered it first, and director Raoul Walsh didn’t think he was leading man material.  But writer John Huston thought Bogart was perfect for the role, and eventually Walsh relented. Huston would, that very same year, cast Bogart in his film The Maltese Falcon (more on that in a minute).

With this film he hasn’t quite left the gangster mold; he plays Roy Earle, a guy who’s just gotten out of prison and is already set for his next score. He’s holed up in a cabin in the mountains with three other guys and a girl, just waiting for the right time to rob a ritzy hotel. The girl (played by the always great Ida Lupino) will lead to trouble. Bogart is still perfecting his world-weary, cynical, but ultimately sentimental character, but he’s still terrific as Earle.  Lupino is great too, and Walsh’s direction is quite wonderful. 

the maltese falcon poster

4. The Maltese Falcon (1941)

If High Sierra made Bogart a star, then The Maltese Falcon solidified it. Based on the novel of the same name by Dashiell Hammett, this film is often considered the first truly great film noir. Bogart plays Sam Spade, a tough, cynical private eye who is hired by a woman (Mary Astor) who may not be who she claims to be and may not actually want what she claims to want. 

What she really wants is the titular object, which is a mythical, jewel-crusted statue of a bird that was supposedly gifted to the Holy Roman Emperor hundreds of years ago but has been lost to time. While trying to find the bird, Spade will run across a number of eclectic and strange people, including ones played by Peter Lorre and Sydney Greenstreet. 

The plot is complicated, the cast is perfect, and John Huston’s direction (it was his directorial debut) is fantastic.

in a lonely plac eposter

3. In a Lonely Place (1950)

This is probably the least noirish film on the list and quite possibly Bogart’s best performance. Based on the excellent novel by Dorothy B. Hughes, Bogart plays a troubled screenwriter with a penchant for violence who hasn’t written a hit movie in years. One night he takes a girl home with him, then changes his mind and kicks her out.  The next morning she finds herself dead, and he finds himself a suspect. Through this he’ll meet his neighbor Laura (a magnificent Gloria Grahame), and they’ll fall in love, but she’ll never quite be sure he didn’t kill that girl.

Bogart’s performance is heartbreaking. The script is full of great lines like, “I was born when she kissed me, I died when she left me, and I lived a few weeks while she loved me.” Just a magnificent movie.

key largo poster

02. Key Largo (1948)

Bogart and Lauren Bacall met on the set of To Have and Have Not (1944) and fell in love and stayed together until he died in 1957. They made four films together (three of them are absolute bangers, and the fourth one isn’t bad – one of the others almost made it to this list, and the other is #1).

Directed by John Huston (his second film on this list), Key Largo includes an incredible cast (including Thomas Gomez, Lionel Barrymore, and Edward G. Robinson).  Bogart plays Frank McCloud, a former soldier who stops by Key Largo to visit with his dead comrade’s father (Barrymore) and widow (Bacall) but gets stuck when a hurricane rolls in. Also stuck with them are a few gangsters awaiting a car full of cash that they’ll trade for counterfeit bills.  

The hurricane and the gangsters make for a pot of dangerous soup that’s ready to boil. This boasts a classic Bogart performance. He’s smart and tough, witty and sensitive. He and Bacall work magic together, and Barrymore is great as the father who doesn’t take any crap. But it is Robinson who steals the show. He gets one of the all-time great introductory scenes and remains awesome throughout.

the big sleep poster

01. The Big Sleep (1946)

I think this was the first film noir I ever watched. Based on the fantastic book by Raymond Chandler, Bogart plays Phillip Marlowe, a private eye hired by an old man over some blackmail scheme involving his youngest daughter (Martha Vickers in a small but oh-so-memorable role). Quickly things turn complicated, convoluted, and murderous (director Howard Hawks famously phoned Raymond Chandler over who killed a certain chauffeur, and Chandler didn’t actually know the answer). But the plot isn’t really the point. 

The Big Sleep is all about its mood, its characters, and the way it makes you feel. Bacall is the older daughter and potential love interest. It is a blast watching her flirt with Bogart and become the femme fatale. Everyone flirts with Bogart in this movie. The two sisters, the cab driver, the bookstore clerk—hell, I’d flirt with him if I were in this movie. It is the perfect noir and an absolute blast to watch.

Well, there you have it, my favorite Humphrey Bogart film noirs. Do you have a favorite? Do you disagree with my picks? Honestly, if I wrote this tomorrow I’d probably have different picks. But this was fun.  I’ll try to do more of these when I can.

The Midnight Cafe’s Top Five Horror Movies of the 1980s

image host

Many years ago I created a Facebook group called the Top Five, whereupon me and some friends would list our top five favorite…whatevers – opening tracks to albums, John Cusack movies, etc. The idea actually came from a Cusack movie, High Fidelity, where his character in that movie makes a lot of top five lists.

The group didn’t last that long; we were all too busy to keep it going, but I love the idea. I actually posted one of those lists on this site, and I’m thinking about doing it again. The Internet (and search engines) loves lists, and while I’ve basically accepted the fact that I’m never going to draw huge crowds to this site, finding ways to bring in a few more readers while also having some fun sounds like a plan.

I should probably do bigger lists, top 25 or 50s or something, but that’s a lot of work. A top five sounds more manageable, and it fits in with that old group, so here we go.

As it is October and Halloween is coming soon, and I’ve been doing my tradition of 31 Days of Horror, I thought we would start with my top five horror movies of the 1980s. The 1980s were a grand time for horror, and I figure doing more specific lists will be helpful for the numbers game.

The 1980s were a fascinating time for cinema and for horror. By the 1970s the studio system was dead, allowing for all sorts of more independent cinema to rise up. This ushered in the New Hollywood directors and allowed for cinema to flourish in ways it never had before. At the same time, the new ratings system pushed out the old Production Code, which allowed films to express themselves in ways they’d not been allowed to previously.

Horror took great advantage of this in the 1970s, creating films that pushed the envelope in terms of what could be shown, and they often did it in interesting and artistic ways. But as we moved into the 1980s, things changed once again. Those independent studios got big and less independent and more mainstream. That meant they were chasing the $ more than the art. Home video revolutionized movies. Suddenly films that didn’t do so well at the box office could have another chance on video. Some movies were made just for the video market.

Horror took great advantage of this outlet. You could make a relatively cheap movie and release it straight-to-video and make money. Horror hounds have never been known for their keen acumen and academic approach to the genre. Give us some blood and guts and maybe a little nudity, and we are good to go. This is why slashers were so popular during this period. A guy with a knife killing pretty girls was an easy sell.

But that isn’t to say that there weren’t some great horror movies being made in the 1980s. There were lots of interesting, well-made, even brilliant horror films from that decade, and here are my Top five.

re-animator poster

  1. Re-Animator (1985)

I no longer remember how I stumbled onto Stuart Gordon’s gonzo horror flick Re-Animator, but I instantly loved it. It was so wild, so violent and gore-filled, so full of full-frontal nudity, and so very, very funny. I had never seen anything like it.

Loosely based on an H.P. Lovecraft story, Re-Animator stars Jeffrey Combs as Herbert West, a completely mad scientist who has discovered a serum that brings the dead back to life. The trouble is he can’t seem to get the mixture exactly right, so the dead keep coming back as murdering psychopaths. Luckily, his roommate has a key to the morgue, and he’s got plenty of corpses to experiment on.

The film begins as a fairly dramatic bit of science fiction, but before its 90 minutes are up, it will turn into a completely gonzo freakout. This was the first film from director Stuart Gordon, and he’s spent the rest of his career trying to be marvelously goofy, gory, and glorious. I reviewed the Arrow Video Blu-ray of this film which you can read here.

tenebre poster

  1. Tenebre (1982)

Dario Argento’s best films (Suspiria, Deep Red, The Bird with the Crystal Plumage) were all made in the 1970s, but you shouldn’t sleep on his 1980s output. Tenebre is the story of a writer (Anthony Franciosa) who is questioned by the police because a crazed killer is murdering girls in the same way the killer in his latest book is doing it. Soon enough the killer comes for the writer and his friends.

There is a way you can look at this film as a meta commentary about violence in movies. Argento was often criticized for the extreme violence in his movies, and here he is making a movie about a writer being stalked by his own creation. Or you could just sit back and enjoy the ride.

Tenebre is filled with some incredible images – a woman’s face being revealed when the killer slashes through a white sheet is an all-timer. The story is good, and it mostly makes sense (which is unusual for Argento). It has a great soundtrack from Goblin. It is a great freaking movie and more than proves Argento had plenty to say in the 1980s.

You can read my full review here.

nightmare on elm street poster

  1. A Nightmare on Elm Street

In a decade full of mindless slashers, Wes Craven created something truly original with this film. Freddy Krueger is one of the great horror villains of the 1980s, or of any time, really. Setting him inside of dreams, or nightmares if you will, allowed the film to get really weird and visually interesting.

The sequels are of varying quality, but the first film remains an utterly classic and is one of the best horror films of the 1980s.

I recently reviewed the 4K UHD release of A Nightmare on Elm Street, which you can read here, and I also reviewed the UHD release of the boxed set of the first seven films which you can read here.

evil dead 2 poster

2. Evil Dead II

When I was a teenager in the early 1990s, I subscribed to Spin Magazine. This was back when that rag was actually good. It had good writers and covered good music. This was post-Nirvana so they covered a lot of alternative acts, which I loved, but it was still mainstream enough that the artists weren’t too obscure for a guy living in rural Oklahoma with limited access to CDs.

They mostly covered music, but they did a few movie reviews, and one time they did some kind of list of the greatest movies ever. If memory serves, Evil Dead II was their number one pick. I’d never heard of that film. I’d never heard of director Sam Raimi or actor Bruce Campbell. But I immediately went out and rented it. I loved it instantly.

Raimi and Campbell made The Evil Dead on a shoestring budget in 1981. Plotwise, it is a straightforward story: stupid young people go to a remote cabin in the woods and are attacked by supernatural forces. But even at this stage Raimi knows how to move a camera and create interesting images (it was his first film.).

Made six years later, Evil Dead II is basically a bigger-budget remake of the original, but with jokes. The plot is almost identical, but it is full of goofy gags, slapstick, and hilarity. This is a film in which our hero Ash’s (Campbell) hand (and only his hand) becomes possessed and tries to kill him by strangulation and then smashing plates over his head. To stop this, Ash chops his hand off and then inserts a chainsaw over the stump.

It is a wild, kinetic, gory, joy-filled romp, and I just love it.

the thing

  1. The Thing

I didn’t like The Thing the first time I watched it. I think my expectations were too high, as I’d heard it named as one of the greatest horror movies ever made for years and years. Also, the setting I watched it in wasn’t great. We had a small TV at the time, and my wife had gone to bed, so I had to keep the volume down. But mostly I just didn’t like the effects.

The movie is about a group of scientists living on the frozen wasteland that is Antarctica who come across a shape-shifting alien. Much of the film’s tension comes from how our characters can never be sure who is human and who is an alien. The effects are all practically done, and they are intentionally made to look just a little bit off. At some point one character pushes on another’s chest, and the chest opens up, grows teeth, and chomps the other dude’s hands off. Another time the alien gets stuck mid-transformation and looks like a human head with spider legs. There was something about all of that that just felt weird to me.

I’ve seen the film many more times since then, and I now find that stuff part of the film’s charm. I love the practical effects and how tactile and goopy they are. That works for me so much better than CGI.

But more than that, the film is just one long, tense ride. It takes its time setting things up. It allows us to live inside this strange, frozen wasteland. We get to know these people’s quirks and personalities. Then they find the alien, and it starts killing people, but since it can look just like them, they can’t rely on anyone for help. And there is nowhere to go. And Kurt Russell has never been better.

Just writing about it now, I want to stop and go watch it again. It is a brilliant film and my favorite horror movie of the 1980s. You can read my full review of The Thing here.

And that’s it. That’s my list. I suppose I should make some caveats. I’ve not seen every horror movie of the 1980s. I’m sure there are some amazing films that didn’t make my list because I’ve never seen them. Feel free to recommend them to me in the comments. I have no doubt that there are films that I have seen that didn’t make my list that leave you scratching your head over. That’s great. That’s what’s fun about these lists. I encourage you to (politely) disagree. You might change my mind. In a month, I’ll probably change my own mind. I’ll probably revisit this list next year and think I was crazy for picking these films.

If you all like this sort of thing, please leave a comment. I enjoyed writing this post, but if I get no feedback on it then I’ll probably never do another one. But good feedback will encourage me to make more lists.