The Terror: The Devil In Silver: Season 1, Episode 3 – “New York In June”

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Season one of The Terror is one of my favorite seasons of television over the last decade. It is a beautiful piece of historical fiction about a group of 19th-century British sailors trying to find a Northwest Passage and discovering something sinister in the frozen wasteland. I don’t think it was originally intended as an anthology series, but it became one. I have not seen the second season set in a Japanese internment camp during World War II, but they say it is very good.

And now, some seven years later, we are getting Season 3. I didn’t actually know this was part of The Terror until I started watching it. On their main screens, AMC+ just shows it as The Devil in Silver. But the opening credits do say The Terror. I don’t know why. Had I known, I would have watched Season 2 first.

The Devil in Silver follows Pepper (Dan Stevens), a guy who had the great misfortune of getting into a fight with his girlfriend’s ex, with the police nearby who were at the end of their shift. Rather than arrest him and deal with the paperwork, they take him to a mental hospital where he’s put on a 72-hour hold. If he behaves, they say, he’ll be released. As is the way with these things, he gets stuck there indefinitely.

New Hyde Hospital is a rundown, shabby place, and the series hits the state of our mental healthcare with a hammer. Hospitals are underfunded, understaffed, and tend to treat the symptoms with drugs rather than get to the heart of the actual disease. Also, there may be a monster. It might also be a scary patient they keep locked behind a silver door. But probably it is a monster since this series is all about the supernatural.

Our first two episodes introduced the situation and our characters: patients and doctors. It is a great cast, with Aasif Mandvi as the head administrator, CCH Pounder as one of the doctors, Stephen Root as the book club leader, and Judith freaking Light as one of the patients (I haven’t seen her in anything since Who’s the Boss, but one look at her IMDB page shows she’s kept busy – good for her.)

Pepper is angry and belligerent. He’s the McMurphy in One Flew Over the Cuckoo’s Nest in this scenario. Episode Three begins with the aftermath of Episode Two, where he was attacked by the monster. He awakes to find that the doctors are telling the story that he became belligerent and violent, and they had to get rough with him – hence his injuries.

He tries asking the patients who this patient is behind the silver door, but they give conflicting answers when they give answers at all. When he’s told that the patients are going to be taken to a pizza parlor for a treat in a few days, he decides that’s where he’ll make his escape. To keep the patients calm (and zoinked out of their minds), the staff gives everybody some heavy downers. Pepper doesn’t swallow it and tells his roommate his plan. The roommate tells someone else, and before you know it, all the patients are not taking their meds. The pizza party is a disaster with everyone acting, well, crazy, and Pepper ultimately decides he needs to stay to try to help them get real help.

He is once again confronted by the monster, who basically tells him if he doesn’t comply, he’ll kill everybody.

Ok, I’m once again rambling for too long. I really don’t want to do full recaps. I just don’t have the patience for it, but I’m struggling talking about single episodes without giving out quite a bit of information.

I’m struggling with this show. It has a great cast, and the story has potential. Though it does lean a little too heavily into the well-worn tropes of mental institutions. It’s lacking something. Maybe a specificity to the characters. The actors, especially Judith Light, give it their all, but I don’t find myself interested in them. And they’ve brought out the monster too soon. It’s not really that scary but keeps lurking about and doing stuff. I’d prefer a bigger mystery about what it is and what it wants.

The cast is good enough that I’m going to keep watching, but I truly hope it gets better.

Interview With the Vampire: Season 1, Episode 1 – “In the Throes of Increasing Wonder…”

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I first learned of Anne Rice’s Interview with the Vampire when the movie starring Tom Cruise and Brad Pitt came out in 1994. I remember there was great controversy over Cruise being cast as Lestat. Anne Rice herself came out against him. Cruise was a major star at the time, but wasn’t considered a great actor yet. My memories here are vague, but once the movie came out, everyone realized Cruise was wonderful.

I didn’t have an opinion. I’d not read the book. I did like Tom Cruise, but didn’t really care if he was in this movie or not. I was a freshman in college when the film finally came out. My girlfriend at the time was a big Anne Rice fan and was super excited about the film.  She had opinions on Tom Cruise. 

We watched the movie together, and I liked it.  I must have liked it quite a bit because my mom bought me a boxed set of the Vampire Chronicles books. I read Interview with the Vampire over Christmas break and loved it. I think I started the next book, The Vampire Lestat, but couldn’t get into it. Partially, this was because that book focused on Lestat and not Louis, who was the protagonist of Interview, and partially it was because Lestat becomes a modern-day rock star, and that seemed ludicrous to me. Much of Interview is set at the turn of the century, so modernizing him felt wrong somehow.

I kept telling myself I should read it anyway, and I kept not doing it. Everyone says Queen of the Damned, the third book in the series, is terrific, and I very much wanted to read it, but I felt like I needed to read Lestat first, and that never did happen. Eventually, I moved completely away from Rice and vampires, and it all seems like a distant memory to me now.

I rewatched the movie a couple of years ago. It’s not great.  It has some interesting stuff going on in it. Tom Cruise is quite good. As is Brad Pitt. And a young Kristin Dunst is terrific. But I find chunks of it rather dull, and I don’t find the way that it plays with vampire lore nearly as interesting as I once did.

When they announced AMC was making a TV series out of Interview with the Vampire, I wasn’t particularly interested. It was the sort of thing I thought I might check out at some point, but really, I knew I’d be too interested in other things to bother.

But then the same people adapted The Vampire Lestat, and I got a really good price on an annual subscription to AMC+. Suddenly, Lestat was being advertised to me all the time. Suddenly, I started noticing people in my social media feeds saying good things about it. And now here I am watching it and talking about it.

The original story has a vampire meet with a journalist whom he tells his story to. This adaptation is set in modern times, but it does a neat little trick. The vampire  Louis de Pointe du Lac (Jacob Andersen) meets with a journalist, Daniel Molloy (Eric Bogosian). But the twist is that they previously met decades ago and had the original interview. But it ended badly, and nothing was ever published (I believe in the book Louis winds up killing Molloy). Now Louis wants to try it again.  Molloy now has Parkinson’s, is a cynic, but is much tougher than he was the first time. He’s no longer scared and, as such, can push past some of the vampires’ BS. 

It is a bit of brilliant casting to put Andersen as Malloy. He brilliantly portrayed a shock jock in Oliver Stone’s Talk Radio. He brings some of that cocky energy here.

This first episode follows Louis from just before the time he meets Lestat (Sam Reid) until he is turned into a vampire. From the start, this series isn’t afraid to mess with the story. For starters, Jacob Andersen is black, and in the book, he is white. The book sets his origin story in 1791. The series moves that up to 1910, so that slavery is a thing of the past. Louis is now a successful brothel owner. He’s rich, and that brings him a certain amount of power, but he’s still a black man living in the very racist South. The white people he hobnobs with never let him forget he is lesser than they are. He never forgets to call them “sir.”

Race becomes a central theme of the episode. When he meets Lestat, the vampire is appalled by how the whites treat him. Part of the appeal of Lestat and his call to become a vampire is how he is treated with respect. 

Vampire stories are often laced with eroticism. There is a natural sensuality in the way a vampire bites the neck of their victims and sucks. There is an innate homoeroticism in Anne Rice’s story that was only hinted at in the 1994 adaptation. This series leans hard into that.

I watched the extended cut, which runs about an hour and ten minutes. Honestly, that was a little long. I don’t need my TV episodes to be nearly as long as a movie. It packs an awful lot into those minutes, and it is very well done. Reid and Andersen are both very good. It digs into Louis’ family situation. How they pretend to not know what he does for a living, how they pray he’ll earn enough to get him out of that lifestyle, and how they enjoy the fruits of his labor. There is a religious brother, a sister who is about to get married, and a mother who sees all and knows all.

I loved how the relationship with Lestat builds. It begins with a bit of jealousy as Lestat has better luck with Louis’s girl than he does. But there is also a sense of awe and desire.  Louis admits that he both wanted to kill Lestat and be him. Then they become friends, and Lestat shows him some of his power. Lestat can talk to a group of people yet still communicate with Louis telepathically. He moves so fast that time almost seems to stop.  This is all really well done.

All of that being said, there is something about the show I didn’t love. Part of it is that this story is too familiar to me. I don’t know that I need another telling of it. I think it feels a little too drawn out as well. There are seven episodes in the first season, eight in the second, and I don’t know that the book has enough in it to make it worth all of that. Obviously, the series is going to add to the story. Hopefully, that will be in interesting ways. There is nothing in this first episode that doesn’t make me think they will be successful.  I know I will watch more of it, but I don’t think I’ll be binging this one.

Hi, and welcome to my Interview with the Vampire recap. I’ve been thinking a lot about doing some of these. I watch a lot of TV, and it always seems like a good idea to talk about it. At the same time, I don’t know that I have the skills to do it. Or the time. Or patience. Doing recaps takes a lot of time. There is a skill to detail the plots of individual episodes, and I’m not sure that I have that. My idea is to maybe just give the most basic plot summation and then add in a few thoughts on what I liked or didn’t like. I meant to do that with this episode.  I thought I’d write a couple of paragraphs and be done with it.  But I have a hard time just writing a couple of paragraphs about anything. Which winds up making it exhausting. Which means I have a hard time doing this sort of thing.  

So, I have no idea if I’ll write about episode two or three or the entire series.  I don’t even know when or if I’ll watch them.  But for now, I enjoyed the first episode, and now you know why.

Mudtown

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My wife and I watch a lot of British television. We’re huge fans of what they call panel shows, which are basically game shows with comedians. But we also love a good British mystery or crime drama. We subscribe to BritBox, a British streaming service that provides loads of stuff. Some of it is good, some of it is garbage. 

The difficulty is that I don’t see commercials for British television; I don’t know anyone or follow anyone on social media that regularly talks about British television. So I have no idea what’s good or what’s not.

Mudtown is pretty good.

Clare Lewis Jones (Erin Richards) is a volunteer magistrate in Newport, Wales.  I don’t even know what that means. I guess they hear low-level court cases and make decisions like a judge, but maybe not on major crimes. English law is weird.

Anyway, she’s good at her job. But she’s got a dark past. When she was young, she ran around with a guy now known as ‘Saint Pete’ Burton (Tom Cullen), who saved her neck back then. Now he runs drugs and is an up-and-comer in the criminal community. She’s got a husband and two kids. The oldest, Beca (Lauren Morais), has started dating Sonny Higgins (Lloyd Meredith), who is Saint Pete’s right-hand man. 

One night Beca is at a party with her high school chums at some old abandoned warehouse. Someone starts a fire that just so happens to burn up a bunch of Saint Pete’s money that he had stashed in the warehouse. Later, one of the kids finds himself shot.

Most of the show involves Saint Pete trying to find out who started the fire and Clare trying to keep Beca out of trouble. There is a lot of family drama (between Clare and her husband and daughter, and Saint Pete and his crew). 

The acting is good, the cinematography is great, and the story mostly worked for me. We recently watched a couple of shows where the characters made absolutely stupid decisions, and I was thrilled that for most of this one they actually seemed relatively intelligent.  It gets a little dumb by the final episode, but mostly this worked for me.

I especially appreciated how they played with the whole my kids in trouble trope. A lot of shows will put a kid into trouble, and they don’t actually care that much about the kid.  It is just a plot point to drive our heroes into action. But here Beca is a real character, and they do some interesting things with her.

I’m definitely hoping for a season two.

Broadchurch: The Complete Season Two

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I’ve been a fan of David Tennant since I watched him in Doctor Who. I try to watch him in just about everything he does (but he does a lot of things, so I’m always way behind.) I caught him in the first season of Broadchurch right as it was airing.  I think that was the first time I ever saw Olivia Colman in anything, but I immediately became a fan.

That first season was excellent. It was one of those murders in a small, picturesque British village type things that they’ve done a million times, but the writing was good and the acting was excellent. 

I was worried that season two would do what a lot of these types of stories do when they get a second season and add yet another murder to solve in this same sleepy little village, but it circumvents that problem in interesting ways. 

I never did get around to watching Season Three, but reading this old review makes me want to go through the entire thing again.  You can read my review of Season Two here.

Murder in the First: The Complete First Season

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I used to write a lot more TV reviews. For a while, back when this blog was still young, I’d actually do what they now call recaps of different shows (running down the plots of single episodes and discussing their good and bad points.) Sometimes I wish I’d stuck with that, as it later became something you could actually make a living at. But it was a lot of work, and I stopped.  But even after that, I did a lot of seasonal reviews when the DVDs came out.

I don’t do that anymore, but I keep thinking about it. In my continuing effort to write about all the arts I consume (and I really hate that word – consume – but it is hard to find a better one that fits all the arts), I may try and do more TV talking.

I hate to sound like a broken record as I’m posting all these old reviews, but I don’t remember this show at all. It sounds like it had a lot of potential but wound up being just another dumb cop show.  You can read my review of it here.

Ripper Street: Season Three

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There is just too much TV to watch these days. I can’t keep up. I can’t even remember what I’m keeping up with. Ripper Street periodically pops up as a recommendation to me in my streaming feeds. Sometimes I think I ought to watch it. Apparently, I already have. At least the third season. Reading my review, I have the vaguest recollection of watching it. At least some of those plot points sound familiar. I don’t know if that means I should go back and watch the entire thing, or if I should just give up on it entirely. but I did like that third season, so that’s something.

Shakespeare & Hathaway: Private Investigators: Season Five

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We’re big fans of cozy British mysteries in my house. We watched a couple of episodes of the first season of Shakespeare and Hathaway a while back. It was charming, but we got distracted and didn’t return to it. 

There was a bit of a thing that happened over at Cinema Sentries, and the person who was supposed to watch this DVD set of Season Five was unable to, so I decided I’d pitch in and help out. 

There was no need to prep myself on all the episodes I missed; this isn’t that kind of series. It is about a couple of detectives who like to dress up and solve murders. It is very light and very silly and you can read my full review here.

The Night Manager: Season One

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The Night Manager is a rather slow but still thrilling spy series starring Tom Hiddleston, Hugh Laurie, and Olivia Colman. It also introduced me to the wonderful Elizabeth Debicki. Weirdly, some ten years after the first season, a second one has dropped. I haven’t seen it but I quite liked the first one. I’m thinking I need to rewatch it before diving into the second one. You can read my review of Season One over at Cinema Sentries.

Little Murders by Agatha Christie

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There have been a million adaptations of Agatha Christie stories. This French television did something original with it. They essentially removed Christie’s detectives (Poirot, Miss Marple, etc.) and inserted two original characters while keeping the plots. 

I reviewed this back in 2016 and haven’t watched it since, but I’m thinking it is time for a rewatch.  You can read my full review here.

Happy Twin Peaks Day

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My wife and I were latecomers to Twin Peaks. I never watched it when it first ran. We picked it up sometime just after we first married, but we didn’t finish even the first season. But just about a year ago we watched it from beginning to end (you can read more about my thoughts here).

Most of the series revolves around the murder of Laura Palmer (Sheryl Lee) and the authorities attempt to catch her killer. The pilot episode begins on February 24. We know this because Agent Cooper (Kyle MacLachlan) rolls into town and announces the date into a small recording device.  This has become something of a meme for fans (as you can see in the image above), and so today has become Twin Peaks Day.

We decided to start a rewatch today. Watching that pilot episode now, which pretty much introduces us to all the various characters that fill Twin Peaks, knowing what is to come. Knowing who the murderer is. Knowing the absolute horror Laura Palmer will be subjected to really makes the pilot hit so much harder.

It is a great introduction to this series. It is  funny and weird, heartbreaking and thrilling in equal measure.  I can’t wait to catch all the details I missed the first time around.