He Walked By Night (1948)

he walked by night

Every Noirvember I spend some time searching for film noirs that I’ve never seen. Last year I saw several lists including He Walked By Night as one of the great film noirs of all time. I had this vague notion that I’d seen it before but upon checking my Letterboxd feed I saw that I had never logged it. My Letterboxd feed is sacrosanct (except when it isn’t) and so I knew I had never watched it before.

But that nagging feeling that I had seen it kept me from putting it on that Noirvember. I got a chance to review the Blu-ray for Cinema Sentries and I figured it didn’t matter if I’d seen it before or not, it is considered a classic and therefore it would be good to have it in my collection.

I put the movie on thinking I’d definitely not seen it before. There was one scene in which a robber comes through a backdoor and is lit in a really interesting way that seemed familiar but I figured there were lots of scenes like that, probably, and I definitely hadn’t seen this one.

Then there was a scene where the cops are asking witnesses what the criminal looks like and it is such a fascinating scene that I immediately knew I’d seen it before.

Sometimes I forget to log things in my Letterboxd is what I’m saying.

Now that my pointless story is over you can read my actual review here.

Run Silent, Run Deep (1958)

run silent run deep

I love me a good submarine movie and this is the film that essentially created all of the usual tropes of the genre. It isn’t the best that was ever made, but it isn’t far from it either. Anytime you’ve got Burt Lancaster and Clark Gable in a picture you know you’re gonna get something interesting. Anyway, here’s my full review over at Cinema Sentries.

Film Noir: The Dark Side of Cinema XVI

dark side of cinema

Kino Lorber, the boutique Blu-ray label has been releasing these sets of three relatively obscure film noirs for a few years now. I’ve reviewed quite a few of them, and while not every film is a classic, or even that good, I always enjoy watching them.

You can read my full review of this set over at Cinema Sentries. 

Listen to J Mascis Sing The Breeder’s “Divine Hammer”

Snarkily now called “Divine Mascis” from the 30th-anniversary edition of Last Splash.

The 1990s were a great time for music. I freakin’ loved Dinosaur Jr. back in the day. Didn’t love The Breeders as much but I dug this song and a few others. 

I heard this on this college radio station earlier this morning. Immediately recognized J. Mascis’s voice. Took me a minute to figure out what the song was, but I was then immediately taken to my happy place. 

The First Movie of 2024: Miller’s Crossing (1990)

millers crossing

I always make a big deal out of the first film I watch in a given year. I guess I feel like it sets the theme for the year or some such thing. Or maybe I just like stats and the first anything of the year seems randomly important.

As I noted in previous posts we were supposed to be in Kentucky today, the first day of 2024. But Covid kept us home. That and a million other things kept me from really thinking about what movie I’d watch today. In fact, I spent most of the day not watching movies at all, but binge-watching the excellent Amazon series Fleabag.

But as night came I knew I needed to watch a movie and my mind completely randomly thought of Miller’s Crossing, the 1990 gangster film from the Coen Brothers.

I love the Coen Brothers. I have ever since I first watched Fargo in 2006. That movie blew me away. It was so quirky, and funny, and violent. I had previously watched Raising Arizona, but at the time it didn’t make much sense to me. I now consider it one of the funniest movies of all time.

After Fargo I started seeking out Coen Brothers movies. I think I first watched Barton Fink (didn’t get it at first but now consider it a classic). Then I watched Miller’s Crossing and absolutely loved it.

That movie single-handedly turned me on to the writings of Dashiell Hammett and Raymond Chandler and made me a fan of film noir. I owe it a lot.

I hadn’t seen it in years so this viewing was somewhat fresh. It is still absolutely perfect.

It is loosely based on Hammett’s novels Red Harvest and The Glass Key, but with plenty of Coen Brothers spin. Gabriel Byrne plays Tom Reagan the right-hand man to mob boss Leo O’Bannon (Albert Finney) who gets into a war with up-and-coming gangster Johnny Caspar (Jon Polito). There are lots of twists and turns making the plot a bit confusing on first viewing, but it is full of wonderful dialogue and that Coen Brothers humor. It looks great, the acting is great, and the music by Carter Burwell is beautiful. It remains one of my all-time favorite films.

I think that makes a good start to 2024.

The Movie Journal: 2023

decision to leave

I watched 53 movies in December. Thirty of them were made before I was born. I had seen fifteen of them at least once before. The theme for December was movies made in 2023 as I wanted to make a best-of list before the year was over. I watched 14 movies from that year, most of which were watched in the first couple of weeks. After that, I got bored and started watching old movies again.

Since it is now 2024 and we’ve seen the end of 2023 this will serve not only as a journal of December but for the entire year.

I watched 529 movies in 2023 which blows last year’s record of 452 movies out of the water. I really thought that after Covid settled down and I was getting out of the house more my movie watching would slow down, but in fact, it continues to increase.

I’ve really gotten my movie-watching down to a science. It has become an obsession. Every spare moment I slip upstairs and put on a movie. Maybe I should get a life. Until then, here are some more stats.

I averaged watching 44 movies per month, 10 per week. My most watched genres were Thrillers, Dramas, Horror, Crime and Mysteries. I mostly watched movies in English, but I did watch some movies in other languages, including 39 films from Italy, 36 from France, 20 from Hong Kong and 16 from Japan.

445 of the 529 movies I watched were new to me.

favorite actors

In the most watched actors category, Cary Grant snuck in this month to tie Ku Feng in first place with eleven films watched. The wife and I decided to make it a Merry Cary (Grant) Christmas this year and watched a bunch of his films over the last couple of weeks.

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There wasn’t a lot of change in the directors category. I will admit I watched a Hitchcock film last night (The Lady Vanishes) because I knew it would push him into the lead for the year.

I continued my tradition of watching horror movies at the start of the weekend and writing about them in my Friday Night Horror Movie column. When I didn’t forget, I wrote a weekly column about the upcoming Blu-ray releases entitled My Pick of the Week. I once again wrote reviews for Noirvember, Foreign Film February, and 31 Days of Horror. But I also created new themes this year including Great British Cinema in September, The Awesome 80s in April, and Westerns in March. I really enjoyed doing those theme months so you can look forward to more themes in 2024.

Overall it was a very good year for me and the cinema. I watched a lot of great movies. Some of my favorite first-watches were The Story of Temple Drake (1933), Past Lives (2023), Oppenheimer (2023), Brighton Rock (1948), Man on the Run (1949), Night and the City (1950), Cottage to Let (1941), The Warriors (1979), Red River (1948), Hotel Du Nord (1938), Nostalgia (1983), Decision to Leave (2022), and many more.

You can see all the films I watched by looking at my film diary on Letterboxd.

I know movies aren’t the thing anyone comes to this site for. But I enjoy writing about them and I hope a few of you enjoy reading about them.

As always I will continue posting music too.

The Midnight Cafe’s Best Movies of 2023

oppenheimer still

I’ve been watching movies in theaters for as long as I can remember. One of my earliest memories is of watching The Return of the Jedi in my small-town cinema. Growing up my parents often took me to the movies, and I was always happy to go (even when I was completely embarrassed by being with them as I became a teenager). 

We were early adapters to VHS. I got a DVD player before nearly anyone I knew. I love streaming movies. I watch more movies now because of streaming than I ever have before.

But there was always something magical about going to the movies. The big screen, the big buckets of popcorn. Drinking so much soda you thought you were going to burst before the credits rolled. Sitting in a dark theater with some story shimmering in light in front of you was immersive and special.

In college, and for years after, I went to the movies every weekend. I saw every movie that looked even remotely interesting, and when I had seen those I watched movies that weren’t interesting to me. Even then I couldn’t see every movie. I’ve almost always lived in small towns or smallish cities. They don’t get all the arthouse and foreign language films that wind up on critics’ lists at the end of the year. 

But I always liked watching the Oscars. I always enjoyed the spectacle – all those rich famous people gathering to congratulate themselves. I always enjoyed hearing about great movies that I’d never heard of before, or that I hadn’t had the chance to see.

I don’t get to the movies nearly as often as I used to – almost never in fact. Over the last several years I’ve become a classic movie nerd. In my monthly movie-watching wrap-ups I always mention how many movies I watched that were made before I was born. Usually, it is the majority of them.

I still watch the Oscars, I still enjoy the spectacle, but rarely have I seen more than one of the nominees. I just don’t watch new movies when they come out.

Well, this year was different (sort of). I watched a couple of movies in the theater (Barbie, and Killers of the Flower Moon) and a few more when they came out on digital services, and then I intentionally set out to watch as many movies from 2023 as I could in December (to tell the truth I started out strongly and after a couple of weeks I returned to my classic movie schedule).

As such I’ve seen 31 movies from 2023. That’s not really a lot, and certainly not enough to create a definitive Best Of list, but darn if I’m not making one anyway. Or let’s just say this is a list of movies that came out this year that I thought were really good.

the killer movie poster

10. The Killer

Michael Fassbender stars in this David Fincher directed thriller as a hired assassin who isn’t quite as skilled as he thinks he is. When a job gets botched things spiral out of control. Fincher employs his usual meticulously detailed style to what is essentially a trashy genre picture and we’re all the better for it.

09. Anatomy of a Fall

A man falls from his second-story window and dies. Wounds indicate he may have hit on the head and pushed first. Suspicions fall on his wife, Sandra Voyter (Sandra Hüller). The only witness is their legally blind son (Milo Machado-Graner). Part mystery, part courtroom drama Anatomy of a Fall doesn’t give us any definitive answers but lets the questions hang.

The cast is absolutely brilliant from top to bottom and Justine Triet’s direction while not flashy, is wonderful.

08. Asteroid City

Possibly the most Wes Anderson-y movie Wes Anderson has ever made. It is also, perhaps, his most difficult-to-understand film. It is actually a film within a film within a play. Or something like that. Honestly, it has been months since I’ve seen it and the details have all left my memory banks, but it does have a nesting doll structure with a lot of layers.

The production design is amazing, as per usual with Anderson, and it is crammed full of excellent actors doing excellent work (again as per usual). I really need to watch it again, but on first viewing I found it to be quite excellent.

07. You Hurt My Feelings

Julia Louise-Dreyfuss stars as a writer who accidentally overhears her husband (Tobias Menzies) discussing her latest book. He doesn’t like it and as the title indicates this hurts her feelings. Nicole Holofcener wrote and directed this lovely little dramedy that gets all the details of a relationship exactly perfect. The stakes are low but still meaningful. The comedy isn’t uproariously but it is clever and real.

across the spiderverse

06. Spider-Man: Across the Spider-Verse

Spider-Man: Into the Spider-Verse was such a breath of fresh superhero air when it came out in 2018. It was so original, so creative…so colorful. It felt like it was reinventing a genre that had grown stale.

Five years later that genre has started to grow moldy. Across the Spider-Verse doesn’t feel quite as new as Into the Spider-Verse, it is basically doing what it did, only more so. But it still feels so vibrant and refreshing as compared to all the other superhero movies and television shows that I hope they continue to make these for many more years.

05. Barbie

My wife has become a doll collector. She sews clothes for them and creates little stories. She’s quite good at it too. You can view them on her Instagram account. She buys all sorts of dolls, but Barbies are her favorite. She now has quite a collection of them.

We were destined to see the Barbie movie even if it wasn’t any good, but it turned out to be brilliant. It is very funny, there are lots of wonderful gags about how Barbie dolls would navigate the real world, but it is also quite clever and astute. It isn’t too deep, some folks have called it a Feminism 101 movie and that seems correct, and it sometimes got a bit too preachy for my tastes, but for a film based on a kid’s toy it’s pretty darn good.

04. Mission Impossible: Dead Reckoning, Part I

Seven films in and this series hasn’t let up. The plot in this one is more spy-centric than the series has been in ages, but the plot isn’t the thing we watch these films for. That would be the stunts and while they aren’t quite as mind-blowing as they have been in previous installments, they are pretty spectacular. 

Special mention goes to Hayley Atwell who is marvelous.

killers of the flower moon poster

03. Killers of the Flower Moon

I had been looking forward to this film from the moment Martin Scorsese was attached to it in 2017. I immediately read the book and was astonished this was a story I’d never heard of before, considering it happened not very far from where I lived.

It is the story of the Osage Indian Nation and how after being kicked around across the United States they were eventually forced onto a barren, desolate chunk of Oklahoma that was wanted by no one.

Then they discovered oil on the land. Amazingly, the Osage were able to keep the land and make huge amounts of money from the oil. For a time they were the richest people on Earth. Naturally, white people almost immediately began finding ways to cheat them out of it, even going so far as to murder a bunch of them.

Scorsese’s film is rich and long, beautiful and dark, and gives the audience a whole lot to think about. I very much want to watch it again, and again as I wasn’t able to take it all in the first time.

02. Past Lives

Past Lives is a film about choices and regret, about love and life and destiny. Greta Lee and Teo Yoo star as childhood sweethearts whose lives changed when her parents moved her from South Korea to Canada. Years later they reconnect via the Internet. But when things start to get serious she cuts the relationship short, wanting to forge her own life with her own career rather than running back to her homeland for him.

More years later she’s got her career, a husband, and a life. When he comes to the US to visit her all those questions of what might have been surface. Celine Yong, in her directorial debut, has created a film so filled with heart and beauty that I cannot wait to see what she does next. Both Greta Lee and Teo Yoo are magnificent.

oppenheimer

01. Oppenheimer

Going to the movies was a magical experience for me growing up. For a very long time, I adored that experience. But if I’m behind honest I don’t really miss it. When I do go to the movies now I’m usually disappointed. It is so expensive I feel like I have to dig into my savings in order for me and my family to go. The screens seem smaller than they used to, and the projectionists are lousy at their jobs. (if that even is a vocation anymore instead of just some teenager who punches a button on a computer screen). Nearly every time I’ve seen a movie in the theater over the last ten years there has been some problem, either the image is poorly framed, or the sound is off.

People are constantly talking or looking at their phones. Most theaters now have reclining seats that are more comfortable than the old fold-out variety but as they age they get worse. The last theater seat I saw in learned to the left uncomfortably, and they all screech and squeal as if in agony when you try to recline them.

I’m perfectly happy these days watching movies at home. 

I really wish I’d seen Oppenheimer in the theaters. It is so big, so bold, so designed to be seen on the biggest screen possible I feel I missed something while watching it at home.

And still, it is my favorite movie of the year. Christoper Nolan’s biopic of the man who invented the atomic bomb is a stunning technical achievement, but it is also a fascinating dive into a complicated story. Nolan uses all his visual tricks to make the story huge, bombastic, and exciting. But it is the human story that is the most interesting.

Cillian Murphy is brilliant as Oppenheimer. I’m not sure that the film, or Nolan, or Murphy himself even like the guy. The film takes pains to show that he often isn’t the smartest guy in the room, but he was a very good organizer. He was able to get all the smartest guys and get them working toward the same goal.

There is a whole lot going on in the film, only a small part of which is whether or not they should have actually obtained that goal. That’s a bigger question than I have time for here, and the film deals with much more than I’m prepared to write about now. But I truly loved the movie and I’m happy to make it my number one film of the year.

And there you have it. My first foray into doing a Top 10 list of movies in a given year. Turns out it is rather difficult to write a couple of paragraphs on your favorite movies, but I hope I at least piqued your interest in a few films.

What were your favorite movies of 2023?

Comments

Is anyone having difficulty leaving a comment? I’m having trouble leaving comments and it is my bloody site. When I go to my site and try to leave a comment I can type it out, but when I go to hit reply the button turns a light shade and then does nothing.

To actually leave a comment I have to either log into my control panel, or I can bring up a private browser, write my comment where it will then ask me to log in and then I post the comment.

I don’t know if I’ve just got some wonky settings on my browser or if this is happening to other people.

I guess if you can’t leave a comment send me an e-mail: brewcritic@gmail.com.

If people are having trouble then I’d like to figure out why and fix it.

Backdraft (1991)

backdraft blu

Sometimes I’ll watch a movie that I had seen years ago, when I was a teenager or in college, or whatever. Sometimes it is a movie that I didn’t like that much but I want to revisit to see if my feelings have changed. Sometimes they do, and I’m glad I watched it again. Sometimes they don’t and I realize my feelings were right all along.

Backdraft falls into the latter category. I didn’t like it when it came out, and I don’t like it now. It does, however, have some spectacular effects, and ones that are not CGI which makes it even better.

You can read my full review here.

White Lightning (1973) & Gator (1976)

burt reynolds blurays

Burt Reynolds was one of those actors whose name I knew growing up because he was a huge star, a household name you might say. But I never saw very many of his films. I think I actually knew him more from that old gameshow he developed Win, Lose, Or Draw than any of his movies.

I think I first really noticed him in a film while watching Boogie Nights the P.T. Anderson film about the porn industry. He was great in that and it became something of a comeback film for the aging star. But over the last few years, I’ve been catching up with his films from the 1970s and 1980s. What has surprised me is that Reynolds is actually a very good actor. I’d always figured he was just an attractive sex symbol who made silly little action/comedies. I mean he was an attractive actor who made a lot of silly little action/comedies, but he had some chops, too.

Anyway, I watched and reviewed White Lightning and its sequel Gator a few weeks back. They are fun little Southern actioners with more heart than you’d expect. You can read my full reviews by clicking on the links.