Category: Uncategorized

Old Reviews Are New Again

I think I’ve discussed this before, but it bears repeating.

You’ve probably noticed that I’ve been (re)posting a lot of movie reviews lately. A few days ago I decided it was high time I created a master list of my movie reviews. Similar to how I have artists’ pages where you can see all the shows I’ve posted from a particular artist, I thought it would be a good idea to have a page where you can see all the movies I’ve reviewed.

I clicked on the movies category and scrolled down, page after page, until I found my first review. Then I started systematically going through each review and linking to them on my Movie Review Page. As you may recall a great many of my old reviews are still in private mode, which means no one can read them but me.

For those private posts, I’ve been doing some light editing, adding movie posters, and making them public. When I do that many of you receive an email with the post inside as if it were a new post. When in fact, many of these reviews are quite old. Some were written as far back as 2004 – that’s nearly twenty years ago.

I have changed in many ways since then. I’ve matured, my writing has matured, and my understanding of life and art has changed. Truth be told I sometimes cringe at the things I wrote back then. To tell the truth, I often feel like rewriting some of it. But I feel like that would be wrong. I don’t want to rewrite my own history.

I am doing some light editing. I try to fix my spelling and grammar mistakes. Sometimes I’ll rewrite a sentence for clarity – or just delete it altogether if I’m no longer sure exactly what I was trying to say.

But I’m keeping the embarrassing stuff in. Most of it isn’t too bad. It’s like looking at a picture of yourself from two decades ago where you look at that sweater and wonder how you ever thought that it looked good on you. Or you can’t imagine why you ever wore your hair in that style.

But sometimes it is full-on cringe. My early reviews were way too jokey. I often wrote in the way I might talk to my friends about a movie – filled with bad gags and strange asides. As a young man, I seemed to think it was all too funny to admit watching a movie for a little T&A. I’m embarrassed that I wrote about Elizabeth Hurley looking good in a tight silver skirt. But I wrote those words so I’m allowing them to stay.

It isn’t like I wrote racist screeds or went on and on about some attractive actress and got really skeevy about it. But it is embarrassing to read what I did write.

But also there are movies that I watched and reviewed many years ago and have rewatched since and completely changed my mind on. I just read my review of The Harder They Fall which I wrote in 2005. I gave it a somewhat negative review and panned Humphrey Bogart’s performance. I rewatched that movie a few months ago and really liked it. And I found Bogart’s performance to be really good. I don’t know what I was thinking when I wrote the review.

So, when a review pops up in your inbox and you give it a read, please do check the date it was originally published and recognize it might be the words of a younger, much sillier man. And do forgive any lapses in judgement.

Mary Poppins (1964)

mary poppins blu-ray cover

One of the (many, many) joys of being a father is watching some of your favorite movies with your child. We introduced our daughter to classic Walt Disney movies very early in her life and she’s been a fan ever since. One of the (many, many) delightful aspects to this is watching movies I hadn’t seen in a long time, and probably would not have watched were it not for my daughter.

Mary Poppins is a delightful classic and I got to watch and review a special edition Blu-ray of the film a few years ago. You can read it here.

My Week in Movies March 19-25, 2033

butch cassidy and the sundance kid poster

I watched ten movies last week, seven of which were new to me. Two of which were westerns that I will talk about later this week in more depth.

The Wild Bunch (1969): Sam Peckinpah made several westerns before this one, but this is his masterpiece, the culmination of his thoughts on the genre. It is brutally violent, dark, cynical, and pretty fantastic. I’ll have more thoughts on it when I write my full review.

Small Town Crime (2017): A small, twisty, noir-tinged thriller starring John Hawkes as a disgraced, alcoholic former cop who discovers a body on the side of the road. He convinces the girl’s father (Robert Forster) to let him work the case as a private detective. The case gives him a new lease on life to actually do something besides drink himself into an early grave. The plot is pretty standard stuff, but it is done well and Hawkes is great as usual. I’d love to see him in an HBO-type series where he solves crimes every week.

Double Indemnity (1973): A television remake of the classic film noir with Richard Crenna in the Fred MacMurray role, Samantha Eggar taking over the Barbara Stanwyck part, and Lee J. Cobb as Edward G. Robinson. It follows the original script pretty closely (though it does edit parts out to cut down on the total time), but pales in comparison.

But it isn’t as bad as it’s been made out to be. It is a perfectly serviceable TV movie. If the original didn’t exist this would be, well it would be completely forgotten as it isn’t good enough to really be remembered, but if you picked it up in the $2 DVD bin you wouldn’t think it was a waste of your money.

But since the original does exist there is no real reason to watch it other than to make you realize how perfect the original is in every way. I watched it because it came as an extra on my Blu-ray of the original and I was curious about it.

Butch Cassidy and the Sundance Kid (1969): One of my favorite westerns. It feels like the opposite side of the same coin The Wild Bunch comes from. This is a lot more fun to watch and Paul Newman and Robert Redford have never been more charming.

The Lodger: A Story of the London Fog (1927): Alfred Hitchcock’s first big hit and his first truly Hitchcockian film has been a gaping hole in my cinematic knowledge for far too long. I remedied this week and I can’t really fathom why it took me so long.

The plot follows a London family after they have taken in a mysterious lodger who might just be a Jack the Ripper-style killer. It is full of creeping dread and suspense while utilizing what would become many of the director’s trademark styles. Even without sound, he proves himself a master of camera placement and movement, and editing.

Barbarian (2022): A pretty terrific little horror film that I talked about in my Friday Night Horror piece.

Sabotage (1939): The Lodger got me into the mood for another early Hitchcock film. I’d seen this one before but it is so worth watching again. It is about a man who is enlisted by foreign agents to commit acts of sabotage in London. It follows his wife and a young police detective as they try to determine whether or not that’s actually true.

Strangely, this one doesn’t seem all that beloved by Hitchcock fans and classic movie nerds, but I love it. It is full of that classic Hitchcock suspense and it makes great use of its setting (the family runs an old movie theater.)

Excalibur (1981): I have this distinct little memory of my mother renting this movie when I was a kid. I was very excited to watch it because it had knights in shining armor and wizards and it looked really cool. But Mom watched it before me and decided that the nudity, sex, and violence were not appropriate for little old me. I was so disappointed.

That memory has stayed with me, but I somehow only got around to watching the film now. What a strange, long, freaky movie it is. The plot is a retelling of the King Arthur myth. It looks great, the set design is wondrous and the lighting and camera placement are all really interesting. But the story just plods along and the action is clumsy at best.

John Boorman directed it. He made Zardoz a few years earlier. It is just as weird and stylish but it‘s actually good.

Gold Diggers of 1933 (1933): Joan Blondell and Dick Powell star in this wonderful little musical with choreography from Busby Berkeley. The film opens with Blondell, Ginger Rogers and a host of chorus girls decked out in dresses made of gold coins singing “We’re in the Money” and it just gets better from there.

Every Secret Thing (2014): Two very young girls are convicted of kidnapping and then murdering a baby. Years later, just after they are released from juvenile correction another little girl goes missing. The story moves from the first crime to the next connecting how what we did in our past influences who we are and what we can do in our present and future.

Did you all watch anything interesting this week?

The Birthday Haul

blurays and comic books

As I mentioned in today’s bootleg post it is my birthday. Birthdays aren’t a big deal to me, so we didn’t do anything too exciting. We had plans to see Bill Frisell in a little club, which would have been awesome, but the budget has been tight of late, so that wasn’t in the works.

Instead, the wife bought me a few gifts and it was a lovely day and we went to the park. The daffodils were blooming and they were wonderful.

Thanks to everyone who wished me a happy day, it was a good one.

Westerns in March Stars: in My Crown (1950)

stars in my crown poster

Jacques Tourneur directed one of the great Film Noirs Out of the Past (1947), and one of the eeriest horror movies of all time, Cat People (1942). I’ve seen a few of his other films and they are all good, so I was excited to see what he could do with a western. Stars in My Crown isn’t bad, but it’s not all that great either. It is a slice-of-life film that’s a bit too sentimental and feels like it borrows a little too heavily from To Kill a Mockingbird. Though that can’t be true as it came out years before that book was written. In fact, Harper Lee has noted that she was partially inspired to write her famous novel after watching this film. But she did it much, much better.

Joel McCrea stars as Josiah Doziah Gray who shows up in the little town of Walesburg just after the Civil War, walks into a saloon, announces he’s the new preacher, and starts his first sermon. When the saloon customers laugh at him, he pulls out his pistol and makes them listen.

Soon enough he becomes well-loved in the community. The film watches him as he gets married, has a child, and enjoys inviting the local atheist to church.

The town doctor dies just as his son (James Mitchell) comes back to town, having just graduated from medical school. He has none of his father’s bedside manner and feels people ought to just do what he says because he’s got the schooling to know what he’s talking about.

When typhoid breakout the preacher inadvertently passes it on to the schoolchildren and gets yelled at by the Doctor for not taking precautions (I’ll leave you to ponder how very familiar that sounds).

Later a free slave (Juano Hernandez) is harassed by some miners who are also Klansmen. This is where the film feels like a half-baked Mockingbird but it is much more sentimental than that story.

McCrea is enjoyable, in fact, everyone is good. The story is fine and the direction alright. It’s like an episode of Little House on the Prarie or some such thing. Fine enough to watch, but nothing particularly special.

Final Destination (2000)

final destination poster

A group of American high school kids boards a plane headed for Paris for a few weeks. One of them, Alex Browning (Devon Sawa) falls asleep before the plane takes off and has a vision of the plane exploding mid-air. He awakens with a fright and freaks the heck out. One of his classmates, Carter (Kerry Smith) aggressively tells Alex to chill out and a fight ensues. In the aftermath Alex, Carter, and a few others including Clear Rivers (Ali Larter), Billy Hitchcock (Sean William Scott), and their teacher Mrs. Lewton (Kristen Cloke) are all kicked off the plane.

Sure enough, moments later the plane takes off and then explodes killing everyone on board. Since Alex told everyone the plane was going to explode before it did, the FBI thinks he must have been involved. Everyone at his high school just thinks he’s a freak. Only Clear Rivers believes him.

Soon enough some of the others who survived the explosion begin to die under mysterious circumstances. A visit to the morgue and a chat with Tony Todd reveal that when you cheat death, death comes at you. Surmising that the kids are now dying in the order they would have died on the plane (by using the seating plan and extrapolating where the explosion occurred) Alex figures out who will be next and tries to save them.

He’s not very good at it.

I knew this movie was gonna be dumb, but I had no idea what dumb depths it would dumb down to. I don’t usually nitpick movies over little details. I don’t mind small plot holes. But I was shaking my head over this one within the first few minutes.

The whole point of these movies (and there are a lot of them) is to create larger and more complex methods for the kids to be killed – call them Rube Goldbert deathtraps. I’ve not seen any of the sequels, but apparently, they get really ridiculous. Here they are pretty fun, but not particularly impressive. The last one goes over the top in a way I won’t spoil, but that I found really enjoyable to watch.

I don’t know why I’ve never seen this film until now. I was totally on board with the post Scream cycle of self-aware horror films and this came out at a time when I watched just about every movie that came to my local cineplex, but I must have missed this one. I’m glad I was able to catch up with it now, and I’ll probably eventually get to the sequels, but I can’t say I’ll be in a hurry to do so.

Last Weekends Pickups

photo of some books and dvds

We hit up a couple of second-hand shops last weekend and I got some good stuff.

The Retaliators was actually something that arrived randomly in my mailbox. Normally the review material I get for Cinema Sentries comes by request, but every now and again PR people will just send me random stuff in hopes I’ll cover it. I did write a review of this one and you can read it here.

Batman is probably my favorite comic book character (although I might also say that of the X-men). I’ve read more of his comics than any other line. Knightfall introduces Bane as an enemy and he immediately makes things interesting by opening Arkham Asylum up, releasing most of Batman’s Rogues Gallery onto the city. I’m about 1/3rd of the way through the book right now and so far I’m loving it.

Sometime in the late 1990s the American Film Institute released its top 100 list of the best American movies ever made. They did a big television show about it with lots of cool talking heads discussing why those movies were chosen.

I was in college at the time and just becoming a true cinephile so that show was like catnip to me. It introduced me to all sorts of films I’d never heard of. I printed out the list and began seeking out as many of those films as I could find and watching them.

Yankee Doodle Dandy came in at number 100 and it is one of the few films from that list that I still haven’t seen. I found it on sale for $1 and figured it would make a good blind buy.

Sports Night was the first TV series created and run by Aaron Sorkin. It isn’t as good as The West Wing but it has a lot of that show’s DNA in it. There is lots of great, sparkling dialogue and the actors are just wonderful. I’m not a sports guy but I still like this.

I think I’ve mentioned my love of Maigret, the great detective created by Georges Simenon before. Every time I go to a used bookstore I always look for more books from him. This time I found two.

What have you picked up lately?