Miles Davis – New York, NY (06/17/70)

Miles Davis Sextet
June 17, 1970
Fillmore East
New York, NY, USA

Soundboard recording, 54:51

Lineage: SBD > MR > DAT @ 48 kHz >.wav via S/PDIF and M-Audio Audiophile 2496 digital soundcard >SoundForge 6.0 > CD Wave > flac(8), SBE OK)

1 Directions (10:40)
2 The Mask (11:02)
3 (9:38)
4 (15:21)
5 (7:16)
6 The Theme (0:51)

1 Directions (10:36)
2 The Mask (11:01)
3 It’s About That Time (10:43)
4 Bitches Brew/The Theme (14:10)

Miles Davis – San Francisco, CA (04/10/70)

Miles Davis Studio Sextet
April 10, 1970
Fillmore West Auditorium
San Francisco, CA, USA

Soundbaord recording, 79:19

Miles Davis (tp); Steve Grossman (ss); Chick Corea (el-p); Dave Holland (b, el-b); Jack DeJohnette (d); Airto Moreira (perc)

1 Directions (10:46)
2 Miles Runs The Voodoo Down (12:22)
3 Willie Nelson (6:22)
4 I Fall In Love Too Easily (1:34)
5 Sanctuary (4:00)
6 It’s About That Time (9:59)
7 Bitches Brew (12:52)
8 Masqualero (9:07)
9 Spanish Key > The Theme (12:13)

Miles Davis – San Francisco, CA (04/09/70)

MILES DAVIS SEXTET
April 9, 1970
Fillmore West Auditorium
San Francisco, CA

Miles Davis – trumpet
Chick Corea – electric and acoustic piano
Steve Grossman – soprano saxophone
Dave Holland – electric and acoustic bass
Jack DeJohnette – drums
Airto Moreira – percussion

1 Directions (J. Zawinul) – 6:41
2 Miles Runs the Voodoo Down (M. Davis) – 9:21
3 This (C. Corea) – 5:46
4 It’s About That Time (M. Davis) – 11:41
5 I Fall in Love Too Easily (S. Cahn-J. Styne) – 2:13
6 Sanctuary (W. Shorter-M. Davis) – 3:22
7 Spanish Key (M. Davis) – 13:22
8 Bitches Brew (M. Davis) – 13:34
9 The Theme (M. Davis) – 0:17

Miles Davis – San Francisco, CA (10/15/70)

Miles Davis Septet
October 15, 1970
Fillmore West Auditorium, San Francisco CA
KPFA-FM radio broadcast

Miles Davis (tpt)
Gary Bartz (ss, as)
Keith Jarrett (el-p, org)
Michael Henderson (el-b)
Jack DeJohnette (d)
Airto Moreira (perc)
Jumma Santos Jim Riley

01-honky tonk
02-what i say (incl. radio broadcast voiceover announcement)
03-sanctuary
04-yesternow
05-bitches brew
06-funky tonk-the theme

total time: 63:49 mns

Notes:

  • This is not taken from the Fillmore Tree. The Fillmore Tree version is about 25 mns. This here is almost the complete show, only “Directions”, the set-opener is missing: total time is about 64 mns. This FM source sounds great.
  • According to P.Losin: “The Davis Septet opened for Leon Russell and Sea Train for four nights at the Fillmore West, October 15-18 (Thursday-Sunday). Columbia probably recorded these shows, and the Fillmore certainly did. None of the recordings of this show that I have heard includes “Directions,” the standard set-opener…”

Lineage:
soundboard > KPFA-FM radio broadcast > ? > CD > EAC (secure mode) > Cubase SX2 (minor re-tracking, no sound processing applied) > flac 1.1.2 [-8, -V, sector aligned]

Derek & The Dominos – Cincinnati, OH (11/26/70)

Derek & The Dominos
Music Hall, Cincinnati, Ohio
November 26, 1970

Disc 1
Band Introductions
Got To Get Better In A Little While
Roll It Over
Blues Power
Stormy Monday

Disc 2
Why Does Love Got To Be So Sad
Little Queenie/Sweet Little Rock And Roller
Tell The Truth
Let It Rain
Everyday I Have The Blues (with BB King)

Derek & The Dominos – Santa Monica, CA (11/20/70)

Derek and the Dominos
“Stormy Monday”
Civic Auditorium
Santa Monica, California
November 20, 1970

Paddington Records – PADD 040/041/042

Disc 1:

  1. Got to Get Better in a Little While
  2. Key to the Highway
  3. Why Does Love Got to Be So Sad
  4. Blues Power
  5. Have You Ever Loved a Woman
  6. Tell the Truth
  7. All Night Long – Derek’s Boogie
  8. Let it Rain

Disc 2:

  1. Tuning
  2. Got to Get Better in a Little While
  3. Key to the Highway
  4. Why Does Love Got to Be So Sad

Disc 3:

  1. Tuning
  2. Blues Power
  3. Stormy Monday
  4. Tell the Truth
  5. Let it Rain
  6. Every Day I Have the Blues

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guests:

Delaney Bramlett on all songs, except “Everyday I have the blues”
Toe Fat on “Everyday I have the blues”

Derek & The Dominos – Berkeley, CA (11/19/70)

Derek and the Dominos
with Neal Schon
Berkeley Community Theater
Berkeley, CA
November 19, 1970

Disc 1:

  1. Chuck Berry Medley (Little Queenie)
  2. Got To Get Better In A Little While
  3. Key To The Highway
  4. Why Does Love Got To Be So Sad
  5. Tell The Truth

Disc 2:
Mean Old World

  1. Little Wing
  2. Blues Power
  3. Have You Ever Loved A Woman
  4. Let It Rain

The Band:
Eric Clapton guitar, vocals
Carl Radle bass
Jim Gordon drums
Bobby Whitlock keyboards, vocals
Neal Schon guitar

Derek & The Dominos – Berkeley, CA (11/18/70)

Derek and the Dominos
“EC Shuffle Blues”
Community Theatre
Berkeley, California
November 18, 1970

Buffalo Stomp (!) – BS-002-1DD – Aud 3 (Scale 1-6)

Track List:
1) Got to Get Better In a Little While
2) Blues Power / Have You Ever Loved a Woman?
3) Tell the Truth
4) Presence of the Lord
5) Why Does Love Got to Be So Sad?
6) Everyday I Have the Blues
7) Little Queenie / Sweet Little Rock and Roller (*)

Band Lineup:
Eric Clapton Guitar, Vocals
Carl Radle Bass
Jim Gordon Drums
Bobby Whitlock Keyboards, Vocals

Special Guest: (a 16-year-old) Neal Schon

(*) Bonus Track recorded at the Community Theatre, Berkeley, California, on November 19, 1970 (following evening).

(!) “Buffalo Stomp” is the ROIO label name, this should not be confused with the Clapton ROIO of the same name (Silver Horse – SH 8201 A/B)

Geetarz Comments:

Derek and the Dominos played two consecutive nights at the Community Theatre in Berkeley, California, and this recording represents the first of those two nights.

Sitting in with the band that night was a 16 year old Neal Schon. In a 1995 “Off the Record” (Westwood One) interview, this was Schon’s recollection:

“You know, I had been doing a lot of playing in San Francisco … I had lived in the Bay area … I didn’t have a driver’s license … so a good friend of mine, Jackie, that ended up working for Journey later, would come and pick me up on weekends and I’d go play on Broadway … I’d play at [Mike Bloomfield’s] club,and it became this thing, there was like, this ‘buzz’ in the city, about this kid [Schon].

I was in the studio with the Santana band, and we were just jamming, you know, getting high and jamming, and staying up until the wee hours of the morning, and just trying to create some music, and Eric Clapton walked in. You know, Eric Clapton at that time, was like, and before that time, had been like a god to me, a guitar hero, and he walked in and I didn’t even say ‘hello’, I was like so scared he was in the room … and we played all night, and without even saying goodbye to or anything to him he walked out, and I was just still like …in shock.

So I went home, went to sleep at some ungodly hour, got up at 3 or 4, went back to Wally Heider’s in San Francisco where we were rehearsing, and I had a message there waiting at the front desk, and it was from Clapton, and he was playing at the [Berkeley] Community Theatre there that night, and he invited me to play with him.

So, I didn’t have a car, I didn’t have a license … I can’t remember exactly who drove me there … I forget too many things these days, too many drugs (laughs) … but, she drove me, I remember she drove me over there, and I got there about 5 or 10 minutes before he went on stage, and he said “… I’ll go out
and play about two numbers, and then I’ll call you out on stage as a really good friend of mine, and you can stay up the whole rest of the night and play the whole set with me.

I said “yeah, okay … no problem”, because I knew all his songs, all his guitar solos, from record, note-for-note … I wasn’t scared to do it, because I knew all his material, like the back of my hand, I had studied it for so many years … I went on, and just ripped the place up, and he loved it.

He [Clapton] invited me back to his hotel later that evening, and basically was asking me ‘who do you listen to?’, and I said “well, I listen to YOU” and he said bleep, ‘I don’t believe it’, he didn’t believe it and there was this little acoustic guitar in his room, and I played him note-for-note ‘Live Crossroads’
or something, and he was like “I can’t believe that, you’ve taken it where I left it”.

And that’s still [like] the ultimate compliment for me at this point in my life, coming from any guitarist, and I’ll never forget that, a highlight of my life!”

Overall, this is an exceptional performance, and a worthwhile
listen for those intrepid enough to brave a fair to poor audience
recording. Once again I invoke Geetarz’ Law, which states “The best
performances are usually captured by the worst recordings, and
vicey versa”.

Lineage:

Silver > Mitsui Silver CD-R > LiteOn iHAP 322 > EAC v. 0.99 Prebeta 5
(Secure, Offset Correct) > You !

Pink Floyd – Lund, Sweden (03/20/70)

Pink Floyd
Lund, Sweden
Akademiska Foreningens Stora Sal Lund
20th March 1970

Track listing

Disc 1:
01-Astronomy Domine
02-Tuning
03-Careful With That Axe, Eugene
04-Tuning
05-Cymbaline
06-Tuning
07-A Saucerful Of Secrets

Disc 2:
01-The Embryo
02-Tuning
03-Interstellar Overdrive
04-Tuning
05-Set the Controls For The Heart Of The Sun
06-Tuning
07-The Amazing Pudding (Atom Heart Mother)