Westerns in March: A Reason To Live, A Reason To Die (1972)

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This movie is basically a Western version of The Dirty Dozen with James Coburn playing disgraced Col. Pembroke who surrendered Fort Holman to the Confederate Army without a single shot being fired. We’ll eventually find out why, but as the film begins he’s disgraced and considered a coward.

After he breaks out of Fort Holman, where he is being held as a prisoner of war, he makes his way to another Union Fort and makes a deal with its commander. He’ll take a handful of men and retake the fort, reclaiming his good name. The commander figures if Pembroke actually accomplishes this then he’ll get a promotion and if he doesn’t then good riddance. For his team, Pembroke rescues a group of deserters and cutthroats about to be hanged. This includes Eli (Bud Spencer) who he already knows.

As soon as the men are on their way they begin to grumble and plot to ditch Pembroke and regain their freedom. Pembroke has his own reasons for going back (and it isn’t just to clear his name) but he tells the men there is hidden gold and if they succeed then they will all be rich in Mexico.

The Fort is considered impenatrable (which is all the more reason Pembroke is considered a coward for having surrendered so easily) but naturally our heroes find a way in. Telly Savalas plays the new commander. There is a big battle with lots of explosions. Some of our heroes die, but only the ones you don’t really care for.

It is pretty paint-by-numbers and it really does borrow a lot from The Dirty Dozen. The action is well done and it moves along rather quickly. Coburn is good as is Bud Spencer (whom I only know from that Robert Altman take on Popeye). Savalas sometimes attempts a Southern accent, but mostly feels like he’s playing in some other movie. I read somewhere that he wanted to portray the character as gay (which was still a big no-no in 1972) which may account for his odd mannerisms.

All in all it is a decent film, worth watching if you like westerns or Coburn, but still a bit of an oddity.

The Last of Sheila (1973)

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Rian Johnson listed this film as an influence on Glass Onion, his recent Knives Out sequel for Netflix (which is excellent, I highly recommend it) so I thought I’d give it a watch. Almost immediately the influences come flying right at you from the television screen.

The story involves a group of rich, beautiful, (mostly) young people who have found success in the movie industry. They’ve been invited by their friend Clinton (James Coburn) for a week aboard his yacht where he had prepared some delightfully complicated game.

The game involves revealing select secrets from each person (alcoholic, ex-convict, homosexual, child molester, etc) and will conclude with the revelation of who ran over Clinton’s wife one year prior and didn’t have the decency to stay with her and maybe call for help. Everyone more or less enjoys the game until someone actually dies and then it becomes a very real murder mystery.

Glass Onion is a lot bigger, a lot bolder, and a lot more fun, but The Last of Sheila is rather delightful in its own way. The cast includes James Mason, Ian McShane, Raquel Welch, and Dyan Cannon. It was shot on location in the Mediterranean. It was written by Stephen Sondheim and Anthony Perkins of all people.

Clinton is a movie producer and he has an idea bout making a movie about his dead wife’s life. He wants everyone he’s invited on the boat to help him make it. They, scriptwriters, directors, and actors all, desperately need him and this movie to help their sagging careers. It is full of twists and turns, mysteries and reveals. The cast is clearly having a good time.

It isn’t quite as punchy as I’d like it to be, and the direction by Herbert Ross never excites. He certainly doesn’t make great use of the beautiful setting. It feels very much of its time. One of the big secrets is the character is homosexual which wouldn’t be a big deal now, but in 1973 could be quite detrimental for a celebrity working in Hollywood. That is more scandalous within the film (as is being an alcoholic and a shoplifter) than the revelation that one of them is a child molester which is shrugged off by the characters and the film. But mostly the film is a lot of fun and if you liked Glass Onion I highly recommend it.