The Friday Night Horror Movie: Malignant (2021)

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It is time for both the Friday Night Horror Movie and Murder Mysteries in May. One would think it would not be difficult to find a film that fits both of those descriptions. Murder is horrific after all. But for tonight, I found it nearly impossible. The trouble, I’m realizing is that since mysteries and crime stories are some of my favorite genres, I’ve seen a lot of them. I wanted to watch something I’d never seen before and that proved difficult. I was probably using the wrong search terms.

I eventually landed on Malignant. It was directed by James Wan who has helmed several horror films I’ve enjoyed (namely The Conjuring and Insidious). Even when I’m more ambivalent about his films (namely the Saw franchise) I’m always impressed with his craft as a filmmaker. He definitely knows how to move a camera and create some true cinematic scares.

The basic synopsis of the film – woman begins having visions of terrible murders only to realize they are coming true – has been done many times before, but that type of thing can be effective and with Wan at the helm, I figured it would at least be interesting.

I was wrong. So very, very wrong.

In general, I’d say picking on a film’s plot holes (both real and imagined) is one of the lazier forms of criticism. A film is more than a plot and a great movie can overcome bits in the story that don’t make logical sense. But I also realize that when a film isn’t working for me I tend to get angry at those holes in the plot.

Malignant is a very stupid movie. So much of what happens either doesn’t make sense or is just completely bonkers. But the thing is Malignant is also a film that completely understands how utterly ridiculous it is. Few films from major studios are allowed to have such a ludicrous premise and are given the chance to just completely go for it.

Had I been in a better mood, had I been less tired, or had I been with some friends who enjoyed dumb, stupid, ridiculous horror films I might have allowed myself to just go with it and have a good time. As it is, I could barely make it through.

Saw (2004)

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I knew very little about Saw before I watched it yesterday. It came out during the time I was too busy moving out of my house and preparing to leave for France to pay much attention to upcoming movies. In France, I heard a little buzz on the internet about it being a very captivating and scary thriller. I tried not to pay much more attention than that because there is nothing worse than learning too much about a scary movie before you go see it.

Yesterday, while Amy (who doesn’t like horror movies)was out all day in class, I took my chance and sat down to watch it. Upon first viewing, I thought it was a really top-notch piece of horror (well all except that ending.) First-time director James Wan does an excellent job creating a dark, creepy mood. The set pieces are continually dirty and slimy looking, which is perfect for the setting. The story is intriguing enough to keep you from paying too much attention to the subpar acting and the numerous plot holes. It’s the kind of movie that kept me still for an hour after seeing it and thinking it over. And there lies the problem. After putting some thought into what I had just seen the movie crumbled.

But first, a little more on what is right about the film. The opening sequence is one of the more imaginatively openings I have seen in a long time. The movie opens in a rat hole of a bathroom buried deep in some long deserted public building. The two main characters, Cary Elwes and Leigh Whannel are on opposite sides of the room shackled by the ankles with a short chain connected to rusty pipes. They have no recollection of how they got there, or why. Oh, and there is a dead guy with his head blown off laying in the middle of the floor. I won’t give any other plot details away than this, but the remainder of the film centers on those two characters trying to find a way to get out of the room while playing a vicious game with a mad serial killer.

The design of the killer is also done quite imaginatively. Throughout the movie, we get brief glimpses into several other victims and the games they had to play. The killer’s design and the games he creates are quite frightening and original. Unfortunately, they are also quite implausible. There is no conceivable way that the killer could create his deadly games in the places he does without being noticed and eventually caught. I’m all for suspension of disbelief, but I believe a portion of the horror in this film is meant to be that this kind of sick killer could be quite real. He is not Jason, Freddy, or Mike Myers, but a more realistic psychopath. As such his killings are so complicated as to make them absurd.

There are several similarities to the superior piece of cinema Seven (1995). Both films are set in the seedier areas of a large city. The cinematography is both dark and moody. And both feature a moralistic serial killer who creates inventive and complicated murders. Yet where Seven succeeded in making a classic thriller all the way through, Saw fails about 3/4ths of the way in. The easier part of a horror/thriller is devising an original killer. Where the plot gets difficult is finding a resolution of why he is killing and how he is caught. Saw tries to be original by first giving the viewer a cliche fake ending, only to give a real surprise ending later. I wasn’t amused.

In order to fill out the plot and, I suppose, take up some time. The filmmakers create some characters that have no use. Danny Glover’s subplot adds to the ‘whodunnit’ aspects to a movie that doesn’t need to be a ‘whodunnit.’ Detective mysteries, cop shows, and murder plots create tension by giving various clues to who the villain could be. In a horror/thrill such as Saw, there is no need for the audience to figure out who it could be. We only need to be thrilled by the murderer and grasp with the victims for escape.

You never expect the acting to be brilliant in a small-budget horror film, and this film won’t surprise you in that area. Cary Elwes was a surpise to see in such a film. Though I know he has done similar fare I will always remember him for his role in The Princess Bride (1987). He doesn’t add much to the film in acting. He is also almost too pretty for the role. It seems as if the filmmakers recognized this because as the movie rolled on his makeup got more and more dirty and grotesque.

Overall Saw creates an unusual situation that is thrilling enough in the first viewing. However, after a truly good beginning the movie sinks into implausible and isn’t smart enough to figure out how to end itself.