Concert Review: Bill Monroe Bluegrass Festival Featuring IIIrd Tyme Out And Ralph Stanley, 2007

My wife and I have lived in Bloomington Indiana now for the last five years or so. While living here there are several things we have always planned to do: see an IU football game, not for the game (for no one wants to see the Hoosiers play football) but because my wife is a band geek, and she’d like to see the marching band perform. We’d like to go to a basketball game, as basketball is the one sport IU consistently does well. We feel we ought to see the Indy 500 and the Kentucky Derby just once, though neither of us can gather up any kind of excitement for that. And we always plan to attend the Bill Monroe bluegrass festival.

Until this week, we’ve seen exactly none of those things. Since we are headed to China in August, we finally decided to buckle down and attend the bluegrass festival. Even then, we had plans to attend every night of the eight-day festival, but due to problems of infinite proportions, we were only able to make it Tuesday and Saturday.

You could say bluegrass is in my blood, though I didn’t know it for many years. My great-uncle played with Dolly Parton when she was little, and my cousin plays guitar in Ricky Skaggs band. Most of my dad’s family plays some sort of instrument, and they say family reunions are a sight and sound to behold.

None of this information was actually known to me for many years. I thought we were a pretty boring family for most of my youth. In fact, I can remember my parents deciding to go to a bluegrass festival when I was in my early teens and I had to ask what the heck bluegrass was.

“It’s like country, but faster and with more twang,” Mom told me.

The Bill Monroe Bluegrass Festival is the oldest bluegrass festival in the world. It has been picking and a grinning for the last 41 years. Everyone who is anyone in bluegrass has played this stage. This year over 50 acts played morning, noon, and night for 8 straight days.

On Tuesday we saw Karl Shiflett, Anita Fisher, Bluegrass Strangers and IIIrd Tyme Out. It was a full day of fun, sun, and good music.

There were rows and rows of lawn chairs set up in front of the stage and we couldn’t quite figure out if they were all owned by individual concertgoers, or if they had been set up by the venue. They were all unmatched, but most of them were empty and they were perfectly set up. It seemed strange to me that so many people would have come in and set up their chairs in neat little rows and then abandoned them.

This worked perfectly on Tuesday, and we found great seats just a few rows back from the stage, and right in the middle.

IIIrd Tyme Out was the highlight of Tuesday. Russell Moore has some of the best vocals in bluegrass and the rest of the band can pick right along with him. They can play traditional bluegrass like the old folks, but aren’t afraid to add something new to the mix and update those old sounds. Plus they are a ton of fun to listen to and watch.

Saturday was much fuller than the Tuesday afternoon crowd, and we were all there to see one man, Dr Ralph Stanley. Legend is too small a word for the man. He is the living embodiment of bluegrass music. He is distinguished and incredible. A giant in a little man’s shoes.

We took seats again up close, but after a few songs, someone approached us stating that we were, in fact, in their chairs. Looking around and seeing how full the venue was getting, we decided to pull our own lawn chairs out of the car and sit to the side so as to not miss anything.

We saw very enjoyable performances from Alecia Nugent, Paul Williams, Jim Lauderdale, JD Crowe and of course Dr. Ralph Stanley. As I said though, the crowd was all holding their breath for Ralph Stanley. When the time finally came, and the announcement was made, we all went nuts.

For the first few songs Stanley didn’t sing a note. He allowed his band to play instrumentals and his guitarist sing a tune or two. I began to wonder if the good Dr. hadn’t fallen ill and couldn’t sing, or if he was too old to do much more than joke with the band between songs.

My worries were unfounded, it seems, as Stanley finally took center stage, and enchanted us all with his distinctive voice. His voice is not what I would ever call beautiful, it is certainly original, and it delivers a perfect old-timey sound. It roared and called out to the crowd on this night.

Stanley is a generous performer and spent much of his long set talking about the records his band mates and children have recently put out. Most of the band got to perform at least one song, and in a very sweet moment a little boy from the area came out and nervously belted out an old Stanley Brothers tune.

Even with three encores the crowd screamed and begged for more. Stanley closed with an a capella version of “O Death” that I believe must have stilled the entire state.

We left a little after 11. Kids were still playing ball and freeze tag, the food vendors were still churning out their unique brand of edibles, the stars were still shining brightly, and the music was still playing. But we were hot, covered in dirt and completely exhausted.

You could do worse things on a summer Saturday night in Indiana.

Random Shuffle (10/09/06) – The Chicks, Louis Armstrong, Trout Fishing in America, Robinella, Jim Lauderdale & Ralph Stanley

“Ready to Run” – The Chicks
From Fly

Risking the almighty wrath of Al Barger, I gotta say I kind of dig The Chicks. No, they are not the first thing I’m going to go for if my home catches fire, but there is something nice about a popular country act that writes some of their own songs and plays their own instruments. It is a bit heartwarming to see artists that still gravitate away from the synthetic sounds of your weekly Top 40 and towards something older, something earthy, something real.

“Ready to Run” is a bouncy, lovely little thing despite the Julia Roberts-themed video. It’s even got a pennywhistle giving it a bit of an Irish feel. The lyrics, about a woman running away from a serious commitment to simply have fun, epitomizes the typical outlooks the Chicks have demonstrated (at least in their music) throughout much of their careers.

Of course, in recent years the Chicks have been noticed more for their political views than for their musicianship. The complaints don’t seem to be about their actual views, but that they manage to actually have views at all (because hot girls who sing country tunes simply can not have political ideologies, and certainly not non-Republican ones.) It’s a shame too, because these Chicks can sing, play, and write a mean tune, and there ought to at least be someone paying attention to that.

“Tin Roof Blues” – Louis Armstrong
From 05/04/54

Whenever asked if I’m a jazz fan, I always answer in the negative. Not because I dislike the genre – for I have stacks of jazz records ranging from Billie Holiday and Ella Fitzgerald to Miles Davis and Ornette Coleman – but because I know that anyone who asks that question is going to be serious about their jazz, and I just won’t be able to keep up.

Every jazz fan I’ve ever known is obsessed with the music. Remember the nerdy babysitter in Jerry Maguire? The one who gave Tom Cruise the jazz tape for his love session with Renée Zellweger. Well, I know guys who make him look like jazz lite. So, yeah, I like jazz, but I won’t say that I’m a fan.

Louis Armstrong is probably the most famous jazz musician, the one your average guy on the street can name, and rightfully so for he is also one of the most influential players the genre ever created. “Tin Roof Blues” is off of a bootleg that I have which is just perfect for those setting the mood nights when I’m feeling romantic and make a candlelight dinner for just me and the wife.

It is far away from the psychedelic free jazz and bop movements of David and Coleman, but hasn’t quite gotten into the schmaltzy fare Armstrong is famous for in songs like “Hello Dolly” and “What a Wonderful World.” This song has a nice bluesy swing going on that makes it perfect for looking deep into each other’s eyes over a roasted chicken and some nice wine.

“Lost In Her Lips” – Trout Fishing in America
From Truth is Stranger than Fishin’

Back in the freewheelin’ 90’s I, along with everybody else, got a copy of Napster (when it was free) and began downloading every song I could get my hands on (which wasn’t all that many because I was still on dial-up which put it at about 40 minutes per three-minute song.) Eventually, I got bored with searching for particular songs and began to search for more generic terms like “acoustic” or “live” or “awesome.” By doing this I found all kinds of songs I’d never heard of, and some that were rather good.

During this same period (maybe it was the early 2000s but who can remember?) I also began making mix-tapes for the woman who would become my wife. For what better way than to tell the girl I dug, that I dug her than with 90 minutes of excellent tunes? The problem was that after two or three of these tapes, I was running out of songs. Once again Napster and a few Google searches were providing me with new material to say I Love You without being overly sappy.

I found Trout Fishing in America and this song via one of those searches. The band is generally a goofy, kid kind of band, and while this song isn’t exactly not fitting with that description it manages a nice sentiment without falling into sap. Musically it is a pretty basic little number, but it’s got a nice string of lyrics that are both sweet and funny at the same time.

With lines like

“Lost in her lips, I’m getting lost in her lips,
And losing track of conversation.
If Lewis and Clark had just discovered these lips,
The expedition would have ended up in Mexico”

How can you not love this song?

All I’ve Given” – Robinella
From Solace for the Lonely

There is something quite magic about an unheard-of band and then watching them grow into success. I moved to Oak Ridge, Tennessee back in 2000 and discovered Robinella and the CC String band through a friend. Robinella has a beautiful voice that is a mix of Ella Fitzgerald and Loretta Lynn. The string band played like a cross of Texas swing, and old-style country with a dash of something contemporary. Together they were like nothing you could hear on the radio.

I was thrilled when they signed with Sony to release their self-titled major label debut. It gave a professional mix to their wonderful sound. Unfortunately with their next record, Solace for the Lonely, they seemed to be leaving behind their old country charm for something more utterly contemporary. The string band is downplayed for electronic beats and a synthesized sound. Robinella’s voice sounds as lovely as ever, but it often gets lost in the mix.

“All I’ve Given” is driven by a funky bass line punctuated by vibrant electronic keys. Were it by another band I’d probably kind of dig it, but as is I only miss the band as I once knew them.

“She’s Looking at Me” – Jim Lauderdale and Ralph Stanley
From Lost in the Lonesome Pines

I picked this disk up from the library out of curiosity. Lauderdale I know solely through his work with Donna the Buffalo and Ralph Stanley is…well he’s freaking Ralph Stanley. So I figured this would have to be a good disk.

It is.

This is a classic style bluegrass song with lots of call and response and a chorus that layers the voice parts similar to the way The Band did it on “The Weight.” It’s great music, plain and simple with great country vocals backed by excellent pickin’. Lauderdale and Stanley are obviously having lots of fun, and it shows throughout the disk.