The Who – Stafford, England (10/04/75)

THE WHO
New Bingley Hall
Stafford, UK 4.
Oct. 1975

Disc 1:

  1. Substitute
  2. I Can’t Explain
  3. Squeeze Box
  4. Heaven And Hell
  5. Tattoo
  6. Baba O’Riley
  7. Behind Blue Eyes
  8. Amazing Journey >
  9. Sparks
  10. // Eyesight To The Blind
  11. The Acid Queen
  12. Fiddle About
  13. Pinball Wizard
  14. // I’m Free
  15. Tommy’s Holiday Camp
  16. We’re Not Gonna Take It >
  17. See Me Feel Me
  18. Summertime Blues
  19. Drowned
  20. 5:15
  21. My Generation >
  22. Join Together >
  23. Magic Bus //
    xx. Won’t Get Fooled Again (missing)

approx. 92 mins
incomplete recording

fresh transfer / seeded by Vortex242:
? gen C > playback on TASCAM130 > TASCAM CD-RW700 standalone CD burner

CD > EAC > wav > Adobe Audition > CDwave > FlacFrontend (level 6, verified,
with align on sector boundaries) > flac > TTD

The Who – Stafford, England (10/03/75)

The Who
October 3rd, 1975
New Bingley Hall
Stafford, UK

SOURCE: AUD
QUALITY: B/B+
ARTWORK: N/A

TRACKLISTING:

Disc 1:

  1. Substitute
  2. I Can’t Explain
  3. Squeeze Box
  4. Heaven and Hell
  5. Tattoo
  6. Baba O’Riley
  7. Behind Blue Eyes
  8. Amazing Journey
  9. Eyesight to the Blind
  10. Fiddle About

Disc 2:

  1. Pinball Wizard
  2. I’m Free
  3. Tommy’s Holiday Camp
  4. We’re Not Gonna Take It
  5. Drowned
  6. Bell Boy
  7. Punk and the Godfather
  8. My Generation

TOTAL RUNTIME: 1hr 28mins 17secs

LINEAGE: Master source>?>cd-r>EAC>FLAC>WAV>Cool Edit Pro v2.1>FLAC 8

TRANSFER/EDITING NOTES:
Here is a slightly lesser known bootleg recording of The Who from the fall of ’75 “Who By Numbers” tour. The source, which was obtained fairly recently through online means, is typical of audience recordings of this era, perhaps even slightly inferior. To begin with, the overall level of this recording was little more than a whisper and the noise level was thus, fairly significant. Apart from the overall level of the source, the recording was also very muddy sounding, with unwanted low to low mid range frequencies forming a layer of muffled noise atop the musical elements of the recording. I have attempted to remove some of this unwanted noise and the apparent abundance of tape layer and possible multiple transfer noise built up over time as well as additional resonating frequencies perhaps from the original source recording. As usual I have decided against any form of noise reduction apart from a few very small click removals in several places where loud clicks/pops were apparent. This is not noticeable and does not affect the audio inversely in any way. I believe the result of this editing has been successful and a better sounding recording has emerged. It’s far from perfect and still contains a significant noise level along with other negative sound elements. Regardless, it is an improvement over the source material which to me, makes it worth keeping for Who collectors.

upped by: theface07