A Nightmare on Elm Street 7-Film Collection 4K UHD Review

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The Nightmare on Elm Street series is one of the best horror series ever made. That’s faint praise considering most horror franchises eventually turn to crap. Certainly the Nightmare series has a few duds, but even the bad ones have moments that are worth watching. If nothing else, the kills are usually interesting. The original is one of the best horror movies of the 1980s. Last year they released it with a wonderful 4K UHD transfer, and now the original seven films are getting the works. You can read my full review at Cinema Sentries.

The Friday Night Horror Movie: A Nightmare On Elm Street (1984)

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This is going to be a slight cheat. Obviously, I write a lot of movie reviews for Cinema Sentries. I do it for fun; I don’t get paid for it (I do get free Blu-rays, which is nice.) I’m not sure if I’d want to be in the cultural critic business right now; those folks are having a tough time of it. I’m also happy I don’t have anyone demanding I watch certain things. I review the things I request. I try to keep my requests down to a steady pace, but sometimes I go a little overboard, and I wind up with a stack of Blu-rays sitting on my desk, and that can be overwhelming.

That’s happening to me right now. I have a Blu-ray in front of me that I just watched but need to review. I’ve got another one I’ll hopefully watch later tonight. I have a six-film boxed set of Errol Flynn movies and another boxed set of all seven Nightmare on Elm Street movies.

That’s a lot of movies to watch and review. The Nightmare set is actually on the bottom of the pile, but since tonight is Friday and I always do a horror movie on Fridays, I thought I’d bump the first Nightmare on Elm Street up and kill two birds with one stone. 

That also means I won’t be digging too deep into it because I’ll want to save all my best thoughts for the official review. 

What I will say is that I love this movie. I grew up in the 1980s, and so slashers are my horror movie sweet spot, and this is one of my all-time favorites. Freddy Kreuger is a horror icon, and this is where he started. In later films he’d become a wise-cracking goof (admittedly a goof that will kill you in the end, but still a goof), but here he’s absolutely terrifying. 

It was a stroke of genius having him kill inside of dreams, as that allows the film to eschew the laws of physics and reality. Anything goes, and the film makes good use of that. The imagery here is absolutely iconic. From the wall that turns elastic to the claws reaching up from the bathtub or the stairway steps turning to goo, to Freddy’s outstretched arms, the film is simply loaded with memorable shots. There is a wonderful tactile quality to the film and its use of practical effects. Sometimes that means you can see the filmmaking behind it – you can tell that the goo inside those steps is oatmeal, and when Freddy falls down the stairs, you can see the mattress he lands on—but I much prefer that to the CGI garbage so many modern films rely on.

So, yeah, I love this movie. I will have more to say about it and all of its sequels in a week or so. Look right here in these pages for that link when it comes out.

Funny story, just now as I’m about to post this I have a premonition to do a search of my site for this film, just in case I’d written about it before. I couldn’t remember writing about it, but I write a lot of stuff so I figured it wouldn’t hurt to do a quick search.

Friends I wrote a full review of the film (and its release in UHD) just over a year ago!

31 Days of Horror: Cursed (2005)

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Several years after creating the hugely successful Scream franchise writer Kevin Williamson and director Wes Craven teamed up to make a werewolf film starring Christina Ricci, Jesse Eisenberg, and Judy Greer. If that sounds like a good time at the movies you should know that the studio, specifically the Weinsteins, had their perverted, gnarled hands all over it.

They demanded numerous reshoots, edited down Craven’s original R-Rating down to a PG-13, and exchanged Award Winning special effects artist Rick Baker’s physically-made Werewolf designs for lousy-looking CGI ones.

The end results aren’t terrible, but they aren’t great either.

Ricci and Eisenberg play siblings Ellie and Jimmy. On a drive home one evening something jumps in front of them causing their car to crash. Let’s not be coy here with the plot, that something was a werewolf and it bites them. Slowly they will start turning into the beast as well.

But not too much because we like these guys and we can’t have them turning so bad they wind up having a bunch of mutilated corpses on their hands. Jimmy will find himself lying naked in the garden at one point, and Ellie keeps getting little bodily changes from time to time.

In this story, they can keep from becoming full-on werewolves if they can find and kill the werewolf that bit them. A lot of time is spent with them trying to figure that out (and the audience guessing it might be one of the assortment of semi-famous actors who keep showing up.)

You can see hints of what could have been an interesting film tucked into the corners of what we actually get. Looking online and it seems a lot of folks absolutely hate this movie. I didn’t hate it, but it doesn’t do anything original or all that interesting. If Craven and Williamson’s names weren’t on it and if we didn’t know the Weinstein’s mucked with it I suspect the general consensus would be, well not great, but not hated. It is very, as the kids like to say, “Mid.”

31 Days of Horror: A Nightmare On Elm Street (1984)

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I recently upgraded to a 4K UHD Blu-ray player. I was pretty late coming to this upgrade. Honestly, I was pretty late buying a Blu-ray player. For someone who claims to be a physical media enthusiast, I just don’t care that much about video and audio quality in my movies.

That’s not entirely true, if you gave me the choice between playing a badly degraded copy of a film and a newly restored Ultra High Definition version of the same film I’d go with the quality. But I’m not going to not watch a film simply because the video quality might not be the best that is available.

If I’m being honest, though, I’ll likely not purchase a great many 4K UHD discs, unless they are on sale for a very good price. I still buy DVDs because I’m a cheap bastard.

If I might be honest again, I only bought a UHD player because I review physical media for Cinema Sentries and increasingly it is 4K UHD discs that are available.

That is, perhaps, a strange way to introduce my review of the new 4K UHD release of A Nightmare on Elm Street. It is a very good film, a great horror film and it has never looked better. Every time I watch these UHD discs I am duly impressed with the quality of the video.

Getting to see Freddy Krueger and his nightmare-induced kills is a fantastic way to further my Halloween Season viewings. You can read my full review here.