Grateful Dead
10/24/1969
Winterland Arena
San Francisco, California

Low generation audience > CD
Extracted with EAC. Tracks cut using CDWave. SB verified via SHNTool

Uploaded to Tol 20 September 2003

–Setlist–
101-t01 – //Casey Jones
102-t02 – “Turn Up The Monitors”
103-t03 – Dire Wolf
104-t04 – High Time
105-t05 – Tuning
106-t06 – Easy Wind
107-t07 – Tuning
108-t08 – China Cat Sunflower ->
109-t09 – I know You Rider
110-t10 – “Hey man, turn the microphones on!!”

*Please note

Deadlists mentions the tape as having:
The Other One>Cryptical Envelopment>Jam>Cosmic Charlieon the tape.
This copy of the tape does not have this.

This is a flac encoded & tagged version of shnid: 19527

Grateful Dead
12-31-1972
Winterland Arena
San Francisco CA

–Set 1–
101-d1t01 – NYE Countdown ->
102-d1t02 – Around & Around
103-d1t03 – Deal
104-d1t04 – Mexicali Blues
105-d1t05 – Brown Eyed Women
106-d1t06 – Box Of Rain
107-d1t07 – Jack Straw
108-d1t08 – Don’t Ease Me In
109-d1t09 – Beat It on Down the Line
110-d1t10 – Candyman
111-d1t11 – KSAN’s DJ..El Paso
112-d1t12 – Tennessee Jed
113-d1t13 – Equipment Malfunction
114-d2t01 – Playing in the Band
115-d2t02 – Casey Jones

–Set 2–
201-d2t03 – The Promised Land
202-d2t04 – Mississippi Half-Step Uptown Toodeloo
203-d2t05 – Big River
204-d2t06 – Sugaree
205-d3t01 – Truckin’ ->
206-d3t02 – The Other One ->
207-d3t03 – Drums ->
208-d3t04 – Drums & Bass ->
209-d3t05 – Jam -> Space -> Jam ->
210-d3t06 – The Other One ->
211-d3t07 – Morning Dew
212-d3t08 – Thanks Bill Graham
213-d3t09 – Sugar Magnolia
214-d4t01 – Sing Me Back Home
215-d4t02 – Johnny B. Goode

–Encore–
216-d4t03 – Uncle John’s Band
217-d4t04 – ../One More Saturday Night

This is a flac encoded & tagged version of shnid: 26559

gd72-12-31.prefm.bertha-ashley.26559.sbeok.flac16
Bertha Remaster of the PreFM source.
(*)PreFM>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN
Sound A / Patched Sources B
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha,
by jashley@deadacated.com. Completed on August 18, 2004.

From original text file, and prior to Bertha processing:

(*) Main Source:
Vault pre-FM reels > DAT
Patch Source:
pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340)
DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0
by Marc Pujol
WAV > SHN editing, encoding & patching by Matt Vernon

Grateful Dead
12/10/72
Winterland Arena
San Francisco, CA

This is a restored version of shnid = 5801 by Droncit.
The original was hissy and bassy. I think this sounds better. You may not.(email questions or comments to droncit@yahoo.com)

Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation,
an enhancer and some slight noise reduction.

metadata added

Original Source (shind: 5801):
MSR > Cass x 3 > DAT > CDR > EAC (secure mode, test and copy) > SHN

Flac encoding notes:
All processing with Trader’s Little Helper
Shn – st5 generated
Shn > Flac ( level 8 )
Flac – st5 generated and matched to Shn st5
B. Proctor 5-22-09

–Set 1–
112- Bertha
113- Playing in the Band
114- Casey Jones

–Set 2–
201- The Promised Land
202- Stella Blue//
203- Jack Straw
204- China Cat Sunflower ->
205- I Know You Rider
206- Truckin’ ->
207- Jam ->
208- Drums ->
209- The Other// One
210- Deal
211- Sugar Magnalia
212- Ramble on Rose
213- Johnny B. Goode
214- Uncle John’s Band (encore)

Original Restoration notes:
– Increased opening levels for Bertha (first 3 minutes or so of the song).

– Music! Music! Music! tuning after Bertha.

– Level corrected for the first 20 seconds of Playing in the Band.

– Stella Blue – Left channel record levels (overadjustment and overcompensation) smoothed about 3 minutes in.

– Truckin’ had some odd gain increases for guitars in the left channel. I wasn’t certain if they were part of the performance or part of the recording, but Weir overpowered the rest of the music. I lowered the levels in the left channel so that you can still hear what they are doing and it’s louod but it’s not overly loud. I also increased the right channel (Garcia) when it happens during a guitar interplay/jam. The same thing happens with Phil during the quiet part of the jam, but you can hear the pot open, etc. so pretty certain this was a recording mistake. I did the same with it.

– I cut out several tape start/stop spots (I think that is what they were) between The Other One and Deal. This is also where a tape flip/new tape would have needed to be used.

– The “cut of death” in The Other One (see below, I muted the space between and faded out the stop/start sections (less than a second), so the cut is still obvious but not too bad.

– Speed was off slightly a little unpredictable, likely because of the multiple generations of cassettes. It’s not noticeable while listening, so I left Set I alone except for Jack Straw and corrected most of the issues in set II.

– Jack Straw was patched in with a different recorder during analog editing, but from what appears to be the same master tapes. Likely moved at one point to fit on cassettes then moved back after digital transfer – the patch is at 46 minutes into Set II and cuts the
end of Stella Blue). There would have been 10 minutes at the end of the second cassette for it, and there was a bass note that did not belong, so that’s likely where it was. I left the bass note in in case someone else wants to sleuth a bit.

– I left the cuts in UJB as they were.

– One of the recorders had an annoying ‘bump’ every few seconds but it’s most evident in a few quiet parts between songs.

Thanks to BCE, Germain and the original seeders and those who transferred.

Comments by Craig on SHNID 5801 (etree.org):
-there are no segues from TOO>Deal, Deal>Sugar Mag or JB Goode>UJB
-Stella Blue cuts @ 7:19
-cut of death in The Other One @ 11:03,
-2 cuts in UJB(1:05 & 3:01). At 3:05>end, sound becomes duller