Lossless Bootleg Bonanza: Grateful Dead – New York, NY (02/11/70)

Grateful Dead - 1970-02-11 Fillmore East - New York

Grateful Dead,
February 11, 1970
Fillmore East
New York, NY.

Download: FLAC/MP3

–Early Show–
Cryptical Envelopment -> – missing
Drums -> – missing –
//The Other One ->
Cryptical Envelopment
Dire Wolf
Casey Jones

–Late Show–
Intro by Keeva Krystal -> Not Fade Away
Cumberland Blues
Cold Rain & Snow
High Time
Me & My Uncle
Dark Star ->
Spanish jam ->
Lovelight

–Encore–
Uncle John’s Band (acoustic)

Source 1:
This is a flac encoded & tagged version of shnid: 90
gd70-02-11.sbd.sacks.90.sbefail.flac16

Source: MSR>DATs>CDRs>EAC>shn

Noted Flaws, etc.:
-Dark Star has abrupt splice/cut at approx. 6:57.
-Lovelight has a splice at 30:16
(possible source changes to/from “15ips revox reel”? —
See below-quoted section from http://www.deadlists.com descrition).

Comments Late Show per deadlists:
-Duane Allman’s guitar is audible from near the beginning of Dark Star
through the end of the set;
-Gregg Allman adds organ & vocals during Lovelight.
-Berry Oakley plays a second bass on Lovelight.
-According to Kenny Schachat, who attended the show, the guitarist audible
starting about 2:30 into Dark Star and for several minutes thereafter is
Peter Green, not Duane, who enters around the middle of Dark Star.
-The encore is acoustic Dead.
-The Allman Bros and Love were also on the bil

Source 2:
shnid 26521

Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape
pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC
monitoring and mastering > FLAC

– SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a
DAT transfer so is not from circ. source)
– MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight)
– SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2)

The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee.

notes:
This is a complete remaster by Matt using his new set-up
– “This was done using a different transfer chain. This method was per the advise of
Dan Healy I received from him a while back in trying to attain a perfectly clean
signal going to digital. I had one of my reel machines modded for a direct tape head
output going into a custom Bottlehead tape tube pre specifically built for reel transfers
(w 2. diff. EQ setting for tape speed) so basically you have a perfectly clean tape signal
going into the tube pre going into 24/96 digital.”

Source 3:
This is compilation of shnid: 28292 & 28402
The complete late show from the best available sources.

gd73-02-11.sbd.patched.warner.28292.sbeok.flac16
(Includes the 1st 6 tracks of the late show only)

Master soundboard reels > DAT > CD > Plextor PX-708A extraction
(EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (
shntool v2.0.3) > .flac encoding (flac v1.1.0)

Patches: Master audience tape > ? > DAT > CD

EAC and FLAC encoding by Jack Warner (jackmw1ATsbcglobalDOTnet)
Patches courtesy of an unknown benefactor (thanks to Bob Murphy for the
source discs)

gd70-02-11.sbd.partial-greenberg.28402.flac16

Late Show Conclusion – Dark Star thru Uncle John’s Band

Source: Soundboard (except patches as noted)
Lineage: MSR> DAT> CDR> EAC> FLAC
Late Show Conclusion

Source: Soundboard (except patches as noted)
Lineage: MSR> DAT> CDR> EAC> FLAC

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s