Grateful Dead,
February 11, 1970
Fillmore East
New York, NY.
–Early Show–
Cryptical Envelopment ->
Drums ->
The Other One ->
Cryptical Envelopment
Dire Wolf
Casey Jones
–Late Show–
Intro by Keeva Krystal -> Not Fade Away
Cumberland Blues
Cold Rain & Snow
High Time
Me & My Uncle
Dark Star ->
Spanish jam ->
Lovelight
–Encore–
Uncle John’s Band (acoustic)
Source 1:
This is a flac encoded & tagged version of shnid: 90
gd70-02-11.sbd.sacks.90.sbefail.flac16
Source: MSR>DATs>CDRs>EAC>shn
Noted Flaws, etc.:
-Dark Star has abrupt splice/cut at approx. 6:57.
-Lovelight has a splice at 30:16
(possible source changes to/from “15ips revox reel”? —
See below-quoted section from http://www.deadlists.com descrition).
Comments Late Show per deadlists:
-Duane Allman’s guitar is audible from near the beginning of Dark Star
through the end of the set;
-Gregg Allman adds organ & vocals during Lovelight.
-Berry Oakley plays a second bass on Lovelight.
-According to Kenny Schachat, who attended the show, the guitarist audible
starting about 2:30 into Dark Star and for several minutes thereafter is
Peter Green, not Duane, who enters around the middle of Dark Star.
-The encore is acoustic Dead.
-The Allman Bros and Love were also on the bil
Source 2:
shnid 26521
Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape
pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC
monitoring and mastering > FLAC
– SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a
DAT transfer so is not from circ. source)
– MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight)
– SBD MR > A77 > A77@ 71/2 ips. (primary source for disc 2)
The aud reel is courtesy of Don Wolfe and the second board reel is from Pat Lee.
notes:
This is a complete remaster by Matt using his new set-up
– “This was done using a different transfer chain. This method was per the advise of
Dan Healy I received from him a while back in trying to attain a perfectly clean
signal going to digital. I had one of my reel machines modded for a direct tape head
output going into a custom Bottlehead tape tube pre specifically built for reel transfers
(w 2. diff. EQ setting for tape speed) so basically you have a perfectly clean tape signal
going into the tube pre going into 24/96 digital.”
Source 3:
This is compilation of shnid: 28292 & 28402
The complete late show from the best available sources.
gd73-02-11.sbd.patched.warner.28292.sbeok.flac16
(Includes the 1st 6 tracks of the late show only)
Master soundboard reels > DAT > CD > Plextor PX-708A extraction
(EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (
shntool v2.0.3) > .flac encoding (flac v1.1.0)
Patches: Master audience tape > ? > DAT > CD
EAC and FLAC encoding by Jack Warner (jackmw1ATsbcglobalDOTnet)
Patches courtesy of an unknown benefactor (thanks to Bob Murphy for the
source discs)
gd70-02-11.sbd.partial-greenberg.28402.flac16
Late Show Conclusion – Dark Star thru Uncle John’s Band
Source: Soundboard (except patches as noted)
Lineage: MSR> DAT> CDR> EAC> FLAC
Late Show Conclusion
Source: Soundboard (except patches as noted)
Lineage: MSR> DAT> CDR> EAC> FLAC