NEIL YOUNG & CRAZY HORSE
Forever Sunset
Fillmore East, New York
March 6, 1970
CD 1:
EARLY SHOW
CD 2:
Grateful Dead, with New Riders of the Purple Sage
September 17, 1970
Fillmore East,
New York, NY
This is flac encoded & tagged version of shnid: 27591
gd70-09-17.aud.sirmick.27591.sbeok.flac16
source: see shnid:16090
{*Acoustic set, NRPS set, and Sugar Magnolia are MAC>R>C>CD.
Recorded by Jack Toner, with a Sony TC-110 with built-in microphone.
*Dark Star from MAC>?>C>R>CD. Unknown taper/equipment
*Saint Stephen>Good Lovin’ from MAC>?>C>R>R>CD. Unknown taper/equipment
NOTE: This supercedes the previous copy which was labeled MAC>R>C>D>CD.
That copy is a mislabel, and in reality has one more cassette generation
than this one (the main source for that version derives from the tapes
used for this one). Additionally, this source includes the NRPS set,
and does not have the cuts in Dark Star.]
-Acoustic Set–
101-d1t01 – Tuning
102-d1t02 – Truckin’
103-d1t03 – Monkey & the Engineer
104-d1t04 – Dark Hollow
105-d1t05 – Friend of the Devil
106-d1t06 – Ripple
107-d1t07 – Tuning
108-d1t08 – Brokedown Palace
109-d1t09 – Box of Rain
110-d1t10 – Rosalie McFall
111-d1t11 – Cold Jordan ->
112-d1t12 – Swing Low Sweet Chariot//
–NRPS Set–
201-d1t13 – Six Days on the Road
202-d1t14 – I Don?t Know You
203-d1t15 – Superman
204-d1t16 – Henry
205-d1t17 – Portland Woman
206-d1t18 – Cecilia*
–Electric Set–
301-d2t01 – Sugar Magnolia*
302-d2t02 – Dark Star ->
303-d2t03 – Saint Stephen ->
304-d2t04 – Drums ->
305-d2t05 – Good Lovin’ ->
306-d2t06 – Drums ->
307-d2t07 – Good Lovin’
*The last portion of the NRPS set & the first part of the Dead’s electric
set are missing. This portion of the show has never found its way into
general circulation.
notes:
this is a remaster of shnid 16090:
hiss and nouse reduction has been applied throughout
a considerable number of small droputs, pops and clicks have been fixed
numerous volume adjustments have been made
I found that from St Stephen through to the end there were a number of
sections where the channels appear to have been switched, these have
now been corrected.
d2t01 20 seconds starting from 2:50, 44 seconds from 4:33
d2t05 first 9 seconds
d2t06 from 2:07 to the end
d2t07 first 3:43, 1:33 from 5:21
the tape wobble at 4:26 on d2t01 has been partially repaired by patching
in 2,61 seconds from the following repeated sequence
final mastering with iZotope Ozone
SIRMick
January 2nd, 2005
Pink Floyd
Fillmore East, New York, NY, USA
1970.09.27
Source/Lineage: audience / cass[low]>cdr(?)>flac > wav > Adobe Audition 1.5 (minor editing) > Cdwav (track splitting) > TLH > FLAC
Total Length: 47:47
Crosby, Stills, Nash & Young
at Fillmore East
New York, NY, USA
06/04/70
I have no source info for this.
Suite: Judy Blue Eyes
On the Way Home
Teach Your Children
Tell Me Why
Triad
Guinnevere
Simple Man
Man in the Mirror
Cinnamon Girl
Down by the River
Only Love Can Break Your Heart
Black Queen
49 Bye-Byes
America’s Children
Love the One You’re With
Pre-Road Downs
Long Time Gone
Helplessly Hoping
Ohio
As I Come of Age
Southern Man
Carry On
Find the Cost of Freedom
Neil Young & Crazy Horse
Filmore East, New York
3-7-70
Good-Very Good Mono Audience Tape
10 Ωî Reel of Scotch tape, 1/2 track, @7 Ω ips (Technics 1506) to Tascam Prof CD Recorder
EAC > Wav > Flac
Acoustic
Electric w/ Crazy Horse
Neil Young & Crazy Horse
Tea Party, Boston Mass.
3-1-70 Good-Very Good Mono Audience Tape
10 Ωî Reel of Scotch tape, 1/2 track, @7 Ω ips (Technics 1506) to Tascam Prof CD Recorder
Here is another tape with a story. In the early 1970Ãs WBCN-FM (Boston) started a show they called ëRare Tape NightÃ. Maybe 2 or 3 times a year for a few hours they would play back recordings they had in their archives. Early on, ‘folks / friends of the station’ would drop off rare recordings they acquired (bootleg lps, tapes ect). These would be played back, sometimes until late into the night. As the Radio station grew, the time slot got smaller and smaller until the show was abandoned (probably due to record company pressure). Early recordings of WBCN shows have them playing Woodstock ëouttakesÃ, the Byrds at the Tea Party, Buffalo SpringfieldÃs Long Version of ëBluebirdÃ, and FM broadcasts that the station originated. Around 1978, I made friends with some folks at WBCN. I was invited up several times as they were interested in what I had for recordings (Bruce Springsteen was big at this point). At one point an intern handed me this 10 Ω in. reel and asked if I was interested in it. He said he needed an empty reel from me in return or he was going to take a razor blade to it. They had already listened to it and decided it was something they would never play. So I gave him my take-up reel and took the box home. It was marked Neil Young Live Fillmore East 3/7/70 and Tea Party 3/1/70. I have no idea if this show is out or where the rest is. This is all I have. I was told there were a couple of guys taping Tea Party shows on a portable ëUHRà reel to reel, but I was never able to find out who they wereÖÖÖ.
Issues: There are random clicks and pops on this tape. It was in very poor condition and not properly wound when I received it. There are also a few splices. It is one of those tapes you hate to playback, and you watch the entire time. But I played it through without any issues. The taper claps between songs with the mike in his hand so ëbe preparedÃ. The Fillmore acoustic set sounds good but the electric is a bit muddy. The Tea Party acoustic & electric sounds very good and a little bit brighter.
Note: I align the payback head on my machines to match the source recording. This gives you the best playback without having phase issues. If you should hear any phase issues, they are inherent to the source tape I am playing back. I also biased all my reels prior to recording on them. I feel this has given me some great sounding tapes as you will hear in the futureÖÖÖÖÖÖÖPeace
I never used noise reduction and all my tapes are at 7 Ω ips. Nothing has been edited out or EQÃd.
The Who
April 6th 1968
Fillmore East, New York
rough audience recording
CDR (trade) > flac
Also includes what is labeled as a AUD/SBD recording with no notes.
time : 35’45
Notes : Can’t remember where&when I downloaded it, thanks to the forgotten previous sharer !
Reseed from DVDR archive, checksum files was ok, but one track, wrongly named, needed correction and then I recreated a new checksum. No other change.
Audience recording, hissy but pretty good though, for the age.
Relax is the same as the famous SBD version (but complete here), while some others tracks are different (as the latter half of the bootleg SBD is the 5th).
For a detailed explanation, read Date Correction.txt
Miles Davis Septet
June 20, 1970
Fillmore East Auditorium
New York, NY, USA
Unedited soundboard recording, 57:27
Miles Davis (tp); Steve Grossman (ss, ts); Chick Corea (el-p, perc); Keith Jarrett (org, fl);
Dave Holland (b, el-b); Jack DeJohnette (d); Airto Moreira (perc, voc); Bill Graham (ann)
1 Directions (10:53)
2 The Mask 1 (11:15)
4 It’s About That Time (11:03)
5 I Fall in Love Too Easily > Sanctuary (4:37)
6 Bitches Brew (9:42)
7 Willie Nelson (9:20)
8 The Theme (0:34)
–Reference Set List–
1 Introduction (0:08)
2 Directions (10:52)
3 The Mask (11:11)
4 It’s About That Time (11:18)
5 I Fall In Love Too Easily (1:04)
6 Sanctuary (3:17)
7 Bitches Brew (9:43)
8 Willie Nelson (9:43)
9 The Theme (with applause) (0:57)
Miles Davis Sextet
June 17, 1970
Fillmore East
New York, NY, USA
Soundboard recording, 54:51
Lineage: SBD > MR > DAT @ 48 kHz >.wav via S/PDIF and M-Audio Audiophile 2496 digital soundcard >SoundForge 6.0 > CD Wave > flac(8), SBE OK)
1 Directions (10:40)
2 The Mask (11:02)
3 (9:38)
4 (15:21)
5 (7:16)
6 The Theme (0:51)
1 Directions (10:36)
2 The Mask (11:01)
3 It’s About That Time (10:43)
4 Bitches Brew/The Theme (14:10)
Grateful Dead
4/26/71
Fillmore East
New York, NY
–NRPS set–
01 – Henry
02 – The Weight
03 – Last Lonely Eagle
04 – Fun, Fun, Fun
05 – Runnin’ back to you
06 – I Don’t Know You
07 – Dirty Business
08 – Glendale Train
–The Dead–Set 1–
01 – Bertha
02 – Me & My Uncle
03 Big Boss Man
04 – Loser
05 – Playing in the Band
06 – Hard to Handle
07 – Dark Star ->
08 – Wharf Rat
09 – Casey Jones
–Set 2–
10 – Sugar Magnolia*
11 – It Hurts Me Too*
12 – Beat It on Down the Line*
13 – China Cat Sunflower ->
14 – I Know You Rider
15 – Deal
16 – Mama Tried
17 – Good Lovin’
18 – Sing Me Back Home
19 – Not Fade Away ->
20 – Going Down the Road Feeling Bad ->
21 – Not Fade Away
* w/ Duane Allman
Grateful Dead
4/27/71
Fillmore East
New York, NY
–NRPS Setlist–
Lodi
Sailin’
Sweet Loving One
Runnin’ Back to You
Last Lonely Eagle
The Weight
Louisiana Lady
–The Dead Set 1–
Tuning
Truckin’
Mama Tried
Bertha
Next Time You See Me
Cumberland Blues
Me & My Bobby McGee
Loser
Hard to Handle
China Cat Sunflower ->
I Know You Rider
Casey Jones
–Set 2–
Sugar Magnolia
Deal
Me & My Uncle
Bird Song
Playing in the Band
Dire Wolf
Searchin ‘*
Riot In Cell Block #9 *
Good Vibrations **
I Get Around **
Help Me Rhonda*
Okie From Muskogee*
Johnny B. Goode*
Sing Me Back Home
Uncle John’s Band ->
Turn On Your Lovelight
* w/ Beach Boys
** Beach Boys alone
Source 1:
This is a flac encoded & tagged version of shnid: 2221
gd71-04-27.sbd.murphy.2221.sbefail.flac16
MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
The new Vault release, “Ladies and Gentlemen, the Grateful Dead” is a
compilation of all five shows from the April, ’71 Fillmore run. LAGTGD is
from the multitrack masters and is commercially available on Arista, or
from GDM at http://mars.dead.net
For the obsessive completist collectors, here are the complete 4-27-71 NRPS
& Dead Sets directly from two-track masters.
Errata:
-First half of NRps Set is missing. Lodi fades in already in progress.
-Hard To Handle starts late and has some sound fluctuations in the first
minute or two.
-Sugar Magnolia fades in already in progress.
-There is a splice in the segue between Uncle John’s Band and Lovelight.
-The faults listed above are consistent with previous versions
shn conversion and ftp uploading by Bob Murphy
Source 2:
This is a flac encoded & tagged version of shnid: 5165
gd71-04-27.sbd.gadsden.5165.sbdfail.flac16
Lineage:
NRPS: MR>C>CDRx?>SHN,
Truckin’ through Loser: MR>CDR>SHN ,
Hard to Handle through Lovelight: MR>R>CDR>SHN.
GD SBD>MR : Shure line mixers > Sony reel to reel (middle of the line model,
exact model unknown) at 7 1/2 ips onto BASF 90 minute reels MR>R: ??? >
Sony 640 MR>CDR, R>CDR: Revox B77 reel to reel > Alesis Masterlink ML9600,
sampled at 24 bit, 96k CDR>SHN : PlexWriter 8/2/20 > Exact Audio Copy
Glitches:
d1t09 0:36-1:08 – reel splice patched from same source as GD sets (Sailin’)
Source 3:
This is a tagged version of shnid: 106550
gd71-04-27.sbd.miller.106550.flac16
Recording Info Source One:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit ->
Master Reel (Sony Deck – BASF Tapes – 1/4 Track – 7 1/2 ips)
Recording Info Source Two:
SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit ->
Master Reel (Sony Deck – BASF Tapes – 1/4 Track – 7 1/2 ips) ->
Reel (Maxell Tape – 1/4 Track – 7 1/2 ips)
Transfer Info Source One:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k)
Transfer Info Source Two:
Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k)
Mastering Info:
WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
Reels Baked and Transferred By David Gans
All Mastering By Charlie Miller
charliemiller87@earthlink.net
March 15, 2010
Patch Info:
SBD -> Master Reel -> CD supplies:
Hard To Handle (0:00 – 0:13)
Sugar Magnolia (0:00 – 0:52)
Bird Song (4:00 – 5:42)
Help Me Rhonda (3:23 – 5:52)
Sing Me Back Home (0:00 – 0:32)
Uncle John’s Band (1:44 – 1:45)
Turn On Your Lovelight (20:44 – end of track)
Notes:
— Set 2 is seamless
— Truckin’ through Loser from source one (Master Reel)
— Hard To Handle through end of show from source two (1st Gen Reel)
— Patch source also provides some Set 1 tunings due to tape bleed through
— Some patches are not very smooth due to extrenme mix differences
— Beach Boys play on Searchin’ through Johnny B. Goode
— Good Vibrations and I Get Around without The Grateful Dead
— Thanks to Bill Gadsden for supplying the reels
— Thanks to digitalrbb for supplying the patch source
— Thanks to Neil Sturtevant for rebuilding the dolby unit
— Thanks to Joe B. Jones for his help with the pitch correction
Source 4:
shnid: 114094
Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via ‘UV22HR’ Apogee algorithim > Flac
Transfered and mastered by Matt Smith 6/11
Special thanks to Bob Menke for his support
Matt’s notes:
hard to handle, sugar magnolia, bird song, help me rhonda, sing me back home
These are all patched with the Ramrod source
lovelight
Patched with the 16 track source
Thanks to Bob Menke for the patch sources
I decided to put this out for a number of reasons but mainly it’s a improvement as to what circulates. The main reason being Will’s reels are in prime condition and have never had to be baked over a number of times. The exact lineage of all the 4/71 FE reels are still a mystery so perhaps we will really never know the whole story BUT some low gen reels @ 7.5 ips. have survived in one piece and these are some of them.. According to the story from Wilson and Pat Lee, Peter Kafer and Bill Gadsden “purchased” the supposed masters from a guy named Buddy Miller(now a country musician) and brought them up to the Northwest for them to copy back in 1973. Will’s are 7.5 ips. and Pat’s are 3.3/4 ips. Nobody for sure knows exactly which were masters since Buddy decided to keep a few for himself which is truly the crux of the mystery or if even Buddy had masters himself. I realize in some circles this is considered heresy but it’s true and until Buddy comes forward and flat out states he had masters this should be considered as a possibility. We can only now just listen carefully and try to figure it out that way.. Anyhow please enjoy!
My notes:
Big Thanks to Matt. Wonderful!!
Thanks to jpc3 for tagging the files
text file created & seeded 06/19/2011 gballen
Source 5:
This is a tagged version of shnid:114461
Recording Info:
SBD -> Master Reel -> CD
Transfer Info:
CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 29, 2008 (Re-Mastered on July 6, 2011)
Notes:
— Set 2 is seamless
— This is a completely different mix than any other circulating copies
— The Beach Boys play on Searchin’ through Johnny B. Goode
— Good Vibrations and I Get Around without The Grateful Dead
— Thanks to digitalrbb for transferring the Master Reels
— Thanks to Joe B. Jones for his help with the pitch correction
Source 6:
This is a tagged version of shnid: 141129
Source Info:
Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape)
Transfer Info:
PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > T
ascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Notes:
– Thanks to Harvey Lubar (R.I.P.)for the Master Soundboard Reel source
– Thanks to Tim Dalton for the source PCM
– Thanks to Charlie Miller for the transfer
– Thanks to Matt Smith for the shnid: 114094 soundboard source which supplies the
first 0:35 of “Hard To Handle”,
a 0:03 patch in “Casey Jones”,
a 0:46 patch in “Sugar Magnolia”,
the final 4:56 of “Birdsong”,
the final 3:14 of “Help Me Rhonda”, as well as
the final 3:11 of “Turn On Your Lovelight”
– “Searchin'”, “Riot In Cell Block #9”, “Help Me Rhonda”, “Okie From Muskogee”
and “Johnny B. Goode” with the Beach Boys
– “Good Vibrations” and “I Get Around” – Beach Boys by themselves
Mastered by Scott Clugston
February 20, 2018