Grateful Dead
12/26/81
Oakland Auditorium Arena
Oakland, CA
Disc 1 – Set
1. Alabama Getaway
2. Promised Land
3. Candyman >
4. Little Red Rooster
5. Big Boss Man
6. Me and My Uncle
7. Big River
8. Bird Song
9. It’s All Over Now
10. Big Railroad Blues
11. Let it Grow
Set 2
12. Scarlet Begonias >
13. Fire on the Mountain
14. Estimated Prophet >
15. He’s Gone >
16. drums >
17. Space >
18. The Eleven Jam >
19. Truckin’ >
20. Black Peter >
21. Around and Around >
22. One More Saturday Night
Encore
23. Don’t Ease Me In
Source 1:
SHNID: 10533
AUD>MC>R>DAT>CDR>EAC>SHN;
Recorded by Bob Menke, Senn 421s>Sony TC-D5
Known flaws:
d1t03 6:29 drop out left channel
d2t02 splice @ 0:18 occational skips next 30 secs & skipping from 4:24 to 4:55
d2t05 7:55 cut
Eac in secure mode with proper offsets, 100% track quality, no errors.
Scarlet/Fire was split into 2 tracks using CDWav
CDWav was used to remove about 1 minute of bad skipping resulting in the splice at 18 sec.
Shntool used to confirm sector boundries
MKWact was used to convert to shn, seekable.
Convertion/Seeding done 7/14/02 by Glyde (glyde@masonschildren.org)
Thanks to Paul for the discs
Another installment of The Music Never Stops Project
Source 2:
SHNID: 120368
Recorded, Transferred and Mastered by N. Hoey
2 Nakamichi CM 300’s > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set 2 TDK MA C 90)(FOB center)
Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT
Notes:
My 4th GD show taping experience and apparently I was trying too hard to conserve tape. As a result I missed opening notes on 4 songs during the first set. Also, I somehow managed to do a inexplicably timed tape flip near the end of Birdsong. Fortunately all of the audience sourced patch material I required was available with shnid 10533. Hats off to Bob Menke for capturing notes I missed.
During editing I noticed that I was recording very close to Bob as many distinctive audience sounds are identical and nearly equally loud.
*A. 04.28 seconds from shnid 10533 patching in the opening notes of “Cangyman”
#B. 01.06 seconds from shnid 10533 patching in the opening notes of “Me and My Uncle”
~C. 10.38 seconds from shnid 23897 patching @ 10:08.17 thru to 10:18.35 in “Birdsong”
+D. 00.58 seconds from shnid 10533 patching in the opening notes of “Big Railroad Blues”
^E. 09.62 seconds from shnid 23897 patching in the opening notes of “Let It Grow”
2nd set flip patches:
&F. 09.06 seconds from shnid 10533 patching @ 10:13.72 thru to 10:22.68 in “He’s Gone”
!G. 07.50 seconds from shnid 10533 patching @ 09:08.15 thru to 09:15.66 in “Black Peter”
Source 3:
SHNID: 136898
AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II
(S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley.
Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 >
R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH >
FLAC 1644 tagged. Transferred by Andrew F. 09/2016
Note: Some close-up clap-n-yak, not too bad. ID-120368 patches;
Scarlet 0:00 > 0:19, crowd at end of FOTM 12:23 > Estimated 0:03,
Drums 1:30 > Space 2:30. ID-10533 patch, He’s Gone 10:10 > 10:41.
Thanks Jon Pasternak & Charlie McGuth for organizing this project!
Source 4:
SHNID: 23897
Master audience cassette (Taped by Steven Martin, 2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20′ in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
A > D by Steven Martin
EAC > FLAC by Jack Warner (jackmw1ATsbcglobalDOTnet)
*Alternate source from Master audience cassette (Taped by Bob Menke, 2 modified Nakamichi CM-700 mics > Sony TC-D5M) > reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
Notes:
D1T1: patch 0:00 – 0:13
D2T3: patch 0:00 – 0:02, 11:51 – 11:57
Tape flip between D2t5 and D3T1
D3T4: patch 9:06 – 9:18
Source 5:
SHNID: 84265
Recording Info:
Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD
Set 2: SBD -> Cassette Master (Maxell UDXLII-90)
Set 1 Transfer Info:
CD -> Samplitude Professional v9.02 -> FLAC
Set 2 Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v9.02 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
April 14, 2007
Patch Info:
(FOB) 2 Nakamichi CM700’s + 1 Shure Mic -> Cassette Master
He’s Gone (10:31 – 10:50)
Black Peter (9:08 – 9:21)
Around And Around (0:03 – 0:10)
Notes:
— Set 1 was not Dolby decoded properly, has many issues
— Set 2 is seamless
— Set 2 was pitch adjusted +3.7%
— Thanks to Paul Scotton and Joani Walker for the Set 2 tapes
— Thanks to Joe B. Jones for his help with this project
— Patch source recorded by Steve Martin (shnid=23897)
— This version has the 2 drop outs in d3t02 fixed