Grateful Dead
5/9/81 – Saturday
Nassau Veterans Memorial Coliseum
Uniondale, NY
–Set 1–
Mississippi Half-Step Uptown Toodeloo ->
Franklin’s Tower ->
Feel Like Stranger %
Bird Song ;
Little Red Rooster %
Candyman ;
Mama Tried ->
Mexicali Blues %
Looks Like Rain ;
China Cat Sunflower ->
I Know You Rider
–Set 2–
Lost Sailor ->
Saint of Circumstance ->
Ship of Fools %
Estimated Prophet ->
Eyes of the World ->
Drums ->
Space ->
Truckin’ ->
Black Peter ->
Around & Around >
One More Saturday Night %
–Encore–
213-d3t07 – (1) Brokedown Palace
Source 1:
This is a flac encoded & tagged version of shnid: 17699
Source: NAK-700’s > SONY TC-D5M Dolby On taped by Barry Glassberg FOB
Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen
DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) >
Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD
CD > EAC(secure) > mkwact > SHN(seekable) by mvernon54@attbi.com
notes –
d1t1 – sounds like PA had Jerry’s mic off at the very start
d2t2 ~ 0:19 very brief skip
d2t6 – tape flip at end of disk
d3t7 – (1) Preceded by an aborted version lasting [0:30]
Source 2:
This is a tagged version of shnid: 33930
gd81-05-09.sbd.miller.33930.sbeok.flac16
Recording Info:
SBD -> Cassette Master -> Dat
Transfer Info:
Dat (Sony R500) -> SEK’D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 14, 2006
Patch Info
Barry Glassberg’s (FOB)Nak 700.Cm supplies first 5 seconds of Half Step
Rob Eaton’s (FOB)Senn 421 + PZM Mix>Cm supplies the follwoing patches:
Eyes Of The World 6:38 – 6:48
Black Peter 7:16 – end of the show
Notes:
— Seamless transition between Discs 2 and 3.
Source 3:
shnid: 118878
*Matrix*
SBD (shnid=33930):
Recording Info:
SBD -> Cassette Master -> Dat
Transfer Info:
Dat (Sony R500) -> SEK’D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 14, 2006
AUD 1 (shnid=17699):
Source: NAK-700’s > SONY TC-D5M Dolby On taped by Barry Glassberg FOB
Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen
DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) >
Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD
CD > EAC(secure) > mkwact > SHN(seekable) by mvernon54@attbi.com
Recorded By Barry Glassberg
[5/30/03]
AUD 2 (shnid=32883):
Recording Info:
(FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK’D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Recorded By Rob Eaton
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 15, 2006
Thanks to Charlie Miller for the sources,
to Rob Eaton and Barry Glassberg for recoding this fine, fine show,
and to Dr. Rob Bertrando for help with pitch correction.
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
June 10, 2008
Pitch correction, amplification, and meta-tagging on February 12, 2012.
Notes:
1) While not the most ideal AUD on its own, Glassberg’s source complemented the SBD best (consistent with the 05-08-81 matrix), and Eaton’s AUD is used only for patches in the SBD. In these cases, only Eaton’s source plays.
2) There was more tape hiss in the SBD source, it seems, than the previous night, especially during the first two minutes of Half-Step.
3) After the cut in the SBD during Eyes, the overall quality of the SBD is slightly diminished. One glaring difference is that not all of the drum pieces are as fully present. I noticed the high-hat (or one of them) is not present in the SBD any more, but is very audible in the AUD, so the AUD helps fill all instrumentation that is lacking in the SBD. Weird stuff.
4) As always – enjoy!
New notes on 2/12/12:
On July 12, 2008, at 4:45 PM, Dr. Rob Bertrando informed me that the speed of this matrix (or SBD) was running about 20 cents fast (1.2%). On February 12, 2012, I took Bertrando seriously and made the appropriate adjustment.
Source 4:
This is a tagged version of shnid: 92246
gd81-05-09.mtx.seamons.sbeok.flac16
MATRIX MIX: 1 SBD/2 AUD (About 60%/40%)
SBD:
Recording Info:
SBD -> Cassette Master -> Dat
Transfer Info:
Dat (Sony R500) -> SEK’D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 14, 2006
Patch Info
Barry Glassberg’s (FOB)Nak 700.Cm supplies first 5 seconds of Half Step
Rob Eaton’s (FOB)Senn 421 + PZM Mix>Cm supplies the follwoing patches:
Eyes Of The World 6:38 – 6:48
Black Peter 7:16 – end of the show
Notes:
— Seamless transition between Discs 2 and 3.
AUD 1:
Source: NAK-700’s > SONY TC-D5M Dolby On taped by Barry Glassberg FOB
Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen
DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496
card) >Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus:
(layout tracks and burn) > CDCD > EAC(secure) > mkwact > SHN
(seekable) by mvernon54@attbi.com
Recorded By Barry Glassberg
AUD 2:
Recording Info:
(FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK’D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Recorded By Rob Eaton
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 15, 2006
Thanks to Charlie Miller for the sources, and to Rob Eaton and Barry Glassberg
for recoding this fine, fine show.
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
June 10, 2008