Pink Floyd – Basel, Switzerland (08/06/94)

Pink Floyd
“Basel 6.8.94”
Fussballstadion, St. Jacob
Basel, Switzerland
August 6th, 1994

source: Unknown?? >wav>shn

Disc 1:

  1. Shine on you Crazy Diamond 1-5
  2. Learning to Fly
  3. High Hopes
  4. Take it Back
  5. Coming Back to Life
  6. Sorrow
  7. Keep Talking
  8. Another Brick in the Wall, pt. 2
  9. One of These Days

Disc 2:

  1. Speak to Me/Breathe
  2. On the Run
  3. Time/Breathe (reprise)
  4. The Great Gig in the Sky
  5. Money
  6. Us and Them/Any Colour you Like
  7. Brain Damage/Eclipse
  8. Wish You Were Here
  9. Comfortably Numb
  10. Run Like Hell

I Downloaded this from DC++ No source info included and I’m still trying to track it down.
so any help would be great! -SoulPanic

Pink Floyd – Hannover, Germany (06/25/88)

Pink Floyd
1988 June 25
Hannover, Niedersachsenstadion, Germany


HANNOVER, NIEDERSACHSENSTADION 25.6.1988
Release Sandor (2002)
source audience – gen: ? (Low)

Lineage

?gen. tape ? SoundBlaster Live 5.1 ‘creative recorder’ ? WAV ? GoldWave ? WAV ? CDR(00)

CD1
01 Shine On You Crazy Diamond 12:12
02 Signs of Life 4:13
03 Learning To Fly 5:56
04 Yet Another Movie 7:17
05 Sorrow 11:10
06 Dogs Of War 8:18
07 On The Turning Away 10:50
08 One Of These Days 8:03
09 Time 5:47

CD2
01 On The Run 3:38
02 The Great Gig In The Sky 4:57
03 Wish Your Were Here 5:03
04 Welcome To The Machine 8:35
05 Us And Them 7:42
06 Money 12:17
07 Another Brick in The Wall 6:00
08 Comfortably Numb 10:41
09 One Slip 6:27
10 Run Like Hell 8:29

TOT LENGTH: 147.49

notes:

recorded in Dolby B

very good audience recording, excellent sound.
audience full of enthusiasm, singing here and there, especially on Welcome To The Machine and Another Brick.

Another spectacular German show …

Green Day – Berlin, Germany (10/03/04)

Green Day
Radio Fritz
Berlin, Germany
2004-10-03

Source: Norwegian P3 FM broadcast through Telenor Avidi (cable provider) ->
Radio/TV cable ->
Pinnacle PCTV PRO ->
Line-in on “Hercules Gamesurround Fortissimo II” sound card ->
Recorded as 44.1 KHz wave file with Soundforge 7.0 ->
Tracked and converted to FLAC with CD Wave Editor 1.94.5
Lineage: FM > WAV (44.1KHz) > FLAC
Taped by: N/A
Transfered by: N/A

File Size: 550mb (FLAC)

Setlist:

  1. American Idiot
  2. Jesus Of Suburbia
  3. Holiday
  4. We Are The Waiting
  5. Saint Jimmy
  6. Longview
  7. She
  8. The Grouch
  9. Hitchin’ A Ride
  10. Brain Stew
  11. Jaded
  12. Knowledge
  13. Basket Case
  14. King For A Day
  15. Minority
  16. I Fought The Law (and the law won) [Clash Cover]
  17. Homecoming

Total running time: 81:12

Notes:

  • The complete show!

!!!For free trade only. Not to be distributed as anything but FLAC/CDR.!!!

Compiled by RA
2005-07-22

The Friday Night Horror Movie: Bone Tomahawk (2015)

bone tomahawk

There aren’t a lot of Western/Horror hybrids for some reason. I don’t know why as it would seem like the barren landscapes of the West and the isolated communities filled with all sorts of outlaws would lend itself to horror, but I guess not. Maybe the audiences for those two genres are considered too far apart to make bringing them together worth it.

Controversial director S. Craig Zahler gave it a pretty good shot with his debut film Bone Tomahawk. Storywise it is primarily a Western but its graphic use of violence and impending sense of doom give it a good dose of horror.

In discussing the Western Genre I’ve not spoken much about its depictions of Native Americans (though we did have a good discussion in the comments section a while back). Generally speaking, the Western’s depiction of Native Americans has not been good. They were usually depicted as nameless, faceless savages attacking, raping, and murdering the pure and righteous white people who had come to the new land to save them from their savage ways.

Zahler (who also wrote the script) tries to work his way around this problem within the genre by having an Indian character (Zahn McClarnon) state that the film’s villains aren’t real Indians, but Troglodytes, cannibalistic savages that belong to no tribe. And thus hand waiving the whole problem away. But this is a Western set in the American West and the villains sure do look a lot like Indians, and they sure are savage. If you can get past that (and the really, truly, gruesome violence) then you are in for a bit of a treat.

A stranger (David Arquette) stumbles into the small town of Bright Hope. He buries his ill-gotten treasure before wandering into a bar. The town’s Back-Up Deputy Chickory (Richard Jenkins) spies the bag burial and tells Sheriff Hunt (Kurt Russell) about the suspicious nature of it all. They question the man who pushes Chickory down and tries to escape, getting shot in the leg by Hunt for his trouble.

They call in the doctor’s daughter Samantha (Lili Simmons) to take the bullet out of the stranger’s leg. Somewhere in the night our villains sneak into town and kidnap the stranger, a deputy, and Samantha.

In the light of day Sheriff Hunt, Chickory, Samantha’s husband Arthur (Patrick Wilson) who has a broken leg, and a dandyish gunslinger named John Brooder (Matthew Fox) all head for the valley where the enemy camps.

All of this is fairly standard Western stuff. Zahler gives it a lazy energy in the first half which is punctuated by some wonderful dialog and terrific performances by all involved. As they finally come to the enemy camp things turn horrific as the bad guys are truly abhorrent. I won’t go into details but let’s just say cannibalism isn’t their worst trait.

I’ve seen a lot of horror films in my day so I’m fairly immune to graphic violence, but this gets pretty intense. I do appreciate a film that doesn’t shy away from the realities of violence. Westerns have a tendency to have bloodless gunfights where the worst that happens to a man when he gets shot is that he falls off a building. Real violence is full of blood and gore and is horrible in every way. There is something to be said for a film to show that.

If you can stomach the violence and the hand-waiving away of the genre’s casual racism, Bone Tomahawk is a rather terrific bit of genre filmmaking.

A Boys Trip Out West

monument valley

My parents are notorious for taking long whirlwind trips in a short amount of time. They often drive the 800 miles to East Tennessee to see my father’s folks over the course of a weekend. They regularly drive a thousand miles or more to Colorado, or Arizona, or Utah, stop to see a few sights for a day or two, and then drive back. Once they drove all the way from Oklahoma to Washington State and made it back within the week.

Me, I like to plan things out. I want to spend time thinking about where I’m going, and what I want to see, and book tours or at least my hotel rooms.

So, when my father called me two weekends ago asking if I wanted to take a trip with him and my brother out west in a couple of weeks, my initial thought was, “No.” But the old man is getting old. I don’t know how many more trips he has left in him. This kind of felt like a last hurrah. A conversation with my brother only strengthened that notion.

A couple of weeks turned into, “How about we leave on Wednesday,” and my desire to go lessened even more. But go we went. Without any notion of where we were going, without any plan on where to stay or even how long we were gonna be gone, we loaded up the car and headed out before sunrise that Wednesday morning.

We hauled it long and hard all day, stopping for the night somewhere past Gallup, New Mexico. We initially planned on staying in Gallup, but after my brother turned up the fact that Gallup has one of the highest crime rates per capita in the country, we drove a little further.

Trying to save a little money we just booked one room at a cheap motel. It was a little awkward sharing a bed with my 50-year-old brother, but a little dose of melatonin and the exhaustion of a long day kept me from caring too much.

canyon de chelly

When we awoke my brother noticed that there was a canyon nearby. The Canyon de Chelly National Monument sounded interesting, we all agreed and so we checked it out. I’m glad we did for it was spectacular.

A few more hours on the road led us to Monument Valley. Me and Dad had been there before, but it was new country to my brother. Me and Dad had visited it years before.

Growing up we didn’t do much travelling. We’d make the trek to East Tennessee to see my father’s family once a summer, and maybe around Christmas but that was pretty much it. I remember once, when my father was asleep in the back of the car, my mother pulled off at some little amusement park and had bought tickets before my dad knew what was happening. That was us vacationing.

We did go to Orlando when I was in high school because my brother had graduated Naval Boot Camp there, and later we visited him in Charleston, South Carolina, but my father didn’t make any of those trips.

john fords point

A few years after I graduated college me and mom convinced dad to take a trip out west. I can’t remember many of the details now, but we visited Monument Valley, the Painted Desert, and the Grand Canyon, plus a few other sites in that area.

Dad loved it. And it set him on a path of regular travel ever since. So, this trip felt a little like a reunion tour of the trip that got him started.

If you’ve ever seen an old Western Movie, you’ve probably seen Monument Valley. John Ford shot half a dozen films there or so, and the list of movies and television shows that have had at least one scene set there is enormous. It is a beautiful, strange, amazing bit of land filled with giant rock formations that look completely out of this world. It was a big foggy when we were there which allowed for some interesting photographs.

Dad had the Grand Staircase-Escalante National Monument in his sights so we headed that way next. We drove to Page, Arizona that night, with plans to drive to the Staircase early the next morning.

horseshoe bend

We got to Page relatively early and discovered there was a beautiful horseshoe bend in the river nearby. A quick hike to that brought some more amazing views.

The next morning, on the road we discovered a cool little pull-off with some excellent-looking formations. Our phones told us to drive to Kenab, Utah to get inside Grand Staircase, but once we were there we realized that we had essentially driven right past it. The park is quite huge and the things we were interested in seeing were North East of where we were, making it another several-hour drive to get to where we thought we were.

By this point we were all already pretty well exhausted from all the driving, and Dad was already hinting that he was ready to go home. A quick look at the map we found at the tour guide stop showed a cool-looking slot canyon to the north about 90 miles. We decided we’d make that our last stop before heading home.

bryce canyon

The tourist map wasn’t a very good one and we soon found ourselves accidentally in Bryce Canyon. From what I can figure the slot canyon was actually at the bottom of it. Not wanting to make that hike we decided to just look at it all from above. It had snowed that morning granting us some very beautiful views.

After that, we headed home. That’s a 1,200-mile drive home for those keeping track and it took us the rest of that day and all of the next. All in all it was a long, hard little vacation, but a good one. I still prefer to plan things out better and stay longer, but I’m glad I went.

If you’ve read this far and would like to see the rest of the photos I took I created an Amazon Photo Album.

Various Artists – Nobody Sings Dylan Like Dylan, Vol. 10: Next Time You See Me Comin’

Various Artists
Nobody Sings Dylan Like Dylan, Vol. 10: Next Time You See Me Comin’

This one begins and ends with some very special performances. The first track is from the final Grateful Dead show, which was the final show Jerry Garcia ever played; this was the final Dylan cover he ever performed. The last track is the last song from the concert Bob Weir played with his band Ratdog on the night of the day Jerry died. In between are a batch of exceptional performances, including a rendition of “Hard Rain” by Dylan-producer Daniel Lanois that is from one of the best shows I have ever been to; the whole show is currently available on Dime, and should be in every music lover’s collection.

This will be the final entry in this series for 2006, as I am going on vacation and leaving my computer behind. But I hope to come back with more in 2007, so keep the suggestions and files coming! As always, thanks to the tapers, the original uploaders, and especially the performers and composer. Pdiamond and dsgtrane have been kind enough to create great artwork for the first nine volumes, and hopefully one or both of them or someone else will do the same for this one. Due to the many different sources, I am not including lineages. I have done nothing to the original files but normalize the levels and fade in and out on each track (using Cool Edit). Enjoy!

01 When I Paint My Masterpiece
Grateful Dead (Jul 9, 1995, Soldier Field, Chicago, IL)

02 All Along the Watchtower
Warren Zevon (Jan 16, 1996, Rack-n-Roll, Colorado Springs, CO)

03 Blind Willie McTell
Rick Danko (Nov 19, 1992, Stephens Talkhouse, Miami, FL)

04 Hard Rain
Daniel Lanois (Sep 22, 1995, Ballard Backstage, Seattle, WA)

05 This Wheel’s On Fire
Billy Bragg and KT Tunstall (9-26-05, Barbican Theatre, London)

06 Girl From the North Country
Johnny Cash and Joni Mithcell (Oct 7, 1970, Johnny Cash TV Show, Nashville, TN)

07 She Belongs to Me
John Doe (Feb 2, 2005, Narrows Center for the Arts, Fall River, MA)

08 Just Like Tom Thumb’s Blues
Tom Russell (Apr 2, 2002, Columbus Music Hall, Columbus, OH)

09 Ballad of a Thin Man
Elliott Smith (Oct 11, 1998, 400 Club, Minneapolis, MN)

10 Like a Rolling Stone
World Party (Jul 23, 1993, Wadsworth Theatre, LA, CA)

11 Visions of Johanna –
Dan Bern (Mar 14, 2004, Joe’s Pub, New York, NY)

12 Trying to Get to Heaven
Robyn Hitchcock (Nov. 25, 2003, Largo, Los Angeles, CA)

13 I Shall Be Released
Neil Young with Phish, REM, and Sara McLachlan (Oct 17, 1998, Shoreline Amphitheatre, Mountain View, CA)

14 Knockin’ On Heaven’s Door
Ratdog (Aug 9, 1995, Hampton Beach Casino, Hampton Beach, NH)

Westerns in March: Blood on the Moon (1948)

blood on the moon

On a surface level Westerns and Film Noirs have very little in common. Noirs tend to take place inside the big city. Westerns are all about the wide open spaces of the American West. Noirs usually occur in the present, whereas westerns (almost by definition) occur in a specific past. Noirs are filmed in black and white. They revel in shadows and light. They take place in smoky little bars and grubby flats. Westerns make great use of the widescreen format and technicolor. Classic Westerns are about good versus evil; the differences are plain. Noirs live in the grey, the morally ambiguous, the dark nights of the soul.

It is that last bit that sometimes allows the two genres that seem so far apart to grow a little closer. While Classic Westerns often do present moral absolutes with clear good guys and bad guys, as the genre grew older it began to change. Their heroes were sometimes morally grey. They wrestled with complex questions. Dealt with complex characters. Etc. They started to feel a little more like noirs. Not always, of course, the vast majority of westerns stuck to their lane, but some of them, some of the best of them, allowed themselves into murkier territory.

Blood on the Moon is a Western Noir. It is set in the Old West, its characters are old cowboys, and its plot involves cattle and Indians, but its hero is flawed and its cinematography is pure noir.

Robert Mitchum plays Jim Garrey, a man down on his luck. When his old pal Tate Riling (Robert Preston) offers him a job he takes it, no questions asked. He soon learns he should have asked questions because Riling is up to some shenanigans.

The plot (or I should say Riling’s plot) is convoluted and too complicated to get into here. Basically, he’s setting some homesteaders against a rancher in hopes of making himself rich. He needs Garrey as a mediator to arrange a deal over some cattle.

That part of the plot doesn’t really matter. It boils down to Riley using Garrey for some pretty shading dealings. Garrey is basically a good man, but he’s done some bad things which makes him feel like a scoundrel. He’s left with a decision on whether to do the right thing and go against an old friend, or stay the course and get rich in the process.

Honestly, I got a bit lost in the machinations of the plot but Mitchum is great as usual and cinematographer Nicholas Musuraca gets some great noir visuals out of his scraggly western landscape (and no wonder he shot a lot of great film noirs including Out of the Past and The Spiral Staircase). Preston seems a bit miscast to me. He’s great when he’s playing rascally con men, but he doesn’t quite exude the menace his character needs in this film.

Overall a decent example of both the Western and the film noir but there are better films in both genres.

Westerns In March: 2024

I’ve been doing monthly movie themes for long enough now that they are starting to come around again. This is interesting to me because on most months I will pick a theme and try to watch as many movies as I can from that theme, but some work better than others. I’ve been doing Noirvember now for 6 or 7 years and I always look forward to it. But some themes like musicals or the 1960s fizzle out almost before they get started.

Last year I did Westerns in March and quite enjoyed myself. I’ve only really gotten into westerns over the last few years but I got into them in a big way.

Not to get nerdy with numbers but I can actually pinpoint when I really started to get into the genre. Prior to 2019, I would watch a handful of Westerns or less every year. Then in 2019, I watched 11 westerns. I started the year off with a couple of the Man With No Name films, then watched Stagecoach with John Wayne. That set me off watching several more John Wayne films and the year ended with Johnny Guitar, a new favorite. Ever since I’ve watched at least 30 westerns every year. That’s more than a couple Westerns per month.

That doesn’t mean anything to anyone, but I love that kind of stuff. That is why I subscribe to Letterboxd.

Anyway, it is March again and I’ve already seen several Westerns. I look forward to watching many more and hopefully writing about a few.

Here’s the list of film I watched for this series:

Blood on the Moon (1948)
Vera Cruz (1954)
The Great Train Robbery (1903)
The Professionals (1966)
Comanche Station (1960)
Ride Lonesome (1959)
Ten Wanted Men (1955)
The Searchers (1956)
Ride the High Country (1962)
Bone Tomahawk (2015)