Pretty much whenever I watch a movie, I internally review it. More often than not, once the movie is over, I’ll spend some time mentally writing a review. Sometimes that makes it onto the page, and I post it here or elsewhere. Sometimes I get distracted, and it never goes anywhere.

Every once in a while I’ll mentally write a review and think that I have actually posted it only to discover, later, that I never did write it out. This is one such occasion. I sure thought I had written a review for this film, but alas, I have not.

The trouble is I watched this a couple of weeks ago, and the plotting details are already foggy. And because this is a fairly obscure Norwegian film from 1952, there aren’t a lot of details of the film online. 

But it is still Foreign Film February, and I wanted to write something about it, so here goes. 

The Criterion Channel is running a little collection of Nordic Noir, and I’ve been enjoying it. The first two films I watched weren’t all that noirish, to be honest. There were hints of noir in there, but you have to stretch the definition a little bit to categorize them as such. But 2 Minutes Late is straight-up noir, and I loved it.

Max Paduan (Poul Reichhardt) is married to the nervous, clingy, and extraordinarily jealous Grete (Grethe Thordahl). She’s even jealous of her sister Beth (Astrid Villaume), thinking her friendship with her husband might be something more. 

One day Grete goes to an old bookstore to find something to read while she’s getting her hair done. She accidentally leaves her purse behind. When she returns, she finds the owner has left for lunch, but a little push on the door and it opens. She smells something strange in the store but shrugs it off, grabs her purse, and leaves. 

Later she’ll learn someone was murdered in that store right around the time she was in it. Suspicions fall on Max, and it is Beth who does some investigating to find out who really did it. The plot gets all sorts of twisty, and it’s filled with lots of interesting little details. This is where my memory gets fuzzy. I don’t remember exactly where it all goes, but I do remember I quite liked it.

If you like film noir and have the Criterion Channel I highly recommend it.