The Movie Journal: July 2026

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I watched 31 movies in July. 17 were made before I was born. 27 were new to me.

I don’t have much more to say about it. There was no theme. I reviewed quite a few movies for Cinema Sentries. I visited my family in Kentucky, which cut down on my viewing a big (though I still averaged out to one movie per day). I saw The Odyssey in the theater. It was a good month.

Most Watched Actors July 2026

We watched some more classic Doctor Who, which bumped Tom Baker back into the lead of the most-watched actors category with 9 films. Robert Ryan is now tied for third place with five films watched. Since ImgBox is still down, I can’t see the images of last month’s most-watched, so I can’t really tell what else changed.

Most Watched Directors July 2026

The director’s most watched category has changed quite a bit, I think. I love that there are guys like Mervyn LeRoy and Gilles Grangier in the race. I’ve heard of Mervyn LeRoy, but I’d be hard-pressed to name any of his films, and I don’t know Grangier at all, so I’ve just sort of randomly watched some of their films.

That’s all, I guess. What have you all watched this past month?

Doctor Who: The Curse of Peladon (1972) ****
The Outfit (1973) ****
Exit 8 (2025) ***
Texas Chainsaw Massacre (2022) *
The Double (1971) ***
Silence (2016) *****
Slap the Monster on Page One (1972) **1/2
Doctor Who: Pyramids of Mars (1975) ****
The Odyssey (2026) ****
Faces of Death (2026) **1/2
Deadly Circuit (1983) ***1/2
Normal (2025) **1/2
The Adventures of Arsène Lupin (1957) ***1/2
Eyewitness (1956) ****
The Souffleur (2025) ****
Mean Girls (2004) ***1/2
Forbidden Fruits (2026) *1/2
In the Mouth of Madness (1994) ***1/2
A Man Named Rocca (1961) ****
The Pariah (1972) ***
The Princess Bride (1987) *****
Destroy All Monsters (1968) ****
Thirty Seconds Over Tokyo (1944) ***1/2
Pretty Maids All in a Row (1971)***1/2
Hi-Jack Highway (1955) ****
My Old Lady (2014) ***1/2
Someone Behind the Door (1971) ***1/2
Lee Cronin’s The Mummy (2026) ***
Come Live with Me (1941) ***1/2
Violent City (1970) ****
Strange Cargo (1940) ***1/2

Slap the Monster on Page One (1972)

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I’ve become a big fan of 1970s Italian crime thrillers. Italy was going through what they now call the Years of Lead back then, which was a period of high crime and political turmoil. Their films often reflect that in the best possible way. This film pushes the politics more than the crime or the thrills, which makes it just a little bit dull. But there is still some good stuff, as you can tell from my review.

Come Live With Me (1941)

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Come Live With Me is a sweet little romantic comedy from 1941. It stars Hedy Lamarr as an Austrian woman who has fled the Nazis and is currently living in New York. When she is threatened with deportation unless she marries an American, she makes a deal with a down-on-his-luck writer. If he marries her, she’ll give him enough money to live on. But she doesn’t want anything more from him because she’s in love with another man (who is already married to a different woman, hence the reason he can’t marry her). Lamarr and Stewart are terrific, and the whole thing is very good light entertainment. You can read my full review here.

Pretty Maids All In A Row (1971)

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When I review discs for Cinema Sentries, it is by request. The owner of the site, Gordon, sends out emails from the PR people noting that they have discs for review. When I want something, I make a request, and if I’m lucky, I get a copy of the disc.

I don’t always know exactly why I request something. Sometimes, it is for a film that I already love and want to own on disc. Sometimes it is for a film that I’ve been wanting to see. More often than not, it is for a film I’ve never heard of, but that sounds interesting. I get a lot of films from Kino Lorber and the Warner Archive that are like that. They usually star actors I really like or are from a director I enjoy. I also often request films from the Criterion Collection or Radiance Films because I know they will be great releases, and usually the films are interesting.

And then there are films like Pretty Maids in a Row. This is a sleazy film about sexy teens getting murdered in a high school. It stars Rock Hudson as a football coach/counselor who’s sleeping with half the student body. Angie Dickinson plays a sexy teacher, and Telly Sevalis is the cop trying to solve the murders. It was written by Gene Roddenberry and directed by Roger Vadim. That’s a lot of talent for a skeezy film. Which I guess is why I requested it.

It isn’t good exactly, but it is a fascinating time capsule into a certain period of Hollywood film. You can read my full review at Cinema Sentries.

Thirty Seconds Over Tokyo (1944)

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Spencer Tracy gets top billing in this World War II epic, but this is really Van Johnson’s film. He plays a fighter pilot who volunteers for a secret mission to bomb Japan just weeks after the bombing of Pearl Harbor. The title is apt as the actual bombing raid takes hardly any time at all. The film therefore focuses on the time before, when the men are training for the mission, and the time after, when Van Johnson’s plane is shot down on the Chinese shoreline, and they must find a way to escape to safety.

I wanted to love this film more than I did. Honestly, it is a bit of a drag as the training exercises are dull and the romantic engagements even more so. Things pick up once they crash, but by then I was just ready for the film to be over. You can read my full review at Cinema Sentries.

Now Watching: Deadly Circuit (1983)

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Deadly Circuit (1983)
Directed by Claude Miller
Starring Michel Serrault and Isabelle Adjani

Synopsis: A private detective becomes obsessed with a serial killer who he thinks might be his daughter.

Rating: ***1/2

Thoughts: A very French take on the neo-noir. A private detective known as “The Eye” (Serrault) is hired to locate a rich couple’s son and find out more information about the woman he has been seeing.  He finds the man and watches the woman, Catherine (Adjani) murder him. The detective doesn’t turn her in, but continues to follow her, where he finds that she regularly seduces rich men and then murders them. He becomes convinced she is his long-lost daughter and begins secretly helping her dispose of the bodies. 

This is a weird little film that mostly follows the detective as he follows the girl. Serrault is great as the detective. He’s a guy who was once great at his job but has lost his way. As he’s gotten older, he’s feeling the weight of having never known his daughter (what exactly happened to her is only revealed late in the film). Adjani is lovely as well, but Catherine is someone we mostly just see through his eyes. The plot is strange and quirky and kind of wonderful.

A Man Named Rocca (1961) / La Scoumoune (1972)

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If you spend any time at all watching French cinema, then you will no doubt know the name Jean-Paul Belmondo. He was one of the great actors of the French New Wave and remained a popular favorite for decades.

In what seems like a very strange turn of events, he wound up starring as the same character in two different adaptations of the same book, some eleven years apart. Kino Lorber has just released them, and I watched them back to back. It is a fascinating glimpse into the adaptation process. I reviewed them both over at Cinema Sentries.

The Movie Journal: June 2026

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I watched 36 movies in June. 16 of them were made before I was born. 30 of them were new to me. There was no theme this month.

As I’m writing this and adding links to all the reviews I’ve written, I realize I haven’t written as much as I used to. A couple of months back, I made a decision that I wanted to write more about music on this site since this was a music-only site for many years, and some of you have told me you don’t have much interest in movies. Once that decision was made, it was like a little button was pushed in my brain, turning off that demand to write about movies. 

Before that decision was made, I always felt like I needed to write something nearly every day. Movies were the easiest thing to write about since I watch a lot of them.  Having a theme each month also demanded a certain amount of writing. But I clicked that switch, and that feeling of “needing” to write about movies died. I actually do want to write more than I have, but once that button was switched, I immediately found other things to distract me with.  It’s weird.

And yet, the switch to write about music hasn’t quite been turned on either. I do my main music listening in my car, mostly when driving to and from work. I’ve been trying to write about concerts, but they last a couple of hours. My ride to work is about twenty minutes, so it takes me a couple of three days to get a full concert listened to.  Then I want to listen to it a few times before I write anything.  But also, I feel like I need to really listen, and sometimes I’ve got something on my mind.  If I find I’m not really listening, I turn it off. Or sometimes I get a phone call while driving, or something else comes up. So, my music writing takes a lot longer than my movie writing.  I’m working on a better system.

I am still writing about movies, just for Cinema Sentries. So that’s good.

I subscribe to a few different movie streaming services.  We have Prime pretty much always, but we switch back and forth between various others. I usually subscribe to the Criterion Channel, and my wife loves BritBox.  My daughter has recently gotten into anime, so now we have Crunchyroll.  But sometimes we’ll cancel one service and get another one for a month or two. Earlier this year, my daughter really wanted to watch Hamilton, so we subscribed to Disney+ for a month.

Most streaming services offer up pretty good deals on the regular, and I’ve always got my eye out. This month, I got a good deal on the Kino channel and something called Midnight Pulp. Kino is connected to Kino Lorber, a company I get a lot of review Blu-rays from. They have a very nice selection of old movies, and a lot of foreign films. They are similar to Criterion, but whereas Criterion aims for the greatest films ever made, Kino tends to get slightly more obscure films. So I got to watch films like Picpus – a pretty good Maigret film – and A Pain in the Ass – a very funny French film.  

Midnight Pulp is pretty much exactly what it sounds like. They offer up genre films. The time of movies you’d catch at some old midnight movie place, or at the back of your local video store (when there used to be video stores.) They have some terrible films, and a lot of goofy-looking erotica, but I managed to see a terrific Japanese film called Samurai Wolf and Night of the Juggler, which was just wonderful. 

We are at the halfway point of 2026, so I’ll offer up some more statistics. I’ve watched 241 movies this year. I’ve seen 13 films from this year. Dramas are my biggest watched genre, followed by Thrillers, Crime, Action, and Horror. Movies made in the USA got the most views by me followed by the UK, France, Italy, and Japan. 187 or 77 percent of the films I watched were new to me.

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The big news in the most-watched actors field is that Lino Ventura bounced up to a tie in first place with Tom Baker, Spencer Tracy, and James Stewart (who also moved up one film). Marcel Bozuffie also moved up one film to five. But pretty much everyone else stayed the same.

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As for directors, Guy Hamilton bumped up a film to three watched, making him tied with a bunch of others for second place. Chloe Zhao is now on the leaderboard, making her the only woman director to place. I should do better about that.

It has been a good year so far. I’ve watched some great movies. Here’s to another six months.

Songs My Brothers Taught Me (2015) ****1/2
Back to the Wall (1958) ****
Speaking of Murder (1957) ***1/2
Obsession (2025) ***1/2
Dead Heat (1988) ***1/2
Supergirl (1984) ***
Rings of Fear (1978) ***
Fright Night Part 2 (1988) ***1/2
Head Against the Wall (1959) ***
Suicide Club (2001) ***
A Pain in the Ass (1973) ****
Samurai Wolf (1966) ****1/2
Night of the Juggler (1980) ****1/2
Picpus (1943) ***1/2
Virtuosity (1995) ***
Doctor Who: The Awakening (1984) ***1/2
The Toxic Avenger (2023) ***
The Narrow Margin (1952) ****
The Mastermind (2025) ****
Deathstalker II: Duel of the Titans (1987) **
Solo (1970) ****
Waves of Lust (1975) **
Kiki’s Delivery Service (1989) *****
The Long Arm (1956) ****
The Intruder (1953) ***1/2
Home at Seven (1952) ***
Fright Night (1985) ***1/2
Aesthetics of a Bullet (1973) **
Deathstalker (1983) **
The Roaring Twenties (1939) ****
A View to a Kill (1985) ***1/2
The Hunchback of Notre Dame (1939) ****1/2
Project Hail Mary (2026) ****
Beyond the Door III (1989) ****
Witchboard (1986) *
Backrooms (2026) **1/2

Waves of Lust (1975)

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I don’t know why I still watch exploitation movies. I know why I used to watch them – they are filled with exciting action, violence, and naked flesh, but I can get that anywhere now. Certainly in ways that are far better produced and more interesting than what appears in most exploitation flicks.  But when an offer for a film called Waves of Lust appears to me, I immediately say “yes.” 

I guess I’ll always be a sucker for this stuff. You can read my review of the film (which isn’t bad, actually) over at Cinema Sentries.