The House by the Cemetery (1981)

house by the cemetery poster

It is almost October which means it is almost Halloween which means I’ll be watching a lot of horror movies. I should be creating a list for my #31DaysofHorror and #Hooptober hashtags (more on that later) but for today I just watched an old Italian horror. Lucio Fulci was an Italian director who made lots of films in lots of genres but is mostly known today for a series of Giallo and Horror films, most of which included high levels of graphic violence (he is sometimes called the “Godfather of Gore”.)

The House by the Cemetery is not his best work, nor his worst, but it is a pretty good example of what he is about. The story is hard to follow and mostly nonsense. The screenwriter, Dardano Sacchetti, says he was inspired by Henry James and Fulci says he wanted to make a Lovercraftian story. I’ve not read anything by any of those authors so I can’t comment on that, but I can say little of what’s on the screen makes much sense.

The story involves an intellectual, Norman Boyle (Paolo Malco) who moves from New York City to a small town in New England. He takes his wife Lucy (Catriona MacColl) and young son Bob (Giovanni Frezza) with him. He’s there to continue the research of his mentor Dr. Peterson, who previously went a little crazy and killed his mistress and then offed himself. All of this was done in the titular house by the cemetery, the house Norman and his family are moving into.

It is a creepy old horror movie house – big and dilapidated, filled with shadowy corners and a scary basement. It is not only located next to a cemetery but also on top of one. Or at least when they pull back a rug they find a tombstone in the middle of one of the rooms. Norman says that lots of homes bury their loved ones inside their houses because it gets cold up there in the winter and the ground is too hard. Sure Norman, whatever you say. There are lots of cold places in this world and I don’t think any of them keep grandma’s corpse in the basement.

People keep telling Norman that they’ve seen him before, that he must have been up in that town a few months prior. Norman keeps denying this. The librarian is a creepy dude who seems to know more than he lets on. A babysitter (Ania Pieroni) shows up and is found trying to get into the locked basement. Then she gets brutally murdered down there. Bob befriends a young girl who no one else can see and who may actually be a ghost.

None of these things are connected very well. It feels like several scenes are missing. Or the screenwriter got drunk and forgot to write a few pages. But it doesn’t really matter. Nobody watches a Fulci film for a great story. They watch it for the gore and this film gives you plenty.

It is the type of film that not only includes a dungeon filled with bodies chopped into pieces but that quick zooms into the viscera and lingers on the gore. In the very first scene a woman gets a knife stabbed through her skull. If you enjoy handcrafted gore effects, and I certainly do, then Lucio Fulci is your man, and The House by the Cemetery is not a bad place to start.

It isn’t just blood and guts though, that make this worth watching. The story is a bit bewildering but Fulcio does a nice job of creating an eerie atmosphere and keeping things just enough off balance that your left feeling on edge for most of the film’s runtime.

Two from Sergei Eisenstein: October (1928) & Alexander Nevsky (1938)

two from eisenstein

Sergei Eisenstein was one of the most important of the early directors. He’s someone I’ve heard about many times but until I watched and reviewed these two films back in November of last year I’d never actually set down and watched anything from him. I’m glad I finally did. You can read my reviews here.

Counterpoint (1968)

counterpoint blu-ray

There are a lot of boutique labels putting out all sorts of movies on Blu-ray these days. All the recent blockbusters get releases, of course, and the certified classics. Companies like Arrow Video and Severin and releasing cult films and old schlock horror movies. Kino Lorber continues to do a magnificent job of releasing what I like to call Almost Classics. These were mainstream movies with A-list directors or actors that were aiming for greatness and somehow fell short. They usually aren’t bad, sometimes they’re even quite good, but for one reason or another they never quite attained classic status.

I’ve reviewed quite a few of these over the years and Counterpoint is one such example. It stars Charlton Heston and Maximillian Schell and has an interesting WWII era plot. But it has largely been forgotten and with good reason, as it isn’t really very good. Anyway, you can read my full review here.

The 8 Diagram Pole Fighter (1984)

8 diagram pole fighter blu-ray



As you’ve probably guessed by now I’m a huge film of genre cinema. I love horror movies, detective movies, film noir, kung fu movies, and many more. What I love about a genre is that you know what to expect coming in. Genres have conventions. There is something comforting about watching an old western and knowing John Wayne is going to win in the end.

What I love about great genre movies is how they can subvert those conventions. It is really fun to watch a movie where you think you know what is going to happen, only to find out that what happens is completely unexpected.

I don’t know that The 8 Diagram Pole Fighter subverts any of the conventions found in kung fu movie, but I do know that it is a really great kung fu movie with fight scenes that will blow your mind. Sometimes that’s all I really want in a genre movie. You can read my review of it here.

Rogue Cops and Racketeers: Two Crime Thrillers by Enzo G. Castellari

rogue cops and racketeers
Arrow Video is one of my favorite boutique labels putting out Blu-rays today. What’s great about them is that they find fairly obscure genre movies, restore the audio and video, give them a bunch of special features like audio commentaries and interviews with the filmmakers, and then put them in great little packages.

Sometimes they create boxed sets of similar type of films. They recently put out a couple of Italian crime dramas and boxed them up in a set they called Rogue Cops and Racketeers. I wrote a review of it, which you can read here.

The Initiation of Sarah (1978)

the initiation of sarah

My current plan is to try to repost 3 of my old reviews per day and then link to three reviews I’ve written over at Cinema Sentries. I’m not entirely sure of how many reviews I’ve written in my life, so I have no idea how long that process will take.

I will be writing new reviews pretty regularly both over at Cinema Sentries and possibly just here. I’ve also got a whole lot of journal entries of the year I spent in France that I’d like to repost at some point. I’m still trying to figure out the best way to do that, so it may be a while before you see those thoughts.

There are also some old bootleg reviews, something I used to call Random Shuffle (I’d put my music collection and shuffle and then tell stories about what the songs reminded me of), and lots of other old stuff I’ll eventually repost.

I’m thinking about writing new bootleg reviews pretty regularly and I’m still pondering how best to upload and post new shows. There are all kinds of ideas floating around in my head about what to do with this site, but nothing had quite solidified.

But I’m getting ahead of myself. I recently wrote a review for CS about a movie called The Initiation of Sarah. It isn’t a very good movie. It is basically a rip-off of Carrie. But you can read my review here.