John Carpenter is one of my favorite genre filmmakers. He’s one of the few guys making genre films that has no pretensions as to being any other kind of filmmaker. He wasn’t making horror films as a means to fund his arthouse projects, he was making them because he loves horror movies.

When he was good there were few better, when he was bad…well I started to say I don’t want to talk about when he was bad, but I have to talk about The Ward.

After I watched The Ward but before I sat down to write anything I decided to put on another movie. Browsing through the Criterion Channel I discovered another John Carpenter movie Someone’s Watching Me, and I decided to make it a double feature.

Made in 2010 The Ward remains the last film Carpenter ever directed. Considering that was 14 years ago, that he’s now in his mid-70s, and has expressed no desire to ever make a film again, I think it is safe to say it will be his last film.

Made in 1978 Someone’s Watching Me was the third film he’d ever directed, coming just after the experimental student film Dark Star and the low-budget, independent (but still great) Assault on Precinct 13.

The Ward was made by an elder statesman with nothing left to prove. A man who had grown tired of making films. It was his first film after a ten-year break from feature films. A man who admitted he was burned out, and fallen out of love with filmmaking.

Someone’s Watching Me was made by a young artist, hungry. He not only directed his previous two films but wrote their scripts and scored them. Warner Brothers asked him to write the script for Someone’s Watching Me based on a true story that happened in Chicago. When they decided to turn it into a made-for-TV movie they offered him the director’s chair. Carpenter jumped at the chance.

It would mean a bigger budget (even 1970s made-for-TV money was more than he was used to working with) and access to better equipment and good crews. It even gave him his Director’s Guild union card.

It isn’t that The Ward is a bad film, it’s just generic. Were it made by any other filmmaker it would be largely forgotten. But because it was made by Carpenter and it was his “comeback” film after 10 years away it is nothing but disappointing. His films weren’t always great but they were never generic, they were always made by a filmmaker with a vision.

There are generic aspects of Someone’s Watching Me’s plot, it is your basic woman being stalked by an unknown stranger story that has been told many times. But Carpenter infuses it with style and does his very best to keep it interesting. It is full of camera movement and shots that clearly took time to set up and were well thought out.

The Ward feels dull in comparison. It is a story that has been told many times before as well. A young woman finds herself in a psychiatric ward where something is stalking her and her fellow patients. But is it real or is it all inside her head?

But Carpenter does nothing with the material. Unlike most of his films, he didn’t have a hand in writing The Ward and he didn’t score it either. It was more or less a director-for-hire type film and he phoned it in.

It was fun watching these two films from both sides of his long, storied career. His best material lies between the two (he almost immediately started making Halloween just after he wrapped on Someone’s Watching Me and he says he learned many of the techniques he’d use on that horror masterpiece there). But is always interesting to see a filmmaker at the beginning of his career and then at the end.

For the pedantic film nerds among you, I am aware that Carpenter directed two episodes of the Masters of Horror series after that ten-year hiatus, and he recently filmed an episode of John Carpenter’s Suburban Screams, but those weren’t feature-length films so I made an editorial decision and left them out of the discussion.