The Friday Night Horror Movie: Trap (2024)

poster

I watched The Sixth Sense in the theatre when it first came out. I managed to see it before the surprise ending was ruined for me. I remember liking it that first viewing quite a lot. But then some friends of mine wanted to see it and I was visiting them in Arkansas so I felt like I couldn’t say no. Even though I was pretty sure that the film would disappoint since I now knew the surprise. It did disappoint. I was bored during that second viewing.

That whole day was weird. I was good friends with her in high school. But since going away for college I hadn’t talked to her in over a year. Her husband I didn’t know at all. So the day was full of awkward conversations and then this movie I didn’t want to see. I also randomly remember her listening to The Eagle’s greatest hits on cassette and I hate the freaking Eagles.

Anyway, The Sixth Sense was of course an enormous hit and made M. Night Shyamalan an instant celebrity director. He followed it up with the underrated Unbreakable and then the quite fun but rather ridiculous Signs, and then the very creepy but completely dumb after the trick ending is revealed The Village.

By this point, he was starting to feel like a one-trick pony where every movie had a surprise ending. Everybody hated Lady in the Water and The Happening became an instant joke.

Shyamalan was on the outs. But then a funny thing happened on the way to career suicide. People started liking him again. It was as if after all the hype died down, and expectations became low, people realized he was actually a pretty good stylist and while his scripts were often ridiculous, his films were rather fun.

Or maybe that’s just me. I like most of his movies. They are dumb, but he’s a skilled enough director to keep me interested.

Trap is an absolutely stupid movie. There are so many instances in the film where I kept shouting at the screen that whatever was happening wasn’t the way things work. People don’t behave like that. Concerts don’t have multiple random intermissions. Police don’t let serial killers hug their daughters and play with their son’s bicycles.

And yet, I still quite enjoyed myself.

The plot involves a serial killer named Cooper Adams (Josh Hartnett), known as “The Butcher,” (and this isn’t a spoiler as it was revealed in all the trailers, reviews, and the first ten minutes of the film). He’s kidnapped at least a dozen people, then killed them, then chopped them up into pieces and displayed their parts in public. But he’s also a decent family guy.

He’s taken his daughter Riley (Ariel Donoghue) to see pop star Lady Raven (Saleka Night Shyamalan – the director’s real-life daughter who is in fact a real singer – you gotta love a dad who basically makes a movie to show off his daughter’s talents). But the cops and the feds have been clued into the fact that The Butcher is gonna be there so the entire concert is one big trap for him.

Cooper must find a way to escape so he can continue killing. And being a family guy. It is a testament to Hartnett’s skill as an actor and Shyamalan as a director that I found myself rooting for a serial killer for most of the film’s runtime.

Truly this is one of the most ridiculous films I’ve seen in a long time. Ridiculous decision after ridiculous decision is made by Cooper, the police, Lady Raven, and everyone really. My eyes rolled into the back of my head and then fell right out.

And yet, again, I quite enjoyed myself. Shyamalan never takes anything too seriously. He’s quite aware his film is dumb. But he’s having fun. And so was I.

Bill Evans – Hamburg, Germany (02/14/72)

Bill Evans Trio w/ Herb Geller
14th February 1972
Studio 10
Hamburg, Germany

Most of the seeds i do are actually “reseeds” of very good material i found here on DIME. As i’m not often seeding any “new material”, i appreciate make things
staying on the tracker, especially when it concerns quality recordings. Evans is a classic, ad a brillant one.

I made 2 different directorys as we got the concert from two different seeders. They were both seeded at different moments,
and i decided to make just one seed so that everyone can appreciate a complete recording… I think it fits on one cd.

Thanks to both original seeders.

The original source stays the same: FM source.

Sound quality is excellent studio one, maybe better than lot of commercial releases of Evans.
Hope you’ll enjoy, all this material was already seeded on DIME those 2 last years.

Personal:
Bill Evans (p)
Eddie Gomez (b)
Marty Morell (dr)
Herb Geller (fl) *>with him

Disc 1

1.Introduction by Michael Naura

  1. RE: A person i knew
  2. Turn out the stars
  3. Gloria’s step
  4. The two lonely people
  5. Sao Paulo*
  6. Stockenhagen*
  7. Nardis (incomplete)

Disc 2

  1. 1 Waltz of dissention *
  2. Quarter tone experiments *
  3. Northern Trail

Betty Davis – Le Castellet, France (07/25/76)

Betty Davis
“Riviera ’76 Festival Jazz-Rock”, Circuit Paul Ricard, Le Castellet, France
Audience Recording (Sivad)
July 25, 1976 (Approximately 11:00pm)

Lineage (Sivad): Audience Recording (Sivad) > 2 UHER dynamic mics > Nakamichi 550 Portable Cassette Recorder > TDK Tape > TASCAM > Cassette Deck >
Vaio Soundcard 😦 > Audacity > HD

Additional Lineage to the above (RatedX): CD Wave > TLH Flac Level 8

Betty Davis – Vocals
Larry Johnson – Bass, Vocals
Fred Mills – Keyboards, Vocals
Carlos Morales – Lead Guitar, Vocals
Semmie ìNickeyî Neal, jr. – Drums

According to the MC Introductions: Betty davis dedicated this show to Miles Davis.

01 French MC Intro From The Stage :27
02 Instrumental ? 3:18
03 Nasty Gal 4:31
04 Dedicated To The Press 3:40
05 The Lone Ranger 9:46
06 He Was A Big Freak 5:49
07 Talkin Trash 9:23
08 Steppin In Her I. Miller Shoes 5:21
09 Instrumental ? 2:09
10 Shut Off The Light (w/Applause) 5:15

Total Time: 49.39

Note:

  • Thank you Sivad (Original Taper) on following through with my request and providing me with this show.
  • I originally received this show from Sivad as a single wave file therefore CD Wave was use to split the tracks.
  • I’m not an expert so keep that in mind when hearing the tracking specially between (05 and 06 + 09 and 10), Betty goes from one song to the next a la Miles Davis.
  • For the purist: Besides the tracking nothing else was done to the original received wave file. I leave it to the experts to remaster as they wish.
  • I can’t make the title of track: 02 and 09. I believe they are just instrumental, after careful listening to her albums none of theses appeared.
  • There seems to be a fade out after Track 08. before track 09 maybe the result of a tape flip. I do not know if any music is missing between these two.
  • From the liner notes of “Is it Love Or Desire ” this show is believe to be one of the last if not the last time the band played together.
  • Part of this show (Radio Broadcast) is still available on Dime thanks to acidhangover for the re-seed: http://www.dimeadozen.org/torrents-details.php?id=336120
  • In the above referenced torrent (comments section) fellow Dimer Stonethecrow provide us with an unreleased picture of this show (Thank you)
    published on a now dead French revue : “Musiq” December 2007. I have included that picture in this torrent.
  • In the above referenced torrent (comments section) Sivad comment the following:

” A bit of first-hand information on this one, as I’ve been lucky enough to attend this three-day outdoor event that was held at the Paul Ricard racetrack in Le Castellet (south of France) where, if I remember well, the previous week-end legendary Canadian driver Gilles Villeneuve on Ferrari had won the French Formula One Grand Prix. The festival was called ìRiviera ’76î and the main reason for me to get there was that Miles had to play the ‘ony European concert’ of that year. Of course, he didn’t show up ‘cos he had just begun his infamous five-year sabbatical, but nobody knew it at that time, not even Miles himself, I believe. The stage announcer said that, because of a sudden illness Miles couldn’t be there and he sent his former wife to replace him. I only knew vaguely about Betty Davis, but that night (July 1st, 1976) all of us found out what a blast she was!

For the chronicle, other artists who performed at the festival were: John McLaughlin’s Shakti, Airto Moreira (solo performance), Pat Martino (terrific), Tony Williams & Lenny White (with Brian Auger) Larry Coryell, Joe Cocker (who was too drunk to sing, sadly), Stuff (in my view one of the greatest bands of all time), The Crusaders, Joe Beck and some other I can’t remember now. As for the Betty Davis recording posted here (http://www.dimeadozen.org/torrents-details.php?id=336120),
it is not the complete set. I recorded with my trusty Nakamichi 550 the main acts, and at least half a dozen cassettes of that event still survive, Betty Davis included. One day I hope to find the time to make digital transfers of all the stuff I have recorded in the old days and put some of it on the web for all to share.”

In is above comments Sivad talks of the show being July 1st 1976 but when he sent me the file he mention the show to July 25, 1976 wich is probably right since the festival was held between July 23rd and July 26th.

As Sivad said in his e-mail exchange with me: “Considering it’s an open-air audience recording vintage 1976, I don’t think it could sound any better than this, particularly because the equipment I used was top shelf.
If you close your eyes it’s almost like being there: I had no wind shields on the mics, hence in some spots you can even feel the French riviera’s evening breeze!”

Sivad & RatedX: August 21st 2011

Ben Folds – Saratoga, CA (08/24/05)

Ben Folds
08/24/05
Mountain Winery
Saratoga, CA

Boxing
The Ascent of Stan
The last Polka
Gracie
All U Can Eat
Bastard
Gone
(Band Intro)
Jesusland
You To Thank
Careless Whisper (w/ Rufus Wainwright)*
Landed
(Banter)
Bitches Ain’t Shit**
Brick
Army
Philosophy
(Three Part Harmony Practice)
Not The Same

 
 *George Micheal Cover
**Dr. Dre Cover

(Odd Men Out Tour)

Original source notes:

ransfer: USB > Sony SonicStage V3.0 > WavMerge 2.1 >
Adobe Audition 1.0 (Normalize @98%) > CDWAVE Editor > Flac Frontend > FLAC > You
Taped/Transfered by: Danielle Hashem

New Lineage

Converted to WAV many years ago. I don’t remember how, probably via iTunes. Burned that to CDR, again years ago.

Ripped CDR to WAV file via iTunes then converted to FLAC with xACT. This was in April 2020.

Ben Folds – Urbana, IL (04/05/04)

Ben Folds
April 5, 2004
Univ. of Illinois – Foellinger Auditorium
Urbana, IL

Taper: Mark Makdad
Source: Shure SM81s > ART Technologies Tube Preamps > IBM T30 Thinkpad > SHN

REMASTERED VERSION

Remastered with taper’s permission by Jon Freeland
Path: Spark XL [C4 > Q6 > TC Denoise > L2] AIFF > xACT > SHN

Concerted to FLAC and tagged by the Midnight Cafe using xACT on March 18, 2020.

  1. Cooler Than You
  2. Zak and Sara
  3. Silver Street
  4. One Down
  5. All You Can Eat
  6. Polka/Hardee’s
  7. Rent a Cop
  8. Late
  9. Best Imitation
  10. Freebird/Rock This Bitch
  11. Careless Whisper *
  12. Philosophy > Misirlou ^ > Chopsticks $
  13. Sentimental
  14. Kate
  15. The Luckiest
  16. Army
  17. One Angry Dwarf and 2000 Solemn Faces
  18. Ultimate Sacrifice
  19. Champagne Supernova %
  20. Rockin’ the Suburbs
  21. Song for the Dumped @
  22. Hava Nagila/Eddie Walker
  23. Not the Same
  • Wham
    ^ Dick Dale
    $ Liz Phair
    % Oasis
    @ major key w/ bass

Recompiled by Jon Freeland 6-3-04.
Thanks to Mark Makdad for recording such an excellent show.
Thanks also to dmaster of toritraders.com for reorganizing and etree-ifying the setlist and files.

Bring Out the Perverts: Don’t Torture a Duckling (1972)

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Lucio Fulci is sometimes called the Godfather of Gore. As one might assume from that name his films were often filled with gratuitous violence and loads of blood and guts. Honestly, his films are sometimes not much more than blood and guts. Some of his films feel like he thought up some crazy violent scenes that would be cool to film and then tried to piece a story around it. Even at his best, his stories aren’t all that well done.

He wasn’t a particularly good stylist either. His films rarely look great. There is often a kind of DIY approach to the way he shoots his films.

I’m making it sound like I don’t like his film, but mostly I do. I think The Beyond (1981) is quite good and Zombi 2 (1979) is fantastic. But I wouldn’t say that Fulci is a great filmmaker. There is a bluntness to his films that reaches right into your guts and pulls them straight out. That violence and gore created some truly memorable effects work and he could certainly create a scene that will stick in your memory banks.

But yeah, he’s not really known for his thought-provoking scripts.

Don’t Torture A Duckling then is a bit of an oddity in Fulci’s filmography. The gore is toned down a great deal, and there is a concentration on telling a real story. One with a social conscience even.

The story revolves around the murder of three young boys in a small Italian village. It shocks the citizens and creates a sort of moral panic. They must find the killer, even if it’s a scapegoat. The community must go back to normal.

The first pick on a simple-minded man, then when it’s clear he could not be the culprit they go after a wandering witch. Then they decide it could be Patrizia (Barbara Bouchet) a rich, classy woman from the city spending some time in the country. She talks funny and dresses in tight shirts and short skirts. Surely she has loose morals and could be a killer. Rumors and superstition lead the investigation, at least where the townsfolk are concerned. The police are relatively competent but it hardly matters.

This is a Lucio Fulci message picture. Rural Italy is run on superstition and religion, science and procedure take second place. Not even the Catholic Church is given a break.

I appreciate that he’s trying to do something more than his usual shocking violence and gore. I also appreciate that he spends more time than usual creating beautiful images. Most of the film was shot on location and there are some truly beautiful landscapes that he lovingly captures. But if I’m being honest it isn’t all that interesting to me.

I’m not entirely sure why this qualifies as a Giallo. Outside of it being a murder mystery, it has very few of the hallmarks of the genre. But whatever, it is worth watching just to enjoy Fulci paying attention to the story for once.

I previously reviewed Arrow Video’s Blu-ray release of Don’t Torture a Duckling for Cinema Sentries.

My Fair Lady (1964)

cover

My wife and I honeymooned in a little town in Ontario called Stratford. Like its namesake in England, the birthplace of Shakespeare, Stratford had three major theaters. They put on world-class productions. We saw several shows while we were there and had a wonderful time.

The best production was My Fair Lady. I had never seen any production of that show, not even the movie. It was magical. Even the costumes got a standing ovation.

I’ve seen the movie several times since and just love it. This past February I got to see it in the movie theater with my wife and it brought back all the feelings.

You can read my review here.

B.B. King – Oakland, CA (11/09/69)

B.B. King
Oakland Coliseum
Oakland, CA
November 9, 1969
The Late Show

Source: Reel to Reel [Mono] Audience Master > Wav > EAC > TLH [sector boundary aligned] > Flac (Level 8)

kingrue upload #332

45 years ago today !!

The quality is really good considering the size of the venue.
Opening for the Rolling Stones on this tour.
Track 2 is something I’ve never heard anywhere before and I’ve heard a lot of BB.
In fact this entire recording is unique and wasn’t really played like this again after this tour.
This is a valuable piece of history and insight to BB’s past.
I just wish more was recorded, but I’ll take this 15 minutes.
I suggest all blues fans get a copy of this.

01 Instrumental
02 You’re Choking Me
03 Instrumental

Total TIme = 15:03 min

Enjoy

George