Animation in August: Marcel the Shell With Shoes On (2021)

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Marcel the Shell With Shoes On is a film that mixes live-action footage with stop-motion animation. It is based on a series of short films created by Dean Fleischer Camp and Jenny Slate. It is delightful, sweet, sometimes poignant and sad. It runs, perhaps, a little too long, but is mostly a joy to watch.

The story involves a young man named Dean (Dean Fleischer Camp) who buys a house after a messy divorce with the intent of turning it into an Airbnb. Upon arrival, he discovers Marcel (Jenny Slate) a one-inch tall shell, who in fact does have his shoes on (and has a face and can walk and talk). He lives in the house with his grandmother (Isabella Rossellini). They are both a little lost and sometimes sad.

There used to be an entire family of shells in the house, but when the couple of used to live there broke up, the man took all the other shells with him, leaving Marcel and his grandmother behind.

Dean is a documentary filmmaker and begins interviewing Marcel about his life. He turns these interviews into short YouTube videos and quickly Marcel becomes an Internet star. Before long people start showing up at the house and 60 Minutes comes calling. Marcel uses this attention to try and find his missing family.

Mostly the film follows Marcel as he goes about his daily life. He is whimsical, clever, and in awe of the wonders of the world. There is a jar of honey that has spilled. Marcel walks across it, using the honey’s stickiness to allow him to walk on walls and the ceiling. He connects a rope to a large mixer and the other end to a tree so that when turning the mixer on it shakes the tree, knocking its nuts to the ground. His grandmother befriends insects who help her garden.

It is in these moments that the film excels. Marcel is such a whimsical character – his mix of nativity and awe makes him adorable and beloved. I was less enthused with the bits that follow his ever-increasing social media presence and celebrity. The interview with 60 Minutes felt out of place. But mostly the film is a delight. Heartwarming and dear.

Pink Floyd – New York, NY (09/27/70)

Pink Floyd
Fillmore East, New York, NY, USA
1970.09.27

Source/Lineage: audience / cass[low]>cdr(?)>flac > wav > Adobe Audition 1.5 (minor editing) > Cdwav (track splitting) > TLH > FLAC

  1. Astronomy Domine [10:51]
  2. Green is the Colour [3:32]
  3. Careful with that Axe, Eugene [9:55]
  4. Set the Controls for the Heart of the Sun [11:42]
  5. Fat Old Sun [11:46]

Total Length: 47:47

The Rolling Stones – Chicago, IL (06/27/24)

Rolling Stones
Soldier Field
Chicago, Illinois
June 27, 2024

Source: DPA 4060 => Tascam DR-2d
Conversion: WAV => Audio Cleaning Lab => FLAC (16-bit)

Location: Section 130, 1st row

Track listing:

CD1 (63:15):
(1) Intro (0:10)
(2) Start Me Up (4:15)
(3) Get Off Of My Cloud (3:51)
(4) It’s Only Rock and Roll (4:50)
(5) Angry (4:51)
(6) Banter (0:48)
(7) She’s a Rainbow (3:45)
(8) Wild Horses (5:08)
(9) Mess It Up (5:55)
(10) Tumbling Dice (5:42)
(11) You Can’t Always Get What You Want (7:09)
(12) Band introductions (4:44)
(13) Tell Me Straight (4:05)
(14) Little T&A (4:14)
(15) Happy (3:42)

CD2 (56:27):
(1) Sympathy For The Devil (7:09)
(2) Honky Tonk Women (4:39)
(3) Midnight Rambler (11:59)
(4) Banter (0:27)
(5) Gimme Shelter (6:47)
(6) Paint It Black (4:49)
(7) Jumping Jack Flash (4:31)
(8) Encore break (3:01)
(9) Sweet Sounds of Heaven (6:04)
(10) (I Can’t Get No) Satisfaction (6:57)

There are no fades applied to this recording; if you choose to burn to CD, the above splits are just a suggestion.

Comments: This recording captures the first of two nights of the Rolling Stones in Chicago on the last dates of the U.S. leg of their “Hackney Diamonds” tour. Great show, with a good mix of material from the 1960s through today, including four songs from their most recent album. Sound quality is pretty good but not great; I was in the front row of the section right off the floor at roughly the 50-yard line; as a result, there was minimal crowd interference (there was nobody in front of me) but I wasn’t as close to the PA as I would have liked. Overall I was happy with this recording, and in the absence of other sources I would imagine that most Stones fans will be too.

In terms of performances, the Stones are always entertaining at this stage of their career, although there were some noticeable flubs. Listen to the opening notes of “Start Me Up” and “Satisfaction” to hear some clunkers from Keith. It’s not the 1970s anymore but this band still delivers better than most rock bands a generation (or more) younger. Overall an enjoyable recording.

Jethro Tull – Fresno, CA (03/18/94)

Jethro Tull
3/18/94
Warnors Theater
Fresno, CA

FOB, 8th Row, Right: Nyquist Omnis >Sony TCD-D7
(Missing: Second Half Of ‘Thick As A Brick’ & All Of ‘Beggar’s Farm’ & ‘Sossity-You’re A Woman’, Because Of An Unplugged Microphone Cable.)

Transfer:
Otari DTR-8S >S/PDIF >Korg MR2000-S @ 16bit/48khz)

Mastering
Har-Bal 3.0 & iZotope RX6 advanced
Flying -M- (Feb. 2018)

WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) + Tags Via xACT 2.53

Recorded, Audacity, FLAC, Tags, And Front Cover Artwork By OldNeumanntapr.

Transfer & Har-Bal / iZotope Post Production By Flying M.

(missing intro)

  1. My Sunday Feeling
  2. For A Thousand Mothers
  3. Living In The Past
  4. Bouree
  5. So Much Trouble
  6. With You There To Help Me
  7. In The Grip Of Stronger Stuff >
  8. The Whistler
  9. Farm On The Freeway
  10. Thick As A Brick (incomplete) (splice located at 41:42)
    xx. Beggar’s Farm (missing)
    xx. Sossity-You’re A Woman (missing)
  11. Songs From The Wood >
  12. Too Old To Rock And Roll >
  13. Heavy Horses >
  14. Songs From The Wood (reprise)
  15. Budapest
  16. Nameless Flute Meanderings* (instrumental)
  17. A Passion Play Extract >
  18. A New Day Yesterday
  19. Aqualung >
  20. Locomotive Breath
  21. band introductions and encore call
  22. Cross-Eyed Mary >
  23. Dharma For One
  24. Danube Waltz

*Title Announced By Ian

Ian Anderson – Lead Vocals, Flute
Andy Giddings – Keyboards, Backing Vocals
Doane Perry – Drums, Percussion
Dave Peg – Bass Guitar, Backing Vocals
Martin Barre – Lead Guitar

OldNeumanntapr Notes:
This was my first Jethro Tull concert and I was impressed. This was also the first time that I had used a Sony D7 for recording a concert. As I remember, I borrowed this particular D7 from a taper in Florida that I met though DAT Heads online. I let him use my Nakamichi CM-300s to record a Grateful Dead show in exchange for the use of his D7.

My friend Dave got tickets up front on the right hand side in the old Warnors Theater in Fresno. My friend Tom gave me a ride to the show with his group, and that was an experience in itself! We took two cars and Tom followed his wife Jan who had some of her friends with her in her car. Tom ended up running a red light in Fresno because he didn’t want to lose Jan in city traffic. (This was before we all had cell phones.) His driving scared the hell out of me, as I was in the back seat trying to assemble my taping gear. I’m glad I went home with my friend Dave in his car after the show!

My cable that connects the mics to the deck came unplugged for about 13 minutes during the show before I noticed I had no levels so that was a bummer. I missed the very last part of Thick As A Brick, all of Beggar’s Farm, and Sossity. Otherwise the tape sounds pretty good. Musically I thought the show was very good. Ian played a good show. I really enjoyed seeing a show in the old Warnors Theater. It really is a neat place. Around the corner on a side street there was an even older, seedier theater, that I didn’t catch the name of. I think the Ramones were playing there that night, from what I remember seeing on the marquee. Thanks to Flying M for a fresh digital transfer and his post production fairy-dust magic!

A suggested disc break would be possibly between tracks 10 and 11, for those that still burn CDs.

Flying M Notes:
Recording starts just a tad late to get the musical introduction but it catches all of the first song.
Just a few minutes into “Thick As A Brick” the microphone cable becomes unplugged missing most of that song and the next 2.
Some applause clips from a couple different places were spliced together to create a false ending for that song and bridge the abrupt break.

Applause was tamed by removing the loudest clapping as well as muffling the who-hoo’s and close whistling.
These microphones don’t pick up low frequency real well so Har-Bal was used to re-shape the spectral balance.
Adding some bottom end while trying to retain the crystal clear highs these mics are so good at catching.
A light compression was used to increase the quieter parts by 3dB thus bringing out additional detail.
It also brings up those little handling noises that I then spent so much time removing for this.
-M-

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

David Bowie – London, Canada (05/14/04)

David Bowie
John Labatt Centre
London, ON, Canada
14th May 2004

FM radio broadcast of a selection from the set…

Recorded by Soledriver…

Radio Broadcast > Technics Tuner > Aiwa Tape Deck >
Tascam DA-20 Mk 2 DAT machine > HHb burnit CDr recorder…no EQ
CDr > EAC > Traders Little Helper > Flac8 sector aligned

01 – New Killer Star
02 – Cactus (Pixies cover)
03 – Sister Midnight (iggy Pop cover)
04 – All the Young Dudes
05 – The Loneliest Guy
06 – Under Pressure
07 – Station to Station
08 – Ashes to Ashes
09 – Quicksand
10 – Modern Love
11 – I’m Afraid Of Americans
12 – “Heroes”

David Bowie – vocals, guitars, stylophone, harmonica
Earl Slick – guitar
Gerry Leonard – guitar
Gail Ann Dorsey – bass guitar, backing vocals
Sterling Campbell – drums
Mike Garson – keyboards, piano
Catherine Russell – keyboards, percussion, acoustic guitar, backing vocals

Feel free to do whatever you like with this recording as long as you don’t charge money for it!
MP3, Who Cares? Just remember to support the artists, and live music!!

The Friday Night Horror Movie: Demon City Shinjuku (1988)

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One of the things I love about doing these monthly movie themes is that it not only allows me to watch movies I might not otherwise watch, but it gives me a greater understanding of the history of cinema. I learn things I might not otherwise come to know.

For example for Animation in August I’ve watched several Japanese animated movies and this has brought to my knowledge banks the term OVA or Original Video Animation. That’s basically a Japanese version of straight-to-video applied specifically to animation.

Like straight-to-video releases OVAs had more freedom than their cinematic or televised productions had in terms of length and mature content. An OVA could be as long as it needed to be and they were allowed more freedom in the amount of violence, adult language, and sex/nudity they could use.

Demon City Shinjuku is an OVA adapted from a novel of the same name. It follows a reluctant hero’s journey into the heart of Tokyo which has been overrun by demons.

It has more than a passing similarity to Star Wars, with some terrific animation, and some pretty cool demon designs. But it suffers from some terrible writing (or possibly a very bad translation).

In a prologue, we learn that an evil dude called Rebi Ra has allowed himself to become possessed so that he can wreak evil havoc upon the world. A good dude called Genichirou tries to stop him but is killed in the process. A giant earthquake happens during their battle wrecking the Shinjuku part of Tokyo. Demons quickly take over this area.

Ten years later Genichirou’s son, Kyoya Izayoi is tasked with going into the city and destroying Rebi Ra. He is accompanied by Sayaka Rama the daughter of the World President who has just been kidnapped by Rebi Ra. If they fail Rebi Ra will unleash all the demons and conquer the world.

Along the way, they obtain help from a short rollerblader who is just out for himself but ultimately finds his soul and a Dracula-esque mysterious goth dude. There is also Aguni Rai an ancient mystic who periodically offers advice.

They come across several demons before ultimately fighting Rebi Ra. There is a crab-like creature with a human head and a giant mouth full of teeth in its torso and a sexy redhead with tentacle arms.

All of this is pretty good. I enjoyed it. But the dialogue is rotten. Generally speaking, I watch foreign language films in their original language. I much prefer hearing the original actors’ voices even if I don’t actually understand what they are saying. With animation, I am a little more lenient since there is a realization that all actors are dubbing in their lines (it helps that most of the foreign language animated films I’ve seen are dubbed by really good English-speaking actors).

I started watching this film in the original Japanese with English subtitles, but something was wrong with the audio causing none of the film’s score or non-verbal noises to be heard. So I had to switch to the English language dub. It was…not good. And strange at times. The male characters were all very horny and they dropped F-bombs on a regular basis. I’m not necessarily opposed to either of those things but they often seemed out of place in this film.

For example, one night Kyoya Izayoi and Sayaka Rama find themselves in the same bedroom for the night. After Syaka goes to sleep Kyoya begins to look at her longingly. The camera slowly pans down her body so clearly some of this is in the original script, but in English, he goes on and on about how he wants to sleep with her.

And his dialogue is loaded with F-bombs in the oddest of places. He’ll throw one in the middle of an otherwise innocuous sentence. So much of it felt like some American scriptwriter trying to make the script more edgy.

It was bad enough that I turned on the subtitles just to compare. Gone was the hard-core cursing, but also quite a bit of the dialogue was tweaked to give it different meanings. It wasn’t the case of just some minor word changes, but entire sentences would be different. I think the gist was still there but it was clear the dialogue was translated with some different intentions than the subtitles. I also noticed there were times when the character’s mouth wasn’t moving, the subtitles weren’t indicating anything was being said, but the voice actors were talking. At first, I thought it was an internal monologue but now I think it was just the English language track adding in additional dialogue. There is a scene at the end where our two heroes are looking at each other longingly and then they kiss. His mouth doesn’t move, and there is no subtitle, but the English track has him thinking something really cheesy about how beautiful she is.

That’s far too many paragraphs of me discussing this film’s audio track. I don’t know what it all means. I just found it weird and distracting.

So, I recommend the film, but definitely try and find the original Japanese audio.

The Who – East Rutherford, NJ (10/10/82)

The Who
Brendan Byrne Arena
East Rutherford, NJ, USA
10th October 1982

New Jersey Soundboard

Disc 1
1.Intro.
2.My Generation
3.I Can’t Explain
4.Dangerous
5. Sister Disco
6.The Quiet One
7. It’s Hard
8. Eminence Front
9. Behind Blue Eyes
10. Baba O’Riley
11. Drowned
12. Athena
13. Cry If You Want

Disc 2

  1. Audience
  2. Who Are You
  3. Pinball Wizard
  4. See Me, Feel Me
  5. 5:15
  6. Love, Reign O’er Me
  7. Long Live Rock
  8. Substitute
  9. Won’t Get Fooled Again
  10. Summertime Blues
  11. Twist and Shout

Animation in August: A Scanner Darkly (2006)

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I am a fan of Richard Linklater. I love Slackers and Dazed and Confused. School of Rock is a great deal of fun. I’ve never read anything by Phillip K. Dick but I’ve dug some cinematic adaptations of his work such as Blade Runner and Minority Report. A Richard Linklater adaptation of a Phillip K. Dick story should be right up my alley.

And it is. When A Scanner Darkly came out in 2006 I was excited by it. Especially since it starred Keanu Reeves, Robert Downey, Jr., Woody Harrelson, and Winona Ryder – all actors I quite enjoy.

But I didn’t watch it in the theater. I made a copy of it from the library or a friend. Or maybe I taped it off the TV. Anyway, I’ve had a copy of it in my house for over a decade. Still, I only just now watched it.

I don’t know why exactly. Like I say it should be right up my alley. I think I even started it once or twice, but never got very far. Part of the problem is the animation style. It uses a technique called interpolated rotoscope which is where they shoot it live action, using real actors on real sets and animators trace over the footage frame by frame. The results are this weird mix of realistic with a wobbly psychedelia.

I don’t like it. My mind can’t seem to process it correctly. Like it thinks it is real, but then the wobbly animation throw it off and I don’t know how to comprehend what is happening. Or something. I find it difficult to watch.

So I kept turning it off. But this time I powered through and found a quite interesting story and an entertaining movie.

Set in the near future where America has essentially lost the drug war. Substance D, a powerful hallucinagen has addicted some twenty percent of the population. The govenrment has developed a high tech survelleince system and a large network of undercover agents to combat this.

Bob Arctor (Keanu Reeves) is an undercover agent who has also become addicted to Substance D. At times he doesn’t even realize he is a police officer. He lives in a rundown house with a couple of drug buddies – James (Robert Downey, Jr.) and Ernie (Woody Harrelson). His sort-of girl friend Donna (Winona Ryder) often stops by.

A large part of the plot is basically a hang out movie where we just sit around with these four people as they talk, get high, drive around, and futz about. The conversations are rambling and conspiratorial. And quite funny. These scenes are very reminiscent of several Linklater films, but especially Slackers, where the camera just wandered around Austin, Texas jumping from one oddball character to the next without much sense of a plot.

Sometimes Arctor goes to police headquarters where he dons a scramble suit which constantly changes every aspect of his appearance and voice. This protects his identity from everybody. His bosses get the idea that Arctor (who they do not know is actually their agent) is one of the drug dealers in the area and as such they ask “Fred” (the name they know him by) to enhance his survellaince on Arctor.

The plot does ramp up a bit by the end and it concludes in a fascinating way. There is some interesting commentary on the drug way, and our ever growing surveillance stage. But mostly its just an entertaing film where some great actors hang out and act paranoid.

I still wish it used a differnt animation style.

Bill & Ted’s Most Trimphunt Trilogy Is the New Blu-ray Pick of the Week

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I’m back on the new Blu-ray release beat. I mean I never really left it as I’ve continued to write these posts for Cinema Sentries but I’m gonna do better at posting them here. Since I only write them for CS every other week I’m also gonna try to do the odd weeks just for here.

This week was strangely a lousy week for new releases. There are only a handful of films coming out and most of them are either so obscure I’ve never heard of them or not all that interesting to me.

But I love Bill & Ted so I picked them.

Demons (1985) & Demons 2 (1986)

bluray

It occurs to me that having moved all my music posts to the other site, I’m going to need to figure out ways to post to this site on a regular basis. I was posting music every day and then occasionally talking about movies and such like. But without the music, this place is gonna look a little barren.

I’m hoping to step up my game a little. An easy way to do that is to keep going through my Cinema Sentries posts and linking to them here.

First up are a couple of “classic” Lamberto Bava horror flicks. I recently upgraded my Blu-ray player to a 4K UHD one and these were the first films I watched on it.

The films are ridiculous, and bonkers, and so, so much fun.

You can read my review here.