Animation in August

poster

As a kid, like all kids, I suppose I loved animated movies, or cartoons as we called them back then. I grew up in the 1980s so my memories are filled with the films of Rankin Bass and Disney, though I was slightly too old to have enjoyed the Disney renaissance of the 1990s as they came into theaters. Later I fell in love with Pixar and then Studio Ghibli. I am a fan of animation, though not a superfan. So I thought it would be fun this month to watch a bunch of animated films.

One of the great things about animation is that it is a type of filmmaking, not a genre. It comes in all shapes, sizes, and genres. There are animated films for kids and adults, there are funny films and sad films, scary films and exciting films. They can be hand drawn or computer-generated, and they come in all kinds of styles.

While I will no doubt watch some Disney films and Ghibli movies, my goal is to dig a little deeper into the well and find some lesser-known movies. I want to watch the films animated geeks go on and on about but that the general crowds don’t know about.

With that in mind if you have any recommendations I’d love to hear them.

The Friday Night Horror Movie: Wicked City (1987)

poster

Renzaburō Taki has been chatting up Makie at a Tokyo bar for months. Finally, she agrees to take him home with her. As soon as they arrive she strips off her clothes and they have passionate sex. As soon as he is finished she shows her true colors. She’s a demon. She morphs into a spider-like creature with long appendages and a mouth-like vagina that’s full of teeth. He manages to pull out before she chomps his member off and she flees out the window.

Outside, in the dark edges of the city live the creatures of the Black World. They are demons from an alternate dimension who can look like humans when they need to and live among us. Centuries ago a truce was made between the humans and the demons and they’ve lived peaceably together. Within a few days, a new pact must be signed, but there are rebel factions on both sides who want to stop that treaty from being signed.

Taki is a member of an elite organization known as the Black Guard designed to keep the peace between humans and demons. He’s assigned to protect Giuseppe Mayart, a 200-year-old mystic who signed the last treaty and will be instrumental in ensuring the new one is signed as well.

Taki is teamed with Makie a Black Guard from the Black World. They go through a series of adventures battling an assortment of demons trying (and often failing) to protect Giuseppe.

Wicked City is an inventive, beautifully designed bit of animated horror. Taki acts like a gumshoe out of some old film noir. Makie is cool as a cucumber. She’s not exactly a femme fatale, but she has that ice-cold attitude. The look of the film is a mix between neo-noir and steampunk. The demons are pure Japanese tentacle monsters.

I loved most of it. The story is good, the characters interesting, and the filmmaking is mostly spot-on. I love a good mix of crime stories and fantastic monsters.

However, if I may issue my first-ever trigger warning in a movie review the film is quite misogynistic. Nearly every man oggles Makie and whenever she is sexually assaulted (and she is sexually assaulted more than twice) the film lingers on her naked body. It is obsessed with her breasts. Even while being gang raped they make her moan with pleasurable noises.

Now I’m not against sex in cinema, and I’ve enjoyed the male gaze in more than a few movies. I’m fine with characters who do evil things and there are times when sexual assault and rape can serve a purpose. It sometimes does serve a purpose here. But the way those scenes are filmed made it more than a little gross.

If you can get passed that though, it is quite a good film. The world-building is excellent and some of the demons are truly terrifying, and weird, and imaginative. The animation is beautiful (and weird, and imaginative). Definitely recommend it for those who think they can stomach it.

The Movie Journal: July 2024

movie

I am working diligently on getting the new site up and running. I’ve been able to import most of my favorite artists and have started importing all of the many artists who I don’t really collect but whom I have one or two or three shows from. There are a ton of them so that is going to be a slow process.

I suspect I’ll go ahead and start letting people in next week. But I’ll have more on that once I’m ready.

Clearly, I’ve not been posting to this site as I’ve been doing all that work on the new one. But The Midnight Cafe is important to me. I hope to continue writing about movies and other things even though I’m moving the music sharing elsewhere. As such I wanted to go ahead and do my regular movie breakdown for February.

I watched 41 movies in July. 35 of them were new to me. 15 of them were made before I was born. This month’s theme was Sci-Fi in July and I watched 21 movies in that genre (more or less, science fiction is hard to pin down). I watched two movies from 2024, one of which (Maxxxine) I actually watched in the theater.

I quite enjoyed watching science fiction films this month. That’s a genre I like, but don’t necessarily gravitate towards. So it was fun digging into it a little bit, although as usual, I didn’t do as much writing about it as I wanted to.

actorsx

The actor’s list stayed pretty much the same this month save for Christopher Lee jumping into that four-way tie for third place with six films watched. I caught a couple of his Hammer Horror films this month.

directors

The director’s field changed a bit with Terence Fisher entering the scene in first place with five films. He helmed a bunch of those Hammer Horror films and the wife and I have been watching a lot of them this year. George Cukor also entered the list with three films. There are at least 16 directors with two films on the list. At this point of the year, I start thinking about these contests, so I’ll probably start planning some viewings from a few of these directors.

Here’s the full list:

A Quiet Place: Day One (2024) ****
Demons 2 (1986) ***1/2
Demons (1985) ****
Your Name. (2016) ****
It Should Happen to You (1954) ****
The Gorgon (1964) ***1/2
Phase IV (1974) ****
Stolen Face (1952) **
Limbo (2023) ***1/2
Godzilla vs. Biollante (1989) ***1/2
The Return of Godzilla (1984) ****
Lady Terminator (1989) ***
Tchao Pantin (1983) ****
Ten Little Indians (1989) ***
The Evil (1978) ***1/2
Brightburn (2019) ***
The Quiet Earth (1985) ****
Doctor Who: The Romans (1965) ***1/2
The More the Merrier (1943) ****
Stargate (1994) ***
Sphere (1998) **
Lady Frankenstein (1971) ***1/2
Eyewitness (1981) ***1/2
The Horror of Frankenstein (1970) ***1/2
Frankenstein Created Woman (1967) ***1/2
The Canyons (2013) *1/2
MaXXXine (2024) ***1/2
The Good German (2006) ***1/2
Bandits of Orgosolo (1961) ****1/2
Charlie Chan at the Wax Museum (1940) ***
Poor Things (2023) ****
Virus (1980) ***
The City of the Dead (1960) ****
The Night Strangler (1973) ***
The Girl with All the Gifts (2016) ****
Barbarella (1968) ***1/2
Akira (1988) ****
I Married a Monster from Outer Space (1958) ***
Palm Springs (2020) ****
Paprika (2006) ****

10,000 Maniacs – Shows by Date

1984.xx.xx – Atlanta, GA
1984.09.07 – London, England
1985.05.16 – Amsterdam, The Netherlands
1986.03.xx – Lost Songs – March 1986 Demos
1986.03.08 – Rochester, NY
1986.03.28 – Daytona Beach, FL
1986.04.14 – San Francisco, CA
1986.04.19 – Portland, OR
1986.06.03 – Jamestown, NY
1986.07.08 – Hoboken, NJ
1986.10.11 – New York, NY
1987.xx.xx – In My Tribe Demos
1987.09.01 – London, England
1987.09.15 – Milan, Italy
1987.11.09 – Leicester, England
1987.11.11 – Portsmouth, England
1987.12.17 – Philadelphia, PA
1988.02.23 – San Francisco, CA
1988.03.25 – London, England
1988.04.14 – Chicago, IL
1988.04.19 – Minneapolis, MN
1988.07.01 – London, England
1988.07.22 – New York, NY
1988.07.31 – London, England
1989.03.13 – Geneseo, NY
1989.03.19 – Geneseo, NY
1989.05.19 – Richard Skinner Sessions
1989.07.04 – Buffalo, NY
1990.10.23 – New York, NY
1990.11.02 – Ann Arbor, MI
1992.03.30 – Our Time In Eden Rehearsals
1992.11.10 – Miami, FL
1993.06.03 – Los Angeles, CA
1999.03.28 – Anchorage, AK – Natalie Merchant
2010-2014 – Natalie Merchant Live at the BBC
2010.05.10 – Brussels, Belgium
2010.05.14 – Hamburg, Germany
2016.03.18 – San Francisco, CA – Natalie Merchant

The Decision

As I mentioned in the last post one of the ways I had thought of to make this whole thing work was to create a brand new movie site – call it The Midnight Movie Cafe – and keep the old site private where I would still share music links.

As I also mentioned the trouble with this is that The Midnight Cafe has a certain amount of cache. It is a known site. It has been indexed by search engines. Every day people discover the site through Google Searches or because some other site has linked to me.

A movie site needs that Google juice. I want people to discover those writings. Now I know I’ll never get rich talking about movies, I’ll never make any kind of real money through it at all. But I hope I can continue to grow it a little bit and get a small following.

But the music site doesn’t need any sort of cache. I don’t want people discovering it through search. It should be anonymous.

So, I’ve decided to switch it around – the new site, call it The Midnight Music Cafe, will be dedicated to ROIO sharing and it will remain private. The old site will be all about movies and pop culture and everything else that floats my boat besides ROIOs.

Unfortunately, this does mean a lot of extra work for me. There is a large collection of music posts that I need to transfer to the new site. Luckily I discovered that I can export posts from the old blog and import them to the new blog fairly easily. The site is too big to do that all at once, but I can do it by artist.

Even so, when I import them I need to go through them to make sure everything came out alright. And then on the old site, I need to make each post private so that when I make the entire site public those posts will not be viewable to anybody.

It also means that you all will have to register to view my new site and sign up for the e-mails. You’ll need your WordPress login to do that. So if you have not registered for a free WordPress account I recommend doing so now. If you do not I think you can still sign up for the e-mails, but I’ll have to figure out how that works.

It also means that if you are already subscribed to The Midnight Cafe and you do not like my movie reviews, you’ll have to figure out how to unsubcribe.

I am not ready to open the new site up just yet. I don’t know that I’ll get everything moved over before I open it up, but it still needs quite a bit of work before I let you all in.

Naturally, while I do all of this I will not be uploading new shows. So please be patient and I hope you look forward to the new site.

A Change Is Gonna Come

Thank you everyone for participating in my little experiment. Thanks especially to Simon who started things off by noting he was in the UK. Many of you followed and noted where you are from. It was very fun to see how international this site has become.

Obviously, some things are going on with the site and I wanted to take a moment to explain them, and to talk about some upcoming changes.

The other day I received an e-mail from a woman who runs the estate of an artist I recently posted. She asked me to take the post down and vaguely threatened me with legal action. I immediately removed the post and told her I did so. She thanked me and then threatened me with more legal action if she ever saw that show posted anywhere else.

So please, if you downloaded the Richie Havens show from me do not share it anywhere else.

I don’t believe she will sue me over this, but the whole incident has made me nervous.

I’ve always known there was a risk in running this site and sharing these shows. I feel like ROIOs are a bit of a legally gray area. I don’t share any copies of official releases, but that doesn’t mean I can’t get sued and that I wouldn’t lose if I did.

I figure my site is too small to get noticed very often and so the chances of being sued are slim. But they aren’t zero. And this incident has made me nervous enough to make some changes.

I still want to share shows, but I want to make the risk minimal.

The obvious answer is to make the site private. That’s exactly what I’ve done for now. That will make the risk nearly zero. It will keep prying eyes from finding the site. But it also means potential fans of the site will not likely find it either.

This is especially irksome since I’ve spent the last year or so writing about movies and pop culture. I want the public to read that stuff. I want it to be seen by as many people as possible. Maybe that’s just ego-talking, but it is true. I hate the idea of my reviews and such not being public.

But what to do?

I’ve been playing around with the settings. There is a way to make individual posts only viewable to subscribers. That’s what the experiment was about. It still sends out an e-mail and if you are logged in then you can read the posts on the site. But if you are not a subscriber then you cannot read the post. Potentially I could make the shows only viewable to subscribers and that would help keep out unwanted eyes.

However, the title of each post is still public and presumably searchable to places like Google. That could lead potential suers to my site. They wouldn’t be able to read the post and thus see that I’m sharing download links, but if they were curious they could subscribe and then I’m busted.

Another thought was to keep the show posts public, but not actually post a download link. Then once a day I could do a subscriber-only post that would include the Google Drive links for the day’s shows. I’d make the title of that post vague and generic so the general public wouldn’t know what I was doing.

But that seems like extra work for me and it would probably be annoying to you all.

My next idea was to create a new site just for the movie talk. Midnight Cafe Movies I could call it. I’ve actually thought about doing this before as I sometimes think about contacting movie PR people to start officially reviewing things like I do for Cinema Sentries. But I worried that directing movie people to my site where I also share music downloads might cause problems. But a movie-only site would be cool.

The trouble is The Midnight Cafe has a certain amount of cache. It has a small amount of Google juice. It is a known site. I want that cache for a movie site, but not for the music…

I think I have devised a plan. I’m working on something I think might make it possible for me to continue posting shows, but in a very private way, but also write about movies in a public fashion.

I’ll reveal that in another later today. It is going to take a lot of work on my part, and probably be a little annoying on your part, but I think it just might work.

The Friday Night Horror Movie: Phase IV (1974)

poster

Saul Bass was probably the only person to become famous for creating title sequences for movies. He did memorable title sequences for films such as The Man With The Golden Arm (1955), North By Northwest (1959), and Anatomy of a Murder (1959). His titles were innovative and beautiful, and they gave you a sense of the essence of the film you were about to see. The Criterion Channel once had a collection of films based on his title sequences alone. He also designed movie posters and was an award-winning graphic designer for commercial projects.

In 1974 he directed his first and only feature-length film. A science fiction/horror film about mutant ants that try and take over the world.

Phase IV is a meditative, art-house film tackling a subject that wouldn’t feel out of place amongst 1950s sci-fi b-movies such as The Blob, or The Fly, or The Brain Eaters.

It is full of extended, wordless scenes that concentrate on nature, or more often than not, insects – mainly ants. There are extreme close-ups of real-life ants, and beautifully rendered shots of hand-crafted miniatures.

There is some hard science fiction with scientists endlessly staring at computers and working with test tubes, and a lot of nonsense dialogue and character beats. It is incredible to me that Saul Bass chose this rather off-putting, strange little monster movie to be his directorial debut.

The story goes something like this. A strange cosmic event happens over Earth. Humans are all excited about it, but after a week with nothing extraordinary happening they all go about their lives. Except for one scientist, Ernest D. Hubbs (Nigel Davenport). He realizes that something strange is happening to the ants. They seem to be evolving – communicating with each other and working as one, towards some unknown goal.

The ants build these large monoliths in the Arizona desert. Hubbs convinces the government to build a science station next to them and recruits James R. Lesko (Michael Murphy) to help him. All nearby residents flee, leaving the scientists all alone. All residents except one small family.

Soon enough the family is attacked and killed by the ants. The only survivor is Kendra (Lynne Frederick) comes to stay with the scientists at the station.

The humans spray the ants with some kind of goo which deters them for a time, but soon enough the insects learn to cope. The humans destroy the monoliths. The insects build a reflective surface that sends the sun’s heat directly into the science station, drastically raising the temperature inside. The humans decipher some of the ant’s language. The ants infiltrate the station and start tearing up the machinery.

On and on it goes. Humans are against nature. It is an old story told in a beautiful, strange way. I don’t know how to explain this film, except that you should do yourself a favor and go watch it.

Film Noir: The Dark Side of Cinema XIX

cover

I’ve reviewed a bunch of these film noir sets from Kino Lorber over the last few years. Not all of the films are great, some of them are pretty lousy if I’m being honest, but I love that these films are getting released in HD.

This set features stars such as Charlton Heston, Barbara Stanwyck, Lizabeth Scott, Robert Ryan, and Ida Lupino (those last two are in Beware, My Lovely a film I reviewed last Noirvember).

All three films are pretty good if not exactly true classics. You can read my full review here.

Sci-Fi In July: Lady Terminator (1989)

image host

The history of non-American countries ripping off Hollywood movies is long and weird. I’m not well versed enough in it to really discuss it here other than I am fascinated by it.

As you might guess Lady Terminator is a (sometimes shot by shot) Indonesian remake of the James Cameron classic The Terminator. As is their want it also throws some Asian mythology into the mix.

Sometime in the past, the Queen of the South Sea uses her sexy charms to seduce men. In the throws of passion, a snake that resides in her vagina bites the men’s penises off. One day some dude pulls out just in time and grabs the snake before it bites. It then turns into a dagger. The queen curses his would-be granddaughter and then dives into the sea.

All of this happens in just the first ten minutes!

Fast forward to the present and an anthropologist named Tania (Barbara Anne Constable) is researching the Queen of the South Sea for her university studies. She takes a boat out to where the Queen was supposed to have dived in all those years ago. She discovers the Queen’s resting place and is then tied to a bed while the snake enters her vagina turning her into the new Queen of the South Seas, or as we like to call her – Lady Terminator.

She then proceeds to have sex with a bunch of dudes, letting her vagina snake eat their cocks off. Sometimes she meditates while naked and listening to some jazzy New Wave music. But then she realizes some lady has an ancient piece of jewelry or something that she needs so she goes on a killing rampage (but with guns, not vagina snakes.)

At one point she utters the phrase “I’ll be back” and later she’ll walk into a police station and shoot the place up. There are lots of car chases and scenes where she fires hundreds of rounds into dudes crotches. She’s completely indestructible and we’ll be treated to numerous instances where she’s shot at, torched, and walks right through a dozen explosions.

The scrips is bad. A few choice bits of dialogue:

“I am not a lady, I’m an anthropologist.”

“We’ve seen more dead bodies than you’ve eaten hot dogs, so shut up and eat.”

The acting is wooden. The action scenes aren’t bad as long as you don’t compare it to the actual Terminator movie.

But it is so bizarre I just couldn’t look away. It is the very epitome of trash cinema. I kind of loved it. This is a film with a tag line that reads “She Mates and Then She Terminates.” How can you not have anything but love for something like that?