Miles Davis – San Luis Obispo, CA (04/20/90)



Miles Davis
4/20/90
Main Gym
California Polytechnic State University
San Luis Obispo, CA

10th Row Center:
Aiwa CM-30 Stereo Cardioid >Sony WM-D6C,
XLII Master >XLII Cass I >WAV >FLAC

XLII Master Transferred: Toshiba PC-X10 >Sony TC-153SD (Shortly After Show)
XLII Cass I Transferred: Sony TC-D5M >Tascam DR-100mkII (24/48),

WAV >iZotope RX3 Advanced v3.00.695 (declick) > Sound Forge Pro 10.0a (minor edits & normalize) >
WAV >Audacity (Amplify, Track Splits, Down Sample / Dither To 16 Bit/44.1) >FLAC (Level 8) Via xACT 2.35

Recorded, Transferred, Audacity, & FLAC’d By OldNeumanntapr
iZotope RX3 Advanced v3.00.695 (declick) > Sound Forge Pro 10.0a (minor edits & normalize) By Dennis Orr

  1. Perfect Way
  2. New Blues
  3. Hannibal
  4. The Senate-Me And You
  5. Human Nature
  6. In The Night
  7. Mr. Pastorius
  8. Tutu
  9. Jilli
  10. Time After Time
  11. Jo-Jo >Don’t Stop Me Now

Miles Davis – Trumpet, Synthesizer
Kenny Garrett – Alto Saxophone, Flute, Musical Director
Joe Foley McCreary – Electric Piccollo Bass, Vocals
Richard Patterson – Electric Bass, Vocals
Kei Akagi – Synthesizer
Erin Davis – Percussion
Ricky Wellman – Drums

OldNeumanntapr Notes:
This was my very first ‘stealth’ recording, and also the one and only time that I was able to see Miles Davis. My friend Mark is a big Miles fan, and he offered to buy me a ticket if I would record the show. Hey, works for me. 🙂
I remember that we rode to the show with his friend Jay, ‘Lucky’, from Lake Tahoe, and our friend Tim, who was another big music fan, as well as Carol Jo, the ‘Wood Nymph’ from KOTR FM in Cambria. We were 10th row center at the Main Gym at Cal Poly. The sound was pretty good, though Carol Jo talked a bunch to Mark starting midway through the show. At the time, I thought it would rude to tell Mark to have her shut the hell up, because I was getting the ticket for free, and because, not ever having done a stealth show before, I had no idea how much ambient noise the microphone would pick up. At that time I was used to only recording Grateful Dead concerts from the tapers section, with microphones on a stand above head level. I was holding the Aiwa CM-30 right in front of my face for this show, and there were a lot of quiet parts. Listening to the show now, I am remembering that the tape ran out and I missed the last part. (I only brought in one 90 minute cassette. The tape ends with the beginning of another song, but I left that as part of the previous song in the indexes.) The deal I made with Mark was that I would record the show and give him the master, but I copied it for myself after the show that night. The recording would have been much better, had it not been for Carol Jo’s talking, but it is what it is. This recording has really never been circulated, outside of a few friends here on the CA central coast. I’ve had the handbill for this show for years. It was hanging in the window of the liquor store where I worked in Cayucos, CA. I recorded Santana the next week at the same venue, the night of the Cal Poly/SLO Student Riots.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Pink Floyd – Foxborough, MA (05/18/94)

Pink Floyd
Foxboro Stadium
Foxborough, MA, USA
05/18/94

The Division Bell Tour
Welcome to Sunny Foxboro

Astronomy Domine
Learning to Fly
What Do You Want From Me
On the Turning Away
Take It Back
A Great Day for Freedom
Sorrow
Keep Talking
One of These Days
Shine On You Crazy Diamond (Parts I-V)
Breathe (In the Air)
Time
Breathe (Reprise)
High Hopes
The Great Gig in the Sky
Wish You Were Here
Us and Them
Money
Another Brick in the Wall, Part 2
Comfortably Numb

Encore:
Hey You
Run Like Hell

U2 – Tulsa, OK (05/02/18)

U2
BOK Center
Tulsa, OK
May 2, 2018

Tascam DR-05 > Audacity > WAV > Trader’s Little Helper > FLAC

The first show from U2’s Experience and Innocence tour. Some unique features of this show include their first show in Tulsa in 35 years, the first-ever live performance of Acrobat, and thus far the only performance of Who’s Gonna Ride Your Wild Horses on this tour.

Total time: 147:09

Setlist:
Intro
Love Is All We Have Left
The Blackout
Lights of Home
Beautiful Day / Many Rivers To Cross (snippet)
All Because Of You
I Will Follow / Mother (snippet)
The Ocean
Iris (Hold Me Close)
Cedarwood Road
Song for Someone
Sunday Bloody Sunday
Raised by Wolves / Psalm 23 (snippet)
Until The End Of The World / Love, Reign O’er Me (snippet)
Intermission – Hold Me, Thrill Me, Kiss Me, Kill Me
Elevation
Vertigo
Desire
MacPhisto speech
Acrobat
There’s No Business Like Show Business (snippet) / You’re The Best Thing About Me
Staring At The Sun
This Is Not America (snippet) / Pride (In The Name Of Love)
Get Out Of Your Own Way
American Soul
United States Declaration Of Independence (snippet) / City Of Blinding Lights
Women of the World
Who’s Gonna Ride Your Wild Horses
One
Love Is Bigger Than Anything In Its Way
13 (There Is A Light)
Outro

Pink Floyd – Seattle, WA (12/08/87)

Pink Floyd
Kingdome Seattle
The Kingdome
Seattle, Washington, USA
December 8th, 1987

Source : Audience /Recorder 1
My Lineage: Sennheiser mics>SonyWM PRO>Cass[M]>CDR[1]>WAV>EAC>SHN.

CD1

  1. Fade in ñ Shine On You Crazy Diamond (5:12)
  2. Signs Of Life (4:18)
  3. Learning To Fly (4:56)
  4. Yet Another Movie (7:17)
  5. A New Machine ñ part 1/Terminal Frost (8:26)
  6. A New Machine ñ part 2/Sorrow (10:27)
  7. The Dogs Of War ñ Fade out (5:01)

CD2

  1. Fade in ñ The Dogs Of War (2:04)
  2. On The Turning Away (8:53)
  3. One Of These Days (7:08)
  4. Time (5:30)
  5. On The Run (4:16)
  6. Wish You Were Here (4:49)
  7. Welcome To The Machine (8:05)

CD3

  1. Us And Them (7:10)
  2. Money ñ part 1 (3:58)
  3. Money ñ part 2 (5:07)
  4. Another Brick In The Wall ñ part 2 (5:04)
  5. Comfortably Numb (11:06)
  6. One Slip (7:32)
  7. Run Like Hell (8:50)

I got this cd direct from the taper who had transform the Cass Master to CD.

Thanks to Wojtek for makeing the art for it.

-nfloyd

Pink Floyd – Philadelphia, PA (06/12/75)

Pink Floyd
1975-06-12
Spectrum Theater
Philadelphia, Pennsylvania

CD1:
01 Raving And Drooling
02 Gotta Be Crazy
03 Shine On You Crazy Diamond (Parts 1-5)
04 Have a Cigar
05 Shine On You Crazy Diamond (Part 6)
06 Shine On You Crazy Diamond (Parts 7-9)

CD2:
01 Speak To Me
02 Breathe
03 On The Run
04 Time
05 Breathe (Reprise)
06 The Great Gig in the Sky
07 Money
08 Us and Them
09 Any Colour You Like
10 Brain Damage
11 Eclipse

Total Length: 58:52

CD3:
01 Echoes

Roger Waters: Bass and Vocals
David Gilmour: Guitars and Vocals
Richard Wright: Keyboards
Nick Mason: Drums

Eric Burdon & Robbie Krieger – San Luis Obispo, CA (05/19/90)



Eric Burdon & Robbie Krieger
05/19/90
DK’s West Indies Bar
San Luis Obispo, CA

Aiwa CM-30 Stereo Cardioid >Sony WM-D6C Cassette master >CDR >FLAC

(Recorded, Transferred, FLAC’d, Tagged, & Front-Cover Artwok By OldNeumanntapr)
FOB; Audience Master
Transferred Via: Sony TC-D5M->HHb CDR 800 PRO
CD Master >FLAC (Level 8) Via xACT 2.25
Tags Via xACT 2.53

  1. //See See Rider
  2. It’s My Life >
  3. Don’t Bring Me Down
  4. We Got To Get Out Of This Place
  5. Back Door Man
  6. Roadhouse Blues
  7. Spill The Wine
  8. Boom Boom / Shake Rattle And Roll
  9. I’m Crying

Encore:

  1. Going Back To Memphis
  2. The House Of The Rising Sun

OldNeumanntapr Notes:
DK West Indies Bar was located in Downtown San Luis Obispo on Broad Street, and later was converted into the Big Sky Cafe. I was lucky enough to catch Eric Burdon and Robbie Krieger there both in 1990, and in 1991 when Brian Auger also played with them. It was standing room only for both years, but I was young at the time and didn’t care.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Sci-Fi In July: Sphere (1998)

cover

I’ve previously mentioned how The Silence of the Lambs helped me to become a lifelong reader. Well, Michael Crichton was no small slouch in that regard either. He became the first author that I really followed. I have fond memories of a couple of friends and me discovering his books and fighting over who would get to check one of the books from the school library first and who would have to wait.

The first book of his that I read was The Andromeda Strain – about an alien virus that crashes to Earth aboard a satellite and the scientists that study it. I loved it. I loved its realism and attention to detail. Just now I’m realizing that the Hannibal Lecter books by Thomas Harris and the stories of Michael Crichton appealed to me in the same way. Harris dug into the details of forensic and behavioral science – why serial killers behave the way they do and how the F.B.I. catch them. Crichton also leans heavily into his science background. Both authors lay out science in an organized and detailed manner. That appealed to me in some way.

I don’t remember much about Sphere. I remember reading it on the bus – slouched down, knees on the seat in front of me. But I don’t remember much of the actual story. Except that, I was disappointed in it.

I was even more disappointed by the movie which took quite a few liberties with the book, though again my memories are fuzzy.

But it has been many years since I saw the film, and sometimes movies I was disappointed with as a college kid become better with age. Since this is Sci-Fi in July and that film stars Dustin Hoffman, Samuel L. Jackson, Sharon Stone, and Liev Schreiber I decided to give it another try.

Friends, it has not gotten better with age.

The basics of the plot are pretty good, especially in the beginning, but then it does a deep dive into stupidity and never recovers.

So, a ship is discovered at the bottom of the ocean. Several inches of coral have grown over it. Coral grows at a specific rate which indicates the ship has been down there for three hundred years. Since humankind didn’t have spaceships 300 years ago it is determined that this ship is extra-terrestrial in origin.

A few years prior psychologist Dr. Norman Goodman (Hoffman) was tasked by the Bush administration to write a paper detailing what should be done if aliens were discovered on Earth. He filled in some procedures and proclaimed you’d need an astrophysicist (Schreiber), a mathematician (Jackson), and a marine biologist (Stone).

That’s a very Michael Crichton setup. He loves putting together a crack team of smart people to solve a crisis. But in this story (or at least this adaptation of this story) Goodman half-assed that paper. He needed the money and didn’t think anyone would read it. All of the scientists he claimed they’d need were just people he knew. Some of these folks are super smart, but they aren’t exactly the elite group of people one might actually ask for.

The military has already established a sea station on the ocean floor next to the spaceship. Our heroes take a sub down and investigate. Inside the ship they discover a few things I won’t spoil but also a large CGI sphere. It reflects everything around it except for the humans suggesting it is an intelligent life form.

One of the characters later goes inside the sphere but when he comes out he can’t remember anything. Soon after strange things start happening like the base station is attacked by a giant squid and strange sea snakes come out of the sink. Meanwhile, up above a huge storm has rolled in causing the Navy ships to have to leave for a few days, stranding our heroes down below.

At some point, the alien starts talking to our heroes through text messages on the computer. It is friendly at first and then it begins acting like a petulant child. Luckily, our psychologist knows how to talk to angry children. For a little while at least

For a little while I enjoyed the film. The basic setup is solid and I like the actors, but the longer it rolled the sillier it becomes. And stupid. As I said one of the things I liked about Crichton is that he took science seriously. He loved to get into the details without letting the story get bogged down. He probably made some stuff up, but he did it well. The film takes a lot of shortcuts with the science and it makes the film worse.

Director Barry Levinson is known for his character-driven dramas and he is clearly out of his depth with this blockbuster-fueled science-fiction horror story.

Sometimes it is best to remember that a movie is bad, and not try and prove those memories as faulty.

The Rolling Stones – Las Vegas, NV (05/11/24)

ROLLING STONES
LAS VEGAS, NV
ALLEGIANT STADIUM
2024-05-11

AT853 to SONY A-10 -> Soundforge -> FLAC
Master wav sent to me via anonymous source

  1. -intro-
  2. Start Me Up
  3. Get Off My Cloud
  4. Let’s Spend The Night Together
  5. Angry
  6. Like A Rolling Stone
  7. You Got Me Rocking
  8. Mess It Up
  9. Tumbling Dice
  10. You Can’t Always Get What You Want
  11. -band intro-
  12. You Got The Silver
  13. Little T&A
  14. Sympathy For The Devil
  15. Honky Tonk Women
  16. Miss You
  17. Gimme Shelter
  18. Paint It Black
  19. Jumpin’ Jack Flash
  20. Sweet Sounds Of Heaven
  21. (I Can’t Get No) Satisfaction

The Friday Night Horror Movie: Frankenstein Created Woman (1967)

cover

Hammer Studios made a name for themselves in the 1960s and 1970s by remaking and updating the classic Universal Horror Monster Movies. They were stylish and full of wonderful sets. They were more violent and sexy than those classic films, though they come out looking fairly tame by today’s standards.

They made numerous Dracula, Frankenstein, and Mummy films (I don’t believe they ever made an Invisible Man or Creature from the Black Lagoon film), most of which starred Christopher Lee and/or Peter Cushing. I’ve talked about a few of them in these pages. I have a great fondness for them all.

Frankenstein Created Woman was the fourth film in Hammer’s Frankenstein series (there would be seven in total.) It is a bit of a strange one in that it doesn’t seem to have much of a connection to the other films other than Peter Cushing playing Victor Frankenstein, and him continuing to be a mad scientist.

Here he isn’t so much reanimating freshly dead corpses, but capturing the souls of the recently deceased and placing them in fresh bodies. It is also strangely, almost accidentally progressive.

It opens with Frankenstein lying dead in a sort of deep-freeze coffin. He’s been dead for exactly one hour and at that precise moment, his assistant Dr. Hertz (Thorley Walters) resuscitates (or resurrects?) him. This proves to Frankenstein that a person’s soul does not immediately leave the body at death. Something he surely must experiment with.

Meanwhile, his other assistant, Hans (Robert Morris) is having a love affair with Christina Kleve (Susan Denberg) a woman who is disfigured and whose body is partially paralyzed.

Soon enough he’ll find himself being guillotined for a crime he didn’t commit and she’ll commit suicide shortly thereafter.

Naturally, Frankenstein takes this as an opportunity to capture the soul of Hans and put it into Christina’s body. This is where the film gets accidentally progressive. It apparently doesn’t occur to our friend Baron Victor Frankenstein that putting a male soul inside a female body might be considered strange (I mean stranger than reuniting a dead person). He doesn’t seem to consider it at all. For a brief moment, Hertz raises the question but it shuts down with a singular word from Frankenstein.

The film doesn’t really do anything with the concept after that either. There aren’t any moments where Hans’ soul is questioned about what it is like inhabiting a woman’s body or anything of the sort. No one ever mentions the fact that he could have simply resurrected Christina without Hans’ soul and his experiment would have still been a success.

Frankenstein also fixes all of Christina’s ailments (well, technically Hertz does the actual surgeries as Frankenstein’s hands no longer work – something I think that happened when he was frozen). She can now walk properly and her face is beautiful. No one questions why he didn’t do this while she was properly alive. That would have actually been something the entire community could get behind.

Anyway…

The two souls seem to exist simultaneously. Christina is more or less in control, but she hears Hans talking to her – he mostly screams at her to kill the people who committed the crime that got him executed.

It is a strange entry into the Frankenstein universe. There isn’t really a monster, just a nice girl who gets her dead lover’s soul implanted inside her body. Even after she (or they) start a murder spree the film is on their side. It seems to justify their crimes since the people getting killed were jerks in the first place.

So she’s not really a monster. There aren’t any townspeople with pitchforks, and Frankenstein isn’t all that involved in his own movie. We spend more time with others, developing relationships than with Frankenstein in his lab.

But it kind of worked for me. I am a great fan of these Hammer Horror films. They are often rather slow and meandering, but there is something I just love about them. This is no exception.

You can stream the film for free on the Internet Archive.

Queen – Edinburgh, Scotland (06/02/82)

Queen
Edinburgh, UK
Ingliston Showground
June 2, 1982

AUD > Master Cassette > WAV > CDR (x) > WAV (GoldWave pitch/speed correction) > FLAC (Frontend level 8)

Disc 1:

  1. Flash (tape)
  2. The Hero
  3. We Will Rock You (fast)
  4. Action This Day
  5. Play The Game
  6. Staying Power
  7. Somebody To Love
  8. Now I’m Here
  9. Dragon Attack
  10. Now I’m Here (reprise)
  11. Love Of My Life
  12. Save Me
  13. Get Down, Make Love
  14. Guitar Solo
  15. Under Pressure

Disc 2:

  1. Fat Bottomed Girls
  2. Crazy Little Thing Called Love
  3. Bohemian Rhapsody
  4. Tie Your Mother Down
  5. Another One Bites The Dust
  6. Sheer Heart Attack
  7. We Will Rock You
  8. We Are The Champions
  9. God Save The Queen

Enjoy, and keep it lossless!