
I wrote my review of Carl Theodore Dreyer’s Master of the House in 2014. I admitted then that I had not seen many silent films and struggled with how to watch them. I’ve seen quite a few more now, but I still struggle with them.
When the story is full of excitement and intrigue, and when the camera is used in interesting ways, I can get into a silent film. But when it is more of a family drama, and when the camera stays pretty static my mind tends to drift.
Dreyer uses his camera well, and the set design is impeccable, but I found the story rather dull and struggled to get through it. You can read my full review here.
