Pink Floyd – London, England (10/19/94)

Pink Floyd
Complete Earls Court Volume 7
ROIO Records (#ROIO CDR-017-VII)
Earls Court Exhibition Hall
London, England
19 October 1994

Disc 1:

Shine On You Crazy Diamond
Learning to Fly
High Hopes
Lost for Words
A Great Day for Freedom
Keep Talking
Coming Back to Life
Sorrow
Another Brick in the Wall
One of these Days

Disc 2:

Breathe
Breathe (continued)
On the Run
Time
Breathe (reprise)
The Great Gig in the Sky
Money
Us and Them
Any Colour You Like >> Brain Damage
Brain Damage (continued) >> Eclipse
Wish You Were Here
Comfortably Numb
Run Like Hell

Pink Floyd – Chesterfield, England (03/27/69)

Pink Floyd
March 27, 1969
Saint James Hall
Chesterfield, England

1.) Astronomy Domine
2.) Careful with that Axe, Eugene
3.) Interstellar Overdrive
4.) Set the Controls….
5.) Saucerful of Secrets

Marek B.

Queen – Liverpool, England (01/11/74)

Queen
01.11.1974
Empire Pool
Liverpool, United Kingdom

quality: good –
size: 78.30 MB

AUD > WAV > CDR(x) > WAV > FLAC frontend (level 8)

3:30 Flick Of The Wrist
1:45 Killer Queen
1:01 The March Of The Black Queen
1:18 Bring Back That Leroy Brown
9:54 Son and Daughter / Guitar solo
4:43 Keep Yourself Alive
3:34 Seven Seas Of Rhye
0:42 Big Spender
2:07 Modern Times Rock’n’roll

Of course it’s not complete.

Pink Floyd – Portsmouth, England (01/21/72)

Pink Floyd
January 21, 1972
Guildhall, Portsmouth, Hampshire, UK
CD Bootleg: Dark Side Premiere
Label: Hip Cat Records
Quality: G+

CD Bootleg “Dark Side Premiere” > EAC > FLAC level 5

Comments:

This bootleg contains the first ‘DarkSide Of The Moon’ performances.

Set List:

Disc: 1

Speak To Me
Breathe
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse

Disc: 2

One Of These Days
Set The Controls For The Heart Of The Sun
Echoes
A Saucerful Of Secrets

Band:
David Gilmour
Rick Wright
Nick Mason
Roger Waters

Recordet Live at The Guildhall, Portsmouth, Hampshire, UK January 21, 1972

The Who – Isle of Wight, England (08/30/69)

The Who
1969-08-30
Isle of Wight Festival
Isle of Wight, UK

Near 65 min audience recording

Setlist:
01 – Intro
02 – Heaven and Hell
03 – I Can’t Explain
04 – Fortune Teller
05 – Young Man Blues
06 – It’s A Boy
07 – 1921
08 – Amazing Journey
09 – Sparks
10 – Eyesight to the Blind
11 – Christmas
12 – The Acid Queen (tape flip inside)
13 – Pinball Wizard
14 – Do You Think It’s Alright
15 – Fiddle About
16 – There’s A Doctor
17 – Go To The Mirror
18 – Smash The Mirror
19 – I’m Free
20 – Tommy’s Holiday Camp
21 – We’re Not Gonna Take It
22 – See Me Feel Me
23 – Summertime Blues
24 – My Generation

Notes:
A very good-sounding audience tape. The tape suffers from crackling, speed fluctuation, and minor distortion at times.
The audience around the taper is quite rowdy in the beginning, but they settle down pretty quickly.
Received from a collector without lineage.

The Cure – Newcastle, England (04/24/82)

the Cure
24.04.1982
UK, Newcastle – City Hall

Setlist :
Mainset :
the figurehead
m
in your house
cold
the drowning man
a short term effect
the hanging garden
Siamese twins
other voices
three imaginary boys
primary
one hundred years
play for today
a forest
pornography

Encore 1 :
10.15 Saturday night
killing an Arab
all mine

Band :
Robert Smith, Simon Gallup, Laurence Tolhurst

Miles Davis – London, England (11/01/69)

Miles Davis Quintet
11-01-1969
Hammersmith Odeon
London, United Kingdom

Project ID – LL175

Source: Audience Recording
Lineage: Monaural audience recording > analog reel(s)/cassette(s) (unknown gen.)

DAT @32 kHz > wav via S/PDIF and M-Audio Audiophile digital soundcard >
Wavelab 5.0 and SoundForge 6.0 >CD Wave >FLAC (level 8)

Miles Davis (tpt); Wayne Shorter (ss, ts); Chick Corea (el-p);
Dave Holland (b, el-b); Jack DeJohnette (d)

disc 1

d1t01. Introduction/
d1t02. Directions
d1t03. Bitches Brew
d1t04. It’s About That Time
d1t05. I Fall in Love Too Easily
d1t06. Sanctuary
d1t07. No Blues
d1t08. Paraphernalia
d1t09. Masqualero/

Notes:

d1t01: the announcement sounds to be cut short
d1t02: The sound is very distant and muffled up to about :24, then it seems to improve.
there is another drop in levels at 2:30 taking the quality back down a bit with more of a
muffled sound. There seem to be a splice or a cut at 7:22
d1t03: Digipop at 1:39, 4:35, 7:49, 12:11, 12:14, and 12:35. Drop out at 5:51 – 5:53. Mic
adjustment at 12:23, 14:07.
d1t04: Static at 11:02, 11:08. Mic adjustment at 15:40, 16:40
d1t05: at 1:46 there is a loud thump. I believe this was a mic bump. There are small
mic bumps and adjustments throughout thistrack.
d1t06: This track also has the small mic bumps and adjustements for the first quarter
of the track. dropout at 1:56.
d1t07: the levels seem to bump up at :37. Mic bumps, adjustments throughout this track
as well.
d1t09: There are a few level changes in this track, very minor. At 8:52 through
8:58 there is a very odd artifact. I don’t believe it should be there, but I may be wrong.
Drop out at 9:41. Track is cut at the end, music lost.
The sound is overall a bit distant and muffled sounding. Being a Miles audience
recording from the late 60’s the overall sound is pretty good and par for the course
when compared to other examples I’ve heard. I wouldn’t pass it by myself.
“The Davis Quintet played two concerts at the Hammersmith Odeon on this date.
This is the second concert. The Quintet toured Europe in October-November 1969 as
part of the Newport Jazz Festival in Europe produced by George Wein.”
Credit to Peter Losin, http://www.plosin.com/
QC done by Bgreen