Gillian Welch – Charlottesville, VA (05/05/98)

Gillain Welch and David Rawlings
Jefferson Theater, Charlottesville, VA
May 5th, 1998 (1st set)

01 Tear My Still House Down
02 One More Dollar
03 The Devil Had A Hold Of Me
04 My Morphine
05 Winter’s Come And Gone
06 Miners Refrain
07 Honey Now
08 Paper Wings
09 True Life Blues
10 Red Clay Halo

DSB > CDR > CDwave > Flac

String Cheese Incident – Santa Barbara, CA (03/08/98)

String Cheese Incident
03/08/98
Coach House North
Santa Barbara, CA

Digital Soundboard Master, Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO
CD Masters >FLAC Via xACT 2.48
FLAC Tags Via xACT 2.53

(Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr)

Set I
Disc I:

  1. Lonesome Fiddle Blues
  2. Got What He Wanted
  3. Lester had A Coconut
  4. Svingin’ with Svend
  5. Another Night
  6. Born On The Wrong Planet
  7. Moonflower
  8. Black Clouds

Set II
Disc II:

  1. Walk This Way
  2. Blue Bossa
  3. Mtn Girls
  4. All Blues*
  5. Good Times
  6. Boogie On Reggae Woman
  7. Don’t Say > Jam >
  8. San Jose

Encore:

  1. Elvis’ Wild Ride

*w/Keller Williams on mouth flugel

Keller Williams opened

Oldneumanntapr Notes;
This was my very first String Cheese Incident show. My friend Dave and I drove down to Santa Barbara to see the show. I had heard that the band was taping friendly, but when I walked in and asked about recording I was asked if I wanted a straight board recording or a matrix. That blew me away! I elected for a straight board recording, and I gave my D7 DAT and patch cable to one of the band’s crew who plugged it into a long chain of DATs on a plastic folding table. They ran all the decks so I had nothing to do for this show but to sit back and watch the performance. I was amazed with how tight they were. Progressive bluegrass at its best!!! This show definitely made me a SCI fan!!

The next time I saw them, again at the Coach House North the following year in 1999, they no longer allowed soundboard access but still welcomed audience recording. It was good while it lasted! The Coach House North, formally the Red Dog Saloon, is a small club with a really low ceiling in Santa Barbara, close to Milpas Street near the beach.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Bela Fleck, Bruce Hornsby & Vince Gill – Nashville, TN (01/05/98)

BÉLA FLECK BRUCE HORNSBY & VINCE GILL
January 5, 1998
Ryman Auditorium
Nashville, Tennessee

Source: Cable Feed > Sony D8 @ 16/48
Trasnfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG)
DiGiHoArDeRs: 11/10/2020

Long Valley Road
Sunset Road
White-Wheeled Limousine
What The Cowgirls Do
The Way It Is
Going Down The Road Feeling Bad

Bruce Hornsby
Bela Fleck
Vince Gill
Ricky Skaggs
Stuart Duncan
Brent Brown

Nanci Griffith – London, England (11/29/98)

Nanci Griffith
The Barbican, London,England
November 29, 1998

01 Across the Great Divide
02 Speed of the Sound of Loneliness
03 He was a Friend of Mine
04 Can’t Help but Wonder Where I’m Bound
05 Canadian Whiskey
06 Outbound Plane
07 Dress of Laces
08 Wall of Death
09 Who Knows Where the Time Goes
10 It’s a Hard Life Wherever You Go
11 The Hammer Song

Source: SBD.
lineage: silver cd-r trade > me > EAC > traders Little helper > you.
This CDR is made from the digital satellite BBC broadcast at early December 1998 from the first Barbican concert of the OV2 tour in NOvember 1998. This is not the complete show but a compilation of the BEEB.

This performance came shortly after her album Other Voices, Too, which is a sequel to Other Voices, Other Rooms and follows in the same vein as the first one ñ meaning Nanci playing her favorite songs for her favorite people. Artists such as Odetta, Dave Von Ronk, and a host of others wander back and forth onto the stage, to help Nanci out. This creates some wonderful noise, as well as plenty of distractions.

Wilco – San Francisco, CA (12/31/98)

Wilco
December 31, 1998
The Fillmore
San Francisco, CA

Source: SBD > DAT
Lineage: DAT-M > CDR > AIF
Mastering (BLG): Adobe Audition > iZotope RX9 / Ozone 9 > WavePad > xACT > FLAC

01 California Stars
02 Forget the Flowers
03 New Madrid
04 Hesitating Beauty
05 When the Roses Bloom Again
06 Someday Soon
07 Christ For President
08 She’s a Jar
09 Can’t Stand It
10 Hotel Arizona
11 Kingpin
12 One Hundred Years From Now
13 Monday
14 Outtasite (Outta Mind)

Encore:
15 Passenger Side
16 I’m Always In Love
17 James Alley Blues
18 Far, Far Away
19 Red-Eyed and Blue
20 I Got You (At the End of the Century)

Encore 2:
21 I Must Be High
22 Hoodoo Voodoo
23 Casino Queen > Dueling Banjos >
24 Should I Stay or Should I Go > Casino Queen >
25 Passenger Side (punk)

Encore 3:
26 Give Back the Key To Me Heart
27 Henry & The H-Bombs
28 The Lonely 1

Total Time: 119:36

.txt compiled on Nov 27, 2021

Robert Earl Keen – Santa Cruz, CA (12/11/98)

Robert Earl Keen
The Catalyst Club, Santa Cruz CA
1998-12-11

01 Radio Intro
02 Feeliní Good Again
03 Gringo Honeymoon
04 Think It Over One Time
05 Down That Dusty Trail
06 Amarillo Highway
07 Corpus Christi Bay
08 Whenever Kindness Fails
09 Itís The Little Things
10 Copenhagen
11 That Buckiní Song
12 Noise
13 Five Pound Bass
14 Iím Going To Town
15 Traveling Light
16 Levelland
17 Shades Of Gray
18 Over The Waterfall

19 New Life In Old Mexico
20 Sonoraís Death Row
21 Oh Rosie
22 The Road Goes On Forever
23 Iím Coming Home
24 Undone
25 Dreadful Selfish Crime
26 Merry Christmas From The Family – Feliz Navidad

SBD/FM source

Robert Earl Keen – Charleston, WV (11/15/98)

Robert Earl Keen
Cultural Center, Charleston, WV (Mt. Stage)
Nov. 15, 1998

01 Intro
02 Theme- Road To No Return – Carolina >
03 New Life In Old Mexico >
04 Still Without You – Conclusion- Road To No Return
05 Billy Gray
06 Band Intros
07 Feelin’ Good Again
08 Outro

Robert Earl Keen – Vocals, Guitar
Rich Brotherton – Lead Guitar, Vocals (Track 5)
Bryan Duckworth – Fiddle, Mandolin
Bill Whitbeck – Bass Guitar, Harmony Vocals
Tom Van Schaik – Drums

Source: FM Broadcast > Maxell XLII-90 Cassette (Master)
Transfer: Cassette > Sony Standalone CD Burner > Freerip (FLAC) > Trader’s Little Helper (FFP) > Torrent
(Note: Broadcast blips on Tracks 2 & 4 are from the original tape)

Gordon Lightfoot – San Luis Obispo, CA (07/09/98)

Gordon Lightfoot
7/9/98
Christopher Cohan Center
Cal Poly University
San Luis Obispo, CA

Nyquist Omnis >SBM-1 >Sony TCD-D7

Digital Audience Master; 2nd Row, Center (Set II only) 
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Master Extracted To One Track With xACT 2.36,

Audacity (Track Splits, Normalize -1.8db >FLAC (Level 8) Via xACT 2.36
Recorded By Dave Schaechtel With OldNeumanntapr’s Gear
Transferred, Audacity, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr

Set II Only!!!

-Set 2-

  1. Waiting for You
  2. Fading Away
  3. Rainy Day People
  4. On Susan’s Floor
  5. Uncle Toad Said
  6. If You Could Read My Mind
  7. A Painter Passing Through
  8. Song for A Winter’s Night
  9. Early Morning Rain
  10. Baby Step Back
  11. -banter-
  12. Canadian Railroad Trilogy
  13. Blackberry Wine

OldNeumanntapr Notes;
My friend Dave recorded this show for me with my gear because I was out of town at the time on a camping trip to Montana. As I vaguely remember, his girlfriend was running late and they got to the show at the last minute, as the house lights were going down. So, he didn’t record the first set, which ended with ‘The Wreck Of The Edmund Fitzgerald’. I recorded Gordon Lightfoot in the same venue two years later with the Neumanns and got a better recording, but this one is better than nothing. Thanks to Dave, my partner in crime, for pulling this off!

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Neil Finn – San Francisco, CA (11/14/98)

Neil Finn
11/14/98
The 7th Note*
San Francisco, CA

Nyquist Omnis >Sony SBM-1 >Sony TCD-D7
DAT Master Transfer: Tascam DA-30 > HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35
FLAC Tags Via xACT 2.53
Recorded, Transferred, FLAC’d, Tagged, & Front Cover Artwork By OldNeumanntapr
Location: under the rear ceiling monitors

Disc One:

  1. Intro
  2. Last One Standing
  3. Private Universe
  4. Devil You Know
  5. Try Whistling This
  6. Message To My Girl
  7. Faster Than Light
  8. ‘Neil can I sing with you?’
  9. Distant Sun
  10. Pineapple Head
  11. Into Temptation
  12. Honey Don’t Think
  13. Souvenir
  14. Four Seasons In One Day
  15. Close To You
  16. King Tide
  17. Ben Ben Ben
  18. Only Talking Sense

Disc Two:

  1. She Will Have Her Way
  2. Sinner
  3. Suffer Never
  4. Weather With You
  5. Carpenter’s Medley
  6. Fall At Your Feet
  7. Fuzzy
  8. I Got You
  9. Pale Blue Eyes

encore

  1. Don’t Dream It’s Over

Grant-Lee Phillips sings the lead vocal on “Fuzzy.” “Last One Standing” fades in.

*Formally ‘Wolfgangs’.

OldNeumanntapr Notes:

I remember this show well. I drove up to San Francisco to see my friend Allen Chen who was a Stanford University student at the time and also meet up with a friend from New Zealand who was flying into to SF airport for a layover on her way to Vancouver. I tried to persuade Monica to go to the Neil Finn show with Allan and myself but she declined. Oh well. She missed a great show! Neil played at the 7th Note, which is the old Wolfgang’s in North Beach on Columbus. I recorded this show with custom-made Nyquist omni mics in a hat->Sony SBM-1->Sony TCD-D7 DAT under the rear ceiling monitors. We were in the back (but under the speakers) because it took FOREVER to find parking. (Hey, imagine that!). We finally had to park on the sidewalk between driveways like so many people do. Fortunately the car was not towed. Dave Dobyn opened and then Neil played his set with Grant Lee Phillips as a special guest. The airlines lost Neil’s bags when he flew in from Los Angeles so he made comment between songs about his food-crusted shirt from the airplane. It was a great set and the recording sounds very nice too. There was a guy named Tom who was holding up a sign that said ‘Neil can I sing with you’. Neil made up a song about the sign on the spot and then called him up later to sing ‘I Got You’ with the band. Tom made a joke that he wanted to be paid so Neil reached into his pocket and handed him a $100 bill! He said, ‘I’m going to regret that later so you better go.’ I wonder if he still has the C note. Funny. Later in the set, Grant Lee Phillips played a joke on Neil and asked him if he could have a ‘bottle on stage’. Neil said sure, and that the only thing he didn’t like was smoking on stage. Grant had a seven-foot-tall inflatable bottle of Bacardi rum brought on stage. Neil made a comment that, ‘You could sail to New Zealand in that thing!’ They threw the bottle out into the audience and it was passed around over everyone’s heads. All in all, it was one of the best shows that I’d seen in San Francisco. When the show ended I saw my friend Bonnie Harris, a Schoeps taper, who had gotten there really late and was unable to record so I made her a copy of my tape. I went with Allan in his Volvo back to Stanford University and spent the night in my Alaskan camper on my ’89 F350 crew cab 4×4 and went home the following morning.

This review was posted to a Neil Finn message board not long after the show and I saved it. I’m not sure who wrote this one:

“Subject: 7th Note, SF – $100, A 7Ft. Bottle, Improv aplenty…

Another remarkable sold out show in San Francisco last night, which saw one
bizarre occurrence after another.
Dave Dobbyn did his customary acoustic set (receiving a huge response from
the crowd which clearly delighted him) and was joined by Neil on piano for
the closing “Hallelujah Song”.
This show was considerably looser and more playful than previous ones.
Neil’s stage attire looked like a departure – he explained that his baggage
was lost at the airport, so he was wearing his “plane clothes”. Not a lot
of luck with services in San Francisco then, because Neil was unable to get
a cab to the show – there was a 45 minute wait. Imagine the spectacle of
Neil and Dave Dobbyn arriving outside the venue by Cable Car, as that’s
what they did. Damn Tourists !!!
There were early departures from the norm – a wonderful solo acoustic Devil
You Know which soon led to an improvised “Neil, Can I Sing With You?” in
response to the “subtle” sign held aloft by listee Tom “Dork” Bishel. His
moment came later, but first we had more great moments including “Into
Temptation” which also received an airing at The Fillmore in August. Play
it every time you come to SF Neil, fine by me !
Guest Grant Lee Philips then joined Neil for a rendition of Grant Lee
Buffalo’s “Honey Don’t think”.
When I found Grant was to be Neil’s guest I wondered what they could do
together, having seen Grant Lee Buffalo perform a few times.
They sang well together and songs like “Only Talking Sense” and “Fall at
your Feet” really worked well.
There was a degree of confusion and unfamiliarity on occasion which
hysterically led to a duet and audience singalong on The Carpenters’ “Close
To You” (Yes, REALLY), but things gelled well and Grant’s personality
worked well with Neil’s – “I want to be like Neil Finn when I grow up”.
Grant clearly admires Neil, asking incredulously at one point “Did he just
make that up ??” after one of the many improvs of the evening.
They jammed a lot, particularly when Grant was on electric guitar – one of
these was a really funny song for Neil’s guitar tech, Ben. The lyrics of
the chorus and verses consisted of repeating the word “Ben” as often as
possible – this was done in a vain attempt to get the bashful chap to
demonstrate his dancing ability, which Neil assured us was excellent. Neil
even tried to drag him onstage but lost that tog-o-war.
The words “Ben, Ben, Ben..” were even funnily inserted into “She Will Have
Her Way” later on. Somewhere in the set Frank & Nancy’s “Something Stupid”
got an abbreviated rendering.
Thankfully Dave Dobbyn joined Neil for a few songs, funnily arriving
onstage in his Quasimodo guise. Dave fared well, but there were a few
ragged moments, particularly during “Sinner” which Neil restarted after
some discussion about which key/chords to use.
Neil continued the welcome trend of performing one of his guest’s songs
with them – a really good version of Grant Lee Buffalo’s “Fuzzy” from their
debut LP of the same name (well worthy of investigation Finn-fans !)
At some point Grant asked if it was okay to bring a bottle onstage – Neil
said that was fine by him, but he probably didn’t envisage a 7ft tall
inflatable liquor bottle which just about fit below the ceiling !! It
rested against his piano for a period of time before Neil gave in to the
urge to launch it into the audience – almost decimating the 7th Note’s
glitter ball in the process. So we had the almost surreal spectacle of a
7ft. inflatable bottle traveling around the club above the crowd during
“Don’t Dream It’s Over”.
Tom finally got his moment late in the set, when after persistent
canvassing, Neil invited him to join Grant, Dave and himself to sing “I Got
You”, which he did a great job of (it was Neil who forgot the lyrics!).
This was not a run of the mill run through the song however, and Tom
reacted well when Neil departed to ad-lib land mid-song. Tom followed and
at one point Neil ad-libbed lyrics about him having perfect pitch.
After the song ended, Tom asked Neil to do another one and in response Neil
reached into his pocket and handed him a $100 bill (!). Now many fans have
shared a stage with Neil, but surely Tom is the first to be paid to sing
(or stop singing ! ??, ha !). Neil told him to take it quickly before he
changed his mind. After the show Tom thanked Neil and was told to keep the
$100.
Before ending with “Don’t Dream..”, Neil urged Grant to attempt The Velvet
Underground’s “Pale Blue Eyes” in honour of Nick Seymour and they did a
fine job of it – If the Lou Reed in NY prediction is true, this could get
very interesting next Monday.
Again spotted that there were 2 tall mikes each side of the stage angled
towards the audience – keep your fingers crossed for some B-sides !
Lots of familiar faces from all over the West Coast in evidence last night
(Hi all !!) and the SF audience reaction/participation was phenomenal. What
a night.”

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉

Neil Finn – Santa Barbara, CA (08/12/98)

Neil Finn
8/12/98
Lobero Theatre
Santa Barbara, CA
‘Sings Like Hell’ Singer Songwriter Series

Front Row Center: Nyquist Omnis >Sony TCD-D7
DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o,
CD Masters >FLAC (Level 8) Via xACT 2.35

FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Smooth Out Minor Level Imbalances, Amplify By 8.2db, Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.53

July 2024 Remaster

(Recorded, Transferred, FLAC’d, Tagged (Via xACT 2.53), & Front Cover Artwork By OldNeumanntapr)

Disc I:

  1. Twisty Bass
  2. King Tide
  3. I Got You
  4. Truth
  5. Dream Date
  6. Try Whistling This
  7. Sinner
  8. Fall At Your Feet
  9. Four Seasons In One Day
  10. Loose Tongue

Disc II:

  1. Souvenir
  2. Private Universe
  3. When You Come
  4. She Will Have Her Way
  5. Faster Than Light
  6. Love To Have A Beer With Duncan
  7. Last One Standing
  8. Don’t Dream Its Over
  9. Empty Head
  10. Instrumental
  11. Addicted

OldNeumanntapr Notes:
This was my first experience with Neil Finn, and I loved this show! This was Neil’s first solo tour after leaving Crowded House and I thought that both he and his band sounded really good.
My friend Bonnie Harris, a Schoeps taper that I knew back in the 90s, got a ticket at the last minute and was stuck all the way on one side of the PA, whereas my recording was made front row center. I have both recordings and I think that the Nyquist recording sounds much better, but NO ONE has ever wanted it in trade from me, and people always request the Schoeps version because of name recognition. I enjoyed this recording so much that I made certain to record another Neil Finn show a few months later in San Francisco on this same ’98 tour.

Do NOT Convert To MP3.
Enjoy! Share freely, don’t sell, play nice, don’t run with scissors, etc. 😉