Tag: hong kong cinema

Foreign Film February: Encounter of the Spooky Kind (1980)

encounter of the spooky kind

I recently resubscribed to The Criterion Channel. It is without a doubt my favorite streaming service, but I have a tendency to put it on hold for a month or two. There are just so many other services and various other ways in which to watch shows and movies that I just can’t afford to subscribe to everything all the time.

One of the many things I love about The Criterion Channel is that it not only has some of the world’s greatest cinema on there – from Kurosawa to Bergman, Fellini to Welles, but it also has tons of oddball, weirdo films as well. The people behind it are just as comfortable with the arthouse as with the grindhouse.

Case in point I watched this film this weekend on the channel. Encounter of the Spooky Kind is a silly martial arts movie that blends low-brow comedy with horror with lots of crazy kung fu thrown in for good measure.

It was co-written, directed by and stars Sammo Hung as Bold Cheung a rikshaw driver. One day while working he discovers two men looking through the peephole of his house, excited that a couple is making love inside. Bold Cheung barges in, narrowly missing the man with whom his wife is having an affair. 

That man is actually Master Tam (Huang Ha) Bold Cheung’s boss. Afraid that he will be found out and that Bold Cheung will have his revenge on him, Master Tam vows to murder Bold Cheung. But he cannot do it outright as he might get caught and be put in prison.

Luckily Master Tam knows a sorcerer. He tricks Bold Cheung into spending two nights inside a haunted house. There the sorcerer has control over a hopping vampire (seriously, apparently Chinese folklore involves living corpses that move around by hopping and sucking out your life force). 

Luckily for Bold Cheung the sorcerer’s apprentice doesn’t think they should use their powers for evil purposes and he sets out to help Bold Cheung to survive.

There’s a bit of voodoo, some more vampires, and even a magic undergarment thrown into the mix. It is all very silly (a little too silly for my tastes) and it runs a bit too long, but mostly it’s a lot of fun. The kung fu is excellent which more than makes it worthwhile to watch.

Shaw Brother’s Classics, Vol. 2

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Another great collection of martial arts movies from Shout! Factory. Admittedly these are much better if you watch them spread out over a longer period than the few days that I watched them in. I gotta admit I grew a little tired of these films after a while. But I still had a lot of fun watching them. You can read my review of this set over at Cinema Sentries.

Shaw Brothers Classics, Vol. 1

shaw brotehrs classics vol 1

I’ve reviewed several Shaw Brother’s films on Cinema Sentries and posted them here before. They made a slew of terrific kung fu flicks in the 1970s through the ’80s. This year Shout! Studio has released three (thus far) big boxed sets of their films. I have the first two and I just finished my review of the first one. You can read that here.

I gotta admit I’m getting a little tired of watching them. On an individual basis they are all mostly great, but after a while they all just feel the same. For the second set, I’m taking extensive notes just so I can remember which film is which.

Awesome ’80s in April: Yes, Madam! (1985)

yes madam

When I decided to watch a bunch of movies from the 1980s this month I was thinking about all of the stereotypical films from that decade that I knew of as a kid. I was thinking about dumb comedies, big action flicks, slashers, and low-budget B-movies. Lots of other movies were made in the 1980s, of course, but my plan was to stick to the kinds of movies that made me think of the ’80s. I wasn’t interested in foreign language films, or art-house movies.

I’ve mostly stuck to that, but the Criterion Channel is running a series of films starring Michelle Yeoh and I just “had” to watch at least one. Yes, Madam! is the film that made her a star in Hong Kong and is at least partially responsible for a slate of action films starring women that became popular at the time.

Yeoh stars as Senior Inspector Ng, a Hong Kong detective who teams up with Senior Inspector Morris (Cynthia Rothrock in her first big role) from London. They are after some secret microfilm stolen by some gangsters.

Well, actually it was accidentally stolen by a couple of bumbling crooks, but the gangsters want it so you get the cops and the gangsters chasing the dimwits, and the gangsters doing everything they can to keep the cops from getting it first.

It is very similar to a lot of American action movies made in the 1980s. The plot is pretty silly, and the acting is not always great, but the action is a lot of fun. American films tend to involve a lot of gunplay, but Hong Kong films eschew the bang bang for the kung pow. Both types of films usually involve some comedy, but American films tend to have a wise-cracking lead hero, and their Hong Kong counterparts are more slapstick, and more physical with the comedy.

So it is with Yes, Madam! Yeoh and Rothrock kick some serious ass. There are a lot of fight scenes and all of them are fun to watch. The comedy doesn’t fare as well, but I’ve never been a fan of slapstick silliness. It is big, goofy fun, and well worth the watching.

Foreign Film February: Five Shaolin Masters (1979)

five shaolin masters poster

I’ve watched enough Shaw Brothers kungfu flicks at this point to recognize that their plots are all mostly the same. There is usually a good clan and an evil clan. The evil clan picks a fight for one reason or another which leads to lots of drama and even more fight scenes and it all ends in a climactic big final battle. There is sometimes a love interest, usually a training montage, and often the Master is killed. There are variations on this, but more or less that’s what happens in all of them.

Sometimes they are funny or really goofy, and sometimes they are deadly serious. Mostly the scenes between fights is utterly pointless, but the best ones at least keep them interesting. But the real reason to watch is the fight sequences. When they are good, there is nothing better, when they aren’t so good they are at least entertaining.

Five Shaolin Master’s fights are just ok. The story is worse.

Some Qing soldiers burn down the Shaolin Temple. Five dudes survive and vow their revenge. They work out a series of secret codes to tell each other apart. This makes sense once they start enlisting other people who are sick of the Qing soldier’s evil deeds. They also learn that there is a traitor in their midst and suss him out.

Our heroes are no match for the Qing fighters and get their collective arses handed to them. They regroup, train heavily for several months, and come back for a final showdown. It is all mostly dull with the fight scenes being merely adequate. The final, big battle is pretty fun with eyes getting snatched, testicles being destroyed, and lots of jumping and flying about.

But other than that this one is utterly skippable.

The Untold Story (1993)

the untold story poster

Originally written and posted in October 2006.

Someday I really will get into the reasons I tend to watch really depraved, sick, twisted, and awfully gory flickery. For now, I’ll continue to review the nasties I watch. I’m not really all that sure how I even know about some of these films anymore. I think I heard about this one by hearing about some other film and then following various links of similar films to this one. Or maybe I looked up one film on IMDB.com and followed a thread about similar films. Either way I did hear of it, and heard it was one of the most violent, sickest films out there so of course, this demented gore-head had to watch.

I hesitate to call myself a demented gore-head because my mom might read this and then where would I be? In truth, I watch lots of other films, regular like without violence and gore, but there is something raw and carnal about twisted films that make me watch. There I go again trying to explain they why when I said that would have to wait until later.

Ultimately this film wasn’t quite as sick as everyone said. Sure there is plenty of gore and buckets of blood in this tale of a crazed serial killer who slaughters people with his butcher knife and sometimes serves them up as pork pies, but none of it is particularly realistic and therefore not as sick as it could be. The blood, the guts, the nastiness always looks fake, so you never get sucked into the gore too much. The reputation comes, me thinks, from a particularly brutal scene involving the slaughter of several small children. Movies tend to shy away from mass murder involving little ones and so this film seems particularly nasty, even though what is seen on camera isn’t that vicious.

Gore aside, what really lowers the level of this film is the portrayal of cops. All of the police trying to solve the crime are completely incompetent, inept, and stupid. In one of the opening scenes where we see some severed limbs wash ashore, the cops bicker, joke, and argue over who will investigate the appendages. In numerous scenes, the one detective with half a brain brings in a scantily clad hooker as his date while the other male cops oogle and ogle all over her. In the interrogation scenes, all of the cops are all too eager to brutally beat a confession out of the killer.

Anthony Wong does an excellent job playing the psychopath and he even manages to render a few moments of sympathy from the audience.

This is totally a low-grade movie made for gore heads looking for a little fake blood. Even there it never rises above its cult standing as the epitome of crazy exploitation.

You have been warned.