Conclave (2024) 4K UHD Review

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My wife and I lived in France for about a year back in 2004-2005. While there we traveled a bit around Europe. One of my favorite activities was visiting old Cathedrals. These monuments to Christ and the Church fascinate me. I come from the Church of Christ and they abhor pomp and circumstance, rituals, and any type of artifact or icons. Those visits started a lifetime fascination with the rituals of High Church.

Conclave is about one of the biggest Church rituals – choosing a new Pope. It pays out like a murder mystery/thriller and is tons of fun. Its stacked cast includes Ralph Finnes, Stanley Tucci, John Lithgow, and Isabella Rossellini. You can read my full review here.

Footloose (1984)

footloose poster

I grew up in a small, conservative town in Oklahoma. My family attended a conservative, evangelical-ish church. My parents were conservative and religious, though I’ve since come to realize they weren’t quite as conservative as many folks in their social circles were at the time. I was allowed to listen to rock and roll music, and we watched all kinds of movies, sometimes even Rated-R movies.

My memory is fuzzy but I believe they did not allow my brother, who is four years older than me, to go to school dances. Dancing leads to sexy thoughts which leads to actual sex, or so the thought went. By the time I got old enough they had loosened up on that idea, but I actually had no desire to go to dances. I was way too shy to ask a girl to one, and even if I did, I didn’t know how to dance.

Footloose is a movie about a teenaged boy named Ren (Kevin Bacon) who moves from the big city of Chicago to a small, mountainside, Midwestern town. It is more or less run by the local Preacher (John Lithgow) who instigated a town ban on dancing of any kind. Now, in this scenario dancing doesn’t lead so much to sexing (though certainly, that is still on the reverend’s mind) but to drinking and that leads to death. Or at least it lead to his son’s death when he did some drinking and driving.

So Ren comes to town, and he’s the new kid so he gets picked on by the bullies, one of whom challenges him to a game of chicken on tractors. There’s a little trouble at school, too, which turns Ren into a troublemaker in the eyes of the preacher. But he also makes a friend with Willard (Chris Penn) and the preacher’s daughter Ariel (Lori Singer).

Did I mention the town has banned rock and roll, too? Like all bans of this sort, they don’t do any good and the teens listen to rock and roll, drink beer, smoke cigarettes, and have a little sex. But what they don’t do is dance. At least not in an organized fashion. Queue Ren and his righteous fight to have a school dance.

Though it was a big hit when it came out in 1984 I only just saw it this weekend. I did have the soundtrack though, and it’s killer. I don’t think my parents outright banned me from watching it, but I do remember hearing discussions about how us kids shouldn’t watch it because it promoted dancing and disrespecting authority. Someone also complained that the theme song by Kenny Loggins promoted skipping church to go dancing and having fun.

Had I been interested in seeing the film, I no doubt would have found a way, but it just didn’t look that good to me. Watching it now I can firmly say it is a very dumb film, but also ridiculously fun.

They don’t hammer too hard on the morality of the film, and Lithgow plays the preacher with some nuance and, eventually, some heart. Mostly it is a film that wants to be a musical and loves to do dance montages.

Two of my favorites include Ren getting frustrated by the preacher and running off to some warehouse where he proceeds to drink, smoke and do an amazing dance all by himself. Later, when he learns Willard can’t dance he teaches him. And we are treated to this lovely montage of those two teenage boys dancing together (one might think this film is very gay – one might not be wrong).

I don’t think it is too much of a spoiler to say that the teens get their dance. What I love about the final dance scene is that it isn’t some carousing, dirty dancing affair. No, the teens do a little line-type dance and then mostly just dance by themselves. It is very chaste, just some kids having fun.

And that’s the film. Really pretty dumb, but tons of fun to watch.

Awesome ’80s in April: 2010: The Year We Make Contact (1983)

2010 the year we make contact poster

2001: A Space Odyssey is arguably one of the greatest movies ever made. Certainly, it is one of the greatest science fiction films ever put on celluloid. It was made by the visionary auteur Stanley Kubrick. One of the many astounding things about the film is that it is almost entirely told through visual language. Great swaths of the movie contain no dialogue whatsoever. This is also one of the reasons the film is endlessly discussed – it never tells you what’s happening, it shows you.

A sequel was made in 1984. Directed by Peter Hyams 2010: The Year We Make Contact is a pale imitation of the original. As a sequel, it is not great. Where Kubrick’s film is mysterious, asking big questions and giving no answers, 2010 is all answers.

But if you can separate it from the original, and take it on by itself, it’s actually pretty good. Admittedly, that is a difficult task, as this film is basically an answer to the questions asked by the original. Its plot takes place right after 2001 ended and its characters spend their time hunting down what happened in that movie. But if you can get the original out of your mind and just let this one do what it’s doing, then I think you can find it enjoyable.

I said it begins right after the events of 2001, but really it begins 9 years after that movie (hence 2010 in the title.) At the end of the first film, the crew from the Discovery One spaceship which was on a mission to Jupiter are lost. The HAL-9000 computer, which controlled pretty much everything on board went a little crazy and killed most of the crew. Dave (Keir Dullea) the only survivor disappeared. As an audience, we know that he discovered a giant black monolith orbiting Jupiter and was sucked inside it. A long, psychedelic trip then turns him into a cosmic space baby. But in-film, the people of Earth have no idea what happened to him.

The Americans and the Russians are both planning missions to Jupiter to find out. There is a time rush as the Discovery One is slowly losing orbit and will soon crash. The Russians will have their ship ready faster than the Americans, but it is the Americans who have knowledge of the Discovery One and are the only ones who can reboot HAL. So, three Americans Heywood Floyd (Roy Scheider) who feels responsible for the entire Discovery One mishap, Walter Curnow (John Lithgow) who designed the Discovery One, and R. Chandra (Bob Babalan) who created the HAL-9000 computer, jump aboard the Russian ship.

All of this occurs during the height of the Cold War. During the mission relations between the two countries deteriorate with a Cuban Missile Crisis-type situation pulling them toward the brink of war.

The astronauts try to ignore the ongoing politics back home and instead concentrate on the mission. The film does explain what happened to HAL in 2001, but I won’t spoil that here. It explains further what the monolith is and what the aliens want, but again no spoilers. None of that is particularly thrilling or all that interesting. And if you want it to it can destroy all the mystery of 2001.

However, the design of everything is really quite good. I especially enjoyed the matte paintings and the various images of space, Jupiter and its moons and the placements of the ships within all of that. All of the space stuff is really interesting. I also enjoyed the relationships that develop between the various scientists (Helen Mirren plays one of the Russians and she’s always fun to watch, especially when attempting a Russian accent).

If this movie existed on its own, if 2001 had never been made I think 2010 would have been well-regarded. It might not be a classic, but It would definitely have a good following. I’d argue it should definitely be reconsidered, despite the Kubrick film always overshadowing it.

I wrote a different review of this film back in 2004. You can click here and read it if you like (spoiler alert, I hated it).